Contemporary Russian philosophical traditions cannot be reduced to Marxist works and research in religious philosophy. Russian philosophers developed philosophy and methodology of social sciences and humanities as early as at the end of the nineteenth century and in the beginning of the twentieth century. In particular, S.N. Bulgakov’s social philosophy of science is closely related to European thinkers’ works and ideas. Problems of social determinism in scientific cognition are among them. These problems are topical now as seen (...) in the well-known discussion about the nature and meaning of various forms of determinism in which different stands are taken by R. Thomas, E. Morin and I. Prigogine. A new level of research of social determinism is presented in Russia in the second-half of the twentieth century. The identification of determination with causality is overcome. Necessary and contingent, dynamic and statistical determination, self-determination, and so on, come under examination. In the 1970s mechanistic and objectivistic determination is overcome and human factors, such as the will and systems of values, are taken into account. S.L. Frank turns to the methodology of social sciences in 1922 and continues his studies in 1930 in Europe. Frank creates a holistic, fully secular doctrine of social philosophy, sociology, philosophy of law and history. The changing situation in Russia at the end of the twentieth century and the beginning of the twenty first century allows us to re-evaluate ideas and works of Russian thinkers who studied mainly rationalist themes, including philosophy and methodology of science, its hermeneutic and semiotic aspects. Russian and European philosophies are used and essentially enriched. G.G. Shpet’s ideas are examined. Studying the sphere of language and meaning, recognizing the essential importance of hermeneutics for knowledge in the humanities, he brings forward a semiotic conception of ethnic psychology to precede, in particular, American anthropologist and ethnographer C. Geertz’s theory of culture. Russian philosophers are quite aware that any reconstruction of real cognition cannot limit itself to the transcendental epistemological agent or “consciousness in general”. It is necessary to change the level of abstraction of the subject matter of the non-classical—social, cultural and historical—epistemology to draw closer to the real manifestations of cognitive activity. (shrink)

The trial of Galileo remains a representative example of the alleged incompatibility between science and religion as well as a suggestive case study of the relationship between them from the Western historical and methodological perspective. However, the Eastern Christian view has not been explored to a significant extent. In this article, the author considers relevant aspects of the reception of the teaching of Copernicus and Galileo in Russian culture, especially in the works of scientists. Whereas in prerevolutionary Russia Galileo (...) was considered a symbol of the unity of science and religion, in the Soviet period his name and especially his trial was largely used for atheistic propaganda purposes. The author discusses the most recent debate in the Russian Orthodox milieu. The second part is dedicated to the presence of Galileo in Russian religious philosophy, especially in the thought of Gregory Skovoroda, Ivan Kireyevsky, and Sergey Glagolev. Finally, the relation of the Russian Orthodox Church to the teaching of Galileo is considered. (shrink)

Анализируется круг проблем, к которым было приковано преимущественное внимание русских философов указанного периода. Это - идущее от А. С. Хомякова философское осмысление Божественного Триединства.

1st English translation: "The Philosophy of Inequality" is a significiant and passionately intense work by the eminent Russian religious philosopher, Nicholas Berdyaev (1874-1948), written in the early months following the 1917 Communist Revolution in Russia. It was published only later in 1923 in Berlin, following his expulsion from Russia. With his perspective of a personalist existentialism and philosophy of freedom, Berdyaev voices a powerful critique of societal myths and mentalities that lead to a crushing totalitarian control over life, (...) not only Russia then, but now also for our contemporary world. The present volume also includes the 1st English translation of Berdyaev's 1918 article, "Spirits of the Russian Revolution: Gogol/Dostoevsky/L. Tolstoy," which traces the prophetic literary motifs reflected in the Soviet Communist Russian Revolution. The present volume likewise includes the addition of an intensive chapter by the translator, addressing Berdyaev's Religio-Philosophic thought in its connection to aspects of Orthodox Christian theological insights, in an attempt to validate N. A. Berdyaev as indeed verymost an Orthodox Christian philosopher. (shrink)

