The degree to which physiology and culture have affected the formation of primitive color categories continues to be a matter of discussion. In this paper the degree of agreement between the ranges of individual color term foci for the four hue-based color categories yellow, green, blue, and red and individual choices of Munsell samples representing for the observers Hering's four unique hues is investigated. The color term focus range data are extracted from the survey results of the 110 unwritten languages (...) of the World Color Survey, also in terms of the Munsell color order system. Agreement of approximately 90% between the two has been found, indicating the likelihood of a strong color vision system related physiological component in the formation of these four primitive hue categories. (shrink)

This chapter discusses the ordering of color percepts, and starts by presenting an overview of the critical issues surrounding the topic and by examining the relationship between stimuli and percepts. Certain types of variability were found by experimental psychology in the relationship between stimulus and response as a result of observation conditions. In the twentieth century, the view that the normal human color-vision system has a standard implementation and that all perceptual data are appropriately treated with normal statistical distribution methodology (...) became the standard paradigm. However, the idea that the large number of color percepts humans can experience must fit into some kind of ordering system is an old one, going as far back to Aristotle and his proposed color categories based on a scale of chromatic colors between white and black. The strengths and limitations of the more recently developed kinds of color order systems are also touched upon here. (shrink)

Berlin & Kay hue-related basic color categories are compared with the ISCC-NBS system of object color categorization. Though independently derived, categories of the former form a small subset of the latter. A conjecture is proposed that explains the absence of yellow-green and blue-green basic hue categories and the potential for a violet category as the result of constraints on primitive hue category formation due to considerable variation in stimuli selected by color-normal observers as representing for them unique hues.

Paul Churchland proposed a conceptual framework for translating reflectance profiles into a space he takes to be the color qualia space. It allows him to determine color metamers of spectral surface reflectances without reference to the characteristics of visual systems, claiming that the reflectance classes that it specifies correspond to visually determined metamers. We advance several objections to his method, show that a significant number of reflectance profiles are not placed into the space in agreement with the qualia solid, and (...) produce two sets of counterexamples to his claim for metamers. (shrink)

This commentary raises the possibility of recent discussion on the issue of basic color terms suffering from the "stimulus error," first described by the English psychologist E. B. Titchener. It refers to confusion of the psychological experience with the physical description of the stimulus. Such confusion is routine in everyday language in situations where private sensory experiences are involved that cannot be objectively described, but is harmful in fundamental discussions about experiences.

Research seeking a scientific foundation for the theory of art appreciation has raised controversies at the intersection of the social and cognitive sciences. Though equally relevant to a scientific inquiry into art appreciation, psychological and historical approaches to art developed independently and lack a common core of theoretical principles. Historicists argue that psychological and brain sciences ignore the fact that artworks are artifacts produced and appreciated in the context of unique historical situations and artistic intentions. After revealing flaws in the (...) psychological approach, we introduce a psycho-historical framework for the science of art appreciation. This framework demonstrates that a science of art appreciation must investigate how appreciators process causal and historical information to classify and explain their psychological responses to art. Expanding on research about the cognition of artifacts, we identify three modes of appreciation: basic exposure to an artwork, the artistic design stance, and artistic understanding. The artistic design stance, a requisite for artistic understanding, is an attitude whereby appreciators develop their sensitivity to art-historical contexts by means of inquiries into the making, authorship, and functions of artworks. We defend and illustrate the psycho-historical framework with an analysis of existing studies on art appreciation in empirical aesthetics. Finally, we argue that the fluency theory of aesthetic pleasure can be amended to meet the requirements of the framework. We conclude that scientists can tackle fundamental questions about the nature and appreciation of art within the psycho-historical framework. (shrink)

The data from the World Color Survey of 110 un-written languages have been analyzed in regard to individual focal choices. A total of 46 major color terms have been identified. Of these 24 can be defined in terms of English color terms, while 22 cannot. The most important color term in terms of usage is red, followed by white and black. In the 110 languages, 73 different arrangements of major color terms have been found. The six Hering fundamental colors, presumably (...) closely related to the workings of the color vision system, occur preferentially but not consistently in languages with 6 or more major terms. They represent the top six categories in terms of major usage. WCS indicates usage of major color terms to be complex and clearly also influenced by cultural choices. (shrink)

In a world that has become increasingly dependent upon employee ownership, commitment, and initiative, organizations need leaders who can inspire their␣employees and motivate them individually. Love, forgiveness, and trust are critical values of today’s organization leaders who are committed to maximizing value for organizations while helping organization members to become their best. We explain the importance of love, forgiveness, and trust in the modern organization and identify 10 commonalities of these virtues.

As modelling becomes a popular approach in the study of biological systems it is necessary to clarify its concepts and dimensions. This helps to characterize and to distinguish models but cannot establish their quality. The virtue of a model depends on the insight gained in respect to a specific scientific question, and it is hard to measure this with a theory.

Neural organization has many facets; multiple descriptive levels and multiple analytical strategies coexist. Although most neuroscientists agree that a multidisciplinary, multistrategic approach is necessary to understand neural organization, diverse individual approaches make it difficult to find the optimal mixture and priority list.

