What is the 'philosophy of sport'? What does one do to count as a practitioner in the philosophy of sport? What conception of philosophy underpins the answer to those questions? In this important new book, leading sport philosopher Graham McFee draws on a lifetime's philosophical inquiry to reconceptualise the field of study. The book covers important topics such as Olympism, the symbolisation of argument, and epistemology and aesthetics in sport research; and concludes with a section of 'applied' sport (...) philosophy by looking at rules and officiating. Using a Wittgensteinian framework, and employing a rich array of sporting examples throughout, McFee challenges the assumptions of traditional analytic philosophy regarding the completeness required of concepts and the exceptionlessness required of philosophical claims, providing the reader with a new set of tools with which to approach this challenging subject. On Sport and the Philosophy of Sport is fascinating and important reading for any serious students or researchers of sport philosophy. (shrink)

Sport, Rules and Values presents a philosophical perspective on some issues concerning the character of sport. Central questions for the text are motivated from real life sporting examples as described in newspaper reports. For instance, the (supposed) subjectivity of umpiring decisions is explored via an examination of the judging ice-skating at the Salt Lake City Olympic Games of 2002. Throughout, the presentation is rich in concrete cases from sporting situations, including baseball, football, and soccer. While granting the constitutive nature of (...) the rules of sport, discussion focuses on three broad uses commonly urged for rules: in defining sport; in judging or assessing sport (as deployed by judges or umpires); and in characterizing the value of sport, especially if that value is regarded as moral value. In general, McFee rejects a conception of the determinacy of rules as possible within sport, and a parallel picture of the determinacy assumed to be required by philosophy. (shrink)

Recent decades have seen attacks on philosophy as an irrelevant field of inquiry when compared with science. In this book, Graham McFee defends the claims of philosophy against attempts to minimize either philosophy’s possibility or its importance by deploying a contrast with what Wittgenstein characterized as the “dazzling ideal” of science. This ‘dazzling ideal’ incorporates both the imagined completeness of scientific explanation—whereby completing its project would leave nothing unexplained—and the exceptionless character of the associated conception of causality. On (...) such a scientistic world-view, what need is there for philosophy? In his defense of philosophy, McFee shows that rejecting such scientism is not automatically anti-scientific, and that it permits granting to natural science its own truth-generating power. Further, McFee argues for contextualism in the project of philosophy, and sets aside the pervasive requirement for exceptionless generalizations while relating his account to interconnections between the concepts of person, substance, agency, and causation. (shrink)

Graham McFee; VI*—The Surface Grammar of Dreaming, Proceedings of the Aristotelian Society, Volume 94, Issue 1, 1 June 1994, Pages 95–116, https://doi.org/10.10.

Beginning from an earlier claim of mine that there was really no such area of study as the philosophy of sport, Part One of the paper reconsiders the place previously given to David Best’s distinction between purposive sports and aesthetic sports. In light of a famous cricketing event in the 1977 contest between England and Australia (‘The Ashes’), in which Derek Randall turned a cartwheel after taking the winning catch, the paper clarifies that not all aesthetically-pleasing events taking place in (...) sporting competitions can be understood as the aesthetic in sport. Then, in Part Two, the force of the claim that philosophy is one subject is explored. The conclusion is that a focus just on the philosophy of sport is necessarily inappropriate, since it will present the student with only cases from sport to then apply to sport. Rather, one’s understanding must be informed by (much of) the breadth of philosophy. Charles Travis’s view of occasion-sensitivity provides a clear example of appropriately contextual appeal. Part Three of the paper returns to the need for an institutional account of sport, one recognizing that there is no one occasion on which a particular sport is played; and hence no single set of conditions which can uniquely identify that sport. Thus, soccer played with one’s children typically differs from elite soccer: but both are (genuinely) soccer. When one turns to the appreciation of sport (in the light of Stephen Mumford’s excellent Watching Sport: Aesthetics, Ethics and Emotion [2012a]), one recognizes that, in order to genuinely appreciate sport, one cannot detach oneself from the outcome as completely as Mumford’s extreme purist seems to. But reflection on that case may also return us to contextualism by moving us away from attachments to the complete or the exceptionless in our accounts of spectating as of sport: maybe there is no one thing that occurs in all the relevant cases. (shrink)

The paper addresses the intuitions of aestheticians concerning a fundamental contrast between the judgement, appreciation, and interest appropriate to artworks and those judgements, appreciations, and interests appropriate to all the other (non-art) cases of aesthetic interest. Then terms such as beauty must amount to something different in art-cases from that in other (aesthetic) cases. For the fact of being an artwork is transfigurational, allowing artistic properties to be (truly) ascribed. In arguing against the univocality of terms such as beauty (by (...) stressing occasion-sensitivity), the paper rejects the idea of a ‘look of the thing’ shared by art and non-art. And the pervasiveness of this artistic/aesthetic contrast is urged. (shrink)

(2004). Normativity, Justification,and (MacIntyrean) Practices: Some Thoughts on Methodologyfor the Philosophy of Sport. Journal of the Philosophy of Sport: Vol. 31, No. 1, pp. 15-33.