The First World War forced the Russian intelligentsia to rethink its values—values that had been constructed in the nineteenth century. Distancing itself from pacifism and cultural relativism, it began to search for a moral meaning to the war that broke out in 1914—i.e. to defend the war as morally right and having a higher spiritual purpose. Russian philosophers were central to these debates, as they tried to interpret the war, and the relationship between war and peace, from a (...) metaphysical point of view. The paper will look at philosophical, ethical and religious aspects of these debates, and some of the philosophers who participated in them. (shrink)

В монографии рассматривается проблема целостности духовного смысла в русской художественности на фоне социокультурной динамики. Для специалистов.

The article is dedicated to Vladimir Solovyov (1853 - 1900), the greatest Russian religious philosopher of the 19th Century. The main thesis is that the central ideas of Solovyov can be interpreted as philosophical reflections on fundamental religious feelings and aspects of religious behavior. With respect to this a detailed discussion of Solovyov’s teachings of ‘positive all-encompassing unity’ (всеединство), sobornost (togetherness, соборность) and Godmanhood (Divine Humanity, Богочеловечество) are discussed. Special attention is paid to Solovyov’s theocratic project (...) of Christian Universal Church and the re-unification of the Christian world.Key words: All-encompassing unity; Godmanhood, Sobornost; Russian Orthodoxy; Universal Church (Ecumenical Church). (shrink)

The article provides a summary of “Fyodor Mikhailovich Dostoevsky and European Culture” International Scientific Online Conference, held by the International Laboratory for the Study of Russian-European Intellectual Dialogue of the National Research University Higher School of Economics in cooperation with the Dostoevsky’s Moscow House Museum Center. At the conference, leading experts in various fields of the humanities presented various reports on the mutual influence of Dostoevsky and European culture. Research attention was paid to the problem of the influence of (...) the Russian writer on the creative development of European philosophical and artistic thought. The speakers demonstrated the history of translations of Dostoevsky’s novels into foreign languages. The participants of the conference also reflected the influence of the concepts of Western European philosophy, literature, and culture on the fiction and religious thought of the writer. A number of conference reports were devoted to the cultural and philosophical problems of Dostoevsky’s works. The researchers examined the religious and philosophical dialogues of the novel Demons, paying special attention to the controversial image of the protagonist of the novel – Nikolai Stavrogin. Leading Dostoyevsky specialists turned to the littlestudied aspects of his journalism, defining the role of the “Jewish question.” The conference presented literary critics’ interpretations of Dostoevsky’s novels, the history of screen and musical adaptations of his works in European and Russian art. (shrink)

Alexei Losev (10[22].09.1893, Novocherkassk – 24.05.1988, Moscow), Russian philosopher, philologist and writer, is the creator of a unique religious-philosophical system, which combines the reinterpreted tradition of ancient and medieval thought (Plato and Neoplatonism, Christian apophatic theology of Dionysius the Areopagite, Gregory Palamas, Nicholas of Cusa), the methodology of New European philosophy (German classical idealism, neo-Kantianism, phenomenology of E.Husserl) and the problems of New European philosophy (German classical ideal-ism, neo-Kantianism, phenomenology of E.Husserl) and the problems of Russian (...) class='Hi'>religious philosophy of the late 19th and early 20th centuries, from V.S. Solovyov (the idea of universalism) to P.A. Florensky. In the constructive design of Losev’s system the central place is occupied by dialectics, in the multidimensional construction of which each category and all of them together are worked out in the light of each other. Losev’s personalistic ontology is the basis of his philosophy of language (naming as an interpretative - communicative self-discovery of personality), philosophy of myth as a distinctive form of personal worldview (myth as directly experienced and created reality, symboli-cally expressed), and aesthetics (artistic form is “personality as symbol and symbol aspersonality”). Losev was the founder of the philosophy of music in Russia. His multi-volume history of ancient aesthetics represents the history of the entire ancient culture revealed in its symbolic-expressive aspects. The works of Losev, are presentative of the last generation of the Silver Age of Russian culture, became a kind of completion of Ortho-dox religious philosophy in Russia in the 19th and early 20th centuries. (shrink)

