In this article we will show the process that allowed Ricœur to apply the Aristotelian ontology of actuality and potentiality to his hermeneutics, and how this development ended up providing him with a speculative solution to the aporetics of time. We will distinguish two alternative solutions: the poetic solution, given in Time and Narrative and the speculative one, developed in Memory, History, Forgetting. Despite the importance of the existential analytic, we believe that the introduction of the Spinozian conatus (...) was decisive for Ricoeur’s change of perspective. (shrink)

The following interview retraces the intellectual development of a leading contemporary thinker, from his early student years to his most recent interventions as a political philosopher, and includes a discussion of some of his most well-known and influential theoretical contributions, such as the notion of “weak thought” and his reflections on postmodernism. Gianni Vattimo presents his philosophy to the reader as an “ontology of actuality” which can only properly be understood in the light of the author’s Christian background (...) and his unwavering interest in social and political questions. (shrink)

Philosophers of music often appeal to intuition to defend ontological theories of musical works. This practice is worrisome as it is rather unclear just how widely shared are the intuitions that philosophers appeal to. In this paper, I will first offer a brief overview of the debate over the ontology of musical works. I will argue that this debate is driven by a conflict between two seemingly plausible intuitions—the repeatability intuition and the creatability intuition—both of which may be defended (...) on the grounds that they are reflective of our actual musical practices. The problem facing philosophers within this debate is that there is no clear way to determine which of the two conflicting intuitions is more reflective of our musical practices. Finally, I offer discussion of an experimental study that was designed to test participants' intuitions regarding the repeatability of musical works. The evidence presented there suggests that the participants broadly accept the repeatability of musical works, but in a much narrower way than philosophers would likely accept. (shrink)

This book offers a bold and controversial new thesis regarding the nature of prejudice. The authors' central claim is that prejudice is not simply learned, rather it is predisposed in all human beings and is thus the foundation for ethical valuation. They aim to destroy the illusion that prejudice is merely the result of learned beliefs, socially conditioned attitudes, or pathological states of development. Contrary to traditional accounts, prejudice itself is not a negative attribute of human nature, rather it is (...) the necessary precondition for the self and civilization to emerge. Defined as the preferential self-expression of valuation, prejudice gives rise to greater existential complexities and novelties that elevate selfhood and society to higher states of ethical realization. Rather than offer another contribution that highlights the destructive nature of prejudice, Mills and Polanowski address the ontological, psychological, and dialectical origins of prejudice as it manifests itself in the process of selfhood and culture. They provide an original conceptualization of the phenomenology of prejudice and its dialectical instantiation in the ontology of the individual, worldhood, and the very structures of subjectivity. As a unique synthesis of psychoanalysis, Hegelian idealism, Heideggerian existential ontology, and Whiteheadian process philosophy, prejudice is the indispensable ground for humanity to actualize its highest potentiality-for-Being. The striking result is (1) a revolutionary theory of human nature, (2) a new ethical system, and (3) the elevation of dialectical ethics to the domain of metaphysics. (shrink)

Willard van Orman Quine once said that he had a preference for a desert ontology. This was in an earlier day when concerns with logical structure and ontological simplicity reigned supreme. Ontological genocide was practiced upon whole classes of upper-level or ‘derivative’ entities in the name of elegance, and we were secure in the belief that one strayed irremediably into the realm of conceptual confusion and possible error the further one got from ontic fundamentalism. In those days, one paid (...) more attention to generic worries about possible errors than to actual errors derived from distancing oneself too far from the nitty-gritty details of actual theory, actual inferences from actual data, the actual conditions under which we posited and detected entities, calibrated and ‘burned in’ instruments, identified and rejected artifacts, debugged programs and procedures, explained the mechanisms behind regularities, judged correlations to be spurious, and in general, to the real complexities and richness of actual scientific practice. (shrink)

The goal of this paper is two-fold: first, to emphasize causality in disease ontology and knowledge representation, presenting a general and cursory discussion of causality and causal chains; and second, to clarify and develop the River Flow Model of Diseases (RFM). The RFM is an ontological account of disease, representing the causal structure of pathology. It applies general knowledge of causality using the concept of causal chains. The river analogy of disease is explained, formal descriptions are offered, and the (...) RFM disease definition is refined by describing causal chains in terms of causal relations. The definition is updated to coincide with the actual RFM classes found in its upper-level ontology, YAMATO, which brings to light some challenges in developing both YAMATO and the RFM. The RFM is also discussed in relation to another ontological account of disease. Strategies are offered toward interoperability between these theories. (shrink)

This paper reconstructs and analyzes Thomas Aquinas’ intriguing views on transeunt causal activity, which have been the subject of an interpretive debate spanning from the fifteenth century up until the present. In his Physics commentary, Aquinas defends the Aristotelian positions that the actualization of an agent’s active potential is the motion that it causes in its patient and action and passion are the same motion. Yet, in other texts, Aquinas claims that action differs from passion and “action is in the (...) agent” as subject. This paper proposes a solution for how to reconcile Aquinas’ varying claims about what transeunt causal activity is in reality. In addition to advancing understanding of Aquinas’ views on causal activity, the paper also offers insights into more general topics in his thought, such as the relationship between actualities and accidents and the nature of extrinsic accidents. (shrink)