The study of sport is characterised by its inter-disciplinarity, with researchers drawing on apparently incompatible research traditions and ethical benchmarks in the natural sciences and the social sciences, depending on their area of specialisation. In this groundbreaking study, Graham McFee argues that sound high-level research into sport requires a sound rationale for one’s methodological choices, and that such a rationale requires an understanding of the connection between the practicalities of researching sport and the philosophical assumptions which underpin them. (...) By examining touchstone principles in research methodology, such as the contested ‘gold standard’ of voluntary informed consent in the natural sciences and the postmodern denial of ‘truth’ in the social sciences, McFee demonstrates that epistemology and ethics are inextricably linked. Drawing on a wide range of examples, from the laboratory to the sports field, McFee explores the concepts of ‘knowledge’ and ‘truth’ in sports research and makes a powerful case for a philosophical deepening of our approach to method and methodology in sport. This book is important reading for all advanced students and researchers working in sport, exercise and related disciplines. (shrink)

The question whether human choices and actions are causally determined or are in a way free, and the implications of this for our moral, personal and social lives continues to challenge philosophers. This book explores the determinist rejection of free will through a detailed exposition of the central determinist argument and a consideration of the responses to each of its premises. At every stage familiar examples and case studies help frame and ground the argument. The discussion is at no time (...) peremptory and the invitation to the reader to be drawn in and to contribute to the debate as an engaged participant is palpable in the manner and approach adopted throughout. "Free Will" will be welcomed by students looking for an engaging and clear introduction to the subject, and as a rigorous exercise in philosophical argument it will serve, for the beginning student new to philosophy, as an excellent springboard into the subject more generally. (shrink)

For some aestheticians, Wittgenstein's notion of _seeing as (or aspect perception) could be used to explain perception of artworks as artworks (artistic appreciation). This paper urges that the idea of aspect perception cannot provide such a model, even for a perceptualist about artistic appreciation (like the author). First, this would be inconsistent with Wittgenstein's argumentative strategy in key passages in _Philosophical Investigations Part Two. Second, the characteristics of aspect perception make it unsuitable as a model, whatever Wittgenstein's intentions. Moreover (one (...) of Wittgenstein's own contentions), a suitably rich account of perception does not require this appeal to aspects. (shrink)

An account of the intrinsic value of sport from previous work (McFee 2004; 2009) is sketched, presenting it as a ?moral laboratory?, as well as a scholarly attribution of such an account to Pierre de Coubertin, in explanation of his view of the moral educative potential of the Olympic Games (McFee 2011a).Then aspects of that account of intrinsic value are elaborated, and its educative possibility is defended, along with the possibility of its generalising beyond the sports field or (...) stadium: these are fundamental to its ascription to Olympism. Yet, for de Coubertin, the impact of the Olympic Games was understood primarily in terms of its participants: the modern-day Olympics, by contrast, have an immense impact through the size of their television audience. But how is that impact theorised? The paper urges that, despite key differences, some of the same resources for the ?moral laboratory? can be deployed by audience members, understood in terms of the narratives they construct to explain the sporting behaviour they observe. Although not strictly a consequence of the Olympic context, that context makes it more likely that ? from the audience's perspective ? the actions of sports players are explicable from a morally aware viewpoint. As such, Olympism has an additional possibility of delivering a kind of moral education; although the fact that there are only observers here (not agents), and hence that there is no responsibility for actions performed, means that this possibility is relatively weak. Some features of a research agenda here are introduced; and its Wittgensteinian pedigree defended. (shrink)

Leon Culbertson's recent contribution, 'Does Sport Have Intrinsic Value?' objects to the account of the value of sport as intrinsic value I had developed in my Sport, Rules and Values ; in particular, as this occurs in my argument that the value of some sports resided in the possibility of their functioning as a moral laboratory. He identifies two accounts of intrinsic value; and shows that neither would fit my purposes seamlessly. He urges that my account of the place of (...) normative reasons cannot generate intrinsic value: rather, the person whose reasons they are somehow imports that value. Yet he has misunderstood my particularist conception of values; and the place occupied by my contextualism - these, rather than a residual commitment to essentialism, are what generates an apparent inconsistency he identifies. But they also explain it away. As a result, much of his concern to find some exact account of the term 'intrinsic' is misplaced: we need to look contextually. Further, the project of my discussion was limited to showing, first, how the moral laboratory idea might explain the value of some sport (on the assumption that sport had intrinsic value); and, second, how failures of realisation of that intrinsic value might be traced to the distinction between motivating reasons and normative ones. (shrink)