Based on ethnographic research done in Moscow, Russia, this article describes how some Muscovites articulate their moral consciousness, that is, the ways in which persons articulate to themselves and others how they conceptualize morality. While it may be possible, and indeed is often the case, that these concepts influence how people act and help guide individuals toward moral behavior, what is more important for our purposes is that these concepts provide a way for persons to give meaning, both for themselves (...) and for others, to their moral worlds and experience. Thus, what I hope to do in this article is describe just one of the conceptual frameworks within which moral experience is rendered meaningful for my Muscovite interlocutors. In doing so, I will consider how certain concepts of the moral person that have their origins in turn of the century Russian religious philosophy, Russian Orthodox Christianity, and Soviet ideology have all come together to make up various aspects of this moral consciousness. (shrink)

The article is dedicated to the early, Paris period of life and literary work of Nikolay Gumilyov (1906–1908), which is still insufficiently studied and understood by scholars. The paper aims to study the influence of this period on shaping Gumilyov’s personality and his spiritual values and aspirations, polishing of his literary taste, gradual gaining of an independent ideological and aesthetic platform and development of his inimitable poetic style. – The research for the paper was based on the comprehensive historical and (...) cultural approach, with application of literary and historical analysis techniques. This approach was used to consider the memoirs of his contemporaries, Gumilyov’s letters to Valery Bryusov, as well as his poetry, prose and art criticism during that period. Particular attention is paid to the history of publishing Sirius magazine and to such poorly studied aspects as the symbolic meaning of the magazine name and the first manifestations of acmeism in its aesthetic platform. The authors emphasize the fruitful and creative character of Gumilyov’s friendship with Sirius co-editor, artist and art critic M.V. Farmakovsky, whose name is unfairly forgotten. – They come to the conclusion that the “first Paris period” was not only the novice time for Gumilyov but also the start of his personal and creative self-identity. It was in Paris that the strong and persistent character of the poet was formed, his skills honed and his inimitable style created, with the colour-sound synthesis of the striking romantic picturesqueness and a clear strong word. Paris was the place of polishing the artistic taste, developing a comprehensive system of views, finding main poetic motifs and setting life goals of Gumilyov, a rising star of the Silver Age. (shrink)

It is proposed to consider the main lines of “philosophy of life’s” (F. Nietzsche, H. Bergson, O. Spengler) influence on the poetry and aesthetic theory of the greatest Silver Age poet Osip Mandelstam whose heritage is largely a continuation of Russian “poetry of thought” tradition. As known, the “philosophy of life” ideas formed Silver age culture intellectual background and were actively rethought which can also be traced in Mandelstam’s work, extent). The article sets a task, firstly, to consider “philosophy (...) of life” as integral phenomenon, secondly, to propose conceptual solutions in the framework of which poet's heritage can be investigated as refracting “philosophy of life’s” ideas. This required, on the one hand, relying on existing research, on the other hand, polemicizing with them. Special attention is paid to Mandelstam’s temporal concept. It is shown to what extent it is conditioned by the concepts of the philosophy of life and in what extent by Silver Age philosophical context, namely, by poet's interest in contemporary Russian religious thought. Some “philosophy of life” concepts and constructions in the poet's reception are outlined (the oppositions Apollonian/Dionysian, Aryan/Judaic and the eternal return idea by F. Nietzsche; H. Bergson’s concept of time and memory; the prime symbol and morphology of culture concepts by of O. Spengler, whose influence on Mandelstam’s work has not been studied in this aspect). It is concluded that priority factor that determined poet's attention to “philosophy of life” is its attitude to comprehend time as a derivative of life processes among which the most important place is occupied by culture and cultural creativity. (shrink)

