Interdisciplinary studies that would create deep connections between science and the arts and humanities face the daunting task of bridging two diametrically opposed worldviews. The clash of the modernist Enlightenment values of science with the postmodern sceptical values of the humanities came to a dramatic height with the Sokal Hoax and so called ‘science wars’ of the 1990s. There is now an uneasy ceasefire, but the fundamental contradictions persist between the two cultures. Complexism is an attempt to create a new (...) synthesis suggested by the attitudes and worldview that arises from the scientific study of complex systems. An overview of key concepts from complexity science is offered. Complexism is then presented as a point-by-point analysis reconciling the diametrically opposed positions of modernity in the sciences and postmodernity in the humanities despite their apparently incommensurate paradigms. The special role of networks, and a corresponding process-oriented ontology, is proposed as an alternative to the flawed network theories current in the humanities. Finally two examples of how complexism can be applied are detailed. A complexist theory of authorship is offered, as is a new view of formalism in the arts. (shrink)

This article responds to Philip Galanter’s essay ‘Complexism and the role of evolutionary art’ to explore complexism in relation to postmodern and generative architecture. Galanter poses complexism as a new theoretical mode that can supercede the divides of modernism/postmodernism and the two cultures (sciences/arts and humanities). The author, rather than promoting complexism, examines it as if from afar, positioning it as our most recent scientifically informed paradigm. She asserts that, in many ways, complexism functions as an ideology (...) permeating realms of cultural and intellectual production. Examples range from contemporary advertising to economic theory, political and economic protests such as the Occupy Movement, to the rhetorical and computational strategies in generative architecture. The author demonstrates that postmodernism in architecture was always theoretically tied to complex systems theory. Further, she connects the vagaries of application and extrapolation of complexity theory, across realms of current-day cultural production, to the definitional vagueness of some of complexism’s key terms (system, selforganization, emergence). Finally, she argues that two collateral effects of complexism are: (1) the promotion of dependence on environmentally damaging computational devices and (2) the socio-economic and environmental expulsions occurring in the global economy, as recently argued by sociologist Saskia Sassen. (shrink)

The attributes that characterize the compelling world-view of Philip Galanter’s Complexism constitute a rich array that spans complexity theory, biological systems, cybernetics, computation and the phenomenology of affect. An ever-growing movement of transdisciplinary artists who engage and synthesize the unique combination of fields, theories and practices associated with Complexism suggests that this model – particularly its embrace of complexity theory – holds promise in the problem space of art and science. This article examines three contemporary artists and their (...) collaborative teams, each of whose work embodies a unique attitude and synthesizing model that expresses the ethos of Complexism. Their work arguably contributes to a higher synthesis of modernism and postmodernism and the coalescence of art and science through the progression of ideas that emerge from this union in direct correspondence to the larger culture. Furthermore, they do so through the embrace of evolutionary and generative processes, connectionist networks, and participatory practices that engender new discourse about contemporary life, moving us beyond the space of postmodernity. (shrink)

This article discusses a concept introduced by art theorist Philip Galanter in several publications over the past decade: complexism is a notion that looks at both past and future while aiming to reconcile (post) modern aesthetics with the cybernetic and biological paradigms. This article focuses on the re-evaluation of the performance arts within the framework of this theory, favouring the idea that every artwork necessarily resists attempts of subordination through language and scientific discourses. By referring to the dispositive, (...) a notion that considers complexism as a conceptual matrix, the author argues that it can be described in terms of pulsion and computation. (shrink)

In 1969, Kisho Kurokawa stated that the ‘capsule is cyborg architecture’. The capsule is the ultimate form of the prefabricated building. As such it has emancipated itself from the land to become the immediate extension of the moving self, similar to cars or the Japanese kago. In Japanese Metabolism, an architecture movement of the 1960s and 1970s, the capsule is a small, repeatable building unit rooted in historical elements, such as the teahouse. The capsule is also a tool – a (...) machine for living – that is modular and part of a system offering simplicity and complexity. The capsule signifies individuality within a diverse society, including standardization, functionality, technology and smallness in scale. This article re-examines the potential of the capsule in contemporary bioarchitecture, in living systems and in evolving environments. Through Philip Galanter’s theory of ‘complexism’, the article connects the capsule to modular(ity), embodiment, protective vulnerability, voyeurism, unpredictability, complexity, immateriality and ephemerality. I propose that the capsule instantiates a cyborg bioarchitecture. (shrink)

