Based on interviews and observations conducted in France between 2018 and 2019, this article discusses the notion of a “social welfare model” theorised by sociologist Katharina Heyer, by examining of the implementation of sheltered work policies in France. Facing the evolution of public policies in France, and their will to transform sheltered workshops into transition platforms leading to ordinary employment, can sheltered work establishments still be described as parallel and separate paths to the ordinary labour market? This article shows that (...) the organisation of work in a sheltered environment cannot be thought of in isolation from what is practised in an ordinary environment. Sheltered workshops can provide a response to the specific needs of disabled people, given the dysfunctional nature of the rights model in the ordinary workplace. Nevertheless, ordinary employment remains a reference when organising productive activities in the workshops: it helps define what constitutes work from leisure activities, and it constitutes a model from which to distinguish or to aspire to. (shrink)

The potential conflicts between morality and self-interest lie at the heart of ethics. These conflicts arise because both moral and prudential considerations apply to our choices. A widespread assumption in philosophical ethics is that by weighing moral and prudential reasons against each other, we can compare their relative weights and determine what we ought to do in the face of such conflicts. While this assumption might seem innocuous and fruitful, a closer examination suggests that it lacks both justification and the (...) necessary content that would allow it to do the normative work it promises. In this book, Mathea Slåttholm Sagdahl grapples with these cases of conflict, but argues that there may be no simple answer to the question of what we ought to do all things considered. Sagdahl argues against the assumption of comparability and defends an alternative pluralist theory of normativity where morality and prudence form two separate and incommensurable normative standpoints, much like in Henry Sidgwick's "Dualism of Practical Reason." This type of view has tended to be quickly dismissed by its opponents, but Sagdahl argues that the theory is in fact a well-motivated theory of normativity and that the typical objections that tend to target it are much weaker than they are usually thought to be. (shrink)

Propose un parcours initiatique parmi des extraits d'oeuvres picturales et musicales du XXe siècle et des idées leur étant contemporaines, issues de la philosophie et des sciences humaines. L'argumentation vise aussi à étayer l'hypothèse de correspondances entre les langages des arts et des idées. La problématique concerne ainsi l'esthétique, l'éducation et la communication.

La musique témoigne d'une sensualité fondatrice, où la peau émue a ouvert la construction du corps et de la psyché. Cette sensualité, ici suivie à partir du mythe de Pan, prend pour nom Éros. Or, celui-ci a plusieurs visages. Déjà, dans Le Banquet, Pausanias distingue l'Éros "céleste" de celui "vulgaire". Le premier s'adresse à l'âme et aux Idées, en portant un désir alimenté par les formes culturelles propres aux arts libéraux. Le second signifie l'abandon charnel à la transe et à (...) la jouissance. Si le conflit entre Apollon et Dionysos se retrouve alors, Éros révèle aussi un troisième visage, plus primordial que les deux autres et nécessaire à leur opposition. Ces trois visages définissent chacun une esthétique musicale, tout en interrogeant l'élaboration corporelle et symbolique du sujet. Que ce soit dans un cadre éducatif ou thérapeutique, ou dans le contexte de la société postmoderne qui n'a retenu que le seul visage dionysiaque, ces trois Éros se meuvent selon un équilibre tendu, où se donne le sens même de l'humanisation. Ce sens, la musique ne cesse de le chanter, dès que la voix maternelle vient envelopper le nourrisson."--Page 4 of cover. (shrink)

La 4e de couverture indique : "La Condition postmoderne, que Jean-François Lyotard publie en 1979, est très prémonitoire des mutations actuelles qui affectent l'éducation. La fin des " grands récits " qui légitimaient auparavant la production et la transmission du savoir invite à chercher ce qui reste désormais pour donner sens à l'éducation. C'est aussi à ceci que répond l'œuvre lyotardienne : l'état d'enfance, la faiblesse de celui qui ne sait pas encore et qui n'a pour seul recours que la (...) propre faiblesse des langages. Cette double faiblesse articule " l'in-humain ", résistance à une inhumanité productiviste qui dénie l'enfance et réduit les langages à une efficience communicationnelle du plus bas niveau. Rappeler cet état d'enfance, condition de la pensée et de l'apprentissage : tel est ce dont témoignent les arts, l'écriture littéraire ou philosophique, et tel pourrait être ce que toute éducation ne saurait oublier.". (shrink)

This will be a volume on problems of choice with four sections dedicated to: normativity and choice, rationality and choice, value and choice, morality and choice. Chapters by: Chrisoula Andreau, Paul Bloomfield, Krister Bykvist, Sophie Grace Chappell, David Copp, Guy Fletcher, Joshua Gert, Olasv Gjelsvik, Natalie Gold, Marina Moreno, Fredrik Nyseth, Wlodek Rabinowicz, Andrew Reisner, Caj Strandberg, Sarah Stroud, Johanna Thoma.

The idea that morality and prudence are incommensurable normative domains—a central idea in normative pluralism—tends to be rejected because of the argument from nominal–notable comparisons. The argument relies on a premise that there are situations of moral–prudential conflict where we have a clear intuition that there are things we ought to do “all things considered”. It is usually concluded that this shows that morality and prudence must be comparable. I argue that normative pluralists, who defend this type of incommensurability, can (...) account for these intuitions by arguing that an “ought all things considered” need not presuppose inter-type comparability among the reasons it covers, and by endorsing more sophisticated theories of prudence; theories for which there are good, independent reasons to endorse, in any case. By following these steps, normative pluralism does not need to have the counterintuitive implications it is often thought to have. (shrink)

This paper explores the nature and value of melancholy and the rationality of being in such a state. I defend a view of melancholy as a highly complex mood-like state. This complexity shows itself...