This provocative book attempts to resolve traditional problems of identity over time. It seeks to answer such questions as 'How is it that an object can survive change?' and 'How much change can an object undergo without being destroyed'? To answer these questions Professor Heller presents a theory about the nature of physical objects and about the relationship between our language and the physical world. According to his theory, the only actually existing physical entities are what the author calls 'hunks', (...) four-dimensional objects extending across time and space. This is a major contribution to ontological debate and will be essential reading for all philosophers concerned with metaphysics. (shrink)

A phenomenological approach to the ontology of the will could be rendered along three positions: Firstly, the willing I is completely immanent in its experience, such that one can only will, and know that one wills, by reflecting on the actual experience of willing. Secondly, one could hold that the will, while being analyzable as a conscious phenomenon, is itself a real psychic force driving one’s motivations and actions without one necessarily being aware of it. The third position would (...) argue that the reality of the will is not exhausted by the way it is experienced, but that its real causes are not necessarily part of a complete phenomenological investigation. I discuss the phenomenology of the will of Alexander Pfänder, Moritz Geiger and Edmund Husserl along this realist-transcendentalist spectrum. My basic concern here is a critical examination of the phenomenological approach to an entity beyond experience which is responsible for the experienced volitions. I will proceed in three steps, based on the distinction of volitions into three parts. Firstly, I ask what antecedes a volition in order to determine its phenomenal and ontological causes. Secondly, the analysis of the apperception of willing clarifies in what sense an “I” is experienced as the real or phenomenal cause of its volition. Thirdly, the discussion of the realization of the volition will address the role that this “I” subsequently plays in the process of fulfilling its intent. The paper develops the ways in which the ontology of the “willing I” limits and shapes the conception of the intentional relation between willing and desiring consciousness and its contents. (shrink)

Recent scholarship has inquired into the socio-historical, discursive genesis of trauma. Trauma and the Ontology of the Modern Subject, however, seeks what has not been actualized in trauma studies - that is, how the necessity and unassailable intensity of trauma is fastened to its historical emergence. We must ask not only what trauma means for the individual person's biography, but also what it means to be the historical subject of trauma. In other words, how does being human in this (...) current period of history implicate one's lived possibilities that are threatened, and perhaps framed, through trauma? Foucauldian sensibilities inform a critical and structural analysis that is hermeneutically grounded. Drawing on the history of ideas and on Lacan's work in particular, John L. Roberts argues that what we mean by trauma has developed over time, and that it is intimately tied with an ontology of the subject; that is to say, what it is to be, and means to be human. He argues that modern subjectivity - as articulated by Heidegger, Levinas, and Lacan - is structurally traumatic, founded in its finitude as self-withdrawal in time, its temporal self-absence becoming the very conditions for agency, truth and knowledge. The book also argues that this fractured temporal horizon - as an effect of an interrupting Otherness or alterity - is obscured through the discourses and technologies of the psy-disciplines (psychiatry, psychology, and psychotherapy). Consideration is given to social, political, and economic consequences of this concealment. Trauma and the Ontology of the Modern Subject will be of enduring interest to psychoanalysts and psychotherapists as well as scholars of philosophy and cultural studies. (shrink)

I discuss the ontological assumptions and implications of General Relativity. I maintain that General Relativity is a theory about gravitational fields, not about space-time. The latter is a more basic ontological category, that emerges from physical relations among all existents. I also argue that there are no physical singularities in space-time. Singular space-time models do not belong to the ontology of the world: they are not things but concepts, i.e. defective solutions of Einstein’s field equations. I briefly discuss the (...) actual implication of the so-called singularity theorems in General Relativity and some problems related to ontological assumptions of Quantum Gravity. (shrink)

The recent scientific discoveries cast a new light on the classical distinction between the actual and the possible. A creative elaboration upon this theme, stimulated by works on modal logic and controversies around the semantics of Kripke, has been developed in contemporary discussions on epistemological aspects of quantum cosmology and on ontological preconditions of genetic determinants.Proceeding from new scientific theories, in the paper an attempt is undertaken to determine the ontological structure of nature in which one satisfactorily explains new data (...) implied by these theories. In the context of contemporary physical discoveries the very concept of possible being is reinterpreted. A new version of moderate Platonism is proposed in a form of modified modal actualism. Its classical counterpart was earlier developed by Robert C. Stalnaker and Alvin Plantinga in their ontology of the possible worlds. (shrink)