This article is about the power of critical thinking through embryos and embryology in bioart. In this instance, critical thinking does not promise revolution or a takedown of bioengineering, but basic empowerment through scientific knowledge. I argue that the use of embryos in Jill Scott’s Somabook (2011) and Adam Zaretsky’s DIY Embryology (2015) constitutes an instance of what Philip Galanter identifies as complexism. In turn, the complexism of embryology reveals two modes of critical thinking. First, embryology distils the (...) awe and wonder that come with basic scientific literacy. In turn, scientific literacy provides agency for individuals through a trifecta of feeling, belief and pragmatism: based on the frisson of curiosity and wonder that comes with recognizing biological complexity, it frees individuals from the bounds of superstition and metaphysics while building a path to fact-based problem solving. Second, as works of art bearing embryos they are part of the politics and history of embryology that emerged in contrast to genetics almost a century ago. Distinct from the coding of genetics as nucleus-centric, separate, homogeneous, a matter of being, and male, embryology was coded as cytoplasmic, interactive, heterogeneous, a matter of becoming, and feminist. (shrink)

Exploring an aesthetics of complexity relevant to contemporary art, the artist/author discusses the 56th Venice Biennale, curated by Okwui Enwezor, in light of Philip Galanter’s essay ‘Complexism and the role of evolutionary art’. Artworks by Steve McQueen, Isaac Julien, Mika Rottenberg, Hito Steyerl, Im Heung-Soon, Katrīna Neiburga and Andris Eglītis are related to concepts of emergence, chaos, feedback, generative process, and networks, and writings by philosopher Manuel Delanda, sociologist Saskia Sassen and physicist James P. Crutchfield. As one of (...) the most influential international exhibitions of contemporary art, the Venice Biennale is considered a bellwether of future trends; this edition called ‘All the World’s Futures’ presents artwork in context with a dissolving binary paradigm of communism/capitalism that fails to adequately address labour, environmental and immigration issues. The author concludes that an approach informed by complexity theory holds more promise, aesthetically and politically. (shrink)

This article is about the power of critical thinking through embryos and embryology in bioart. In this instance, critical thinking does not promise revolution or a takedown of bioengineering, but basic empowerment through scientific knowledge. I argue that the use of embryos in Jill Scott’s Somabook (2011) and Adam Zaretsky’s DIY Embryology (2015) constitutes an instance of what Philip Galanter identifies as complexism. In turn, the complexism of embryology reveals two modes of critical thinking. First, embryology distils the (...) awe and wonder that come with basic scientific literacy. In turn, scientific literacy provides agency for individuals through a trifecta of feeling, belief and pragmatism: based on the frisson of curiosity and wonder that comes with recognizing biological complexity, it frees individuals from the bounds of superstition and metaphysics while building a path to fact-based problem solving. Second, as works of art bearing embryos they are part of the politics and history of embryology that emerged in contrast to genetics almost a century ago. Distinct from the coding of genetics as nucleus-centric, separate, homogeneous, a matter of being, and male, embryology was coded as cytoplasmic, interactive, heterogeneous, a matter of becoming, and feminist. (shrink)

Arendt Contra Sociology re-assesses the relationship between Hannah Arendt's work and the theoretical foundations of sociology, bringing her insights to bear on key themes within contemporary theoretical sociology. Departing from the view of Arendt as a political theorist who sought to rescue politics from society, and political theory from the social sciences, this book re-examines her distinctions between labour, fabrication and action as a theory of the fundamental ontology of human societies, revisiting her criticism of the tendency of many sociological (...) paradigms to conflate the activity of fabrication with that of action. (shrink)

How Galileo created the problem of consciousness -- Is there a ghost in the machine? -- Can physical science explain consciousness? -- How to solve the problem of consciousness -- Consciousness and the meaning of life.