Two famous Russian thinkers Nikolai O. Lossky (1870–1965) and E. Vasilievich Spektorsky (1875–1951) had a lot in common: both were talented intellectuals, lecturers and authors of many works on philosophy, history of philosophy, culture, politics and literature; both had to leave Russia and settle down abroad, and continue academic and creative activities in foreign environments. All these factors contributed to their friendly and intellectual communication which we want to pay attention to in this article. The purpose of the article (...) is to demonstrate similarities in how Lossky and Spektorsky formulated and addressed ethical issues on the grounding of Christianity and Christian-based philosophy. Thus, we have chosen several aspects of their ethical systems which are crucial for understanding the way of their moral thinking and which are representative in terms of comparison of these two authors: general philosophical positions, grounding ethics in Christianity, absolute basis of ethics and the way it can be cognized, human freedom, motives and goals of moral behavior, and moral evolution and the perspectives of humanity. (shrink)

The object of this paper is creativity as a cultural philosophical and historical-philosophical phenomenon. The subject of the research is the substantiation of the essence of creativity by Russian religious philosophy on the example of the doctrine of V.S. Solovyov and N.A. Berdyaev. The aim of this research is to identify and articulate the key semantic constructs of creativity from the positions of the above-mentioned thinkers. The article also explores ideas about the nature of creativity and the specific (...) features of a creative subject through the prism of relevant concepts of a socio-humanitarian orientation. A brief historical and philosophical excursion into the understanding of the ontological essence of creativity is carried out, modern ontological concepts of creativity are revealed and an existentially oriented concept of creativity is proposed. The theoretical basis of the research is the original works of V.S. Solovyov and N.A. Berdyaev, as well as various commenting scientific sources. The methodological foundation of the research is a comparative analysis and a method of contextual vision of creativity. The main result of the conducted research is the articulation of key aspects of the understanding of creativity by V.S. Solovyov and N.A. Berdyaev. It is shown that for the first philosopher, the central task of creativity is the spiritualization of the material world through the realization of the unity of Goodness, Truth and Beauty, while the second thinker considers the main mission of creativity to be the establishment of a fundamentally different spiritual being by the subject. The scientific novelty of the research also lies in the comparative characterization of the concepts of creativity of these thinkers in terms of essence, tasks, meaning, material, sources, functions, result and other structural aspects. (shrink)

Semen Frank is one of the most interesting and exciting pre-revolutionary Russian religious philosophers to be “rediscovered” after the fall of the Soviet Union. His involvement in Russian pre-revolutionary political and academic life brought Frank into contact with an imaginative, progressive and idealistic group of thinkers whose ranks he then joined. Like Nicholas Berdyaev and Fr. Sergei Bulgakov, Frank put forward his own philosophical views about their world, which was in upheaval, and about human nature. After emigration (...) from the then young Soviet Union, Frank continued to produce his impressive body of work. His ideas are remarkable for their considered, moderate and tolerant nature.This book is a contribution to the ever-growing body of scholarship, which strives to connect Russian thought to its contemporary Western context and continues to facilitate the revival of these fascinating thinkers. In addition to situating Frank’s thought in a Western context, this work seeks to provide an overview of his thought, and introduce his key arguments to those unfamiliar with Russian religious philosophy. (shrink)

Post-secularism is the fundamental evidence of the end of modernity. Modernity, as sleeping reason in Francisco Goya's painting, realizes that, although it thought that it was awake, it was producing monsters. We try to analyze post-secular philosophy from the point of view of Russian religious thought. We believe that such philosophers as Vladimir Soloviev, Pavel Florensky, Sergey Bulgakov, Nikolai Berdyaev, Georges Florovsky, and Semen Frank may be helpful for understanding and overcoming post-secular order. Their unique views on the (...) relations between religion and philosophy, science, and social life are apparently missing in the current Western debates. It seems to us that Russian religious philosophy becomes surprisingly up-to-date and attractive in the contemporary world. We hope that the present volume will be a significant step forward in the inclusion of the heritage of Russian religious philosophy in contemporary debates. (shrink)