In trying to decide between two choices, I might try to compare them in order to determine which alternative is better with respect to some appropriate choice value. But could it happen that the two choices fail to compare? Much of the debate about this question has centred on the issue of whether the items could be incomparable. If they are incomparable, then they fail to compare with respect to the relevant choice value. However, what has largely been neglected is (...) the possibility that the choices fail to compare by instead being noncomparable. If they are noncomparable, then they are not covered by any appropriate choice value, such that the formal preconditions for a comparison does not obtain. This paper argues that the concept of noncomparability may be at least as important as that of incomparability for explaining why choices fail to compare, if they do. (shrink)

ABSTRACTThis paper considers the moral justifiability of military conscription. Philosopher James Pattison has developed a theoretical framework for this purpose that he calls the Moderate Instrumentalist Approach, which assesses forms of military recruitment in light of a weighted comparison of three main factors: military effectiveness, democratic control and proper treatment of military personnel. According to Pattison, all-volunteer force systems are morally preferable by comparing better when it comes to these factors than other systems of military recruitment, notably conscription. However, I (...) argue that Pattison fails to evaluate certain hybrid systems, in particular what I call the Nordic Model of Conscription. I show that there are good reasons to think that such a hybrid system compares just as well or even better than an all-volunteer force, making the Nordic Model of Conscription at least as morally justifiable and arguably also morally preferable. (shrink)

According to normative pluralists there are no truths about what one ought simpliciter to do, only truths about what one ought to do according to some normative system or stand-point. In contrast with conceptual normative pluralists who argue for this conclusion on the basis that the concept of an ought simpliciter is somehow defective, non-conceptual normative pluralists defend this conclusion on first-order grounds. Non-conceptual normative pluralism has recently received a book-length defence by Mathea Slåttholm Sagdahl. In this article I critique (...) Sagdahl’s defence of non-conceptual normative pluralism. Firstly, I challenge Sagdahl’s attempt to motivate non-conceptual normative pluralism by appealing to Henry Sidgwick’s work on the dualism of practical reason. Secondly, I criticise her response to the most prominent argument against non-conceptual normative pluralism in the philosophical literature, the argument from nominal-notable comparisons. Thirdly, I explore the possibility of a view similar to Sagdahl’s position but which accepts the ought simpliciter. (shrink)

Au Roland Barthes critique, celui des analyses litteraires des Essais critiques, du Sur Racine ou des constructions theoriques nourries par la linguistique et le structuralisme comme le Degre zero de l ecriture, S/Z, le Systeme de la mode; au Roland Barthes ecrivain, sachant meler, avec une originalite inimitable, fiction et reflexions analytiques dans le Roland Barthes par Roland Barthes ou les Fragments d un discours amoureux, il faudrait ajouter un Roland Barthes, moins connu et moins analyse, celui de l - (...) amateur - d art. Il n aura pas fallu attendre son dernier livre, La Chambre claire, pour savoir que Roland Barthes aimait les uvres d art visuel et qu il pratiquait lui-meme, avec grand plaisir et serieux, la peinture. Des ses premiers textes rassembles dans les Essais critiques, il associe a des etudes sur Tacite, Chateaubriand, Baudelaire ou Robbe-Grillet, un essai sur Pieter Saenredam avec lequel il ouvre un recueil pourtant consacre a la litterature. Tout au long de son uvre, que cela soit sous la forme de preface de catalogues consacres a des artistes contemporains (Bernard Requichot, Daniel Boudinet, Cy Twombly), d articles sur des artistes classiques (Arcimboldo, Artemisia Gentileschi) ou de reflexions plus generales sur l art (le kitsch, le cinema, l abstraction, la musique), Roland Barthes a accorde une attention toute particuliere aux images. Elles etaient, a ses yeux, bien plus qu un passe-temps, un delassement intellectuel qui l eloignait de son veritable travail critique. L image, et l imaginaire qui lui est lie, possede une vertu que le texte ne semble pas pouvoir revendiquer: meler le langage expressif au discours critique, faire emerger la - substance sous le concept - et pousser la question de la signification jusqu a sa limite la plus extreme. Sans s embarrasser des regles methodiques dictees par l histoire de l art, en se voulant - sauvage et sans culture - devant ces uvres d art qui venaient a lui comme par - inadvertance -, qui l incitaient a l - aventure -, Roland Barthes a elabore une - esthetique - qui demeure une des plus singulieres et utiles contributions a l etude des images. Le - troisieme sens - et son correlat, la - signifiance - (cet - au-dela - du sens), l - imaginaire de l image - ou bien encore le celebre couple Punctum/ Studium avec lequel il precise la dimension subjective de tout commerce avec les uvres sont autant de propositions methodiques que l auteur reconsidere attentivement afin de tirer toute la force heuristique de cette - lecon de l image - a laquelle nous convie Roland Barthes. La - lecon de l art - que Barthes retient de son commerce constant avec les uvres d artistes contemporains (Cy Twombly, Daniel Boudinet, Bernard Requichot) ou anciens (Saenredam, Arcimboldo) a permis de developper une reflexion singuliere sur le fonctionnement des images. - En elaborant des notions comme la - signifiance -, le - troisieme sens - ou le fameux - punctum - afin de traduire les effets que les images provoquaient sur lui, Barthes a compose une veritable esthetique qu il est temps de lire avec autant de serieux que de plaisir.". (shrink)