Results for 'Max Dosser'

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  1.  16
    Review of Narration as Argument, edited by Paula Olmos. [REVIEW]Max Dosser - 2020 - Informal Logic 40 (3):509-520.
    This article reviews Paula Olmos’s Narration as Argument collection.
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  2. (1 other version)How Metaphors Work: A Reply to Donald Davidson.Max Black - 1979 - Critical Inquiry 6 (1):131-143.
    To be able to produce and understand metaphorical statements is nothing much to boast about: these familiar skills, which children seem to acquire as they learn to talk, are perhaps no more remarkable than our ability to tell and to understand jokes. How odd then that it remains difficult to explain what we do in grasping metaphorical statements. In a provocative paper, "What Metaphors Mean,"1 Donald Davidson has recently charged many students of metaphor, ancient and modern, with having committed a (...)
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  3. Über Sinn und Sinngefährdung des menschlichen Daseins.Max Müller - 1966 - Philosophisches Jahrbuch 74 (1):1-29.
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  4.  6
    Crise de la métaphysique: situation de la philosophie au XX siècle.Max Müller, Zemb, C. R. Chartier & Joseph Rovan - 1953 - Paris: Desclée, De Brouwer.
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  5. Die Aktualität des Thomas von Aquin.Max Müller - 1975 - Philosophisches Jahrbuch 82 (1):1.
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  6.  9
    Herders kleines philosophisches Wörterbuch.Max Müller & Alois Halder (eds.) - 1958 - Basel,: Herder.
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  7. Martin Honecker zum Gedächtnis.Max Müller - 1966 - Philosophisches Jahrbuch 74 (1):217.
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  8. Nouvelles études de mythologie, 1 vol.Max Müller - 1898 - Revue de Métaphysique et de Morale 6 (5):10-11.
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  9. Philosophie - Wissenschaft - Technik. Die Philosophie im Zeitalter der Wissenschaft.Max Müller - 1960 - Philosophisches Jahrbuch 68:309.
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  10. Sein und Geist. Systematische Untersuchungen über Grundproblem und Aufbau mittelalterlicher Ontologie. Zweite, erweiterte Auflage.Max Müller - 1985 - Tijdschrift Voor Filosofie 47 (2):350-350.
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  11.  10
    Sein und Geist: systematische Untersuchungen über Grundproblem und Aufbau mittelalterlicher Ontologie.Max Müller - 1981
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  12. Tiempo y eternidad en la metafísica occidental.Max Müller - 1970 - Dianoia 16 (16):1.
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  13. Philosophische und christliche ethik nach Schleiermacher..Max Tuengerthal - 1894 - Jena,: Druck von A. Kämpfe.
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  14. Queer Theory and Social Change.Max H. Kirsch - 2000 - New York: Routledge.
    _Queer Theory and Social Change_ argues that there is a crisis within Queer theory over whether or not its theories can actually deliver change. Max Kirsch presents a challenging alternative to the current fascination with post-modern analyses of identity, culture, and difference. It emphasizes the need for a discussion of the importance of communities and the role of globalization on queer movements.
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  15.  45
    The Late Qing and Early Republican Conception of Democracy and its Origins.Max Ko-wu Huang - 2016 - Contemporary Chinese Thought 47 (3):166-185.
    EDITOR’S ABSTRACTIn this article, Huang provides a historical account of the way intellectuals have conceptualized democracy, representative assemblies, and political parties from the end of the Qing dynasty to the beginning of the Republican period. He outlines thirteen items that characterize Chinese democratic thought during this period, before tracing the historical origins of each.
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  16. Die Staatsformen; Versuch einer psychologischen Deutung staatsrechtlicher Dogmen.Max Imboden - 1959 - Basel,: Helbing & Lichtenhahn.
     
