Results for 'Music Taoism'

974 found
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  1.  9
    On the meta-category of Chinese music aesthetics.Sai Yang - 2021 - Hackensack, NJ: World Scientific.
    This book opens with the emergence and development of the discipline of aesthetics in western countries, specifically the history of Western Music Aesthetics, to study and delve into the development of Chinese Music Aesthetics. The book provides a clear timeline throughout the writing - from the history of Chinese Music Aesthetics, to the construction of a theoretical framework, and the intersections and conversations between Western and Chinese Music Aesthetics. This academic piece is fundamentally consistent with the (...)
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  2.  10
    Transformation of educational introspection: evaluation of the current situation and development of basic music education in China.Yannan Feng & Jing Peng - 2024 - Trans/Form/Ação 47 (5):e02400169.
    Resumen: La educación musical básica china siempre ha desempeñado un papel importante en el cultivo del gusto estético de los estudiantes y en la mejora de su alfabetización cultural. Sin embargo, en el contexto del rápido desarrollo social y económico y de la diversificación cultural, la educación musical básica también se enfrenta a nuevos retos y oportunidades. En el pasado, la educación musical generalmente prestaba atención a la formación de habilidades y hacía hincapié en la herencia de obras clásicas, pero (...)
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  3.  17
    Philosophical speculation in traditional Chinese music.Yifan Fan - 2024 - Trans/Form/Ação 47 (4):e0240069.
    Resumen: La civilización China siempre ha sido conocida como la civilización de los rituales y la música, con la música jugando un papel importante a lo largo de las dinastías. El desarrollo de la música tradicional China no puede separarse de la inyección de varias ideas filosóficas y conciencia social. Ya sea el sistema de música ritual de la dinastía Zhou, las cien escuelas de pensamiento durante el período de los reinos combatientes, las discusiones metafísicas de las dinast Wei y (...)
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  4.  12
    The Influence of the Ideas of Confucianism with the Ideas of Taoism and Buddhism on Chinese Folk Vocals: On the Example of the Performance of Songs from the Shi Jing (Book of Songs).Yinying Cai - 2022 - Contemporary Buddhism 23 (1-2):152-169.
    ABSTRACT The research purpose is to investigate the influence of Confucianism, Taoism and Buddhism on Chinese folklore vocals and their elements in modern music. The research methodology is based on descriptive, comparative, interpretative and statistical analysis (Spearman’s rank correlation coefficient). The analysis of the folk vocals of each thematic group among 110 folk songs of the Shi Jing supports the argument that Confucianism, Taoism and Buddhism had the greatest influence on the vocals. During the analysis, it was (...)
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  5.  21
    Evolution of the ontology of ancient Chinese music.Irina Aleksandrovna Zhernosenko & Tszyayui Lun - forthcoming - Philosophy and Culture (Russian Journal).
    The subject of the study is the ontological ideas of ancient Chinese music in the context of the formation of philosophical schools of Ancient China, which make it possible to identify a number of philosophical categories that underlie traditional chinese music and outline different approaches to its understanding and interpretation. Most Chinese researchers in the field of musical aesthetics focus on the art of music, rare to pay attention to the philosophical origins of the categories of (...) that past thinkers wrote about when analyzing laws of existence of the universe. Restoring and rethinking these values in the context of the philosophical and cultural analysis of ancient Chinese music is key to this work, which allows us to gain an understanding of the specifics of ancient Chinese culture and its musical heritage. The novelty of the work lies in carrying out the correlation of genesis of the musical ontology of Ancient China with the dynamics of the formation of the philosophical schools of Confucianism, Taoism and Buddhism, their rise or fall depending on the historical and cultural situation. Musical philosophy in China has not yet become an independent discipline, so the presented work makes a significant contribution to the field of musical ontology. During the study, the authors revealed three main aspects which are basic for the ontology of ancient Chinese music: The nature of music has its source three categories: Tao, air and sound, existing both in a natural state in nature and embodied in musical structure and instruments; Sound and rhythm being the essence to any musical work, organize the sounding space in accordance with the cosmic order; The metaphysical nature of music is justified by the basic principles of Taoist philosophy and number theory. (shrink)
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  6.  12
    Zhongguo xian Qin ru dao yin yue mei xue yan jiu =.Zhaoming Xu - 2021 - Beijing Shi: Ren min chu ban she.
