Powrót do filozofii starożytnej Grecji pozwala przypomnieć etyczny wymiar politycznej aktywności, w którym umiejętność łączenia dobra własnego z dobrem ogółu postrzegano jako świadectwo rozumnej natury człowieka wolnego i odpowiedzialnego zarazem. Republikański ideał życia zostaje przez Arendt skonfrontowany z dominującymi tendencjami politycznymi oraz ekonomicznymi, które rozwinęły się w nowożytnej kulturze europejskiej. Etyczne zdeprecjonowanie sfery publicznej prowadziło do postrzegania jej w kategoriach przymusu i przemocy, stanowiących zagrożenie indywidualnej wolności. Na znaczeniu zyskała natomiast sfera indywidualnej aktywności, związanej zwłaszcza z pracą wytwórczą, zarobkowaniem oraz (...) konsumowaniem. Zwyciężyła idea prywatności, bogactwa, rywalizacji. Narodziło się społeczeństwo masowe, składające się ze zatomizowanych jednostek niezdolnych do wzięcia na siebie odpowiedzialności za wspólnotę polityczną. (shrink)

The aim of the article is to present selected relationships between social trust and the development of a territorial unit. Social trust affects the level of cooperation in society and decides about the competitiveness of a territorial unit [12, p. 7]. The main thesis of the article is the author’s conviction that there is a significant correlation between social trust and the activity of citizens, the consequence of which is the development of territorial units. This relationship applies to different categories (...) of units, the article mainly focuses on municipal units. The conclusions presented are a consequence of the analysis of information sources and surveys carried out in three cities: Cracow, Helsinki and Valletta. The socio-economic situation of Poland, Finland and Malta is varied, also due to historical and political conditions. Social trust in these cities depends on different factors. Everywhere, however, significantly affects the direction of urban development, accelerating and stabilising it. Trust is a component of social capital, which translates into the ability to build an innovative and modern economy. In countries where citizens trust each other, a sense of security increases which significantly affects well-being. (shrink)

Les auteurs contribuant à ce recueil réfléchissent sur notre condition postmoderne, non pas tant sur les sens différents qu'a pris le terme du postmoderne que sur l'heure qu'il est. La réflexion se déroule dans l'horizon de la pensée des classiques du postmodernisme et dans l'horizon des questions qui y sont, explicitement ou implicitement, posées.

The paper examines changing media representations of Jacinda Ardern, former Aotearoa New Zealand Prime Minister, from the global broadcaster, BBC News Online, across three key milestones in the politician’s career: her appointment, re-election and resignation. Our socio-semantic analysis of this representation demonstrates how the media intersect her professional identity with age, gender, social class, and later, her identity as a mother. Whilst earlier coverage of Ardern’s career praises her successfully reconciling these aspects of her personal, social and professional identities, later (...) coverage implies that ‘having it all’ was never really possible longer term. We argue that the visibility of this discourse, and the focus on intersectional aspects of Ardern’s personal and social identities, leads to her resignation being positively evaluated as her ‘finally’ succumbing and committing to the ‘natural’ inevitabilities of heterosexual family life. The article considers what such representation means for Ardern and women politicians and leaders more broadly, and contextualises these findings in relation to existing research on media representations of women in politics and leadership. Finally, we also consider the value of a more longitudinal approach to tracking the cumulative effects of the representation of social actors and groups. (shrink)

Author: Bogaczyk Małgorzata Title: THE DIFFERENT ART. ON THE PRIMITIVE ART, NAÏVE ART AND ART BRUT (Sztuka Inna. O sztuce prymitywnej, naiwnej i surowej) Source: Filo-Sofija year: 2006, vol:.6, number: 2006/1, pages: 239-256 Keywords: DIFFERENT ART, PRIMITIVE ART, ART BRUT, NAÏVE ART Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail:In the sketch I show some similarities in the artist’s way of perceiving the work of art, the process of artistic creativity, and the (...) fate of work in the inner reality, to quote Proust. The fact that all art is met with wider or narrower reception is the background for my analysis of the general phenomenon of the popularity of art fascinating or being rejected because of its variety. (shrink)

The supple and ever-present search for the possibilities offered by the narrative form in fictional writing corresponds to the use of the narrative as a mode of understanding and explaining our being-in-the-world in philosophy. The intimate liaison between the realm of fictional imagination and that of human everydayness inspires writers to seek ways to tackle issues of temporality, the conflicting character of human drives, and the ultimately unresolvable tension between finitude and infinitude. As a literary and philosophical category, the narrative (...) remains an inexhaustible space for the exploration of the way we understand our lives. I propose a hermeneutic investigation of the interactions between the art of narration and the categories of space, presence/absence, and (be)longingness as evoked in Virginia Woolf’s Mrs. Dalloway. This article engages Martin Heidegger’s hermeneutics of facticity, and, more specifically, his notions of homelessness and homecoming, to shed light on the inimitable character of Woolf’s artistic representations of the spatial dimension of human existence, reality viewed as both tremulous and solid, as well as of human embodiment and the disparity/closeness between the corporeal and the spiritual. (shrink)