The essay undertakes to explore the possibilities of mutually fruitful dialogue between moral philosophy and ontology, in particular, the ontology of relations. The latter copes with the question of how relations relate, whereas moral philosophy often ignores the ontological implications of such crucial relations as love and interpersonality. The paper proceeds as follows. First, the ontology of relations is discussed. Second, various examples are analysed. From this, a conception of relation instantiation emerges, according to which to determine (...) which relation actually obtains, one has to take into account (a) the context, (b) the specific content or meaning of the relation, and (c) some action or decision or mode of existence of the relata. This conception suggests that relation instantiation cannot be explained by a single formula. By the help of this conception, Hume''s thesis of the identity of killing relations between human and nonhuman beings is questioned. Then, the relation of love is analysed. It is shown that love as a moral relation is perfectly explicable in terms of ontology. Moreover, its essence is best captured by the interrelation of the particulars, the relation of love as a universal, and by the relating action of the particulars. Finally, the alleged relation of universal fraternity (interpersonality as such), linking up each human being to all other human beings, is discussed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Production Determines CategoryAn Ontology of ArtMichael Weh (bio)1. Are There Singular Artworks?It is a mainstream view within the ontology of art that there are singular as well as multiple artworks, but it is also a view that is contested. In what follows, I will investigate whether the singular/multiple distinction can be sustained and will argue for a new way to determine the category to which an artwork (...) belongs. Though this seems to be an enterprise of rather theoretical concern, it has a direct practical dimension to it as well. Whether we are right to distinguish between singular and multiple artworks, and on what grounds such a distinction could be made, is of course affecting our treatment of artworks and our whole practice of exhibiting, selling, and appreciating works of art because it is based on the assumption that certain works are unique (and thus exhibited in museums and sold for considerable prices), whereas others exist in several instances (which make them widely available and not to be identified with a single object of appreciation). I hope to show that our practice of categorizing art is mostly appropriate but for different reasons than it has been suggested before.The first question to consider is, What defines a singular artwork? The most obvious characteristic is that it is singular—that is, it exists in only one instance. There is only one Mona Lisa, and there cannot be multiple instances of the Mona Lisa, whereas there can be multiple instances of Ulysses. But a little more precision is advisable. The criterion to decide whether a given work is singular cannot be if there actually is just one instance of the work.1 There might be a multiple artwork, say the novel x, of which there is only one instance—the manuscript. But this does not make x a singular artwork because there could be many copies of x, and they would all be instances of x if they fulfilled the necessary identity criteria between type and token.A copy of the Mona Lisa, on the other hand, would not—according to the common understanding of "singular artworks"—be an instance of the [End Page 84] painting but just that: a copy of the Mona Lisa. Thus, a singular artwork can only exist in one exemplar, and it is impossible that there is more than one. There can only be copies, reproductions, posters, forgeries, facsimiles, or pictures of the Mona Lisa but not an exemplar of the Mona Lisa other than the original. Talking of one exemplar or instance of the Mona Lisa might even be slightly misleading, as it is not supposed to suggest that there is some abstract entity Mona Lisa of which Leonardo's painting is the one and only possible instance. The claim is rather that in the case of singular artworks, there is no type the painting would be a token of at all but only the original physical object. The original is the work.The view that paintings and sculptures are singular artworks that are to be identified with physical objects is held by many ontologists of art, including Richard Wollheim, Jerrold Levinson, and Nicholas Wolterstorff. The view is not unchallenged, however, and some people think that what would normally be considered as singular artworks can—at least in principle—exist in several instances as well. In other words, there are no singular artworks at all. And if there could be several instances of the Mona Lisa, this not only means that the Mona Lisa is not a singular work of art but also that it is not a physical object; rather, it is an abstract object like a literary or musical work.2 This view is defended by, amongst others, Gregory Currie, Maria Reicher, and Peter Strawson.But let us first look at some reasons why one might want to insist that some artworks are concrete particulars. To begin with, this is how we deal with and think about paintings and sculptures. The assumption that, say, paintings are singular artworks is implied in our social practices concerning paintings. We put the originals in museums and not copies of them. We buy and... (shrink)

Livengood and Sytsma (2020) challenge the Compositionality Constraint of Actual Causation (CCAC), according to which each intermediary of a causal chain is an effect of its predecessor and a cause of its successor link. In several studies, they find support for their hypothesis that the CCAC is not in accordance with ordinary causal attributions of laypeople. We argue that there are three interrelated problems in their studies’ design that we call the Causality-Responsibility Confusion (CRC), the Intermediary-Ontology Confusion (IOC), and (...) the Cause-End Questioning (CEQ). Avoiding the CRC, the IOC, and the CEQ leads to strong empirical support for the CCAC. (shrink)

Extended simples are physical objects that, while spatially extended, possess no actual proper parts. The theory that physical reality bottoms out at extended simples is one of the principal competing views concerning the fundamental composition of matter, the others being atomism and the theory of gunk. Among advocates of extended simples, Markosian’s ‘MaxCon’ version of the theory has justly achieved particular prominence. On the assumption of causal realism, I argue here that the reality of MaxCon simples would entail the reality (...) of irreducible, intrinsic dispositional properties. The existence of dispositional properties in turn has important implications for another central debate in metaphysics, namely that between two major competing views concerning the ontology of laws: dispositionalism versus nomological necessitarianism. (shrink)

The question of energy is among the most vital for the future of humanity and the flourishing of life on this planet. Yet, only very rarely (if at all) do we ask what energy is, what it means, what ends it serves, and how it is related to actuality, meaning-making, and instrumentality. Energy Dreams interrogates the ontology of energy from the first coinage of the word energeia by Aristotle to the current practice of fracking and the popularity of (...) "energy drinks." Its sustained, multi-disciplinary investigation builds a theoretical infrastructure for an alternative energy paradigm. This study unhinges stubbornly held assumptions about energy, conceived in terms of a resource to be violently extracted from the depths of the earth and from certain living beings (such as plants, converted into biofuels), a thing that, teetering on the verge of depletion, sparks off movement and is incompatible with the inertia of rest. Consulting the insights of philosophers, theologians, psychologists and psychoanalysts, economic and political theorists, and physicists, Michael Marder argues that energy is not only a coveted object of appropriation but also the subject who dreams of amassing it; that it not only resides in the dimension of depth but also circulates on the surface; that it activates rest as much as movement, potentiality as much as actuality; and that it is both the means and the end of our pursuits. Ultimately, Marder shows that, instead of being grounded in utopian naïveté, the dreams of another energy—to be procured without devastating everything in existence—derive from the suppressed concept of energy itself. (shrink)

