Since their first screen appearances in the 1930s, zombies have enjoyed immense cinematic popularity. Defined by Romero’s 1968 Night of the Living Dead as mindless, violent, decaying and infectious, they successfully function as ultimate fiends in horror films. Yet, even those morbid undead started evolving into more appealing, individualized and even sympathetic characters, especially when the comic potential of zombies is explored. To allow a zombie to become a romantic protagonist, however, one that can love and be loved by a (...) human, another evolutionary step had to be taken, one fostered by a literary association. This paper analyzes Jonathan Levine’s Warm Bodies, a 2013 film adaptation of Isaac Marion’s zombie novel inspired by William Shakespeare’s Romeo and Juliet. It examines how Shakespeare’s Romeo helps transform the already evolved cinematic zombie into a romantic protagonist, and how Shakespearean love tragedy, with its rich visual cinematic legacy, can successfully locate a zombie narrative in the romantic comedy convention. Presenting the case of Shakespeare intersecting the zombie horror tradition, this paper illustrates the synergic exchanges of literary icons and the cinematic monstrous. (shrink)

The relationship between Prospero and Miranda is fairly typical for Shakespeare’s way of portraying parental authority and filial obligation. A strong and authoritative father, an absent mother and a rebellious daughter are character types reused in many of his plays. In The Tempest, authority, power and ownership, be it political or domestic, are important themes. In criticism, Prospero is frequently discussed through the prism of his attitude to his “subordinates”—Ariel, Caliban and Miranda—and the play’s narrative is interpreted in the context (...) of the theatre of power. Parental authority, a social construct, is a dynamic thing, and the Renaissance patterns discernible in Shakespeare’s plays are refashioned and changed in contemporary adaptations and appropriations of his plays. Informed by New Historicism and Cultural Materialism in relation to gender studies, this article seeks to examine the changing dynamics of the Prospero-Miranda relationship in three films—Derek Jarman’s, Paul Mazursky’s, and Julie Taymor’s —as well as Philip Osment’s 1988 play This Island’s Mine. Focusing on the issue of authority, power and ownership, the article aims at showing how stereotypical social and gender roles resonate with various political contexts of power. (shrink)

Pod pojęciem technik interpretacji scenicznej rozumie się działania, które łącząc recepcję tekstu literackiego z pedagogiką dramy, przyczyniają się do intensywnej analizy i interpretacji tekstów. Twórcą i głównym przedstawicielem tego nurtu dydaktyki literatury jest w Niemczech profesor nauk o estetyce i komunikacji Ingo Scheller. Swoją koncepcję pracy z tekstami literackimi Scheller zbudował na gruncie estetyki recepcji - teorii, która nadawała szczególną rolę czytelnikowi w konstytuowaniu znaczenia dzieła literackiego. Ogromny wpływ na powstanie interpretacji scenicznej wywarły także rozwijające się w latach osiemdziesiątych koncepcje (...) dydaktyczne, bazujące na kreatywnym pisaniu i kładące nacisk na powiązanie interpretacji tekstu z produktywnym działaniem czytelnika. Opracowana przez Schellera metoda interpretacji scenicznej nabrała ostatecznego kształtu pod wpływem różnorodnych teorii i koncepcji teatru, reprezentowanych m. in. przez Stanisławskiego, Grotowskiego, Boala, Strasberga i Brechta. W wyniku wieloletnich doświadczeń powstała metoda, która podkreśla znaczenie emocji i imaginacji w procesach uczenia się, pozwala rozwijać umiejętność empatii oraz respektuje indywidualne doświadczenia czytelnika. Niniejszy artykuł poświęcony jest możliwościom zastosowania technik interpretacji scenicznej w nauczaniu języków obcych. Sposoby wykorzystania poszczególnych technik na lekcjach języka niemieckiego zilustrowano na przykładzie dziewiątego rozdziału z podręcznika Tangram 2B. (shrink)

