The Anglican Tradition of Moral Theology Alan M. Suggate Hooker and the via media For the English who experienced the impact of the Reformation on the ...

Wittgenstein's later writings generate a great deal of controversy and debate, as do the implications of his ideas for such topics as consciousness, knowledge, language and the arts. Oswald Hanfling addresses a widespeard tendency to ascribe to Wittgenstein views that go beyond those he actually held. Separate chapters deal with important topics such as the private language argument, rule-following, the problem of other minds, and the ascription of scepticism to Wittgenstein. Describing Wittgenstein as a 'humanist' thinker, he contrasts his (...) views on language, art humanity and philosophy itself with those of scientifically minded philosophers. He argues that 'the human form of life' calls for a kind of understanding that cfannot be achieved by the methods of emirical science; that consiousness, for example, cannot properly be regarded as a property of the bran; and that the resulting 'problem of consoiusness is an illusion. Wittgenstein and the Human Form of Life is essential reading for anyone interested in Wittgenstein's approach to what it means to be human. It will be invaluable to all Wittgenstein scholars, and all who are interested in the philosophy of mind, language and aesthetics. (shrink)

What is philosophy about and what are its methods? _Philosophy and Ordinary Language_ is a defence of the view that philosophy is largely about questions of language, which to a large extent means _ordinary_ language. Some people argue that if philosophy is about ordinary language, then it is necessarily less deep and difficult than it is usually taken to be but Oswald Hanfling shows us that this isn't true. Hanfling, a leading expert in the development of analytic philosophy, covers (...) a wide range of topics, including scepticism and the definition of knowledge, free will, empiricism, folk psychology, ordinary versus artificial logic, and philosophy versus science. Drawing on philosophers such as Austin, Wittgenstein, and Quine, this book explores the nature of ordinary language in philosophy. (shrink)

The ability to create and perceive art has long been understood as an exceptional human trait, which should differentiate us from the rest of the organisms or robots. However, with the uprising of cognitive sciences and information stemming from them, as well as the evolutionary biology, even the human being began to be understood as an organism following the evolutionarily and culturally obtained algorithms and evaluation processes. Even fragile and multidimensional phenomena like beauty, aesthetic experience or the good have lately (...) been analyzed using computational aesthetics, neuroaesthetics, and neuroethics, suggesting that the entire aesthetics, art or ethics can be understood as a result of a certain algorithmic data analysis. In the following article, I will attempt to think about the concept of computational aesthetics and the possibilities, benefits and shortcomings of artificial intelligence in the creation, as well as in perception and evaluation of artworks. I will introduce multiple models of artistic work based on AI, quality/originality evaluating computer programs, as well as mechanisms of its perception. In the end, I will attempt to present the basic aesthetic problems stemming from the development of AI and its usage in the field of art. (shrink)

This book is a compact, accessible treatment of the main ideas advanced by the positivists, including Schlick, Carnap, Ayer, and the early Wittgenstein. Oswald Hanfling discusses such ideas as the 'verification principle' ('the meaning of this statement is the method of its verification') and the 'elimination of metaphysics, ' an attempt to show that metaphysical statements, for example about God, are unverifiable and therefore meaningless.

The book exposes common misunderstandings about Wittgenstein, and examines in detail the celebrated 'private language' argument.

How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised 'elsewhere' and 'otherwise'. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland - and through conversations that expand these geographies and genealogies of contemporary exhibition making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. 'Across Anthropology' charts new ground by analysing the convergences (...) of museums, curatorial practice, and Europe's reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies."--Page 4 of cover. (shrink)

Die mit dem Buch von Oswald Schwemmer vorgestellte Grundlegung etabliert Kulturphilosophie als eine systematisch organisierte Disziplin, und zwar als Ansatz für Forschungen, die auch über die geistigen Verhältnisse der Menschen ein empirisches Wissen bilden können. Angesichts der historischen Kontingenz und Vielfalt der verschiedenen Kulturen konzentriert sich die vorliegende Darstellung auf die - z. B. bildlichen und begriffli-chen - Medien, die als kollektiver Grundbestand die Formen der menschlichen Artikulation und Sinnbildung in einer Kultur prägen. Das Buch bietet eine Grundlegung auch (...) für Leser, die sich in den oft verwirrenden Disputen der Philosophie noch nicht verfangen haben. Eine Orientierung auf dem gedanklichen Weg dieser Grundlegung soll die Begriffskette Artikulation und Medium - Medium und Symbol - Symbol und Form - Form und Sinn - Sinn und Bild - Bild und Begriff - Begriff und Kultur geben, mit der die einzelnen Kapitel über ihre Titel zusammengehalten werden. Die Titelbegriffe stehen dabei für die Themenfelder, mit denen sich die Überlegungen in den jeweiligen Kapiteln auseinandersetzen. Diese Fokussierung auf ganze Themenfelder erlaubt es, in einigen Exkur-sen auch Um- oder Seitenwege in diesen Gebieten zu gehen. Dass die gedanklichen Wege dieser Grundlegung am Ende wieder zu ihrem Ausgangsbegriff Kultur zurückführen, zeigt, dass das Ende auch als ein neuer Anfang, nämlich zur Fortsetzung des Projektes einer medientheoretisch orientierten Kulturphilosophie gelesen werden kann. (shrink)

