The intellectual history of Humanity is part of a vast genealogy that stems from disputes between those advocating the excellence of ancient times and those arguing the superiority of the present. Thus, since antiquity we find the persistent recurrence of a Quarrel of the Ancients and the Moderns, virulence that stresses the human and social experience, either praised, either rebuked in its development process. This paper discusses the process of development of the Quarrel of the (...) class='Hi'>Ancients and the Moderns as a matrix from which it is possible to perceive, in sparse and seemingly random historical positions, a way that guide us to the path, full of crossings and intersections, of modern experience. Its aim is to define some cardinal points of the Quarrel’s own development that help us to better understand how the idea of “modernity” has evolved. (shrink)

The thesis put forward by Luc Ferry in this book is the following: "If Heidegger's deconstruction of metaphysics and Strauss's critique of historicism are incontrovertible, and if, despite everything, we refuse to conclude that a 'return to the ancients' is in order... we must take up the challenge of showing how modernity may criticize itself and thus refrain from yielding to the wiles of metaphysics". It is a substantial thesis--not entirely original, but well-argued, with an interesting exegesis of Fichte's (...) theory of rights. (shrink)

Of Euclid’s lost manuscripts, few have elicited as much scholarly attention as the Porisms, of which a couple of brief summaries by late-Antiquity commentators are extant. Despite the lack of textual sources, attempts at restoring the content of this absent volume became numerous in early-modern Europe, following the diffusion of ancient mathematical manuscripts preserved in the Arabic world. Later, one similar attempt was that of French geometer Michel Chasles (1793–1880). This paper investigates the historiographical tenets and practices involved in Chasles’ (...) restoration of the porisms, as well as the philosophical and mathematical claims tentatively buttressed therewith. Echoes of the Quarrel of the Ancients and the Moderns, and of a long-standing debate on the authority and usefulness of the past, are shown to have decisively shaped Chasles’ enterprise—and, with it, his integration of mathematical and historical research. (shrink)

In this insightful and controversial book, the eminent philosopher Stanley Rosen takes a new look at the famous 'quarrel' that the moderns have with the ancients, analyzing and comparing ancient philosophers and modern Continental and analytical thinkers from Plato, Descartes, and Kant to Fichte, Nietzsche, and Rorty. He urges that we do not dismiss the classical heritage but appropriate it, for this appropriation is an indispensable step in the process of legitimizing our historical experience.

The aim of this study is to show that the reopening of the “quarrel between the ancients and the moderns” proposed by Strauss is an invitation to rethink the format of social science of his time. In his interpretation, the triumph of positivism and historicism in the contemporary era directly influenced the consolidation of a kind of social science that was too technical and scientistic, far from its main object of research, the human life in society. As (...) a result, it was established a nihilistic social science, attached to methods and a theorizing vocabulary, incapable of dealing with the complexity of the human world. I intend to show, based on the criticism elaborated by Professor Strauss, which alternatives are presented to rescue social science through the revival of specific elements of classical political science. (shrink)

