Wittgenstein has written a great number of remarks relevant to aesthetical issues: he has questioned the relation between aesthetics and psychology as well as the status of our norms of judgment; he has drawn philosophers attention to such topics as aspect-seeing and aspect-dawning, and has brought insights into the nature of our aesthetic reactions. The examination of this wide range of topics is far from being completed, and the purpose of this book is to contribute to such completion. It gathers (...) both papers discussing some of Wittgenstein s most provocative and intriguing statements on aesthetics, and papers bringing out their implications for art critic and art history, as well as their significance to epistemology and to the study of human mind.". (shrink)

Influential philosopher Michel Serres’s foundational work uses fable to explore how human relations are identical to that of the parasite to the host body. Among Serres’s arguments is that by being pests, minor groups can become major players in public dialogue—creating diversity and complexity vital to human life and thought. Michel Serres is professor in history of science at the Sorbonne, professor of Romance languages at Stanford University, and author of several books, including _Genesis._ Lawrence R. Schehr is (...) professor of French at the University of Illinois, Urbana-Champaign. Cary Wolfe is Bruce and Elizabeth Dunlevie Professor of English at Rice University. His books include _Zoontologies: The Question of the Animal _. (shrink)

It is commonly thought that authors can make anything whatsoever true in their fictions by artistic fiat. Harry Deutsch originally called this position the Principle of Poetic License. If true, PPL sets an important constraint on accounts of fictional truth: they must be such as to allow that, for any x, one can write a story in which it is true that x. I argue that PPL is far too strong: it requires us to abandon the law of non-contradiction and (...) entails a radical revision of otherwise ordinary commitments about truth in fiction. (shrink)

Michel Serres is one of the most influential living theorists in European philosophy. This volume makes available a work which has a foundational place in the development of chaos theory, representing a tour de force application of the principles underlying Serres' distinctive philosophy of science.

With this profound final work, completed in the days leading up to his death, Michel Serres presents a vivid picture of his thinking about religion—a constant preoccupation since childhood—thereby completing Le Grand Récit, the comprehensive explanation of the world and of humanity to which he devoted the last twenty years of his life. Themes from Serres's earlier writings—energy and information, the role of the media in modern society, the anthropological function of sacrifice, the role of scientific knowledge, the problem (...) of evil—are reinterpreted here in the light of the Old Testament accounts of Isaac and Jonah and a variety of Gospel episodes, including the Three Wise Men of the Epiphany, the Transfiguration, Peter's denying Christ, the Crucifixion, Emmaus, and the Pentecost. Monotheistic religion, Serres argues, resembles mathematical abstraction in its dazzling power to bring together the real and the virtual, the natural and the transcendent; but only in its Christian embodiment is it capable of binding together human beings in such a way that partisan attachments are dissolved and a new era of history, free for once of the lethal repetition of collective violence, can be entered into. (shrink)

Written while the pandemic was still a key issue, this article tries to imagine the post-pandemic from different perspectives, and first of all in distinct temporalities. A question arises immediately: how can we consider the hypothesis of a deep cultural or anthropological mutation with intellectual or scientific tools that were forged before this mutation? What might new approaches for the social sciences look like? The article proceeds to analyse the more obvious social, technological and cultural changes that occurred with the (...) pandemic, which definitively modify our perception and understanding of globalisation. New or renewed inequalities, intergenerational tensions, racism, increasing fake news and conspiracy theory visions of the world, but also issues raised by feminism or ecology are at stake here. (shrink)

This w ork distinguishes bet w een violence used to attain a speci f ic purpose and violence intended or practice for itself. C r uelty is characterised as violence for violenc e' sa k e. Th e aim is to try to f ind an e xplanation for that c r uelty w hich can be described as absolute violence. F or that reason, reference is made to a series of books that h a v e dealt with the (...) subject that, in spite of allusions to other types of cruel t y , end b y speaking of militar y cr uelt y . An attempt to determine the 'functio n ' of c r uelty leads to an understanding of the conditions that ma k e it possi b le: impuni t y , fear and the culture of hate. F inal l y , the human being does not appear to be c r uel per se , but as someone w ho feels compelled to be so b y 'p o w er'. (shrink)

