The article focuses on meaning generation in music and language cognition based on complexes of image schemas. We hypothesize that schemas are involved in dynamic interactions fostering online complex conceptual construction found both in language and elsewhere in various cognitive code expressions. Expanding on recent work, we propose that an account of image-schema interaction should include the notion of scalarity, a higher-order parameter which captures the intensity with which schemas occur and/or interact with one another. In that sense, schemas are (...) proposed to have a binary valence (positive or negative) and a three-tier range of intensity levels. We focus on some examples of the interaction of force, path, link, balance, and containment image schemas in language and music to illustrate how a formal routine emerging from our proposal may help in addressing not only aspects of propositional semantics, but also affective and connotative nuances in musical and linguistic expression. (shrink)

There are two different senses of rationality of methodological rules: one is instrumental rationality, another is rationality of goals. In the first sense methodological rules are mere means of an apparently neutral true description of a given reality. Such a description, no matter how adequate, involves hidden value-assumptions and may be used for irrational purposes. A different notion of ends-means rationality characterizes methodological rules of critical science which analyses limitations of the given reality from an explicitly stated value-standpoint. The ultimate (...) purpose of such critical research is to produce changes in human behaviour and in objective reality. As in the case of medical activity: diagnosis is followed by therapy. Methodological rules of critical inquiry are only a special case of a general methodology of human practice, the rationality of which presupposes a universal emancipatory goal. (shrink)

The philosophic and scientific achievement of Alimpije Vasiljević : p.135-137.

A Marxist analysis of the role of politics in liberal democracies and fascist and socialist states.

This study tested to what extent young listeners metaphorically conceptualize basic musical relations. Ninety children aged 11 (30 attending a music school and 30 Serbian and 30 Romani children with no musical education) were played 5 stimuli with mutually opposed musical elements and asked to respond what the first and what the second one was like. Their answers were classified into metaphors according to the tenets of the conceptual metaphor theory. The results suggest an overwhelming dominance of metaphorical replies, in (...) which most mappings were based on image schemas within a predominantly visual–spatial modality. There were some differences in conceptualizations, however, with “high and low” tones also perceived as “big and small,” or “upward” musical motion seen as “forward.” This article analyzes the possibility of finding a common denominator for seemingly disparate replies, where the study of musical conceptualization might be instrumental in the cognitive semantic quest for metaphorical universals. (shrink)