Seminar papers; Study with special reference to Advaita philosophy of Śaṅkarācārya.

How do words and images function hermeneutically? How does hermeneutic practice work? Answering these questions and more, Nicholas Davey develops the hermeneutical foundations of creative practice. In doing so, he not only uncovers the significance of philosophical hermeneutics for the arts and the humanities, but defends the humanities as a whole from the current scepticism inspired by deconstruction and post-structuralism. Taking Gadamer's language ontology as its cue, this pioneering volume not only addresses certain weaknesses that Davey observes in Gadamer's (...) thought but further takes Gadamerian thinking beyond Gadamer himself. In particular, Davey investigates the productive value of negativity that is central to hermeneutics and to wider spheres of creative learning. Advocating a renewed confidence in hermeneutics and the humanities, Negative Hermeneutics and the Question of Practice reveals how hermeneutical thinking provides a map of the dynamics within creative practice, eliminating the need for an externally imposed 'theory' of the arts. (shrink)

How to: win an argument, defend a case, recognize a fallacy, see through deception, persuade a skeptic, turn defeat into victory.

This is a review of a lecture series by Gillian Rose on Frankfurt School critical theory, which was delivered at the University of Sussex in 1979 and is now published under the title Marxist Modernism, edited by James Gordon Finlayson and Robert Lucas Scott.

The target article offers anegative, eliminativistthesis, dissolving the specialness of mirroring processes into a solution of associative mechanisms. We support the authors' project enthusiastically. What they are currently missing, we argue, is apositive, generativethesis about associative learning mechanisms and how they might give way to the complex, multimodal coordination that naturally arises in social interaction.

We cannot use language without having context in place. But context is not a single thing. Instead, typically, each use of language presupposes a complex set of beliefs, habits, behaviors, and moral commitments.

In lieu of an abstract, here is a brief excerpt of the content:176 Reviews c:\users\ken\documents\type3402\rj 3402 050 red.docx 2015-02-04 9:19 PM THE GRUNDGESETZE Nicholas Griffin Russell Research Centre / McMaster U. Hamilton, on, Canada l8s 4l6 [email protected] Gottlob Frege. Basic Laws of Arithmetic. Derived Using Concept-script. Volumes i and ii. Translated and edited by Philip A. Ebert and Marcus Rossberg with Crispin Wright. Oxford: Oxford U. P., 2013. Pp. xxxix + xxxii + 253 + xv + 285 + A–42 (...) + i–11. isbn 978-0-19-928174-9. £60; us$110. iven the steadily rising interest in Frege’s work since the 1950s, it is surprising that his Grundgesetze der Arithmetik, the work he thought would be the crowning achievement of his career, has not previously been fully translated into English. Other Frege works have long been available in English. The earlier Grundlagen der Arithmetik was nicely, if not always entirely accurately, translated by J. L. Austin and published in 1950.1 Translations of Frege’s other philosophical writings began to appear in influential editions about the same time,2 initially a small corpus that has been gradually added to over the years to include works from his Nachlass and letters from his correspondence.3 Somewhat later, the Begriffsschrift, Frege’s momentous first 1 The Foundations of Arithmetic (Oxford: Blackwell, 1950; 2nd edn. 1953). The later translation under the same title by Dale Jacquette (London: Longman, 2007) is much less satisfactory. 2 The first importance source for these was Peter Geach and Max Black’s Translations from the Philosophical Writing of Gottlob Frege (1952; 2nd edn. 1960; 3rd edn. 1980), though it included reprints of some much earlier translations. 3 The two most comprehensive English sources for the shorter writings are now Brian d= Reviews 177 c:\users\ken\documents\type3402\rj 3402 050 red.docx 2015-02-04 9:19 PM contribution to modern logic, the work which Quine 4 said had made logic a great subject, was translated in full despite the difficulties of Fregean notation.5 But through all this the Grundgesetze remained largely (though not entirely ) untranslated. The view seems, for a long time, to have been that Frege’s contributions to logic were to be found in the Begriffsschrift and his contributions to philosophy in the Grundlagen and a small number of seminal articles. The Grundgesetze, on the other hand, was widely thought not to have added much to these magni ficent achievements, but to have employed them in a project that was doomed by the discovery of Russell’s paradox; namely, the attempt to show that arithmetic could be rigorously derived from purely logical principles. In the bleak aftermath of Russell’s paradox it came to seem as if whatever was of value in the Grundgesetze had already been published elsewhere, while what was new in it was mistaken.6 That assessment of the book’s value, combined with the huge difficulties of typesetting Frege’s idiosyncratic two-dimensional notation, and the sheer scale of the work (even without the anticipated third volume, which was abandoned in the face of Russell’s paradox, it was, by far, Frege’s largest work) made it seem as though a translation of the whole Grundgesetze was not only a prohibitively large undertaking, but also one which was not really necessary. And so, through much of the twentieth century, the Grundgesetze vied with Principia Mathematica as the world’s bestknown but least-read philosophical book. But this understanding of the Grundgesetze’s importance could not withstand the development of neo-logicism, brought to prominence by Crispin Wright’s Frege’s Conception of Numbers as Objects.7 The key insight of neoMcGuinness, ed., Frege, Collected Papers on Mathematics, Logic, and Philosophy (1984); and Michael Beaney, ed., The Frege Reader (1997). 4 At least in early editions of Mathematical Logic. The remark was removed in later ones in deference to Boole. 5 By Stefan Bauer-Mengelberg in Jean van Heijenoort, ed., From Frege to Gödel (1967), pp. 5–82. 6 Not surprisingly the one part of the Grundgesetze which has appeared most frequently in translation is the “Nachwort” responding to Russell’s paradox which Frege added as the book was in press. Geach... (shrink)