Michel Seymour | : Dans ce texte, j’examine sur un mode programmatique la relation qui existe entre les peuples et les territoires. Les frontières des peuples souverains sont-elles sacrées, naturelles et absolues, voire irréfragables ? Le territoire a-t-il une importance identitaire ? Si oui, cette relation identitaire repose-t-elle sur l’attachement sentimental des citoyens ou sur une préférence rationnelle ? Doit-on plutôt l’expliquer par un rapport historique ? Le territoire est-il un élément constitutif de l’identité d’un peuple ? Le principe (...) de l’intégrité du territoire a-t-il une priorité absolue sur le principe affirmant le droit à l’autodétermination des peuples ? Tel est l’éventail de questions qui peuvent être posées en ce qui concerne la relation entre les peuples et leurs territoires. Je veux présenter une perspective qui me semble être originale. Dans la perspective du libéralisme politique, je pars d’une conception institutionnelle du peuple. Je me propose d’indiquer ensuite comment cette approche permet d’envisager des réponses à ces questions. | : In this paper, I examine in a programmatic fashion the relationship between peoples and territories. Are the borders of sovereign peoples sacred, natural and absolute, or even irrebuttable ? Does territory plays an important role for identity ? If so, is this relationship based on the sentimental attachment of citizens or on a rational preference ? Should it be explained instead by a historical relationship ? Is territory even constitutive of the identity of a people ? Does the principle of territorial integrity have priority over the principle asserting the right to self-determination of peoples ? Such are the issues that can be raised concerning the relationship between peoples and their territories. I want to present an account that I take to be original. In accordance with political liberalism, I start from an institutional conception of peoples. I then indicate how this approach allows to consider answers to some of these questions. (shrink)

La diversité culturelle et linguistique présente dans la Francophonie offre les conditions pour l'élaboration d'une alternative intéressante à l'uniformisation mondiale. Le dispositif de régulation que représentent les normes ouvertes facilite la mise en place de processus d'accès au savoir en ligne propres à des approches culturelles spécifiques. La Francophonie joue le rôle de vecteur dans le développement culturel et économique local, en proposant les logiciels libres et les normes ouvertes comme faisant partie du bien public régional dans le cadre du (...) développement durable. Les États partenaires devraient participer aux négociations ISO pour promouvoir les normes ouvertes.The cultural and linguistic diversity inherent to Francophony provides the conditions to create an interesting alternative to globalization. Regulation carried out through open standards facilitates the adaptation of knowledge access processes to specific cultural approaches. Francophony plays a leading role in cultural and economic local development by proposing open source software and open standards as part of regional public facilities within the framework of sustainable development. Partner States should participate in ISO negotiations in order to promote open standards. (shrink)

If we are to understand Marx's thought, argues French philosopher Michel Henry, we must cast aside Marxism. In his original and richly detailed study of Marx's philosophy, Henry emphasizes the importance of approaching Marx's writings directly, rather than through the intermediary of subsequent interpretations, which often have been politically motivated. In contrast to the usual depiction of Marxian thought as an economically oriented analysis of social reality, Henry contends that in Marx's theory philosophy is primary. Therefore, Marx's writings must (...) properly be viewed—and judged—within the context of the modern philosophical tradition. Marx's basic concern, Henry demonstrates, is with the nature of the human being, the real conditions of human individuality. Central to Henry's reading of Marx, and elaborated here with unprecedented thoroughness, is the theory of praxis, a conception of the individual not as a thinking being, in the Cartesian tradition, but as a laboring being, a producer and consumer situated in a concrete social world. This novel and provocative contribution to the current debate about the nature and meaning of Marx's thought is essential for students of philosophy, Marxism, and political theory. Kathleen McLaughlin's excellent translation of Henry's abridgement of his two-volume work preserves the power and freshness of the French original. (shrink)

En reposant la question fondamentale de la phénoménologie, et de la philosophie — la question de la donation —, en interprétant celle-ci non plus seulement, selon la pensée traditionnelle de l'Occident, comme apparition dans un monde mais comme l'étreinte invisible de la vie en son propre pathos, la phénoménologie matérielle soulève des problèmes nouveaux et paradoxaux. Trois d'entre eux font l'objet des présentes études : 1 / La matière de la conscience, l'Impression, n'est plus un contenu opaque attendant l'éclaircissement de (...) la forme intentionnelle, ne s'exhibant que dans l'Ek-stase du Temps : elle accomplit la Révélation en elle-même, dans sa chair affective. Au lieu de définir une discipline mineure, vite oubliée, la phénoménologie hylétique — matérielle — dessine la tâche de l'avenir. 2 / La possibilité de connaître la vie invisible donne son sens au problème de la méthode phénoménologique et exige que celle-ci soit repensée entièrement. 3 / La relation à autrui change elle-même de nature si, avant de pouvoir être reconnue au milieu du monde, elle prend corps dans la vie où naissent tous les vivants, l'autre aussi bien que moi-même — si elle est un « pathos-avec ». — Michel Henry —. (shrink)

Israël se veut un État « juif et démocratique » puisant ses valeurs de liberté, d’égalité et de justice dans le message biblique autant que dans les Lumières européennes. Né de la réalisation d’une idéologie « profane » – le sionisme – qui a été élaborée puis véhiculée par des militants non religieux et souvent athées, Israël tire néanmoins l’essentiel..