Modernity and What Has Been Lost comes out of a conference held at the Jagiellonian University in Krakw̤, Poland, on June 4-5, 2009 that sought to identify Leo Strauss's intellectual background in re: the repudiation of a modern idea of homogenous, universal state (considered as an illegitimate synthesis of Jerusalem and Athens, i.e., the claims of Reason and Revelation). The world we live in, molded by science and historical relativism, may be described as hostile to human dignity or perfection, or (...) abhorrent to those who love the search for wisdom. Straussian teaching consisted in the steady effort to reopen "the quarrel between the Ancients and the Moderns," and refers to the esoteric way of writing practiced by the most profound thinkers of the past which has been apparently forgotten in the last three centuries. Strauss binds the concept of natural right with the question of maintenance of conditions for philosophizing, and it probably seems to him that such defense of philosophy is the highest task in our times. However, one must be well aware that philosophizing always means a perilous way of life. Indeed, it may be destructive of the city (polis) itself as far as the city exists due to some crucial beliefs the philosopher might put in doubt. Reflecting on those issues, Strauss engaged in several highly important debates with his contemporaries, in an open way with, e.g., Carl Schmitt, Karl Lw̲ith and Alexandre Kojv̈e, and more tacitly with Martin Heidegger"--Provided by publisher. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Ancient Quarrel Revisited:Literary Theory and the Return to EthicsJoseph G. KronickThe modern quarrel between theory and practice, like the ancient one between philosophy and poetry, is at once a practical one—at its heart is the question how we should live—and a pedagogical one—who or what is the proper teacher of virtue? Today, the quarrel is between theory and literature rather than between philosophy and poetry, (...) a change that has not been beneficial. The modern complaint against the abstractions of theory reflects a diminution in the quality of the argument. For the ancient Greeks, to ask about the virtuous life was to inquire into what it is to be human, for aretê, which is typically translated as "virtue," but is understood to mean "excellence" or "goodness," meant acting in accordance with what it is to be fully human. 1 The notion that "real issues," as one prominent theorist argues, belong to the realm of action and epistemological and ontological questions to the abstract realm of theory is a simplification of the more serious question of the relation of particulars to universals. It reverses the Platonic and Aristotelian hierarchy that makes thinking the highest form of activity. But something else is going on in this call to action: in denigrating thinking as abstract, it elevates doxa, opinion, in its place. Under the regime of doxa, two things occur: philosophy and poetry are looked upon as useless because utility becomes the criteria for measuring value, and singularity is looked upon with disdain, if it is, indeed, acknowledged at all, because to the extent the world as it appears is common to us all, doxa is not distinct or individual but uniform or the same. Philosophy and poetry share not only the stigma of being deemed useless, but they are dismissed as odd, singular, not common.This essay is concerned with the status of the singular in philosophy [End Page 436] and poetry. The ancient quarrel has not been settled, which may indeed be a good thing because the quarrel keeps alive the question, who is to speak for that which cannot be spoken of, the singular? Silence may be the appropriate response, yet to preserve the experience of that which resists language is the task of philosophy and poetry, hence the quarrel. A long tradition has it that the philosopher seeks universals, while the poet offers particular images of virtue, but at the heart of this argument over ethics is the question of how to account for the singular or unique. To do so, I turn to Socrates, whose singularity remains unaccounted for to this day.Socrates may be said to embody the very problem of the relation between philosophy and literature, for he left us no writings and exists for us primarily through the writings of Plato. Yet there is widespread acceptance of Plato's portrait of him, particularly as to Socrates' method, the elenchus, and his principle of the priority of definitions. However, Socrates' insistence upon the priority of definition is not an example of the philosopher elevating theory over experience but a practical issue involving the care of the self. Furthermore, in ancient Greece, moral and philosophical questions concerning the soul were as much the provenance of poetry as they were of philosophy. The search for truth is a practical matter concerning the conduct of life, but the Platonic philosopher wishes to give a rational account, or logos, that would link conduct to knowledge, whereas the poet's examples are bound to their representations. Nevertheless, to presume that Socrates was seeking a definition of virtue on the grounds that possession of the definition would translate into a good life is an absurdity, for he could never have sought after the knowledge of virtue if his mode of life depended upon the definition rather than on his character. 2The error is to accuse Socrates of placing abstract knowledge before virtuous conduct. When Socrates asks for a definition of the beautiful, for instance, he does not reject the answer, "the beautiful is a beautiful woman," because it confuses a particular with a universal (when compared to the beauty of the gods, the woman is... (shrink)

An examination of how debates originating in the Quarrel of the Ancients and the Moderns informed a broader exploration of the relation between past and present in various realms of eighteenth-century thought.

