Overzicht van de ideeën van de Oostenrijks-Engelse wijsgeer (geb. 1902) over de wetenschap en de maatschappij.

On Blindness opens the eyes of the sighted to the world as experience by the blind, offering a unique opportunity to explore the challenges, frustrations, joys - and extraordinary insights - experienced in the everyday business of discovering the world without sight. What difference doessight or its absence make to our ideas about the world? What begins as a philosophical exchange between the noted philosopher and broadcaster Bryan Magee and the late Martin Milligan, activist and philosopher blind almost (...) from birth, develops into a personal and intense discussion of the implications of blindness. The debate is vigorous and oftenheated; sometimes contentious, it is always stimulating. In discussing the range of blind experience, from those born blind to those who became blind - including those who have to cope with the shock of gaining sight they had never before possessed - On Blindness argues strongly against the notionthat blindness is a simple experience. This extraordinary book casts new light on one of the most fundamental aspects of human experience. It will make fascinating reading for anyone interested in sight and blindness from a personal, practical or philosophical point of view. This dictionary is intended for anyone who enjoys food andwould like a handy, non-technical guide to the terms they encounter on food labels, in advertising or in the media. Its broad coverage of food and nutrition makes it invaluable for consumers, cooks, and a range of students and practitioners in the fields of catering, home economies, foodtechnology, and health care. (shrink)

This is a revised and enlarged version of Bryan Magee's widely praised study of Schopenhauer, the most comprehensive book on this great philosopher. It contains a brief biography of Schopenhauer, a systematic exposition of his thought, and a critical discussion of the problems to which itgives rise and of its influence on a wide range of thinkers and artists. For this new edition Magee has added three new chapters and made many minor revisions and corrections throughout. This (...) new edition will consolidate the book's standing as the definitive study of Schopenhauer. (shrink)

Interviews with Isaiah Berlin and others. Bibliography: p. 301-308. Includes index.

In this inspirational book Bryan Magee tells the story of his discovery of philosophy, and in doing so introduces the subject to his reader. Experiences of everyday life provide discussion of philosophers and explain why certain philosophical questions persistently exercise our minds. With great fluency Magee untangles philosophy, making it seem part of everyone's life. Intensely personal and brimming with infectious enthusiasm, this is a wonderful introduction to philosophy by one of the most elegant and accessible writers (...) on the subject. (shrink)

In this infectiously exciting book, Bryan Magee tells the story of his own discovery of philosophy and not only makes it come alive but shows its relevance to daily life. Magee is the Carl Sagan of philosophy, the great popularizer of the subject, and author of a major new introductory history, The Story of Philosophy. Confessions follows the course of Magee's life, exploring philosophers and ideas as he himself encountered them, introducing all the great figures and (...) their ideas, from the pre-Socratics to Bertrand Russell and Karl Popper, including Wittgenstein, Kant, Nietzsche, and Schopenhauer, rationalism, utilitarianism, empiricism, and existentialism. (shrink)

Presents philosophers and their views from before Socrates to the present and explores possibilities for the future.

Hoe kan de behoefte om 'hartstochtelijk uitdrukking te geven' aan de geestesgesteldheid die teweeggebracht is door het lezen van een wijsgerige verhandeling tegelijkertijd de aanzet vormen tot een eenvoudig muzikaal concept, of zelfs, zoals Wagner zelf stelt, 'mijn minst gecompliceerde muzikale conceptie'? Magee analyseert dit probleem waarmee hij geconfronteerd wordt naar aanleiding van de opera Tristan en Isolde.

Dialogues with British philosophers (A.J. Ayer and others) first broadcast on BBC radio, winter 1970-71.

On Blindness opens the eyes of the sighted to the world as experienced by the blind, offering a unique opportunity to explore the challenges, frustrations, joys - and extraordinary insights - experienced in the everyday business of discovering the world without sight. What difference does sight or its absence make to our ideas about the world?

In addition to his large‐scale system of metaphysics, Schopenhauer produced many essays, and it was eventually these that made his name and drew attention to his philosophy. The biggest collection of them is called Parerga and Paralipomena. They are of help in understanding the philosophy, because they often contain bolder, more clear‐cut statements of the same points. They are written in an aphoristic style and are the source of many epigrams. For a long time they were more widely read than (...) the philosophy itself. (shrink)

A play's text is nearly all talk, and in the performance of a play the physical activity is sparse and exceedingly limited. Used of a play, the term ‘action’ does not mean what it normally means. Its true meaning is illuminated by reference to J. L. Austin and his doctrine of speech-acts. Dramatic action is, for the most part, speech-action. And a skilful manipulation of speech-acts enables the gifted dramatist not only to tell a story but to communicate what is (...) going on below the surface. (shrink)

Schopenhauer did not believe in the existence of God or the soul, yet he thought Christianity, Hinduism, and Buddhism to contain some of the profoundest of all truths, in symbolic form. He is the only major Western philosopher to take account of the Hindu and Buddhist religions and he shares a number of fundamental doctrines with them. Perhaps surprisingly, some of these have been confirmed by modern science. So there are three‐way comparisons to be made between Schopenhauerism, Buddhism, and modern (...) science. (shrink)