The problem raised in the article is actualized not by the artificial attachment of the topic of ecology to the existential problems of humankind, but by the urgent need to conceptualize the dangers of a growing gap between the further development of civilization and ignoring the primary nature of its existence, the analysis of modern specific dangers of wildlife, flora and fauna, catastrophic climatic phenomena, desertification, and chemical pollution of the land. The posed problem of the conceptualization of wild nature (...) logically continues the intention of the authors to turn to the human-dimensional characteristics of the entire natural environment. At the level of socio-philosophical analysis, the meaning of a new model of relations between society and nature is revealed, and alternative concepts of nature protection to modern practices are comprehended. The importance of wildlife in its narrowed (terrestrial) space for social development on the established ideological principles of the most careful attitudes to wildlife, taking into account the reverse dangerous impact of the destructible habitat on humanity, has been proved. (shrink)

This long paper (19 pages; about 7,000 words) is a trenchant critique of the first half of David Norton’s 1982 book David Hume: Common Sense Moralist, Sceptical Metaphysician. Norton claims that both Hutcheson and Hume were ‘moral realists’, and imputes to them an inflated moral ontology at sharp variance with what they actually wrote. Indeed, Norton’s interpretation is sustainable only when the texts are grossly misrepresented by paraphrases which say the opposite of what the authors actually wrote. The paper (...) concludes: I agree that Hutcheson and Hume were opposed to nihilistic scepticism, but maintain that their conception of morality was essentially a psychological one, free from metaphysical postulates of any supra-sensory or non-natural moral reality. Therefore, to call them moral realists is misleading. In view of the misunderstandings, misrepresentations, ambiguities, and contradictions which pervade Norton’s arguments, his attempt to establish that there were moral realists must be counted unsuccessful. (shrink)

The condition of explicit theoretically discursive cognitive performance, as it culminates in scientific activity, is, I claim, the life world. I contrast life world and scientific world and argue that the latter arises from the first and that contrary to the prevailing views the scientific world (actually, worlds, since the classical world is substantially different from the quantum world) finds its completion in the life world and not the other way around. In other words: the closure we used to search (...) in a complete and comprehensive scientific description of all aspects of experience by referring it back to underlying atoms, genes and other scientific objects and the covering laws ruling them, should be sought in a reintegrating and occasionally dissolving of the abstract scientific model in the self-organizational fluidity and superposition-like indeterminateness and non-locality of the life world: “We have to acknowledge the indeterminate as a positive phenomenon” (Merleau-Ponty in his The Phenomenology of Perception). (shrink)

While classifications of mental disorders have existed for over one hundred years, it still remains unspecified what terms such as 'mental disorder', 'disease' and 'illness' might actually denote. While ontologies have been called in aid to address this shortfall since the GALEN project of the early 1990s, most attempts thus far have sought to provide a formal description of the structure of some pre-existing terminology or classification, rather than of the corresponding structures and processes on the side of the patient. (...) We here present a view of mental disease that is based on ontological realism and which follows the principles embodied in Basic Formal Ontology and in the application of BFO in the Ontology of General Medical Science. We analyzed statements about what counts as a mental disease provided in the research agenda for the DSM-V, and in Pies' model. The results were used to assess whether the representational units of BFO and OGMS were adequate as foundations for a formal representation of the entities in reality that these statements attempt to describe. We then analyzed the representational units specific to mental disease and provided corresponding definitions. Our key contributions lie in the identification of confusions and conflations in the existing terminology of mental disease and in providing what we believe is a framework for the sort of clear and unambiguous reference to entities on the side of the patient that is needed in order to avoid these confusions in the future. (shrink)

I argue that there are no physical singularities in space–time. Singular space–time models do not belong to the ontology of the world, because of a simple reason: they are concepts, defective solutions of Einstein’s field equations. I discuss the actual implication of the so-called singularity theorems. In remarking the confusion and fog that emerge from the reification of singularities I hope to contribute to a better understanding of the possibilities and limits of the theory of general relativity.

In this paper, I investigate one popular view in current methodological debate about musical ontology, namely, descriptivism. According to descriptivism, the task of musical ontology is to offer a description of the ‘structure of our thought’ about musical works, as it manifests itself in actual musical practices. In this regard, descriptivists often appeal to our pre-theoretical intuitions to ground ontological theories of musical works. This practice, however, is worrisome, as such intuitions are unstable and contradictory. For example, there (...) is a broad variety of intuitions in our musical practice concerning what counts as an authentic performance of a musical work. All such intuitions reflect at least a part of actual practice; however, they are in conflict with each other. This raises a problem, for how can they thus represent a reliable basis for our ontology? A further worry for descriptivism concerns the triviality of the knowledge it gives us access to. If, according to descriptivism, the task of musical ontologists is simply to codify the regularities found in our intuitive thought or discourse about practice, then how can the resulting theories be informative at all with regard to the object of their concern? (shrink)