The practice of evaluating music and music works is widespread. That practice must depend on recognition of values and/or qualities in those works. However this be true it isn't always clear what these values and qualities are and how are the believes entrenched in theory and practice of evaluating musical works. In the aesthetics the most celebrated types of values are aesthetic values and qualities. Author of this paper reexamines the theory of aesthetic values as existing independently from artistic values (...) and artistic qualities. Starting from Monroe C. Beardsley, through Roman Ingarden's theory of value and coming to Nick Zangwill's understanding of evaluation of artworks, the author approaches the problem of judging musical works and the theory that is most needed to ground such practice. (shrink)

Feminists have long been aware that the notion of women is problematic and using it uncritically without further qualifications leads to exclusions. In the article, I argue that the source of these problems lies in the understanding of concepts as static and clearly defined. I deploy Hegel’s idea of syllogism to define dynamic concepts, which I term ‘fractal concepts’ because of their complexity and constant development. In such structures the balance between the universal, the particular and the individual is maintained (...) and, consequently, every woman is essential for the definition of such a non-essentialist notion of women. I propose that an epistemological interpretation of the Hegelian idea of recognition can be used to describe the development of fractal concepts in the confrontation of different perspectives. It also explains the obstruction of this process by the desire for domination and control, which results in the appropriation of group identities by their privileged members. I situate the logical and political framework developed in the paper in the context of feminist controversies around the concept of woman and argue that it provides us with a comprehensive account of intersectionality as well as an explicative solution to the regress problem. (shrink)

ABSTRACTThe present study was designed to address the hypothesis that differences and similarities in patterns of attentional processing in recently proposed types of anxiety and depression are connected with the dominant function they play in stimulation processing and their structural components. Participants filled out the Anxiety and Depression Questionnaire, which assesses types of anxiety and depression, and completed the Emotional Faces Attentional Test one week later. The obtained results confirmed our prediction and suggested that the proposed typology of anxiety and (...) depression is valid in the adaptive meanings of both phenomena. (shrink)

This article argues that sustainability is essentially a contested concept that not only cannot be sufficiently defined in a one-forall blueprint, but requires a new mode of self-actualization of human potential in dialogical, cooperative learning processes. Inherent aporias and their ethical implications are illustrated by an analysis of the mainstream interpretation of the sustainability concept in the context of the relationship between the logic of accumulation and improvement and insatiable human desires as off-springs of a deeper ontological transformation of modernity. (...) A philosophical account of technology and modern sciencewill be introduced in order to investigate overconsumption driven by mimetic desires and the transformative and dialectic dynamics of desire. A contemplative learning model is suggested as a useful basis for a reasonable interpretation of the sustainability concept. (shrink)

Tekst stawia pytania, czy i jak możliwe jest porozumienie między ludźmi wyznającymi odmienne wartości, oraz jaka powinna być etyka otwarta na takie porozumienie, a zarazem umożliwiająca walkę z dyskryminacją. Wychodząc od dyskusji R. Rorty’ego i C. Geertza, wykazuję, że powinniśmy odrzucić używane tam pojęcia etnocentryzmu i relatywizmu, gdyż są wieloznaczne, a istotny podział biegnie pomiędzy ich różnymi znaczeniami. Oparta na empatii i uznaniu etyka D. T. Meyers pozwala rozwiązać problemy wynikające z różnorodności, zarówno wewnątrz–, jak i zewnątrzkulturowej. Jej konsekwencją jest (...) radykalna zmiana etycznego paradygmatu: zamiast ogólnych reguł, indywidualne podejście do konkretnej sytuacji. Aby jednak możliwe było jej zastosowanie, kultura Zachodu musi zrezygnować z roszczeń do uniwersalności. (shrink)

In his article untitled Messages in Art Jerrold Levinson discusses the idea of a message behind a work of art. He argues that despite certain disclaimers put forward by artists it is „hard to deny that artworks (...) very often do have messages, and far from inexpressible ones”. From given examples it would seem that Levinson assumes that musical work just as other artworks sometimes generate messages and that in order for a work of music to be successful in expression (...) this message should be comprehensible and certainly not incoherent. The author of this paper draws on Levinson's “Messages in Art” as well as his “Music as Narrative and Music as Drama” to explore further the issues mentioned above. In particular the author argues that seeing musical works through the message it may generate is somewhat reductive and that musical work as well as other artworks are prone to abiding by an aesthetic code and therefore even when they allow for interpretation in terms of messages or morals these messages are incoherent or vague at best. (shrink)

Scholars have long wrestled with the question of why the Laws of Hammurabi provide two different sanctions for the theft of temple (and palace) property: the death penalty (§6) and thirtyfold restitution (§8). While reviewing Neo- and Late Babylonian evidence on sacrilegious theft, this paper argues that Babylonian law neatly distinguished between the theft of sacred objects and the theft of nonsacred temple property, which incurred different penalties, corresponding to those that §6 and §8 of the Laws of Hammurabi impose. (...) It further seeks to identify the criteria that determined the classification of certain objects as res sacrae and the legal and cultic consequences of sacrilegious theft. (shrink)

This paper presents the aspect of the dynamics of the verb valency and discusses the question of valency grammar. There are two primary conditions that cause the valency to change: grammatical and contextual. The point of this discription is to define changes of valency and to rank them in order to simplify the use of German constructions.