The subject of this paper is Alexandre Kojève’s relationship to Russian Religious Philosophy, which is characterized by a paradoxical contrast between Kojève’s openly critical judgment of it, on the one hand, and the hidden, implicit influence of this philosophical tradition on his own atheistic philosophizing on the other. The hidden influence of Russian Religious Philosophy, Kojève’s engagement with the philosophical ideas of Vladimir Solovyov and Fyodor Dostoevsky, will be shown by two case studies. The first case (...) is about Kojève’s “reshaping” and reevaluation of Solovyov’s principle of evil. The second case is about Kojève’s defense of Dostoevsky’s Man-God ideologues against their creator by critically rethinking Man-Godhood. The connection between these two cases is the question, if Kojève, while opposing Solovyov’s difference of Man-God and God-Man with something third, has actually moved beyond the Man-God ideology, or did he develop his own Man-God ideology. The essay concludes, with the assertion that Kojève remains with a revised Man-Godhood. This defense-revision is an important philosophical contribution to the polemics with Russian Religious Philosophy, but it is, at the same time, intimately connected with Kojève’s ideological agenda. (shrink)

Volume 57, Issue 1, February 2019, Page 3-16.

This article explores the religious dimensions of Confucianism during the Ly-Tran dynasties (1009-1400 AD) in Vietnam, a period marked by significant sociopolitical and cultural transitions. Initially introduced as a moral and ethical philosophy from China, Confucianism underwent a complex process of localization, blending with indigenous Vietnamese beliefs and practices as well as Buddhism and Taoism. Through historical records, literary works, and ritual practices documented in “The Complete Annals of Đại Việt” and other classical texts, this study delves into how (...) Confucianism not only served as a guiding principle for governance, education, and social norms but also manifested religious aspects that influenced spiritual and religious life in Vietnam. The religious aspects of Confucianism during this era are evident in several key areas. Firstly, the concept of Heaven (Tian) and the Mandate of Heaven played a crucial role in legitimizing royal authority, with rulers and Confucian scholars frequently invoking divine will to justify political actions and social order. This sacralization of monarchy underpinned by Confucian ideals facilitated the integration of Confucianism into Vietnamese spiritual life. Secondly, the incorporation of Confucian rituals and practices, such as the Heaven Worship Ceremony (Tế Giao) and the veneration of Confucius and other sages at the Temple of Literature, highlights the religious dimensions of Confucian practice, emphasizing reverence, filial piety, and the moral obligations of rulers and subjects alike. Moreover, the article discusses how Confucianism interacted with and was influenced by Buddhism and Taoism, leading to a syncretic religious landscape in Vietnam. This interaction is illustrated through the blending of Confucian principles with Buddhist and Taoist ideals, affecting notions of kingship, governance, and the cosmological order. In conclusion, the religious aspect of Confucianism during the Ly-Tran dynasties significantly contributed to the shaping of Vietnamese identity, governance, and cultural heritage. By examining the religious dimensions of Confucianism, this article provides a more nuanced understanding of its role in Vietnamese society, highlighting the complex interplay between philosophy, religion, and politics in historical Vietnam. (shrink)

The Scottish scholar James McCosh was a champion of the Free church, a successful and much-published philosophy professor at Belfast for 16 years, and an energetic and innovative President of Princeton University from 1868 to 1888. The Religious Aspect of Evolution was published in 1888, and this second edition from 1890 took account of A. R. Wallace's latest work, Darwinism. McCosh, who already in Ireland had developed a 'theory of the universe conditioned by Christian revelation' was one of very (...) few clergymen in America who defended evolutionary theory. He impressed upon his students that while there seemed to be great truth in Darwin's theory, the work of the coming age must be to separate that truth from the error springing up around it. This would enable scholars to follow and even embrace science while also retaining their faith in the Bible. (shrink)

This Is A New Release Of The Original 1913 Edition.