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  7.  21
    Tai Chi: I Ching Form - Embracing the Mystery.Don Giles - 2015 - Pure Land.
    Tai Chi: I Ching Form - Embracing the Mystery is an easy to follow instruction manual that enables practitioners to tap into and express directly each of the sixty-four energies that exist throughout the eternal movement of Tao, as outlined and explained in the I Ching (The Book of Changes). By way of mindful illustration, multiple pictures of postures and movements, and careful attention to detailed description, the practitioner is carefully led through the various postures and transitional movements presented in (...)
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  8.  19
    Dao and time: classical philosophy.Livia Kohn (ed.) - 2020 - [Saint Petersburg]: Three Pines Press.
    Time plays a major role in classical Daoist thought, explored through different lenses in this powerful volume that brings together both established and rising scholars in the field. It discusses cosmic, seasonal, human, and mystical dimensions of time, linking Daoists to ancient astrologers, exploring universal origins (based on excavated manuscripts), examining issues of permanence and transience, and questioning notions of self and personal identity in a temporal light. Beyond this, the book also looks at classical Daoist visions of matching human (...)
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  9.  8
    Der Klang des Dao: das Phänomen einer "stillen Musik" in der daoistischen Philosophie sowie ihre Korrespondenzen in der abendländischen Musikästhetik.Herbert Hopfgartner - 2008 - Sankt Augustin: Academia Verlag.
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  10.  7
    Mastering the Art of Meditation.Don Giles - 2015 - Pure Land.
    Mastering the Art of Meditation is an instructional guide to various forms of meditation, representing several spiritual traditions, including Hinduism, Buddhism, Taoism, and Shamanism. Readers are led through the three aspects of meditation: Concentrative, Receptive, and Expressive. Techniques include: Breathing, Imaging, Icon, Mandala, Shamanic Nature Gazing, Music, Mantra, Sacred Words, Centering Prayer, Body Awareness, Movement, Koans, Compassion, Samatha, Vipassana, Zazen, Tapas, Kundalini, Chi, and Tonglen. Dr. Don Giles, the author, spent over a decade learning these practices from a (...)
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  11.  31
    Taoist Rites and Folk Belief.Taoist Rites - 1999 - Journal of Religious Studies (Misc) 2:006.
  12.  75
    Aquinas on Being. By Anthony Kenny. Oxford: Clarendon Press, 2002. Pp. x+ 212. Price not given. Before and after Avicenna: Proceedings of the First Conference of the Avicenna Study Group. Edited by David C. Reisman, with the assistance of Ahmed H. al. [REVIEW]Rahim Leiden, Islamic Humanism By Lenn E. Goodman & Letting Go - 2004 - Philosophy East and West 54 (2):277-278.
    In lieu of an abstract, here is a brief excerpt of the content:Books ReceivedAquinas on Being. By Anthony Kenny. Oxford: Clarendon Press, 2002. Pp. x + 212. Price not given.Before and after Avicenna: Proceedings of the First Conference of the Avicenna Study Group. Edited by David C. Reisman, with the assistance of Ahmed H. al Rahim. Leiden: Brill, 2003. Pp. xix + 302. Price not given.Beside Still Waters: Jews, Christians, and the Way of the Buddha. Edited by Harold Kasimow, John (...)
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  13. Music critics and aestheticians are, on the surface, advocates and guardians of good music. But what exactly is “good”.Pop Music - 2004 - In Christopher Washburne & Maiken Derno, Bad music: the music we love to hate. New York: Routledge. pp. 62.