This chapter contains section titled: Utilitarian and Kantian Advice about Enhancement Moral Images and Moral Consistency Midgley's Scepticism about Consistency Harvesting Stem Cells: Research or Therapy? Are Enhancement Technologies wrong because they are ‘Yucky’? Why Food is Different Are Enhancement Technologies Wrong because they will Destroy Meaning?

Neste artigo, interessamo-‑nos pelo neologismo «perverformatif» [«performativo»] usado por Jacques Derrida em La Carte postale e em Marx & Sons. Se Derrida é um outro «mestre do performativo», título que ele reservava ao «Plato» de La Carte Postale não é por negar a Lei ou a sua «verdade», mas porque tem necessidade delas para assegurar a incidência de um desafio. O que performativamente se põe em obra e em abismo nos «Envios» passa assim por um desejo «perverso» de fazer advir (...) esta lei e de a desviar. A nossa hipótese é a de que é precisamente o que se performa no idioma daquele que não tem senão uma língua que não é a sua e para quem as palavras «contêm a sua própria perversidade». Interrogaremos, pois, os rastros deste vocábulo, a sua virtualidade a operar e o seu alcance – linguístico, mas também ético e político – no pensamento de Jacques Derrida. (shrink)

In 2009, the United States Air Force aired a series of science fiction-themed recruitment commercials on network television and their official YouTube channel. In these advertisements, the superimposition of science fiction imagery over depictions of Air Force operations frames these missions as near-future sci-fi adventure, ironically summarized by the tagline: “It’s not science fiction. It’s what we do every day.” Focusing on an early advertisement for the Air Force’s Reaper unmanned aerial vehicle, this essay explores how themes essential to the (...) science fiction genre play a role in influencing contemporary attitudes about autonomous and semi-autonomous robotic weapons, as well as the way in which the aesthetic and functional qualities of these advanced technologies are used to frame moral arguments about their use. As a reconfiguration of the near-future battleground in the guise of science fiction, the “Reaper” ad reveals the way in which science fiction has come to serve as a functional-aesthetic benchmark and cultural sounding board, against which “every day” technologies can be measured and claims about their value, ethos, and social appeal are made. This essay explores the ethical entanglements between science fiction film and video games, and military technology, and the complex role science fiction plays in influencing public attitudes towards military technologies. (shrink)

Philosopher Nick Pappas invites us to join the conversation as a few wise friends explore what it takes to live a meaningful life, to produce meaningful art, and to support others in their own efforts to fulfill their potential. How do we make the most of our lives? Is there a meaning, a goal, a purpose? Is it all a matter of chance or do we each have a destiny that beckons? Can we knowingly move toward it, and can we (...) choose to avoid it? From the rational, logical perspective on one hand, and that of intuition, passion and inspiration on the other, different characters address these questions over a series of exchanges that encourage us to pause, taking a deeper look at how we're living our lives and shaping who we are. (shrink)

This chapter contains sections titled: Aspects of Realism The Idealistic Dimension Conceptual Idealism.