The Chinese rites controversy is typically characterized as a religious quarrel between different Catholic orders over whether it was permissible for Chinese converts to observe traditional rites and use the terms tian and shangdi to refer to the Christian God. As such, it is often argued that the conflict was shaped predominantly by the divergent theological attitudes between the rites-supporting Jesuits and their anti-rites opponents towards “accommodation.” By examining the Jesuit missionary Kilian Stumpf's Acta Pekinensia—a detailed chronicle of the (...) papal legate Charles-Thomas Maillard de Tournon's 1705–6 investigation into the controversy in Beijing—this article proposes that ostensibly religious disputes between Catholic orders consisted primarily of disagreements over ancient Chinese history. Stumpf's text shows that missionaries’ understandings of antiquity were constructed through their interpretations of ancient Chinese books and their interactions with the Kangxi Emperor. The article suggests that the historiographical characterization of the controversy as “religious” has its roots in the Vatican suppression of the rites, which served to erase the historical nature of the conflict exposed in the Acta Pekinensia. (shrink)

Selected b the late Reiner Schurmann from the Hannah Arendt Memorial Symposia held at the New School for Social research, the nineteen essays collected in this volume record some of the most significant and intense discussions of political philosophy by prominent contemporary philosophers. The framework is the famous seventeenth-and eighteenth-century debated between those who stood for the ancient and medieval traditions and those who advocated a new beginning under the title of modernity.

The philosophy of Bernard Williams, recognised as a prominent expression of ethical thought, presents an intense dialogue with ancient Greek tragic culture. Combining erudition and elegance, Williams evokes Greek tragedies to discuss modern ethical ideas and conceptions. Our article intends to consider Williams’ thought from a cultural point of view: we propose analysing Williams’ cultural methodology, which may be described as a way of thinking beyond the traditional dichotomies between the ancient and the modern, especially concerning the notion of the (...) tragic. Accordingly, we shall examine the affinities between ancient and modern tragic cultures by identifying common narrative and poetical elements. To do so, we shall consider the interpretation of Hamlet, developed by the classicist scholar H.D.F. Kitto. In Form and Meaning in Drama: A Study of Six Greek Plays and of “Hamlet” (1956), Kitto proposes reading Hamlet in close alliance with Oedipus Tyrannus. Kitto maintains that both tragedies are poetical expressions of a shared tragic element: miasma, or “pollution”, a concept thoroughly treated by Williams in the third chapter of Shame and Necessity. Our article aims to combine Williams’ cultural methodology—we may call it the deconstruction of the repeated theoretical frameworks regarding the differences between the ancient and the modern—and Kitto’s reading of Hamlet in line with Oedipus Tyrannus, which may be understood as an illustration of the persistence of common tragic elements beyond time and the historical separation of cultural periods. Our perspective shall be both cultural and aesthetical. (shrink)

When a series of corporate scandals erupted soon after the collapse of the 1990s bull market in equities, policy makers and reformers chiefly responded by augmenting and refining the checks and balances surrounding publicly traded corporations. Through measures such as the Sarbanes-Oxley Act of 2002, securities regulations were intensified and corporate governance was tightened. In essence, reformers followed the tradition of modern political philosophy, developed in the 17th and 18th centuries, in its insistence that pro-social outcomes are best produced through (...) institutional mechanisms that harness self-interest. The empirical evidence, however, suggests the institutional approach will do little to prevent future ethical breakdowns. To corroborate this finding, we survey the literature on board composition, auditor consulting practices, shareholder activism, and executive compensation. Consequently, we look to another stream of political philosophy, the ancient tradition comprising Plato and Aristotle, which argues that social groupings, such as corporations, work best when led by individuals of good character. Applying the ancient view to modern commercial realities, the paper concludes that Benjamin Franklin's attempt to connect virtuous character with enlightened self-interest offers a compelling ethic for corporate leaders. (shrink)