     
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  14.  10
    Infectious Music.Music-Listener Emotional Contagion - 2011 - In Amy Coplan & Peter Goldie, Empathy: Philosophical and Psychological Perspectives. Oxford, GB: Oxford University Press UK.
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  15. 14 Beyond Marx and Wittgenstein.Marxist Turned Taoist - 2002 - In Gavin Kitching & Nigel Pleasants, Marx and Wittgenstein: Knowledge, Morality and Politics. New York: Routledge. pp. 282.
  16. “I like bad music.” That's my usual response to people who ask me about my musi.Rock Critics Need Bad Music - 2004 - In Christopher Washburne & Maiken Derno, Bad music: the music we love to hate. New York: Routledge.
     
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  17. Reviewed by Peter Kaminsky.Engaging Music - 2006 - Theoria 13:127.
     
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  18.  30
    A systematic review of comorbidity in PTSD using eye tracking and MEG.Music Selma, Rossell Susan & Ciorciari Joseph - 2015 - Frontiers in Human Neuroscience 9.
  19. What is sociological about music?William G. Roy, Timothy J. Dowd505 0 $A. I. I. Experience of Music: Ritual & Authenticity : - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield, Music sociology: examining the role of music in social life. Boulder, CO: Paradigm Publishers.
     
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  20.  16
    Mapping dreams in a computational space: A phrase-level model for analyzing Fight/Flight and other typical situations in dream reports.Maja Gutman Music, Pavan Holur & Kelly Bulkeley - 2022 - Consciousness and Cognition 106 (C):103428.
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  21.  31
    Effect of External Force on Agency in Physical Human-Machine Interaction.Satoshi Endo, Jakob Fröhner, Selma Musić, Sandra Hirche & Philipp Beckerle - 2020 - Frontiers in Human Neuroscience 14.
  22.  24
    Philosophy of Art in the Thinking of Ananda Kentish Coomaraswamy.Lejla Mušić - 2007 - Filozofska Istrazivanja 27 (1):213-234.
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  23.  31
    Associating Vehicles Automation With Drivers Functional State Assessment Systems: A Challenge for Road Safety in the Future.Christian Collet & Oren Musicant - 2019 - Frontiers in Human Neuroscience 13:408476.
    In the near future, vehicles will gradually gain more autonomous functionalities. Drivers’ activity will be less about driving than about monitoring intelligent systems to which driving action will be delegated. Road safety, therefore, remains dependent on the human factor and we should identify the limits beyond which driver’s functional state (DFS) may no longer be able to ensure safety. Depending on the level of automation, estimating the DFS may have different targets, e.g. assessing driver’s situation awareness in lower levels of (...)
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  24.  24
    Community Experiments in Public Health Law and Policy.Angela K. McGowan, Gretchen G. Musicant, Sharonda R. Williams & Virginia R. Niehaus - 2015 - Journal of Law, Medicine and Ethics 43 (S1):10-14.
    Community-level legal and policy innovations or “experiments” can be important levers to improve health. States and localities are empowered through the 10th Amendment of the United States Constitution to use their police powers to protect the health and welfare of the public. Many legal and policy tools are available, including: the power to tax and spend; regulation; mandated education or disclosure of information, modifying the environment — whether built or natural ; and indirect regulation. These legal and policy interventions can (...)
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  25.  65
    Ahern, Daniel R. The Smile of Tragedy: Nietzsche and the Art of Virtue. University Park, PA: Pennsylvania State University Press, 2012. Pp. xi+ 168. Cloth, $64.95. Alican, Necip Fikri. Rethinking Plato: A Cartesian Quest for the Real Plato. Value Inquiry Book Series. Amsterdam-New York: Rodopi, 2012. Pp. xxv+ 604. Cloth, $176.00. Allison, Henry E. Essays on Kant. Oxford-New York: Oxford University Press, 2012. Pp. xiv+ 289. [REVIEW]Fine Music - 2013 - Journal of the History of Philosophy 51 (1):145-147.