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  17.  6
    Montesquieu und die Lehre der Gewaltentrennung.Max Imboden - 1959 - Berlin,: De Gruyter.
    Gegründet im Jahr 1859, zählt die Juristische Gesellschaft zu Berlin zu den ältesten ihrer Art in Europa und blickt auf eine lange Tradition zurück. In der Schriftenreihe der Juristischen Gesellschaft zu Berlin erscheinen seit 1959 ausgewählte Beiträge aus dem reichhaltigen Vortrags- und Veranstaltungsprogramm der Gesellschaft mit dem Ziel, der juristischen Wissenschaft und Praxis in der Hauptstadt ein anspruchsvolles Forum zu bieten.
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  18.  3
    Rousseau und die Demokratie.Max Imboden - 1963 - Tübingen,: Mohr.
  19. Das Erhabene: Zwischen Grenzerfahrung Und Größenwahnein Gespräch Zwischen Jean-Frangois Lyotard Und Christine Pries.Max Imdahl - 1989 - De Gruyter.
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  20.  15
    Introduction to philosophy.Max Rosenberg - 1955 - New York,: Philosophical Library.
  21. Joseph Margolis, The Unraveling of Scientism: American Philosophy at the End of the Twentieth Century Reviewed by.Max Rosenkrantz - 2004 - Philosophy in Review 24 (4):272-273.
  22. The tractatus theory of descriptions.Max Rosenkrantz - 2009 - Theoria 75 (4):252-271.
    In this article I construe Russell's definite description notation as a fragment of an "ideal language"– a language in which, as Russell puts it in the "Logical Atomism" lectures, "the words in a proposition correspond one by one with the components of the corresponding fact." Russell's notation – containing as it does variables, quantifiers and the identity sign – commits him to an ontology that is lavish indeed. It thus conflicts with the spirit of the theory of descriptions, which is (...)
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  23. Theokosmos.Max Sandberg - 1960 - Zürich,: Origo.
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  24. Philosophisches Lesebuch.Max Dessoir & Paul Menzer - 1904 - Revue de Métaphysique et de Morale 12 (2):13-13.
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  25.  6
    Ästhetik und Allgemeine Kunstwissenschaft: In den Grundzügen Dargestellt (Classic Reprint).Max Dessoir - 2015 - Forgotten Books.
    Excerpt from Asthetik und Allgemeine Kunstwissenschaft: In den Grundzugen Dargestellt Dies Buch ist eigentlich schon seit zwei Jahren fertig. Hemmungen und Ablenkungen haben die Veroffentlichung bis heute hintangehalten. Inzwischen sind einige Systeme der Asthetik und sehr viele Einzeluntersuchungen hervorgetreten. Sie wurden mit dem lebhaftesten Gefuhl der Erlcenntlichkeit benutzt, soweit der schon ge spannte Rahmen es erlaubte; aber gemalz dem Charakter dieser Darstellung, die nur Grundzuge bietet, habe ich es vermieden, mich des naheren mit den zufallig jungsten und gerade jetzt bekanntesten (...)
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  26. Systematik und Geschichte der Künste.Max Dessoir - 1914 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 9:1-15.
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  27.  46
    The contemplation of works of art.Max Dessoir - 1947 - Journal of Aesthetics and Art Criticism 6 (2):108-119.
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  28.  25
    Analytical Philosophy.Max Deutscher - 1968 - Philosophical Review 77 (4):500.
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  29.  25
    Being Paul Edwards.Max Deutscher - 2009 - .
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  30.  36
    In sensible judgement.Max Deutscher - 2013 - Burlington, VT: Ashgate.
    Achieving judgment -- In sensible judgment -- Sentencing -- Dissenting -- Making judgments -- Judging as right -- Living on the premises -- Inferring, judging, arguing -- Questioning critique -- Sting of reason -- Critique's mystique -- Enigma absolute -- Moving establishment -- Being nomadic -- Chasing after modernity -- When to forget.
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  31.  54
    What is Popper's problem of an empirical basis?Max Deutscher - 1969 - Australasian Journal of Philosophy 47 (3):354 – 355.
  32. (1 other version)Allgemeine ästhetik.Max Diez - 1906 - Leipzig,: G. J. Göschen.
     
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  33. Allgemeine Ästhetik. Neudr.Max Diez - 1912
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  34.  1
    Sprechen, denken und erkennen.Max Diez - 1934 - Berlin [etc.]: Walter de Gruyter & co.. Edited by Gerhard Lehmann.
    This title from the De Gruyter Book Archive has been digitized in order to make it available for academic research. It was originally published under National Socialism and has to be viewed in this historical context. Learn more. >.
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  35.  11
    A Methodological Investigation into the Epistemological Assumptions of Idealism.Max Rieser - 1953 - Proceedings of the XIth International Congress of Philosophy 2:150-155.
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  36.  38
    An outline of intellectualistic ethics.Max Rieser - 1958 - Journal of Philosophy 55 (9):367-375.
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  37.  49
    Brief introduction to an epistemology of art.Max Rieser - 1950 - Journal of Philosophy 47 (24):695-704.
  38. Che cos' è la pittura? Un'indagine epistemologica.Max Rieser - 1970 - Rivista di Estetica 15:49.
     
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  39.  8
    Der deutsche Zusammenbruch und die Weltanarchie: Bemerkungen zur Philosophie der deutschen Geschichte.Max Rieser - 1977
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  40.  32
    Gabriel Marcel-fragments philosophiques 1909-1914.Max Rieser - 1966 - Journal of the History of Philosophy 4 (1):88-89.
  41.  19
    History of Philosophy, Vol. III.Max Rieser & W. Tarkiewiez - 1961 - Journal of the History of Ideas 22 (2):275.
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  42.  13
    Language and nationalism in Carinthia. Germans, Slovenes and the Austrian nation.Max Riedlsperger - 1993 - History of European Ideas 16 (1-3):219-219.
  43.  50
    Lukacs' critique of German philosophy.Max Rieser - 1958 - Journal of Philosophy 55 (5):177-196.
  44.  42
    L'Estetica e la Religione di Benedetto CroceBenedetto Croce's Earlier Aesthetic Theories and Literary Criticism.Max Rieser, Alberto Caracciolo & Calvin G. Seerveld - 1960 - Journal of Aesthetics and Art Criticism 19 (2):233.
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  45.  28
    On musical semantics.Max Rieser - 1942 - Journal of Philosophy 39 (16):421-432.
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  46. (2 other versions)Problems of artistic Form: the Concept of Art.Max Rieser - 1964 - Filosofia 15 (4):792.
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  47.  14
    (2 other versions)Report on the third international congress of esthetics.Max Rieser - 1956 - Journal of Philosophy 53 (25):814-819.
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  48.  22
    Report on the “International Congress for the Philosophy of Science” in Zurich, Switzerland, August 23–28, 1954.Max Rieser - 1955 - Philosophy of Science 22 (4):300-308.
    The “International Congress for the Philosophy of Science” was held in the week of August 23–28, 1954 at the Swiss Federal Institute of Technology in Zurich, Switzerland. The Institute enjoys a very high reputation as one of the foremost schools of its kind in the world. It was at this Institute that Albert Einstein taught at the beginning of his academic career. The Congress was arranged as the Second Congress of the “Union Internationale de Philosophie des Sciences” which has its (...)
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  49.  24
    Struktur der Geschehnisse bei Kausalverknüpfung und Voraussage. Zur Kritik an H. Reichenbachs Kausalitätsauffassung.Max Rieser - 1976 - Zeitschrift für Philosophische Forschung 30 (1):82 - 92.
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  50.  4
    Some Recent Articles of Interest.Max Rieser - 1962 - Journal of Aesthetics and Art Criticism 21 (1):107.
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