The concept of digital culture defines a set of values, practices, and expectations regarding the format of human interaction in today’s online society. Predictions of digital culture describe the specifics of the online environment and the general context of social life. The range of interpretations of digital culture varies between two poles: from the recognition of digital technologies as a way of presenting libraries, museums, historical monuments, etc., to the concepts of digital culture as a new socio-anthropological reality, the content (...) of which is not limited to ICT. Culture as a phenomenon means the semantic unity of human activity, the desire to format social life following ideas and values, the movement from existing to obligatory, from actual to potential, and digital culture is an adequate response to the demands and challenges. People worldwide change their placement of everyday activity, and we could admit such huge transformation in the Chinese People’s Republic exactly obvious. (shrink)

Eco-Marxism presents a debate between two theoretical schools: metabolic rift theory, developed by John Foster and others, and world-ecology, proposed by Jason W. Moore. The debate refers ultimately to ontology, more precisely to the relation between society and nature. Critical realism plays a central role as the philosophical underlabouring for metabolic rift theory and has implications regarding the Anthropocene/Capitalocene debate as well. Reviewing the debate through CR categories provides clarity about the specifically social character of the causes of ecological (...) disruptions. Using CR, metabolic rift theorists could explain the interdisciplinary character of their analyses. By distinguishing between real transfactual mechanisms and their actual interaction in open systems, I intend to show that neither metabolic rift theory, nor its interdisciplinary approach to the Anthropocene, involve Cartesian Dualism, as Moore claims. World-Ecology provides an alternative historical account of capitalism's environmental history, but it does not critically replace metabolic rift theory. (shrink)

In this article, I will discuss two prominent views on the relevance and irrelevance of ontological investigations for the social sciences, namely, ontological foundationalism and anti-ontological pragmatism. I will argue that both views are unsatisfactory. The subsequent part of the article will introduce an alternative role for ontological projects in the philosophy of the social sciences that fares better in this respect by paying attention to the ontological assumptions of actual social scientific theories, models, and related explanatory practices. I will (...) illustrate and support this alternative through discussion of three concrete cases. (shrink)

This paper defends Musical Stage Theory as a novel account of the ontology of musical works. Its main claim is that a musical work is a performance. The significance of this argument is twofold. First, it demonstrates the availability of an alternative, and ontologically tenable, view to well-established positions in the current debate on musical metaphysics. Second, it shows how the revisionary approach of Musical Stage Theory actually provides a better account of the ontological status of musical works.

This article concerns existents as a contentious issue in contemporary Abelardian scholarship. More precisely, it concerns the ontological standing of forms in Abelard’s metaphysics. Take, for example, the apple on my desk. What ontological standing does its redness have? Is it an actual entity over and above the apple or is it in some sense “reducible” to it? Abelard, famously, was a nominalist, so the question is not about some purported universal redness. Rather, it is about the particular redness of (...) the particular apple on my desk. The issue is contentious in that the best current accounts of Abelard’s metaphysics disagree strongly about how to answer this question. Here, rather than focusing on Abelard’s own writings – which so far have yielded no definitive answer – I will consider some anonymously transmitted and mainly unedited logical texts from the twelfth century and show how his contemporaries understood Abelard’s view and how the followers of his philosophical nemesis, Alberic of Paris, reacted to it. (shrink)

In the camp of the believers in fictional entities, two main paradigms nowadays face each other: the neo-Meinongian and the artifactualist.1 Both parties agree on the idea that ficta are abstract entities, i.e. things that exist (at least in the actual world) even though in a non-spatiotemporal way. Yet according to the former paradigm, ficta are entities of a Platonic sort: either sets of properties (or at least ‘one-one’ correlates of such sets) or generic objects. According to the latter paradigm (...) instead, fictional beings are abstract artifacts, in the sense that they are cultural constructions like games, laws and institutions. Traditionally, these paradigms conceive themselves as mutually exclusive. In what follows, however, I will try to show that this conception is ungrounded. For a fictional entity is a compound entity made both of a property set and of the cultural practice-type that makes its own existence possible. This makes a fictum at least a ‘many-one’ correlate of a set, insofar as different practice-types may turn the same set of properties into different fictional individuals. In this sense, the present proposal is ontologically syncretistic, for it attempts at combining the neo-Meinongian and the artifactualist paradigm. Yet it is even more conciliatory than that. Recent disbelievers in ficta have maintained that as far as fiction is concerned, there is nothing more than fictional discourse itself, which consists in nothing but make-believe linguistic acts in which we pretend that there are things like fictional beings. Yet I take this make-believe practice precisely as the cultural practice such that a fictum not only depends on it but also is partially constituted by it. (shrink)

This book investigates what change is, according to Aristotle, and how it affects his conception of being. Mark Sentesy argues that change leads Aristotle to develop first-order metaphysical concepts such as matter, potency, actuality, sources of being, and the teleology of emerging things. He shows that Aristotle’s distinctive ontological claim—that being is inescapably diverse in kind—is anchored in his argument for the existence of change. -/- Aristotle may be the only thinker to have given a noncircular definition of change. (...) When he gave this definition, arguing that change is real was a losing proposition. To show that it exists, he had to rework the way philosophers understood reality. His groundbreaking analysis of change has long been interpreted through a Platonist lens, however, in which being is conceived as unchanging. Offering a comprehensive reexamination of the relationship between change and being in Aristotle, Sentesy makes an important contribution to scholarship on Aristotle, ancient philosophy, the history and philosophy of science, and metaphysics. (shrink)