  26. Tatjana Markovic.Serbian Music Romanticism - 2003 - In Eero Tarasti, Paul Forsell & Richard Littlefield, Musical semiotics revisited. Imatra: International Semiotics Institute. pp. 468.
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  27.  28
    Music Self-Efficacy for Performance: An Explanatory Model Based on Social Support.Francisco Javier Zarza-Alzugaray, Oscar Casanova, Gary E. McPherson & Santos Orejudo - 2020 - Frontiers in Psychology 11.
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  28. Music and Mathematics: Modest Support for the Oft-Claimed Relationship.Kathryn Vaughn & Ellen Winner - 2000 - The Journal of Aesthetic Education 34 (3/4):149.
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  29.  46
    Music, Art, and Metaphysics.Stephen Davies - 1992 - Journal of Aesthetic Education 26 (2):110.
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  30.  71
    Enactive Music Cognition: Background and Research Themes.J. R. Matyja & A. Schiavio - 2013 - Constructivist Foundations 8 (3):351-357.
    Context: The past few years have presented us with a growing amount of theoretical research (yet that is often based on neuroscientific developments) in the field of enactive music cognition. Problem: Current cognitivist and embodied approaches to music cognition suffer, in our opinion, from a too firm commitment to the explanatory role of mental representations in musical experience. This particular problem can be solved by adopting an enactive approach to music cognition. Method: We present and compare cognitivist, (...)
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  31. Music, emotion and metaphor.Nick Zangwill - 2007 - Journal of Aesthetics and Art Criticism 65 (4):391-400.
    We describe music in terms of emotion. How should we understand this? Some say that emotion descriptions should be understood literally. Let us call those views “literalist.” By contrast “nonliteralists” deny this and say that such descriptions are typically metaphorical.1 This issue about the linguistic description of music is connected with a central issue about the na- ture of music. That issue is whether there is any essential connection between music and emotion. According to what we (...)
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  32.  59
    Critique of Pure Music.James O. Young - 2014 - Oxford, GB: Oxford University Press.
    James O. Young seeks to explain why we value music so highly. He draws on the latest psychological research to argue that music is expressive of emotion by resembling human expressive behaviour. The representation of emotion in music gives it the capacity to provide psychological insight--and it is this which explains a good deal of its value.
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  33. Music.Stephen Davies - 2003 - In Jerrold Levinson, The Oxford handbook of aesthetics. New York: Oxford University Press.
     
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  34. Music, mind, and morality: Arousing the body politic.Philip Alperson & Noël Carroll - 2008 - Journal of Aesthetic Education 42 (1):1-15.
    In lieu of an abstract, here is a brief excerpt of the content:Music, Mind, and Morality:Arousing the Body PoliticPhilip Alperson (bio) and Noël Carroll (bio)I. IntroductionIf like Aristotle one agrees that the responsibility of philosophy is to offer as comprehensive a picture of phenomena as possible, then one must admit that sometimes the methods and goals of analytic philosophy stand in the way of getting the job done properly; they may even distort one's findings. This is not said in (...)
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  35.  47
    Perceiving temporal regularity in music.Edward W. Large & Caroline Palmer - 2002 - Cognitive Science 26 (1):1-37.
    We address how listeners perceive temporal regularity in music performances, which are rich in temporal irregularities. A computational model is described in which a small system of internal self‐sustained oscillations, operating at different periods with specific phase and period relations, entrains to the rhythms of music performances. Based on temporal expectancies embodied by the oscillations, the model predicts the categorization of temporally changing event intervals into discrete metrical categories, as well as the perceptual salience of deviations from these (...)