Cet article vise à décrire et comprendre un processus en cours, qui associe la formation d’espaces de mise à l’écart – des hors-lieux – et une nouvelle figure de l’étranger, défini selon une altérité non pas d’abord culturelle ou ethnique mais biopolitique, celle de l’étranger absolu. On cherche aussi à comprendre ce qui s’invente comme mondes à venir dans ces lieux-frontières et ces situations-limites.This article attempts to describe and understand an ongoing process that links the creation of places for keeping (...) things out – “outplaces” – with a new sense of the foreigner, whose otherness, no longer defined primarily as cultural or ethnic but bio-political, is absolute foreign-ness. We also attempt to understand what kinds of future worlds are being invented in these areas and situations where existence is “on the edge”. (shrink)

This article approaches the city as it is lived in events rather than as it is defined by its material forms or by its standing institutions. In the plays staged in South-African townships, in Brazilian capoeira, or in a carnival parade, the constitution of « instant communities », or « communities of movement », depends upon situations that provide the initiating movement of politics. In all such cases, the city really exists and vibrates when it is attuned to the rhythm (...) of its cultural self-invention. (shrink)

Résumé Comment quelque chose fait-il événement, surgit-il et fait-il sens massivement? Cela se passe très différemment en Amérique Latine et en Afrique, même s’il y a des emprunts, même si dans le local partout quelque chose se mondialise. Il y a une prise de l’espace à ce moment-là, une occupation, qui fait peur aux autorités. Le modèle en est le carnaval, mais les télévisions communautaires qui surgissent sur les écrans africains sont une autre modalité, comme l’était le théâtre des townships. (...) L’important, ce sont les espaces interstitiels dans lesquels peut surgir une création, une activité à dimension rituelle. L’anthropologie des émergences existe autant que celle qui déterre les traces du passé. Il s’agit d’approcher le monde à partir d’événements ou de situations plus que de structures. Ce qu’il est important de saisir, c’est le mouvement, pas la négociation qui a lieu après et qui réinstalle les structures connues ; ce qui est important, c’est l’image qui reste du changement. Ce qui se passe en Afrique en ce moment c’est le retour d’enfants d’émigrés qui veulent y installer le marché. L’anthropologue fait passer les récits des événements, les descriptions de ces espaces intermédiaires qui se maintiennent entre les camps et les gated communities. (shrink)

Attempting art: an essay on intention-dependenceIt is a truism among philosophers that art is intention-dependent—that is to say, art-making is an activity that depends in some way on the maker's intentions. Not much thought has been given to just what this entails, however. For instance, most philosophers of art assume that intention-dependence entails concept-dependence—i.e. possessing a concept of art is necessary for art-making, so that what prospective artists must intend is to make art. And yet, a mounting body of anthropological (...) and art-historical evidence and philosophical argument suggests that not only is such a criterion unsatisfied by most of the art-historical canon, but it also rests on a false premise: concepts of 'art' are not shared between cultures, nor even in the same culture across time. My dissertation aims to rectify this error by first exploring what our commitment to art's intention-dependence actually entails, and then showing that, properly understood, intention-dependence sets a number of important constraints on theories of art with respect to explanatory desiderata such as the success- and failure-conditions of art-attempts, the cross-cultural identification of art, and the reference of 'art' and art-kind terms. I begin by situating art's intention-dependence in the philosophical literature on intentional action, arguing that, properly conceived, intention-dependence is a weak criterion which can be satisfied either directly or indirectly. It therefore does not necessarily entail concept-dependence. I then use this distinction to motivate a new treatment of the success- and failure-conditions for art-attempts, arguing that the extant model's emphasis on compliance with 'the manner intended' is far too restrictive to capture actual artistic practices. I go on to show that Ruth Millikan's model of linguistic conventions supplies an independently plausible explanation of art's concept-independent origins in terms of the development of a system of indirectly intention-dependent conventions called an 'artworld'. I argue that this account of artworld development supplies us with the tools we need to distinguish art-kinds from other artifactual kinds. Finally, I turn my attention to methodological issues, arguing that even though 'art' is a social kind with its roots in arbitrary and historically-contingent networks of conventions, the philosophy of art is not merely an exercise in bare conceptual analysis. In fact, there is now a great deal of evidence to show that the ways we think about 'art' are inconsistent, incomplete, imperialistic, and largely unprincipled. Yet I argue that this does not mean that the artworld data have no bearing on theories of art. Instead, I argue that our best reflective understanding of our artworld practices sets the constraints on the reference of 'art' and art-kind terms. I argue that we have no privileged epistemic access to the ontology of social kinds; our only privilege lies in our ability to determine the proper subject of our inquiries. (shrink)

« Rythmes et Croyances au Moyen-Âge » Journée d'études organisée par Marie Formarier et Jean-Claude Schmitt 23 juin 2012 – Paris Présentation : Cette journée d'études a eu pour objectif de faire dialoguer les diverses disciplines concernées par le rapport entre rythmes et croyances au Moyen-Âge. Elle a accueilli des historiens, des anthropologues, des sociologues, des philologues et des linguistes. Présents dans la langue latine et les langues vernaculaires, dans la rhétorique du sermon, la prière et (...) - Histoire – (...) NOUVELLE JOURNÉE d'ÉTUDES. (shrink)

In this commentary, I review the articles by CrPEL et al.; LINDEN; Vincent].

