The present work presents partial results of our research, entitled: “This also works: the valuation of alternative paths to conventional algorithms for solving arithmetic problems in the classroom”. The research aims to understand how an arithmetic teaching practice in the early years of elementary school that emphasizes alternative algorithms, as opposed to conventional ones, contributes to mathematics education in a more dialogic and critical perspective. The theoretical support used is Critical Mathematics Education. It is a qualitative research in which we (...) will investigate our own pedagogical practice as an educator of children in the Elementary School, through instruments such as participant observation, field notes, conversation circles, children's productions and didactic material. The data will be analyzed with a lens of the mentioned theories, in search of units or categories. It is expected that the research brings some contributions of a teaching practice based on valuing alternative algorithms. Currently, the literature review and the design of the theoretical and methodological framework for the research have been completed, and some data have already been collected and analyzed. For this study, we will bring 1) an overview of the research, with elements of the theoretical and methodological framework of the research and 2) the literature review carried out, with the categories found. (shrink)

Since its foundation in 2010, the annual philosophy thematic edition of this journal has been a forum for authors from a wide range of disciplines and backgrounds, enabling contributors to raise questions of an urgent and fundamental nature regarding the most pressing problems facing the delivery and organization of healthcare. Authors have successfully exposed and challenged underlying assumptions that framed professional and policy discourse in diverse areas, generating productive and insightful dialogue regarding the relationship between evidence, value, clinical research and (...) practice. These lively debates continue in this thematic edition, which includes a special section on stigma, shame and respect in healthcare. Authors address the problems with identifying and overcoming stigma in the clinic, interactional, structural and phenomenological accounts of stigma and the ‘stigma-shame nexus’. Papers examine the lived experience of discreditation, discrimination and degradation in a range of contexts, from the labour room to mental healthcare and the treatment of ‘deviancy’ and ‘looked-after children’. Authors raise challenging questions about the development of our uses of language in the context of care, and the relationship between stigma, disrespect and important analyses of power asymmetry and epistemic injustice. The relationship between respect, autonomy and personhood is explored with reference to contributions from an important conference series, which includes analyses of shame in the context of medically unexplained illness, humour, humiliation and obstetric violence. (shrink)

A fibromialgia é uma síndrome crônica, não inflamatória caracterizada por dores musculoesqueléticas difusas e pela presença de pontos dolorosos em determinadas regiões do corpo "Tender Points". Seu diagnóstico é clínico, não havendo alterações laboratoriais específicas. O enfoque deste trabalho é co..

Computers have become omnipresent in recent decades, affecting all aspects of modern life and influencing creative pursuits in art, architecture, music, and film. One consequence of this seemingly irreversible trend is its effect on the perception of the aesthetic object, and indeed of nature itself. Dawn of a New Feeling acknowledges that computers have become a formidable tool for creating new and entertaining art forms, while contending that virtual reality is not conducive to meditations on the aesthetic object. Virtual or (...) augmented reality, Raffaele Milani argues, is illusory and blunts the viewer’s capacity for feeling a genuine connection with a work of art. First describing how modernity and post-modernity are entangled with virtual reality, engendering linguistic and anthropological confusion in which art seems to have lost its meaning, Milani then contrasts these developments with classical art forms and reflects on the ways in which traditional art objects stimulate an appreciation of nature, which, upon contemplation, appears as an aesthetic object itself. The saturation of our culture by mass media, he argues, can give rise to a renewed desire to experience a more intimate communication with nature. By identifying reading, contemplation, and care for nature as activities that help us to escape the mental atrophy of a web-dominated world and find refuge from the chaos of virtual mediation, Dawn of a New Feeling offers a reinterpretation of contemplative approaches to appreciating aesthetics and to understanding the profound nature of artistic vision. (shrink)

La città, risultato della storia, della cultura e della civiltà, si presenta a noi, a un primo impatto, come un’esaltazione dell’edificare in un gioco delle forme e dei volumi, o come una glorificazione dell’architettura; in un secondo momento viene percepita anche come un segno delle comunità e dell’appartenenza di cui le forme sono il riflesso. Si profila, a ben ragionare sul suo significato, dall’antichità alla modernità, un composito fare umano, il disegno straordinario dell’azione collettiva e dei singoli, l’effetto di un’arte (...) dello spazio esteso. Esso interagisce con ciò che si chiama l’arte del paesaggio, perché propone elementi della cura, dell’immaginazione e della progettazione, i segni della fantasia e le creazioni della necessità. Allo stesso modo di un’attività dove l’uomo è creatore di coltivazioni, si può dire infatti che esista un’arte della città come prodotto delle comunità e dei singoli, degli architetti e degli artisti, dei progettisti e dei semplici lavoratori, dei cittadini e dei loro rappresentanti politici: risultato di uno sforzo ideale e civile, ma anche di un concreto, sfaccettato manifestarsi delle tecniche nello spazio, modellato anche, volta a volta, da quel certo gruppo sociale o dalle ideologie. (shrink)

In The Aesthetics of Grace: Philosophy, Art, and Nature, Raffaele Milani traces the fascinating history of the idea of 'grace' from ancient times to the 1700s. Although this term has been displaced by other concepts with the advent of modernism and postmodernism, the complex ideas related to the notion of 'grace' remain an important aesthetic category, and Milani presents an impressive panorama of reflections on and interpretations of the subject. The subtitle of the work indicates the broad scope of a (...) study that recounts the origins of the term in Latin gratias (favor, regard, or gift), corresponding to the Greek Kharites (givers of beauty and charm). The volume then goes on to examine the Middle Ages, when the concept acquires a more specifically religious meaning (divine mercy, thanks), the Renaissance, when the terms 'gracefulness' and 'elegance' come to dominate in the treatises of the time, and the Ages of Romanticism and Neoclassicism, with their particular treatment of the topic. In the process, Milani meditates on the visual representations of these multiple meanings in the form of second-century frescoes, fifteenth-century paintings by Botticelli, Raphael, Titian, Da Vinci, Mantegna, Correggio, and Carracci, seventeenth-century canvases by Poussin and sculptures by Bernini, and eighteenth-century sculptures by Antonio Canova and paintings by Fragonard. This engaging work weaves with skill and subtlety philosophical, theological, and artistic ideas into a stimulating tapestry. (shrink)

In the face of the most recent developments in digital and visual art, the Internet, the latest frontiers and currents, the new languages and technologies, Souriau’s schema does not work, but his reflections on the aesthetic notions of instauration and skeuopoetics do, and they pertain both to classical painting and to future perspectives. In fact, we note strong connections with research that the philosopher had had conducted on feelings, relations, forms, and processes, in terms of synaesthesia and structural correspondences. On (...) the basis of his thinking, we can still argue the importance of these concepts and these relations as they relate to physical and phenomenal existence, to materiality and transcendence: a conceptual and imaginative universal that is considered to be eternal. Art is seen as the producer of things capable of performing actions that are purely physical. He makes this claim because these actions expressly and intentionally create things whose existence is their sole purpose. (shrink)