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  36.  29
    The Scope Argument, MICHAEL O'ROURKE.Against Musical Ontology & Aaron Ridley - 2003 - Journal of Philosophy 100 (3).
  37.  76
    Music and the Emotions.Malcolm Budd - 1987 - Philosophical Review 96 (4):594-596.
  38.  34
    When music “flows”. State and trait in musical performance, composition and listening: a systematic review.Alice Chirico, Silvia Serino, Pietro Cipresso, Andrea Gaggioli & Giuseppe Riva - 2015 - Frontiers in Psychology 6.
  39.  34
    Modeling Music-Selection Behavior in Everyday Life: A Multilevel Statistical Learning Approach and Mediation Analysis of Experience Sampling Data.Fabian Greb, Jochen Steffens & Wolff Schlotz - 2019 - Frontiers in Psychology 10.
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  40.  21
    Music Lessons and Cognitive Abilities in Children: How Far Transfer Could Be Possible.Franziska Degé - 2021 - Frontiers in Psychology 11.
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  41. (1 other version)Music and Conceptualization.Mark Debellis - 1997 - Mind 106 (423):599-602.
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  42.  40
    Ethical pharmaceutical promotion and communications worldwide: codes and regulations.Jeffrey Francer, Jose Z. Izquierdo, Tamara Music, Kirti Narsai, Chrisoula Nikidis, Heather Simmonds & Paul Woods - 2014 - Philosophy, Ethics, and Humanities in Medicine 9:7.
    The international pharmaceutical industry has made significant efforts towards ensuring compliant and ethical communication and interaction with physicians and patients. This article presents the current status of the worldwide governance of communication practices by pharmaceutical companies, concentrating on prescription-only medicines. It analyzes legislative, regulatory, and code-based compliance control mechanisms and highlights significant developments, including the 2006 and 2012 revisions of the International Federation of Pharmaceutical Manufacturers and Associations (IFPMA) Code of Practice.
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  43.  75
    Music, spirituality, and education.David Carr - 2008 - Journal of Aesthetic Education 42 (1):16-29.
    In lieu of an abstract, here is a brief excerpt of the content:Music, Spirituality, and EducationDavid Carr (bio)Recent Interest in Spiritual EducationFew concerned with educational theory and policy could have failed to notice the recent upsurge of interest—not least in such economically developed democracies as the United Kingdom and the United States—in the notion of spiritual development as a possible aim or goal of public or common schooling. Indeed, in addition to the enormous growth of academic literature on this (...)
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  44.  46
    Schopenhauer, the Philosophy of Music, and the Wisdom of Classical Indian Philosophy.Richard White - 2021 - Sophia 60 (4):899-915.
    Among Western philosophers, Schopenhauer is one of the few who seeks to clarify the nature of music, and its effects upon us. He claims that music is the most important of all the arts; and he argues that music is a kind of metaphysics that allows us to experience the ultimate reality of the world. In this essay, I evaluate Schopenhauer’s philosophy of music in the context of his overarching philosophy. Then I discuss the relevance of (...)
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  45. (1 other version)Music, Value and the Passions.Aaron Ridley - 1995 - Mind 109 (434):387-390.
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  46.  21
    Music as a Model in Early Science.Jamie Croy Kassler - 1982 - History of Science 20 (2):103-139.
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  47. Philosophy, music and audience (Elio Matassi).Mario De Caro - 2007 - Rivista di Storia Della Filosofia 62 (1):69-73.
     
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  48.  14
    Music, media and social critique.Laura Miettinen - 2010 - In Inga Rikandi, Mapping the Common Ground: Philosophical Perspectives on Finnish Music Education. Btj. pp. 148.
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  49.  73
    Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca & Daniel J. Levitin - 2011 - Cognition 118 (2):157-170.
  50.  9
    How Music Works.David Byrne - 2012 - Canongate.
    "Originally published in the United States in hardcover in 2012 and in paperback in 2013 by McSweeneys, San Francisco.".
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