In any field it is common practice for an editor who is sent a book for review to put it into the hands of a reviewer who has published a book on the same subject. The reasons are self—vident: not only does the reviewer have specialist knowledge, he is known by the journal's readers to have it, and is likely therefore to be accepted by them as an authority. However, there are arguments against the practice which, though less often considered, (...) deserve to carry the day more often than they do. The mere fact that the new author has written his bookat all means or ought to mean, that he thinks existing books on the subject leave something to be desiredhypenif he has nothing new to say he should have kept silent. But this in turn means that his book is in conflict with or goes beyond, what his reviewer has published on the same subject, and in that sense contains implicit criticism of the reviewer's work. It is this fact that creates the problem. For if the reviewer lets such elements in the book pass he will appear to readers who know his own work to be either conceding arguments or condoning what he ought to regard as error, while if he praises them he may appear to be recanting his own positions. In the circumstances what he tends to do is come down heavily on those aspects of the book that differ from his own, and criticize them. Thus it comes about that the sub-text of many a hostile review is less an impartial assessment of the author's work than an oblique defence of the reviewer's. To say this is not to impute bad motives to the reviewer: on the contrary, my point is that it is in the logic of the situation. (shrink)

How to live meaningfully in the face of the unknowable We human beings had no say in existing—we just opened our eyes and found ourselves here. We have a fundamental need to understand who we are and the world we live in. Reason takes us a long way, but mystery remains. When our minds and senses are baffled, faith can seem justified—but faith is not knowledge. In Ultimate Questions, acclaimed philosopher Bryan Magee provocatively argues that we have no (...) way of fathoming our own natures or finding definitive answers to the big questions we all face. With eloquence and grace, Magee urges us to be the mapmakers of what is intelligible, and to identify the boundaries of meaningfulness. He traces this tradition of thought to his chief philosophical mentors—Locke, Hume, Kant, and Schopenhauer—and shows why this approach to the enigma of existence can enrich our lives and transform our understanding of the human predicament. As Magee puts it, "There is a world of difference between being lost in the daylight and being lost in the dark." The crowning achievement to a distinguished philosophical career, Ultimate Questions is a deeply personal meditation on the meaning of life and the ways we should live and face death. (shrink)

"Under Magee's sensitive guidance a remarkably coherent interpretation of this period emerges."--Marshall Cohen, Listener. "The whole book has a marvellous air of casualness and clarity that makes it a delight to read."--Colin Wilson. Contemporary British philosophy is experiencing unprecedented openness to influences from abroad. New growth is evident in many areas of traditional philosophy which had been neglected by the logical positivists and the linguistic analysts. This sense of freedom permeates Magee's volume of conversations with leading British philosophers. (...) Under Magee's direction, the philosophers discuss other influential thinkers, such as Wittgenstein, Russell, Moore, and Austin, as well as ideas of universal interest, such as morality, art, religion, and social theory. As an introduction to contemporary British philosophy, a unique collection of candid commentaries by important thinkers, and study of fresh ideas, Modern British Philosophy is consistently lively and authoritative. (shrink)

Wagner was one of the few major composers who studied philosophy seriously. Bryan Magee places the composer's artistic development in the context of the philosophy of his age, and gives us the first detailed and comprehensive study of the close links between Wagner and the philosophers - from the pre-Marxist socialists to Feuerbach and Schopenhauer. Magee explores the relationship between words and music, between the conscious and the unconscious mind, between art and philosophy. It tackles soberly and (...) judiciously the Wagner whose paranoia, egocentricity and anti-semitism are repugnant, as well as the Wagner of artistic genius. The resulting text illuminates Wagner and the music-dramas in altogether new ways. (shrink)

At the core of what Schopenhauer took from Kant is transcendental idealism. An understanding of this calls not only for intelligence but for what might be called ‘intellectual imagination’. The nature of whatever faculties we have must limit what they can do, and therefore, unless reality is itself a product of our minds, it is almost certain that there are aspects of an independent reality that we cannot apprehend. Schopenhauer follows Kant in using the word ‘noumenal’ for these and the (...) word ‘phenomenal’ for those aspects of reality that are accessible to experience. (shrink)

For some 35 years after the publication of his masterpiece, The World as Will and Representation, Schopenhauer was virtually ignored. Then the mood of pessimism brought about across Europe by the failure of the revolutions of 1848 created a climate of opinion favourable to him. After the 1850s, he enjoyed a reputation as one of the ‘great’ philosophers. But in the twentieth century, his work fell into neglect once again. Now a revival of interest is taking place.

Some years acquire symbolic status, and one such year is 1968. All over Europe and the United States university students exploded into violent rebellion. Insofar as this would-be revolution had an ideology it was unquestionably Marx-inspired, even if the Marxism was not always orthodox. It so happens that in the years 1970–1971 I was teaching philosophy at Balliol College, Oxford. And because of Oxford University's system, almost unique, of individual tuition for undergraduates, this meant I found myself in a continuing (...) one-to-one relationship with bright students who were in the throes of revolutionary fervour. (shrink)