David Hume’s historical thought was shaped before he even began writing the History of Great Britain in 1752. This article shows how Hume developed his historical thought in an attempt to combine two historical structures: the natural-jurisprudential conjectural history of the Treatise of Human Nature and the early eighteenth-century historical narratives of modern Europe that featured in his Essays. The Treatise’s conjectural history used the developmental categories “rude” and “civilised” to explain the origins of justice, government and the moral sentiment. (...) The narratives of modern Europe, in contrast, revolved around the historical categories “ancient” and “modern.” Hume’s historical thought was shaped by the attempt to merge those two structures into a single, coherent structure. The critical question concerned the relation between the ancient and the modern: was modern Europe merely a “revival” of classical antiquity? Or did it have new, “post-ancient” dimensions? The article shows how Hume gradually distanced classical antiquity from modern Europe, thereby creating space for exclusively modern concepts such as “civilised monarchies” and the narrative of modern civilisation that structured his History of England (1754–1762). The paper concludes by suggesting that this structure defined Enlightenment philosophical history, not just Hume’s version of it. (shrink)

In this editorial, we introduce the main themes discussed in this special issue and advocate for a more integrative history of knowledge across disciplinary boundaries through a reconsideration of the language of 'ancient' and 'modern'. We discuss how the essays collected in this special issue seek to go beyond the recurring metaphor of quarrel and competition between antiquity and modernity, and the related representations of key individuals and groups as ‘pioneers’ of modern approaches, in order to move towards a (...) more complex relationship of crossfertilization of 'ancient' and 'modern' knowledges. Each essay maintains that an appreciation of knowledge making as a fully embodied practice is vital for understanding the complex and sometimes contradictory role played by classical authors in the knowledge making of later periods. In different ways, all the essays demonstrate how ancient authors not only provided scholars in later ages (working in a range of disciplines) with a rich supply of evidence for their own works; more interestingly, perhaps, much of what has been viewed as innovation involved scholars drawing on ancient authors and techniques in new ways. (shrink)

This book aims to present a richer alternative to the popular conception of freedom as the power to choose by giving an account of freedom in Schiller, Schelling, and Hegel. Despite my points of criticism (especially with regard to moral responsibility and the freedom to do evil), the contributions of the book are significant. By posing and developing the question of the relationship between freedom and actuality, Schindler introduces a problem that any complete account of freedom must address. At the (...) same time, Schindler provides us with a useful framework for relating Schelling and Hegel on freedom. Finally, the book gives an overview of the potential richness that a fuller conception of freedom provides. (shrink)

This article revisits what has often been called the of Voltaire's historical work. It looks at the methodological and philosophical reasons for Voltaire's deliberate focus on modern history as opposed to ancient history, his refusal to in judging the past, and his extreme selectiveness in determining the relevance of past events to world history. Voltaire's historical practice is put in the context of the quarrel of the ancients and the moderns, and considered in a tradition of universal (...) history going back to Bossuet and leading up to nineteenth-century German historicism. Paradoxically, Voltaire is a major figure in the history of historiography not in spite of his presentism (as Ernst Cassirer and Peter Gay have argued), but because of it. (shrink)

Richard Sorabji; I *—The Presidential Address: Analyses of Matter, Ancient and Modern, Proceedings of the Aristotelian Society, Volume 86, Issue 1, 1 June 1986.