This paper presents a dialogue system called Lorenzen–Hamblin Natural Dialogue (LHND), in which participants can commit formal fallacies and have a method of both identifying and withdrawing formal fallacies. It therefore provides a tool for the dialectical evaluation of force of argument when players advance reasons which are deductively incorrect. The system is inspired by Hamblin’s formal dialectic and Lorenzen’s dialogical logic. It offers uniform protocols for Hamblin’s and Lorenzen’s dialogues and adds a protocol for embedding them. This unification required (...) a reformulation of the original description of Lorenzen’s system to distinguish “between different stances that a person might take in the discussion”, as suggested by Hodges. The LHND system is compared to Walton and Krabbe’s Complex Persuasion Dialogue using an example of a dialogue. (shrink)

This paper refutes the widespread view that disjunctions of imperatives invariably grant free choice between the actions named by their disjuncts. Like other disjunctions they can also express a correlation with some factual distinction, but as with modalized declaratives used for non-assertive speech acts this needs to be indicated explicitly. A compositional analysis of one such indicator, depending on, constitutes the point of departure for a uniform analysis of disjunctions across clause types. Disjunctions are analyzed as sets of propositional alternatives (...) that correlate with a partition that the speaker may or may not be able to indicate explicitly. Free choice arises as the specific case where the partition is induced by the preferences of the addressee. (shrink)

The goal of this paper is to examine COVID-19 potential long-run effects on income inequality, seeking answers in the wider context of inequality sources and foregoing evidence from industrialised countries. Thus, the phenomena that existed prior to the pandemic but, due to its impact, may accelerate the process of growing income inequality in the long term, must be identified. Since left unchecked, growing disparities may lead to long-lasting negative effects and forming a kind of vicious cycle, the article also seeks (...) to present general policy proposals that possibly can mitigate disparities. According to the hypothesis, the ongoing structural transformation triggered by the pandemic can act as a catalyst for the further dynamics of increasing inequality. What has been identified as the most important drivers of inequality is digital divide, as well as automation and robotization having significant impact on the world of work. (shrink)

Case, agreement, and A-movement dependencies across finite clause boundaries, such as Hyperraising or Long-Distance Case or Agreement [LDA], are available in many typologically diverse languages. The research on such dependencies typically distinguishes between cross-linguistically restricted true A-dependencies across finite clauses, and generally available binding-like A′-dependencies as found in Prolepsis. In this paper, we investigate both types of configurations in parallel and refer to this as the A-domain. Since the diagnostics to distinguish A-configurations vary across languages and often cannot be compared (...) directly, we define four characteristic properties: whether the construction is restricted by matrix predicate selection, whether movement in the embedded clause is involved, whether the dependency shows locality restrictions, and whether there are semantic restrictions on the relevant DP. By combining different values of the characteristic properties, we show, differently from previous approaches, that the A-domain does not simply consist of two types of configurations, but that the empirical landscape represents a continuum of five A-constructions. We suggest a theoretical implementation of our empirical findings, which is built on a predicational relator phrase above the embedded CP and propose that, in some of the constructions, these two projections fuse into one. We employ a minimalist probing approach which relies on differences in the base-generated position of the relevant DP, differences in the feature composition of the embedded C, a composite probe hierarchy yielding three types of feature-dependencies of composite probes, and, resulting from that, different probing mechanisms. Lastly, this paper also contributes methodological tools for disentangling constructions of the A-domain. (shrink)