Many versions of the ontological argument have two shortcomings: First, despite the arguments put forward, for example, by Hugh Chandler and Nathan Salmon, they assume that S5 is the correct modal logic for metaphysical modality. Second, despite the classical arguments put forward, for example, by David Hume and Immanuel Kant or the more recent arguments put forward, for example, by John Findlay and Richard Swinburne, they assume that necessary existence is possible. The aim of the paper is to develop an (...) alternative version of the ontological argument that, by an appeal to the logic of ‘actually’, avoids these two shortcomings. The version helps to leave aside unnecessary debates about the modal logic S5 or about the possibility of necessary existence and to focus on the actual challenge for the debate about the ontological argument: the challenge to evaluate the claim that it is possible that God exists. (shrink)

The traditional ontology within which chemistry has developed involved various versions of a general substance/attribute scheme. Recently this has been challenged by two versions of Dynamism. One version is derived from the writings of A. N. Whitehead and the other from several sources, including G. Leibniz and I. Kant. Both involve the idea of flux of actual occasions. Unlike the former scheme, the latter involves a foundation of causal powers and the energetics of field theory. The situation has been (...) made more interesting because of the revival of trope theory, based on an ontology of particularized attributes. This notion is claimed to resolve philosophical problems about the nature of universals and of substances through the introduction of spatial and temporal sequences of tropes. While trope theory seems, at first sight, to work as an attractive alternative to substance/attribute close inspection shows that it is beset with difficulties that are more problematic that the dynamist ontology based on casual powers, dispositions and affordances. (shrink)

This paper situates the dream-hypothesis in Descartes’s First Meditation within the historical ontology of ourselves. It looks at the way in which the dream enters into and transforms Descartes’ relation to his “system of actuality.” In order to get free from his confinement within his system of actuality – an actuality defined by relations of power-knowledge, government, veridiction, and subjectivity – Descartes draws on the disruptive, negative capacity of the dream. But, while Descartes draws on the (...) dream to get himself free and to establish a way of thinking and living differently, he also disqualifies the dream as a positive source of knowledge, truth, or subjectivity. Excavating this ambivalent place of the dream in the genealogy of our present, we aim to recover the dream not only in its negative power but also to open up the possibility of re-imagining its positivity as a form of counter-conduct, problematization, and element in the care of the self. This paper represents one piece of a larger genealogical study that examines the history of relationships between the arts of dreaming and the problematization of power-truth-subjectivity. (shrink)

Sentences such as 'Chocolate tastes good' have been widely discussed as sentences that give rise to faultless disagreement. As such, they actually belong to the more general class of impersonal perception reports, which include 'The violin sounds / looks strange' as well sentences that are about an agent-centered situation such as 'It feels / seems like it is going to rain'. I maintain the view that faultless disagreement is due to first person-based genericity, which, roughly, consists in attributing a property (...) to anyone the speaker (or described agent) identifies with (which generally requires a first-person experience) (Moltmann 2010). Unlike my previous analysis (and similar analyses), this paper no longer makes use of experiencers or judges as implicit arguments of taste predicates, but argues that impersonal perception verbs (taste, look, feel, seem), have a logophoric character. More precisely, such verbs describe perceptual occurrences whose experiencer is identical to the agent of the utterance situation, described attitudinal situation, or the situations a generic operator may range over. Perceptual occurrences are sharply distinguished ontologically from perceptual experiences as well as perceptual objects, entities we refer to as ‘the taste of chocolate’, ‘the sound of the violin’, ‘the look of the violin’. Sentences about perceptual objects ('the taste of chocolate is good', 'the sound of the violin is great', 'the look of the violin is beautiful') also give rise to faultless disagreement, but the source of that is a first-person-based attribution of an evaluative predicate to an (objective) perceptual object. (shrink)

This review of Turner’s “Computational Artifacts” focuses on one of the key novelties of the book, namely the proposal to understand the nature of computer programs as a “trinity” of specification, symbolic program, and physical process, replacing the traditional dualist views of programs as functional/structural or as symbolic/physical. This trinitarian view is found to be robust and helpful to solve typical issues of dualist views. Drawing comparisons with Simon’s view of the artifact as an interface, the author suggests that this (...) trinitarian view may characterize not only computational artifacts but also artifacts in general. One ambiguity is however noticed on the denotation of what Turner actually calls the “physical process.”. (shrink)

Our concept of actual causation plays a deep, ever-present role in our experiences. I first argue that traditional philosophical methods for understanding this concept are unlikely to be successful. I contend that we should instead use functional analyses and an understanding of the cognitive bases of causal cognition to gain insight into the concept of actual causation. I additionally provide initial, programmatic steps towards carrying out such analyses. The characterization of the concept of actual causation that results is quite different (...) from many standard views: it is graded, context-sensitive, and extrinsic. (shrink)