Le chien, dit-on, est le meilleur ami de l’homme. En est-il de même de la femme? Que fait le chien dans la construction sociale du genre? Le livre d’Aaron Skabelund aborde cette question à travers une étude des rôles joués par le chien symbolique et les chiens réels dans le Japon contemporain depuis l’ère Meiji, notamment dans le contexte impérial. S’il ne traite pas de la question du genre de façon systématique, le problème de l’identité nationale, intimement lié à celui (...) de la masculinité,... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Salonnières and the Philosophes in Old Regime France: The Authority of Aesthetic Judgment*Jolanta T. PekaczDuring the eighteenth century a significant shift occurred in the perception of the authority of aesthetic judgment in France, from a group usually referred to as “polite society” and widely considered the exclusive source of taste (goût) to various competing groups arrogating to themselves the right to judge artistic matters. 1 In the present (...) article I discuss the changing recognition of the genders as arbiters of taste, exemplified by Parisian salonnières on the one hand, and the philosophes on the other, during two eighteenth-century quarrels over the French and Italian operas: the Querelle des Bouffons in the 1750s and the controversy between Gluckistes and Piccinistes in the 1770s. I argue that by the end of the 1770s, as a result of the collapse of the old paradigm of “polite society” of which salons were a part, Parisian salon women lost the position (however illusory it might have been) which they enjoyed in the seventeenth century as arbiters of taste. While the philosophes attended feminine salons, [End Page 277] they rejected the idea of consulting salonnières on the matters of taste (and on other matters), as was previously the case, and relegated them to formal, if not merely decorative, roles of guardians of good manners and propriety, the roles accepted by salonnières.The ousting of the salonnière from aesthetic arbitration exemplified by the two operatic quarrels may be viewed as a continuation of the process of exclusion of salon women from discursive development that began in the seventeenth century, as discussed by Erica Harth in Cartesian Women: Versions and Subversions of Rational Discourse in the Old Regime (1992) and, most recently, by Joan DeJean in Ancients against Moderns: Culture Wars and the Making of a Fin de Siècle (1997). In the seventeenth century the norms of feminine bienséance (decorum, propriety) allowed a woman to establish a salon but made it impossible for a salonnière to create a space intellectually comparable to that of the French Academy. After having lost a gendered competition for intellectual space with the Academy by the 1680s, the salon, as Erica Harth put it, “proved a discursive dead end for women.”In this essay I carry through this argument into the eighteenth century and demonstrate that salon women lost a competition with the philosophes not only in the intellectual but also in the aesthetic sphere. Salonnières did not choose not to make aesthetic judgments out of respect for the exclusive right of the philosophes to make such judgments 2 but rather were silenced by the philosophes and complied in order not to violate the limits of feminine bienséance in the public sphere, that is, to survive as salonnières. The seventeenth-century ideals of feminine bienséance taken over by eighteenth-century salonnières were no longer perceived as sufficient (or legitimate) to recognize women as arbiters of taste. In fact these ideals proved to be as detrimental as a source of authority for salon women in the siècle des lumières as they were ambiguous in the grand siècle.Ironically, not only were the eighteenth-century Parisian salonnières ousted from aesthetic arbitration, but neither did they succeed in their roles as guardians of propriety and good manners for the philosophes, that is, in keeping the Enlightenment discourse civil. In both operatic quarrels the dominant genre of discourse was a pamphlet, a libelle, not a salon conversation. While during the Querelle des Bouffons the philosophes were unanimously pro-Italian, the Gluck-Piccini quarrel caused a deep split among them, followed by fratricidal fighting, which seriously undermined their authority in public matters.I. The negative connotation associated with the epithets pedant, savant, and their derivatives in seventeenth-century French treatises on honnêteté indicates [End Page 278] that the authority of judgment of “persons of quality” in matters of taste resulted from the code of bienséances in social relations. Blaise Pascal probably best summarized arguments for the superiority of an honnête person (as opposed to a professional) in the realm of aesthetics; being an... (shrink)

This article offers a comparative study of the views of Alexis de Tocqueville and those of several Chinese thinkers of the late Ming dynasty (1368–1644)—primarily Gu Yanwu, Huang Zongxi, Wang Fuzhi—on the socio-political processes of centralization. My central claim is that their views of political centralization and of the decentralized polycentric society that preceded it in their respective countries exhibit a remarkable array of analogous structural features. More specifically, both Tocqueville and his Chinese counterparts perceive in centralization an inherent unsustainability (...) driven by its self-destructive nature: since the foundation and strength of statism depends on its social resources, the centralization of power inevitably results in the weakening of its own basis. I conclude that through their nuanced reinterpretation of self-interest, both parties advocate a “small-community-oriented communitarianism” instead of the increasingly centralized modern state. (shrink)

Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, (...) and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics. (shrink)