Although football is often referred to as ‘the beautiful game’, to take that idea very seriously — by aestheticizing the target of spectating — is to misunderstand a purposive sport such as football. Yet such a view seems required by Stephen Mumford’s endorsement of the purist spectator, in contrast to the partisan, as attending to ‘… only aesthetic aspects of sport’. But, first, not all non-purposive appreciation is thereby aesthetic appreciation, as Mumford assumes. And, second, while a technical understanding of (...) the aesthetic includes both positive and negative aesthetic concerns, an everyday version addresses only positive aesthetic value. Now, there are concepts of grace, line and so on, applicable to football: that is, concepts suitable to aesthetic appreciation. And sometimes, for instance, in TV’s ‘Goal of the Month’ competition, such appreciation sets aside the purposive dimension of such sports. Yet that dimension is fund.. (shrink)

This paper is a excursus into a philosophy of science for deployment in the study of sport. It argues for the virtues of Thomas Kuhn's account of the philosophy of science, an argument conducted strategically by contrasting that account with one derived from views of Karl Popper. In particular, it stresses, first, that Kuhn's views have been widely misunderstood; second, that a rectified Kuhnianism can give due weight to truth in science, while recognising that social sciences differ in crucial ways (...) from natural sciences. For, as Kuhn recognised, social sciences do not function in the paradigm-relative way characteristic of natural sciences. Yet there Kuhn's jargon, and especially misguided talk of ?paradigms?, is almost ubiquitous. These thoughts have relevance for three groups. First, as both sports scientists and exercise scientists come to grips with the claims to scientificity of their work, they will need increasingly to locate it within an epistemological framework provided by philosophy of science. So they must begin to take Kuhn's view seriously. Second, social scientists of sport ? faced with the predominant scientism of colleagues in sport and exercise science ? must also recognise alternatives to a postmodernist rejection of the concept of truth, where Kuhn's picture of natural science clarifies one such. Finally, philosophers writing on sport must not let antipathy to scientism close off the options they present or the terms in which they (we!) present them. And that may require debate among ourselves on abstract issues not immediately connected with sport. (shrink)

In 1974, David Best rightly contrasted purposive sports (exemplified by most sports) with aesthetic sports; and recently I was careful to exempt the issues for aesthetic sports from my critique of the prospects for an all-embracing philosophy of officiating. While discretion plays a part in umpiring or refereeing in both kinds of sports, it is especially important for aesthetic sports (such as gymnastic vaulting, ice-skating or diving), where the manner of execution determines victory. Here, it is urged that the issue (...) of objectivity for judgements in aesthetic sports is not the most crucial aspect: we have reason to expect correct accounts from knowledgeable, sensitive and experienced judges or umpires. Impartiality remains a concern, of course, not least between the training for judges or umpires might tend to favour particular styles of performing key movements. So that many past rule-changes are explained as attempts to improve fairness, with competitors getting their ‘just deserts’. In doing so, they have implicitly contributed to what is then valued in the manner of execution in aesthetic sports. The term ‘aesthetic’ is generally applied in its positive valence, although one must recognize the negative valence also. But, for aesthetic sports, the rules provide guidance as to what will or will not be regarded positively in the context of competition. And rule-changes here will sometimes be best explained as attempting to modify what is rewarded in such sports, the manner of performance. Such changes might be expected to bear on the character of the sport (here exemplified through men’s ice-skating). (shrink)

Graham McFee; VI*—The Surface Grammar of Dreaming, Proceedings of the Aristotelian Society, Volume 94, Issue 1, 1 June 1994, Pages 95–116, https://doi.org/10.10.

Midwest Studies In Philosophy, Volume 44, Issue 1, Page 92-116, December 2019.

Collingwood’s work has proved a rich source of ideas for aestheticians, and also fruitful in respect of metaphysical ideas; most especially, suggestive in ways in which a non-realist theory of meaning and understanding might be developed within contemporary directions in the philosophy of language. But these two areas of interest are traditionally seen as importantly different, as depending on different aspects of Collingwood’s works. This paper argues that a potentially fruitful line of development for aesthetics comes from importing into our (...) considerations of art and aesthetic experience Collingwood’s developed views on the nature of metaphysics. (shrink)

The paper considers an argument of Richard Wollheim’s, originally presented in a 1976 symposium with Goodman and Wiggins, which disappeared when the symposium contribution was ‘reprinted’ in the supplementary essays to the expanded edition of Art and Its Objects (Wollheim, 1980). It lays out the argument’s original context, locating its objectives by means of a comparison with Goodman’s autographic/allographic distinction, with its attendant discussion of the ‘history of production’, and presents Wollheim’s defence of ‘the artist’s theory’. This defence coheres in (...) interesting ways with Wollheim’s aesthetics emphasis on the importance of the artist’s intention (suitably understood) as part of a specification of what the work itself is. This conception reinforces the importance Wollheim grants both to the fulfilled intentions of the artist and to a suitably positioned, suitably informed, and suitably sensitive spectator. Both should be modelled as operating under the aegis of the artist’s theory, a notion this ‘missing’ argument serves to emphasize. (shrink)