Life and Meaning surveys a variety of Philosophical answers to the question, 'What makes life worth living?' By collecting readings from a wide range of philosophical history it gives the various perspectives on the value and meaning of life. Aspects of life which appear to make it meaningless 9death, suffering, randomness) are seen in the light of their long and varied history in philosophical literature and are subjected to careful scrutiny. The texts chosen here pose these and related issues and (...) offer various responses. By careful selection and helpful editorial introduction Life and Meaning gives essential texts which provide the background to contemporary enquiries. Is self-realization a coherent ideal? Does it mean being true to our original nature (Rousseau) or to our potential as 'rational animals' (Aristotle)? Should we live according to our desires and in pursuit of happiness (Mill)? Should we appeal to a nature or 'essence' be rejected as bad faith? (shrink)

1. Meaning and use in Wittgenstein's Blue and Brown books.

“Articulate models” subservient to formal intelligence are imagined to be heterarchies of automata capable of performing the “symbolic (quasi-spatial) syntheses” of Luria (1973), where “quasi-spatial” points to the abstract core of spatiality: the symbol productions, combinations, and substitutions of algebraic reckoning. The alleged cognitive role of internal “topographic images” and of “efference copies” is confronted with this background and denied.

First published in 1932, this book, based on an address delivered in 1931, presents a concise and lucid summary of the philosophy of the author of _The Decline of the West_, Oswald Spengler. It was his conviction that the technical age — the culture of the machine age — which man had created in virtue of his unique capacity for individual as well as racial technique, had already reached its peak, and that the future held only catastrophe. He argued (...) it lacked progressive cultural life and instead was dominated by a lust for power and possession. The triumph of the machine led to mass regimentation rather than fewer workers and less work — spelling the doom of Western civilization. (shrink)

In diesem Aufsatz geht der Autor der Frage nach, ob und in wiefern die theologische Annahme, daß das Christusgeschehen paradigmatisch für den Begriff des Handeln Gottes ist, verständlich ist. Der Verfasser analysiert dafür die Geschichte der Leben-Jesu-Forschung und versucht die christologischen Konsequenzen der verschiedene Interpretationen für die Konstruktion eines Modells des Handeln Gottes herauszufinden. Er benützt Gedanken geschichtsphilosophischer Art um eine solche Ausdehnung der Vorstellung des Christusgeschehens zu verteidigen, daß auch andere Zeiten als das erste Jahrhundert einzuschließen sind. Damit zeigt (...) der Verfasser, daß Lessings Problem des garstigen Grabens und viele Formen der Leben-Jesu-Forschung theologisch von falschen Fragestellungen ausgehen. (shrink)

In the history of Christianity faith and reason became tied together. Francis of Assisi as to his personal convictions, Thomas Aquinas as to his proofs of God’s existence and Luther as to his critique of the church hierarchy are forms of strictly human thinking within the Christian world. And this characterizes the Self-Secularization of Christianity.

La comparaison, trop commode, du langage avec un code amène à penser que la fonction fondamentale de la communication linguistique est la transmission d'informations. On est alors conduit à croire que tout ce qui est dit l'est au même titre, avec le même statut d'assertion. En fait, les diverses indications qu'apporte un acte d'énonciation se situent souvent à des niveaux tout à fait différents. Il y a ce dont on entend explicitement informer l'auditeur, mais il y a aussi ce qu'on (...) présente comme un acquis indiscutable dont on fait le cadre du dialogue. Et il y a enfin ce qu'on laisse à l'auditeur le soin de deviner, sans prendre la responsabilité de l'avoir dit. Une sémantique qui s'en tiendrait au niveau de l'explicite serait totalement artificielle : elle rendrait incompréhensible le discours, l'activité effective accomplie au moyen de la parole. Mais surtout, elle défigurerait la langue elle-même ; c'est en effet un trait inhérent à la langue, et l'un de ses traits les plus constants et les plus fondamentaux, que de permettre aux interlocuteurs d'instituer entre eux un réseau de rapports implicites. (shrink)