The contribution places Hegel‘s political philosophy, chieflypresented in Elementsof the Philosophy of Right from 1820 but already adumbrated in The GermanConstitution from 1799-1802, intothe context of the quarrel between the ancients and the moderns about the relation between thecitizen andthe stateand the corresponding differentiation of political freedom and civil liberty. In particular, the contribution attributes to Hegel a third, conciliatory position beyond the establishedopposition between the ancient republican ideal of civic commitment and service and the modern emphasis (...) on individual choiceand personal self-fulfillment. (shrink)

Antoine-Chrysostome Quatremère de Quincy was widely regarded as the pre-eminent art theorist of his day and exerted tremendous influence over the development of the arts in nineteenth-century France, publishing over twenty books over his career. Translated into English for the first time by Michel-Antoine Xhignesse, this 1837 treatise on imitation in the arts represents one of his major theoretical works. Quatremère de Quincy argues, against the prevailing opinion of the day, that artistic imitation aims at communicating the essence of the (...) thing represented (ideal imitation), rather than merely faithfully reproducing its life appearance (real imitation). In order to communicate the essence, he argues, the artist must prioritize the contributions of her imagination over the choice and appearance of her model. This represented a significant departure from other accounts of ideal imitation, such as Batteux’s or Winckelmann’s, which instead advocated combining the best features of several different models. (shrink)

The Modes of Scepticism is one of the most important and influential of all ancient philosophical texts. The texts made an enormous impact on Western thought when they were rediscovered in the 16th century and they have shaped the whole future course of Western philosophy. Despite their importance, the Modes have been little discussed in recent times. This book translates the texts and supplies them with a discursive commentary, concentrating on philosophical issues but also including historical material. The book will (...) be of interest to professional scholars and philosophers but its clear and non-technical style makes it intelligible to beginners and the interested layman. (shrink)

Anne Conway’s Principles of the Most Ancient and Modern Philosophy, first published in 1690, is probably the most ambitious contribution to early modern metaphysics by a woman writing in the English language. This beautifully prepared edition makes Conway’s treatise available to twentieth-century readers in an accessible English translation of the 1690 Latin text—itself a translation of an original English manuscript that has long been lost.

The purpose of the paper is to investigate into the ethical significance of friendship, beginning with its origins in ancient Greek philosophy. The first part is dedicated to an interpretation of Plato’s understanding of friendship as a way towards the good. The second part focuses on how Aristotle takes up the thread after Plato and elaborates on the potential of friendship to enhance the good between virtuous people. In the final parts, the paper uncovers Friedrich Nietzsche’s posthumous thoughts on “an (...) ethics of friendship”, which he traces back to ancient Greek philosophy, and it offers a concluding critical commentary on three modern thinkers, Hans-Georg Gadamer, Hannah Arendt and Alasdair MacIntyre, who reflect, each in their own way, on the human good in an on-going dialogue with the ancient Greek philosophy of friendship. (shrink)

Is rationality a well-defined human universal such that ideas and behaviour can everywhere be judged by a single set of criteria? Or are the rational and the irrational simply cultural constructs? This study provides an alternative to both options. The universalist thesis underestimates the variety found in sound human reasonings exemplified across time and space and often displays a marked Eurocentric bias. The extreme relativist faces the danger of concluding that we are all locked into mutually unintelligible universes. These problems (...) are worse when certain concepts, often inherited from ancient Greek thought, especially binaries such as nature and culture, or the literal and the metaphorical, are not examined critically. Drawing on a variety of disciplines, from philosophy to cognitive science, this book explores what both ancient societies and modern ones can teach us concerning the heterogeneity of what can be called rational. (shrink)

Philosophical practice, an art of living rooted in ancient traditions, is enriched by modern techniques such as individual counseling, Socratic group dialogues, and organizational consulting. Philosophical counseling, a key aspect of this practice, employs traditional philosophical frameworks and rational reasoning to address clients' concerns, distinguishing itself from psychotherapy while respecting individual autonomy. The growing Western interest in Asian philosophies also underscores a shared pursuit of wisdom, spirituality, and meaning. This paper examines the development, key features, and leading proponents of philosophical (...) practice, its relationship with academic philosophy, and the tensions between their differing aims and methods. The outlook for philosophical counseling is promising, offering an alternative to medical approaches for existential issues and expanding its scope to personal guidance, conflict resolution, and life‐skill development. Its future trajectory hinges on societal trends toward secularization, the de‐medicalization of mental health, and the increasing recognition of philosophy's intrinsic practical value. (shrink)