ObjectiveThe coronavirus pandemic affects all areas of life. Performing arts and music studies have also experienced considerable changes, with university closures and a fluctuating return to normal and more limited operations. Prior studies detail the impact of the pandemic on college students, but we do not yet know what specific consequences it has for music students. The aim of this study is to examine the impact of the coronavirus pandemic on music students’ health, practicing behavior, and everyday life.MethodsIn July 2020, (...) we conducted an online survey of 80 students enrolled in performance and music education programs at a German music university and compared these data with data from a survey of 75 students at the same music university carried out in summer 2019.ResultsThe survey revealed that the coronavirus pandemic led to a decrease in practicing hours and an increase of stressful thoughts and feelings. Students were mostly satisfied with Corona-measures taken by the university. Of analyzed determinants, only general fear of health problems was identified as a significant predictor of mental health status. Mental health status did not significantly differ between students surveyed in 2019 and 2020.ConclusionKnowledge about the specific challenges the pandemic poses for music students can help conservatories to better respond to the needs of their students. Specifically, this study will inform future measures supporting music students in coping with difficult situations like a pandemic. (shrink)

This article analyses how normative decision theory is understood by economists. The paradigmatic example of normative decision theory, discussed in the article, is the expected utility theory. It...

The author of the article discusses the great variety of the visions of the figure of God and the heaven in the revolutionary poetry between 1918 and 1939. God, the religion, the church or the synagogue were the symbols of the social oppression and the injustice or, on the contrary, the figure of God, especially Christ, was created as the most significant revolutionist and the symbol of the new, communist order. The article offers a presentation of many revolutionary, atheistic lyrics, (...) which connect communist ideology with Jewish or Christian religious symbols. It is focused on the former futurists’ poetry (by Aleksander Wat, Bruno Jasieński, Anatol Stern) and the lyrics by the communist propagandists of the inter-war epoch. (shrink)

The article is a tentative analysis of the construction of reality created in Bolesław Leśmian’s lyric poetry; an attempt to specify its most important elements, the relationships between them and the main mechanisms which control the poetical world of the author of Łąka [The Meadow). The discussion centres on the motifs of existence and non-existence, death and nothingness, time and space, as well as the creation of Leśmian’s characters, especially God, who is presented in a variety of images (from the (...) presentation of the poetic consequences of Nietzsche’s conception of God’s death, depriving him of his omnipotence, placing him outside the world and his humanization to his pantheistic diffusion into the reality created in the poems). (shrink)

This article is a short presentation of God existance in Julian Tuwim’s works. In the early period of Julian Tuwim literal output, in juveniles and Czyhanie na Boga (Wailing for God), Sokrates tańczący (Dancing Socrates), Siódma jesień (Seventh Autumn), Słowa we krwi (Words in Blood), God is shown with a passion and nostalgia. But afterwords its position changed and was usually depicted as Jesus Christ. God became a sinonime of lost love, order, consolation in the article of awe existance, justice (...) which lack of them is visible for Tuwim. God is a creation power and women become deified by him. It is hard to talk about transcendental experience in Tuwim’s poetry. There is no way out to the history, society and culture. (shrink)

Since the mid-20th century, there has been a noticeable shift of interest in topics related to disability, illness, old age and the discourse of exclusion, both in practice and theory. Numerous artists, who often employed diverse strategies and aesthetics in their works, would confront similar themes, engaging in activities aimed at counteracting various forms and manifestations of social ostracism. This article describes and analyzes selected projects by Polish representatives of critical art and independent theatre which address these issues. The primary (...) aim of this text is not to catalogue as many artistic undertakings as possible but to highlight a certain trend and demonstrate the significance and purpose of art that boldly explores disability, illness, and deteriorating, ageing and dying bodies. Such themes are often taboo in consumer culture, while the task of art is to expose the mechanisms of exclusion and stigmatization and to draw public attention—often in a highly debatable manner—to topics that are omitted in the official discourse. The artistic projects discussed in the text demonstrate that persons with disabilities can be successful artists, dancers, performers, and actors. (shrink)

In this paper we have two main aims. First, we present an account of mood-congruent delusions in depression (hereafter, depressive delusions). We propose that depressive delusions constitute acknowledgements of self-related beliefs acquired as a result of a negatively biased learning process. Second, we argue that depressive delusions have the potential for psychological and epistemic benefits despite their obvious epistemic and psychological costs. We suggest that depressive delusions play an important role in preserving a person’s overall coherence and narrative identity at (...) a critical time, and thus can be regarded as epistemically innocent. (shrink)