We show that assuming modest large cardinals, there is a definable class of ordinals, closed and unbounded beneath every uncountable cardinal, so that for any closed and unbounded subclasses $P, Q, {\langle L[P],\in,P \rangle }$ and ${\langle L[Q],\in,Q \rangle }$ possess the same reals, satisfy the Generalised Continuum Hypothesis, and moreover are elementarily equivalent. Examples of such P are Card, the class of uncountable cardinals, I the uniform indiscernibles, or for any n the class $C^{n}{=_{{\operatorname {df}}}}\{ \lambda \, | \, (...) V_{\lambda } \prec _{{\Sigma }_{n}}V\}$ ; moreover the theory of such models is invariant under ZFC-preserving extensions. They also all have a rich structure satisfying many of the usual combinatorial principles and a definable wellorder of the reals. The inner model constructed using definability in the language augmented by the Härtig quantifier is thus also characterized. (shrink)

In "Constitutional Goods" Alan Brudner presents novel conception of justice that will inform the content of the ideal liberal constitution. The content of this novel conception of justice is constituted by what Brudner describes as an inclusive conception of liberalism, and its justification is grounded on an account of public reason that is presented in opposition to that of John Rawls. I argue that we should reject both the content and justification of Brudner's conception ofjustice. Brudner is unable to construct (...) an inclusive conception of liberalism from elements of libertarianism, egalitarianism, and communitarianism, and his account of public reason lacks the properties of fairness and reciprocity that differentiate a reasonable agreement from a modus vivendi. This paper therefore defends a Rawlsian political conception ofjustice and justification from Brudner's criticisms and proposed alternatives. (shrink)

Since Euclid defined a point as “that which has no part” it has been widely assumed that points are necessarily unextended. It has also been assumed that this is equivalent to saying that points or, more properly speaking, degenerate segments, have length zero. We challenge these assumptions by providing models of Euclidean geometry where the points are extended despite the fact that the degenerate segments have null lengths, and observe that whereas the extended natures of the points are not recognizable (...) in the given models, they can be recognized and characterized by structures that are suitable expansions of the models. (shrink)

Robert Nozick has shown in which ways the theory of natural law (in John Locke, for instance) can be invoked to defend a libertarian theory of State. This paper suggests that Nozick does not prove that invoking natural rights may be a proof against the consequentionalist challenge. An overview of no..

This article analyzes and compares the dynamically changing outcomes of anti-sweatshop campaigns in France and Switzerland through a qualitative comparative case study using interviews and analysis of firsthand and secondary data. In both countries, some targeted firms made early concessions and later withdrew from those concessions. To explain these changing outcomes over time, the article develops a perspective that puts emphasis on interaction phases and highlights corporate strategic responses to anti-sweatshop movement demands. Analyzing those responses as driven by legitimacy contests (...) between companies and activists, the study explains why anti-sweatshop movements had significant outcomes early on and shows the mechanisms that allowed firms to withdraw from initial concessions at a later stage. In the course of changing interaction dynamics and contexts, companies developed strategies building on competing sources of legitimacy to circumvent movement demands. The companies thereby compensated for the legitimacy losses inflicted by their withdrawal from earlier concessions and the legitimacy deficits of other solutions. The analysis reveals three strategies firms used to achieve and compensate legitimacy and discusses their contextual combination comparing the two cases: inter-firm cooperation, ethical product labels originating in collaborations with competing social movement actors, and publicly fighting back against campaign makers. (shrink)

The phenomenon of contract cheating presents, potentially, a serious threat to the quality and standards of Higher Education around the world. There have been suggestions, cited below, to tackle the problem using legal means, but we find that current laws are not fit for this purpose. In this article we present a proposal for a specific new law to target contract cheating, which could be enacted in most jurisdictions.We test our proposed new law against a number of issues that would (...) need to be considered before any legal approach could be successful; would changing the legal status of contract cheating make it less likely to happen? Could this be achieved in a specific way? If so, who should actually be prosecuted and what offence are they committing? Would it actually address the causes of contract cheating? We suggest some answers to these questions, but then also identify a number of unintended potential consequences. We therefore additionally consider whether a legal approach is possible or even desirable.We conclude that a legal approach to contract cheating is possible, and, on balance, appropriate. Using UK law as an example, we offer a specific suggestion to lawmakers, around the world, for how this might be achieved, and conclude that the most successful approach would be to focus largely on a law targeting the providers of contract cheating, in particular commercial services. (shrink)

This chapter contains sections titled: Formalism Enhanced Formalism Beyond Formalism.