This remarkable open-access collection of scholarly studies by internationally distinguished experts explores the intricate and multifaceted philosophical concepts of the Self as understood in Graeco-Roman antiquity and the early modern period. The contributors weave together a rich tapestry of historical and comparative case studies that highlight tensions as well as connections between ancient and early modern perspectives on the Self.

Dans cet article, j’étudie la façon dont Pierre de La Ramée aborde la question de l’analyse mathématique, d’abord dans ses écrits de logicien, puis dans ses traités mathématiques. Dans les Scholae mathematicae (1569), en reprenant un argumentaire qui lui avait servi dans les controverses des années 1550 concernant la « méthode unique», il est conduit à la conclusion que l’analyse n’a aucune valeur démonstrative. Ses recherches sur les significations diverses du mot analysis et sur la nature de l’analyse dans les (...) mathématiques grecques m’apparaissent pourtant comme une condition préalable pour que soit reconnue au xviie siècle la fécondité de la méthode analytique en géométrie. (shrink)

Paul Oskar Kristeller famously argued that the modern ‘ system of the arts ’ did not emerge until the mid-eighteenth century, in the work of Charles Batteux. On this view, the modern conception of the fine arts had no parallel in the ancient world, the middle-ages or the modern period prior to Batteux. This paper argues that Kristeller was wrong. The ancient conception of the imitative arts completely overlaps with Batteux’s fine arts : poetry, painting, music, sculpture, and dance. Writers (...) from the sixteenth century on adopted the ancient conception of the imitative arts and anticipated the views of Batteux by 200 years. Batteux simply popularized the rubric ‘fine arts ’. (shrink)

The question on the essence of man and his relationship to nature is certainly one of the most important themes in the philosophy of Hans Jonas. One of the ways by which Jonas approaches the issue consists in a comparison between the contemporary interpretation of man and forms of wisdom such as those conveyed by ancient Greek philosophy and the Jewish tradition. The reconstruction and discussion of these frameworks play a fundamental role in Jonas’s critique of the modern mind. In (...) the first section I introduce the anthropological problem in Hans Jonas’s oeuvre. Moreover, I clarify why it becomes essential for Jonas to resort to different forms of traditional wisdom. In the second and third sections I try to give an account (as complete as possible) of the two generalisations which Jonas shapes in order to criticise the modern concepts of man and nature. In the last section I show how Jonas links these generalisations to his own philosophical assessment of modernity. Finally, I focus on his methodology, which exemplifies how critical thinking may arise from a reconsideration of traditional contents. (shrink)

Rousseau is considered to be at once the most modern political thinker of the 18th century and the most ancient in his allegiance to classical republicanism. These essays address the place of liberty in his moral and political philosophy, and the origins, meaning, strength, weakness and significance of his argument.

Anne Conway was an extraordinary figure in a remarkable age. Her mastery of the intricate doctrines of the Lurianic Kabbalah, her authorship of a treatise criticising the philosophy of Descartes, Hobbes, and Spinoza, and her scandalous conversion to the despised sect of Quakers indicate a strength of character and independence of mind wholly unexpected (and unwanted) in a woman at the time. Translated for the first time into modern English, her Principles of the Most Ancient and Modern Philosophy is the (...) most interesting and original philosophical work written by a woman in the seventeenth century. Her radical and unorthodox ideas are important not only because they anticipated the more tolerant, ecumenical, and optimistic philosophy of the Enlightenment, but also because of their influence on Leibniz. This fully annotated edition includes an introduction which places Conway in her historical and philosophical contexts, together with a chronology of her life and a bibliography. (shrink)