This paper analyzes the problem of Western perceptions of one of the most original branches of the Russian Philosophical Renaissance that occurred at the beginning of the 20th century: namely, the so called Russian Religious Philosophy. This problem still possesses contemporary relevance, owing to the fact that Russian philosophy continues to be engaged in a search for self-identification in respect of Western philosophical contexts. The paper shows that “Russian Religious Philosophy” is perceived by Western (...) thinkers not only as “an exotic cultural phenomenon,” but also as an equal partner in a dialogue: it is considered a significant philosophical achievement, meeting all generally accepted criteria of philosophical creativity. The German Catholic philosopher Peter Ehlen’s monograph on the subject of the religious philosophy of Semyon Lyudvigovich Frank will furnish us, here, with an example of just such an approach. The author of the monograph approaches his subject as something which he himself stands in an essential connection to—something which he, as a researcher, is in a peculiar spiritual communion with. A common spiritual experience of the religious perception of reality determines both Ehlen’s interest in Frank and the specific character of the research undertaken by him. The position of researcher, expected to maintain a certain distance from his or her subject matter, is replaced by that of a co-thinker, engaged in co-experiencing and understanding in depth the ideas of the particular philosopher under examination. The result of this approach is a new synthesis created by Ehlen on the basis of Frank’s philosophy. (shrink)

The work is devoted to the philosophy of mastery presented in the tales of the Ural writer Pavel Petrovich Bazhov. The basis of the phenomenon of mastery is the classical philosophy of Plato in its Socratic version. The authors of the article see it as their goal to prove the close relationship between the practical handicraft Ural art, represented in the mythology and literature of P.P. Bazhov, and the classical metaphysical attitudes of European philosophy. The personality of the master becomes (...) a cementing link between the natural world and the world of culture. Mastery in its philosophical and practical form acts as a support for the natural attitude towards nature, art, and towards man in general. The authors decipher the phenomenon of mastery in the tales of P.P. Bazhov, analyze his modes and the specifics of manifestation. Ural tales of P.P. Bazhov in describing the phenomena of mastery and genuine creative attitude to nature repeat the structure of the classical attitude to the world and logically correspond to the structure of the creative attitude of the master poet to the object he creates. The specificity of the Ural artcraftsmanship lies in the fact that the personality of the master is embodied not in an ideologist, not in a religious preacher, not in an intellectual, but in a master who interacts with the elements of nature as concretely and closely as possible. The work immerses P.P. Bazhov’s legends, written during the Soviet period of Russian history, in the global context of research into the nature of genuine living creativity, and also emphasizes the regional and very special specific aspect in the Ural mastery. (shrink)

The article discusses how the meaning of the principle of “non-resistance to evil by violence” was changing in L.N. Tolstoy's religious and philosophical teachings and how this principle was evaluated in Russian religious philosophy of the late XIX - early XX century. In the first version of Tolstoy’s teachings, set forth in the book “What is my faith?”, the principle of non-resistance was understood in a moral sense, as the norm for all people; its execution should lead (...) to the perfection of earthly life. This idea of L. Tolstoy was sharply criticised by his contemporaries, who noted that there was no truly religious content in Tolstoy’s teachings, it was turning into a utilitarian doctrine of the earthly progress of mankind. Given this criticism, Tolstoy in his later works changed his understanding of the principle of non-resistance. Drawing a distinction between two levels of human life - “animal” and divine, Tolstoy recognised the principle of non-resistance to the law as the divine life of a man. As a result, the principle of non-resistance has acquired a religious rather than moral meaning, since the transition of a man to a divine life means a mystical transformation of his being. He is aware of his super-spatial and super-temporary unity with all people and with all being, and therefore can evaluate the consequences of his actions not only in the limited sphere of his life, but also in all infinite being. In this regard, a person realizes the absolute superiority of good deeds over evil, even if the latter are committed to confront evil. It is shown that some critics of Tolstoy came to a similar understanding of the religious meaning of the principle of non-resistance at the end of their lives. (shrink)