Scholars have long recognised the interest of the Stoics' thought on geometrical limits, both as a specific topic in their physics and within the context of the school's ontological taxonomy. Unfortunately, insufficient textual evidence remains for us to reconstruct their discussion fully. The sources we do have on Stoic geometrical themes are highly polemical, tending to reveal a disagreement as to whether limit is to be understood as a mere concept, as a body or as an incorporeal. In my view, (...) this disagreement held among the historical Stoics, rather than simply reflecting a doxographical divergence in transmission. This apparently Stoic disagreement has generated extensive debate, in which there is still no consensus as to a standard Stoic doctrine of limit. The evidence is thin, and little of it refers in detail to specific texts, especially from the school's founders. But in its overall features the evidence suggests that Posidonius and Cleomedes differed from their Stoic precursors on this topic. There are also grounds for believing that some degree of disagreement obtained between the early Stoics over the metaphysical status of shape. Assuming the Stoics did so disagree, the principal question in the scholarship on Stoic ontology is whether there were actually positions that might be called "standard" within Stoicism on the topic of limit. In attempting to answer this question, my discussion initially sets out to illuminate certain features of early Stoic thinking about limit, and then takes stock of the views offered by late Stoics, notably Posidonius and Cleomedes. Attention to Stoic arguments suggests that the school's founders developed two accounts of shape: on the one hand, as a thought-construct, and, on the other, as a body. In an attempt to resolve the crux bequeathed to them, the school's successors suggested that limits are incorporeal. While the authorship of this last notion cannot be securely identified on account of the absence of direct evidence, it may be traced back to Posidonius, and it went on to have subsequent influence on Stoic thinking, namely in Cleomedes' astronomy. (shrink)

This dissertation defends and develops the thesis that some instances, or tokens, of dispositional properties are pure. A pure disposition has no causal basis in any further properties beyond the disposition. A causal basis typically consists of some set of properties underlying a disposition that enables the disposition to manifest when stimulated in the appropriate circumstances. For example, a vase is fragile because it is disposed to break when a hammer or other suitable object strikes it, where the causal basis (...) for fragility is the underlying micro-structure of the vase. Moreover, micro-structural properties of the vase seem to anchor the continuous existence of the vase’s fragility when the vase is not actually breaking. In contrast to the neo-Humean metaphysical assumption that any disposition requires a causal basis in further properties, as in the example of fragility, the Pure Dispositions Thesis denies this. This dissertation achieves four goals. First, it defends the Pure Dispositions Thesis from notable objections: the Powers Regress Argument, the Insufficient Causal Basis Argument, the Argument from the Identity Thesis, and the Argument from Spatial Occupation. Second, it evaluates several theories of the continuous existence of pure dispositions, and argues that some pure dispositions are self-grounded via a minimally sufficient occurrence of their own power. Third, it presents two arguments that some pure dispositions are extrinsically grounded, the Argument from the Higgs Field and the Argument from Priority Monism, and deflects numerous objections to those arguments. Finally, it develops and defends an account of systems of pure dispositions, arguing that a pure dispositional system may generate higher-level categorical and dispositional properties by way of an emergence mechanism involving the union of two pure dispositions. (shrink)

Aristotle's defense of Dunamis -- Power and potentiality -- Rational and nonrational powers -- The priority of actuality -- Ontological hierarchy, normativity, and gender.

Since management is about influencing - influencing people who work in the organization, the structure and practices of the organization, as well as its environment - how ‘influencing’ is understood evidently makes a huge difference. The still popular empiricist concept of cause-effect relations as presupposing regularities is mistaken, since it forms no sufficient basis for action in new and unique situations. As alternative notions of causation, the paper discusses the Critical Realist conception of causal powers and the counterfactual conditional view, (...) arguing that the classical notion of power (dunamis in Greek; power, potentiality, possibility, ability, capacity, capability in English) offers the most fruitful analysis of causal relations for managerial purposes. The paper presents the four ontological features of power scrutinised already by Aristotle in his Metaphysics and Physics, and actively discussed in current philosophy of science. These are the potentiality-actuality distinction, full power as consisting of an active and a receptive component, the distinction of rational and non-rational powers, and the idea of hierarchy of powers. These ontological distinctions suit management contexts not only because they allow room for new unique decision-making situations, but primarily because they imply invaluable practical advice. The relevance of the power ontology for management is illustrated in the context of the Bohm and the new Timeout dialogue. The paper concludes with a summary of the practical implications of the classical power ontology to management and the adoption of dialogical practices to managerial expertise. (shrink)

Functionality is one of the key concepts of knowledge about artifacts. Functional knowledge shows a part of designer's intention (so-called design rationale), and thus its sharing among engineers plays a crucial role in team-activities in engineering practice. Aiming at promoting engineering knowledge management, we have developed an ontological modeling framework of functional knowledge, which includes an ontology of device and function and a controlled vocabulary. This framework has been successfully deployed in a manufacturing company in daily engineering activities. In (...) the first part of this paper, we discuss some ontological issues concerning the functionality of artifacts, and redefine the notion of function as a role. In the second part, we discuss some lessons learned in the actual deployment of this framework and two extensions based on such experience. One extension is a lexical layer for functional terms intended to help engineers select appropriate functional concepts and to facilitate the use of domain-specific terms familiar to them. The other extension is the establishment of ontological modeling guidelines, which help engineers commit to the relevant ontologies and describe models compliant with them. (shrink)