Changes that occurred in Poland between 2015 and 2019 have not spared the civil society, here understood broadly as NGOs, activist groups, independent academic organisations and minority communities. This paper is an attempt at reconstructing key ideological arguments that took place within it during that time, as well as their significance and effects on particular organisations both internally and in relation with other participants in the civil society. Also investigated are divisions that arose and their potential consequences in the future. (...) The analysis is based on research by Magdalena Arczewska and Magdalena Dudkiewicz and published as Strategie czy przystosowanie? Sytuacja organizacji pozarządowych w Polsce po 2015 [Strategies or Adaptation? The Situation of Non-governmental Organizations in Poland after 2015]. (shrink)

The aim of my article is to juxtapose and compare the concept of man immersed in the finite and on the other hand transcending towards the infinite. My task is to extract and analyse the fabulously contrasting moments in the thought of Heidegger and Levinas on the question of the connec-tion and interpenetration of time and death. Both philosophers grow out of the phenomenological tradition, but their analyses of the problem of the connection between time and death go in different (...) directions. The experiences of time and death are inextricably linked, but for Heidegger time is the ontological horizon of being, and for Levinas time is a way of being beyond being. For Heidegger, dying is about coming to the fullness of being. For Levinas, facing death is a struggle and even a war, a transcendence towards the infinite. While for Heidegger death is the completion of the end, for Levinas death means an encounter with radical otherness, it is an opening and not a closing. (shrink)

Michael Haneke’s film The White Ribbon narrates violent attacks that disrupt the cyclical life of a German village in 1913–14. The narrator frames the violence as a study of the origins of fascism: the alleged perpetrators are children, who rebel against the disciplinary powers of patriarchal authority. Coming to maturity during World War I, they will have become the generation of Nazism’s followers. In contrast to psycho-historical readings of The White Ribbon as a cinematic exploration of the causal relationship between (...) the authoritarian formation of the juvenile subject and her susceptibility to fascism’s redemptive illusions, I propose an anti-psychological interpretation of the film. This reading seeks to understand The White Ribbon in terms of Haneke’s aesthetic and formal choices, which underpin his notion of “ethical spectatorship.” I argue that the film offers a dual metaphorical construction of the nexus between memory and the cinematic image, and of the mnemonic and affective aspects of the history of violence. Haneke forges a link between the European attitude to its history of fascism and its ongoing politics of exclusion, arising from its covert fascist desire for the unified self. The significance of The White Ribbon in the ongoing debate on history/memory thus lies in its critique of Europe’s current self-understanding as having outgrown its violent past. (shrink)

Tematem artykułu jest Tomasza z Akwinu koncepcja radości, której źródłem jest cierpienie innych osób (Schadenfreude). Pierwsza część obejmuje opis starożytnych źródeł Schadenfreude, którymi inspirował się Akwinata. Druga część dotyczy koncepcji nienawiści, która stanowi podstawę dla Schadenfreude. W trzeciej zaś części jest przedstawiona Tomaszowa próba rozróżnienia rozmaitych przypadków występowania Schadenfreude oraz ich częściowego moralnego usprawiedliwienia.

The term cognitive framework has appeared in modern theories of cognitive psychology. In theories of cognitive linguistics, the theory of metonymy, metaphors and conceptual amalgams, is a fundamental structure that makes it possible to understand the meaning. However, the nature of the cognitive framework understood as the limitations of our cognition is a universal reflection tool that can be used in other fields, especially in philosophy. The article deals with issues related to the origin of the term, the construction material (...) of the cognitive framework, the diversity of their occurrence and the possibilities of their transformation based on selected issues from epistemology, philosophy of science and philosophy of culture. (shrink)