The article outlines the methodological problems of the philosophical and religious studies discourse of the forecast activity, considers the forecast as a specific type of knowledge, the subject-object interconnection of knowledge in the conditions of forecasting. The analysis of the activity of the cognitive activity of the subject required, in turn, to consider the principle of anthropy and the vector of time changes. The article deals with the problems of the objectivity of scientific analysis of religious reality. The (...) article formulated the scientific-categorical apparatus, which corresponds to the forecast activity in the religious sphere. Specifies and defines certain concepts that help to focus the perspective of religious studies and adequately isolate and predict the religious aspect of social life. (shrink)

An analytical review of the current situation of Christian philosophyin Russia is presented, aiming to explain, why so much expectedrenaissance of this philosophy in the post-soviet period did nottake place. Russian philosophy is shown to be structurally a synthesis of the Western conceptual framework and Eastern Christian discourse,the latter being, in turn, the synthesis of patristic and asceticdiscourse, including two basic paradigms, deification (theosis)and sacralisation, and having energy as its dominant category.The key role of ascetic experience in Eastern Christian (...) discourseis stressed. Topical problems related to the study of thisexperience, as well as concepts of energy and theosis, are discussed. (shrink)

In this essay, the author tries to show the religious aspect of Rawls's work using a condition of religiosity that he himself endorsed. Section 1 looks at the passage in which Rawls asserts his condition of religiosity. In section 2, the author argues that Cohen's and Nagel's observation itself rests on a religiosity condition. In section 3, he shows how Rawls argued that Kant satisfied the religiosity condition and why Rawls thought Kant's moral philosophy has “a religious aspect.” (...) Section 4 explains that justice as fairness as presented in TJ has a religious aspect as well. In section 5, the author asks whether the religious aspect of justice as fairness survives Rawls's political turn. The chapter concludes by observing that the significance Kant gives to the moral law and our acting from it has an obvious religious aspect, and that his text occasionally has a devotional character. (shrink)

The article deals with Bulgakov’s critique of Hegel’s monistic system. For Bulgakov, Hegelian monism is an example of philosophical reductionism which aims at reducing the question of Being, the latter expressed by a proposition and constituted by the inseparable unity of three elements, to its second principle. Contrary to Hegel, Bulgakov claims that no philosophy can begin with and as itself—it has to be initiated with a datum. This is in fact where the tragedy of German philosophy, and each monistic (...) philosophy, starts. (shrink)

This text provides a lively introduction to the developments in philosophy of language in this century, and to the way these have impinged upon religious language. Included is the relevance of analytical philosophy of language, but the text also covers important historical debates about religious language that have had increasing impact upon biblical studies and theology.

INTRODUCTION The Silver Age as History The Russian Revolution of was a cataclysmic event that shattered the foundations of both the old autocratic regime ...

At the core of Dostoevskij's philosophy and theology lies a concept according to which the Truth is antinomical: it contains both a thesis and its antithesis without expectation of synthesis. This concept can be traced to Eastern Patristics. After Dostoevskij, the theory of antinomies was elaborated by 20th century Russian religious thinkers such as Pavel Florenskij, Sergej Bulgakov, Nikolaj Berdjaev, Semën Frank, and Vladimir Losskij. Their ideas help us to understand that Dostoevskij's dialogism, made famous in its secular (...) guise by Bakhtin, has a theological underpinning. Dostoevskij's exposition of conflicting truths should therefore be seen not as a case of irresolvable contradiction or paradox but as an organic wholeness. (shrink)