In this article we show that, even though the classification and diagnosis of Psychiatric Disorders are performed according to essentialist terms, the psychiatric diagnoses currently employed, do not actually meet these criteria. Diagnosis is performed operationally. In this paper, we suggest a change of perspective. We reject essentialism relating to PDs and argue for the Homeostatic Property Cluster model, which allows a greater insight into the ontology of PDs than the operational perspective. More specifically, we argue that the HPC (...) model allows for a synthesis of continuous and discrete methods of understanding the boundaries between PDs. Finally, we specify in a more general manner, the kind of ontology we deal with when adopting the HPC model, arguing that this model can be viewed as a mirror device, reflecting the ontological features of PDs. (shrink)

Why do we act as we do? Why do we assume that the way of being and behaving in our community is right, good, and common sense? Why do we fail to understand those who are, act, and feel differently? These are some of the questions that this book raises and attempts to answer. This ontology is rooted in the phenomenological tradition but with the innovation of taking the "form of life" as the central ontological unit. We are our (...) form of life, but, as a transcendental-immanent reality, this is not directly equivalent to culture or society; it is rather the "political" realisation in the world of an image of the human being shared by a given community. This overcomes the traditional dualities of individual and society, consciousness and body, facticity and freedom, actuality and possibility. The subject is a subject because it identifies with that image, which is equivalent to the intersubjective consciousness of how one should act and be in the world. This gives rise to multiple forms of life. The latter implies a certain power to be who one wants to be. In this way, the book is an invitation to self-examination, for if our form of life is voluntary (i.e., capitalism), it shatters the illusion that one cannot live in any other way, and places us before the anguished but inevitable task of justifying its adoption or resorting to its abandonment. The book offers a dynamic analysis of human existence as the actualisation of a form of life that is, at the same time, the exercise of a certain power over those who seek to live otherwise, especially when that form is institutionalised by a government as the essence of the national or transnational community. (shrink)

Quantum contextuality and its ontological meaning are very controversial issues, and they relate to other problems concerning the foundations of quantum theory. I address this controversy and stress the fact that contextuality is a universal topological property of quantum processes, which conflicts with the basic metaphysical assumption of the definiteness of being. I discuss the consequences of this fact and argue that generic quantum potentiality as a real physical indefiniteness has nothing in common with the classical notions of possibility and (...) counterfactuality, and that also it reverses, in a way, the classical mirror-like relation between actuality and definite possibility. (shrink)

According to David Lewis, a realist about possible worlds must hold that actuality is relative: the worlds are ontologically all on a par; the actual and the merely possible differ, not absolutely, but in how they relate to us. Call this 'Lewisian realism'. The alternative, 'Leibnizian realism', holds that actuality is an absolute property that marks a distinction in ontological status. Lewis presents two arguments against Leibnizian realism. First, he argues that the Leibnizian realist cannot account for the (...) contingency of actuality. Second, he argues that the Leibnizian realist cannot explain why skepticism about one's own actuality is absurd. In this paper, I mount a defense of Leibnizian realism. (shrink)

This essay examines Nietzsche’s musical ontology and situates it within the naturalist and anti-metaphysical framework evident throughout his corpus. Nietzsche often associated this position with the figure of Dionysus, which plays a leading role in The Birth of Tragedy, his most sustained consideration of music and musical ontology. The essay returns to The Birth of Tragedy in an effort to recover Nietzsche’s musical ontology and its relationship with ontology more generally. Heeding Nietzsche’s own remarks, I read (...) this text in light of his mature philosophy. My analysis draws on the work of the late twentieth-century Nietzschean, Gilles Deleuze, whose distinction between “the virtual” and “the actual” enables us to see what is really at issue in The Birth of Tragedy. (shrink)

Although ethicists are increasingly interested in virtue ethics, very little has been written about the nature of virtue. Yet understanding it is crucial for understanding virtue ethics. Some philosophers of science claim that virtue is a property reducible to the mere disposition to behave in certain specified ways given a particular situation. A virtue is correctly ascribed after the observation of the relevant behavior. This view reverses the classical virtue ethics of Aristotle. For him, behavior is identified as virtuous in (...) the proper sense after determining that the agent has the relevant virtue. The focus on virtue rather than action differentiates virtue ethics from the action-centered theories that have been dominant untiI recently.In this paper, I argue that virtue is an actual qualily. In the first part, I review Aristotle’s claim that virtue is not a mere potentiality. In the second part, I propose that this claim is supported hy the fact that we are aware of some virtues as actual qualities. If and only if virtues are actual qualities can they be the fundamental values virtue ethicists claim they are. (shrink)

Deleuze's monograph on Foucault is often construed as a ‘metaphysical fiction’ (Frédéric Gros), which would attribute to Foucault a metaphysics of Deleuze's own issue. Notably, Paul Patton has argued that Deleuze thereby deeply mischaracterises Foucault's concepts of actuality, history, power and philosophy itself. Against this view, I argue that Deleuze's interpretation in Foucault clarifies the virtual force ontology that the two thinkers effectively developed in common. This ontological framework not only resolves Patton's specific objections; it also outlines a (...) philosophy of the event demonstrating the conceptual consistency between Foucault and Deleuze on fundamental questions of philosophical critique and political agency. (shrink)