The first translation of the volumes in Michel Serres' classic 'Humanism' tetralogy, this ambitious philosophical narrative explores what it means to be human. With his characteristic breadth of references including art, poetry, science, philosophy and literature, Serres paints a new picture of what it might mean to live meaningfully in contemporary society. He tells the story of humankind (from the beginning of time to the present moment) in an attempt to affirm his overriding thesis that humans and nature have (...) always been part of the same ongoing and unfolding history. This crucial piece of posthumanist philosophical writing has never before been released in English. A masterful translation by Randolph Burks ensures the poetry and wisdom of Serres writing is preserved and his notion of what humanity is and might be is opened up to new audiences. (shrink)

Ce recueil se veut un instrument de travail à l'intention de ceux qui s'interrogent sur les idéologies, ce qu'elles sont, d'où elles viennent et à quoi elles servent. Michel Simon y a réuni un certain nombre de textes qui ont marqué l'histoire et la réflexion sur l'idéologie et les idéologies et qui sont proposés comme autant de points de repères : Marx, Engels, Lénine, Lukacs, Mannheim, Korsch, Gramsci, Althusser chez les marxistes, mais aussi Jean Baechler et Pierre Ansart. Un (...) commentaire d'accompagnement situe ces textes dans leur contexte et fournit les explications nécessaires tandis que des tableaux récapitulatifs donnent une vue d'ensemble de chaque auteur. (shrink)

In this reflection on the relation between nature and culture, Michel Serres relates the present environmental catastrophe to pollution generated by humanity's efforts to appropriate.

World-renowned philosopher, Michel Serres writes a text in praise of the body and movement, in praise of teachers of physical education, coaches, mountain guides, athletes, dancers, mimes, clowns, artisans, and artists. This work describes the variations, the admirable metamorphoses that the body can accomplish. While animals lack such a variety of gestures, postures, and movements, the fluidity of the human body mimics the leisure of living beings and things; what's more, it creates signs. Already here, within its movements and (...) metamorphoses, the mind is born. The five senses are not the only source of knowledge: it emerges, in large part, from the imitations the plasticity of the body allows. In it, with it, by it knowledge begins. (shrink)

L'intelligence de la pensée de Marx suppose la mise hors jeu du marxisme. Le marxisme s'est constitué en doctrine achevée et officielle alors que les écrits philosophiques fondamentaux de Marx demeuraient inconnus, et notamment L'idéologie allemande, publié en 1932. Reposant sur des textes qui ne portent pas leur principe d'intelligibilité en eux-mêmes, il s'est, de plus, voulu en accord avec l'objectivisme moderne. Par une lecture entièrement neuve de l'oeuvre complète de Marx, Michel Henry en dévoile l'intuition fondatrice : la (...) subjectivité corporelle de l'individu vivant, qui définit à la fois son existence et sa condition de travailleur. Une phénoménologie de la vie concrète constitue identiquement chez Marx la mise à nu de tout le système économique et le principe unique de son explication : la philosophie de la réalité porte en elle la philosophie de l'économie. La valeur est produite exclusivement par le travail vivant. Le des-tin du capital est donc celui de la praxis subjective de l'individu. Dès qu'il s'en sépare - et le progrès technologique inaugure l'ère de cette séparation -, la valorisation et le capitalisme ne sont plus possibles. (shrink)

There are two sorts of scientists: Dionysians, who rely on intuition, and Apollonians, who are more systematic. Self-experimentation is a Dionysian approach that is likely to open new lines of research. Unfortunately, the Dionysian approach does not allow one to predict the results of experiments. That is one reason why self-experimentation is not popular among granting agencies.

Henri Bouillard est initié par Kant à un regard critique. Sa rencontre avec saint Thomas le solidarise avec la «nouvelle théologie», et l'ouvre à une démarche herméneutique. Sa rencontre avec Maurice Blondel l'amène à opérer le tournant anthropologique en théologie. Sa rencontre avec Karl Barth le conduit à se rallier avec réserve à la position de celui-ci. Sa rencontre avec Éric Weil l'entraîne à approfondir le tournant anthropologique, mais à récuser les théologies politiques, et à repousser le recours aux sciences (...) humaines en théologie. Bref, ces quatre rencontres l'engagent à passer d'une démarche dogmatique à une approche herméneutique, mais à écarter une méthode généalogique entée sur les sciences humaines. (shrink)