Reflectance and spectral power functions are poor predictors of color experiences. Only in completely relativized conditions (single observer, non-metameric set of stimuli, and single set of viewing conditions) is the relationship close. Variation in reflectance of Munsell chips experienced by color-normal observers as having a unique green hue encompasses approximately sixty percent of the complete range of hues falling under the category “green”; and in recent determinations of unique hues, ranges of yellow and green as well as green and blue (...) unique hues overlap. (shrink)

El autor aborda la tendencia del crecimiento del capital por encima de la expansión económica, que ha generado una excesiva desigualdad, mostrando que esto además ha coincidido con el retroceso en el estado de bienestar, incidiendo en las políticas nacionales y por ello generando una transformación del estatus de ciudadano hacia un productor de bienes y consumidor. Los argumentos se dirigen a mostrar cómo esta situación contradice los principios de protección de las mínimas condiciones sociales y económicas esgrimidos por la (...) declaración universal de los derechos humanos y el modo como el capital internacional incide en las decisiones políticas transformando el concepto tradicional de soberanía y de ciudadanía.Se evidencia pues una necesidad de decisiones que, en términos políticos impongan cargas económicas al capital, sobre todo al internacional. In this paper, I will show how the tendency to a bigger growth of capital than the one of the overall economy has generated an excessive inequity. I will also show how this is linked to a regression in the welfare state and the transformation of the citizen into a producer of goods and a consumer. I will try to show that this situation contradicts the principles of protection of the social and economic minimal conditions stated by the Universal Declaration of Human Rights and how international capitals influence political decisions and how it helps to transform the traditional concepts of sovereignty and citizenship. It is then evident that it is necessary to make political decisions to impose taxes to capital in particular to the international one. (shrink)

Population counts and longitude and latitude coordinates were estimated for the 50 largest cities in the United States by computational linguistic techniques and by human participants. The mathematical technique Latent Semantic Analysis applied to newspaper texts produced similarity ratings between the 50 cities that allowed for a multidimensional scaling (MDS) of these cities. MDS coordinates correlated with the actual longitude and latitude of these cities, showing that cities that are located together share similar semantic contexts. This finding was replicated using (...) a first‐order co‐occurrence algorithm. The computational estimates of geographical location as well as population were akin to human estimates. These findings show that language encodes geographical information that language users in turn may use in their understanding of language and the world. (shrink)

The repetition of life is being examined on the basis of Henry’s analysis of life as a performance beyond habitualization as sedimentation in Husserl’s approach, as well as a difference in immanent conceptualization on the premise of the coveting organless body according to Deleuze. In contrast to this “nomadic thinking,” which always remains non-subjective, the emphasis in the original reciprocity of life and body is put on the basic transcendentality of the effective repetition of life in the bodily memorial of (...) the radical phenomenological habitualization. (shrink)

Die Frage nach dem Ursprung des Bosen beschaftigt den Menschen seit Jahrhunderten. Eine Losung suchen dualistische Ansatze, indem sie dem guten Schopfergott ein boses Prinzip an die Seite stellen. Schon Augustinus setzte sich in seinen Schriften kritisch damit auseinander. Im Mittelalter erfreuten sich dualistische Sekten erneut grosser Beliebtheit. Die intellektuelle Auseinandersetzung mit dieser Lehre war eines der Motive fur die Grundung des Dominikanerordens. Vor dem Hintergrund der antiken und mittelalterlichen Dualismuskritik zeichnet sich der Ansatz Alberts des Grossen durch eine wesentlich (...) differenziertere Argumentation aus. Mit Aristoteles kann er die Grundlage von Gegensatzen praziser bestimmen und so nachweisen, dass Gegensatze nicht erste Prinzipien sind, sondern erst in Dingen auftreten, die schon existieren. (shrink)

Critics of the target article objected to our account of art appreciators' sensitivity to art-historical contexts and functions, the relations among the modes of artistic appreciation, and the weaknesses of aesthetic science. To rebut these objections and justify our program, we argue that the current neglect of sensitivity to art-historical contexts persists as a result of a pervasive aesthetic–artistic confound; we further specify our claim that basic exposure and the design stance are necessary conditions of artistic understanding; and we explain (...) why many experimental studies do not belong to a psycho-historical science of art. (shrink)

The recent interpretation of Michel Henry’s thought as a ‘phenomenological vitalism’ raises fundamental questions regarding the reception of his phenomenology. The issue raised, however, is not primarily about radical phenomenology being inspired (or not) by more or less vitalistic philosophies like those of Maine de Biran, Schopenhauer, Nietzsche, and even Freud, rather it concerns the ‘how’ of purely immanent appearing in affect and force understood as immediate corporeality. Does the latter, being original affectivity, require temporality in order to free the (...) affect from its passivity (Passibilit%t) and, thus, in order to enable action? This, however, would lead to an impossible intentional gap or difference within the original phenomenality of life itself. As an alternative, flesh can be seen as a potentiality, inwhich the concrete transcendental possibility and the phenomenological power of appearing as ‘I can’ are already united prior to any formal exercise of freedom. Such inquiry into the reception of the phenomenology of life provides at the same time a framework for the contemporary phenomenological debate. (shrink)