Più studiosi hanno ritenuto che Il principe sia un’opera priva di unità composta da più tronconi redatti in momenti diversi. Altri a tutt’oggi sostengono che il suo significato resta segreto, sfuggente ed enigmatico. Questo commento al testo di Machiavelli mostra invece come Il principe sia animato da una logica che dà vita a un discorso coerente e lo compone in unità. Ne svela altresì il segreto mostrando che quel discorso approda a delineare un nuovo tipo umano non identificabile con alcuna (...) figura definita, tantomeno, come comunemente inteso, con quella di Cesare Borgia. Infine, questo commento mostra che Machiavelli subordina la realizzazione di tale tipo a un rinnovamento del modo di pensare degli esseri umani fondato sulla distinzione tra “vedere” e “sentire”, la quale allude a una teoria della conoscenza discosta dal razionalismo, dall’empirismo e dal visionarismo. Rinnovamento che costituisce la condizione di una politica volta al fine, oggi più che mai attuale, di scongiurare la scomparsa del mondo umano. (shrink)

Galvani's discovery provoked an animated debate that lasted for about a decade. So far, historians have studied only the controversy between Volta and Galvani. I show that a more extensive examination of the response to Galvani's treatise reveals a number of important issues that were characteristic of the contemporary physics and physiology but have not much attracted the attention of historians. In particular, the analysis shows the need to reappraise Galvani's role in establishing animal electricity.

Seeking a historical-philosophical approach to science teaching, narrative texts have been used as pedagogical tools to improve the learning experience of students. A review of the literature of different types of narrative texts and their different rates of effectiveness in science education is presented. This study was developed using the so-called Historical Narrative as a tool to introduce science content from a historical-philosophical approach, aiming to discuss science as a human construction. This project was carried out in a 9th grade (...) Physics class in K-12 school, in Rio de Janeiro, Brazil. The steps involved in constructing a Historical Narrative based on the controversy over animal electrical fluid between Luigi Galvani and Alessandro Volta is reported herein. Finally, qualitative research results of the activities inspired by this Historical Narrative are presented with the purpose of answering the research question: to what extent do Historical Narratives support and enhance discussions about the Nature of Science, through teaching the scientific content in a historical-philosophical approach with 9th grade students? The results indicate that Historical Narrative, based on historical episodes, is a good “door opener” to teach scientific content in a historical-philosophical approach, introducing discussions about the Nature of Science without neglecting the scientific content or simplifying the discussions about the NOS. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Matter and Spirit in the Age of Animal MagnetismEric G. WilsonDuring the Romantic period, writers on both sides of the Atlantic explored the sleepwalker as a merger of holiness and horror. Emerging when scientific thinkers for the first time were connecting spirit to electricity and magnetism, the somnambulist became to certain Romantics a disclosure of the difficulty of harmonizing unseen and seen, agency and necessity. This problem prominently arose (...) in Anton Mesmer's late eighteenth-century experiments in animal magnetism, in which the sleepwalker proved a paradox: an opaque revelation of transparent currents and an unconscious vehicle of sophisticated thought. Romantics such as Coleridge embraced the somnambulist as an embodiment of these troubles involved in relating motion and meaning. Coleridge and those who responded to him saw in the hypnotized human this sobering possibility: the invisible requires the visible to make itself manifest while the visible needs the invisible to become significant. 1 This is sublime and sinister: to elevate a material form to spiritual power is transcendence; to sink the boundless into a body is grotesque.Here I explore the philosophical implications of animal magnetism, the place of the sleepwalker in the history of ideas, and the role of the hypnotized human in Romantic writers, especially Coleridge. I also meditate on relationships between matter and spirit, machine and human, word and thing. Along the way, I place the history of ideas and the works of Romantic writers in mutually illuminating dialogues. The literary texts shed fresh light on philosophical problems while the ideas reveal hidden literary elements.The somnambulistic trance had been around long before Mesmer's magnetic sleeps. For centuries, shamans had used auto-hypnosis to sound [End Page 329] their souls and other-hypnosis to cure their tribe-members' ailments. However, somnambulism could not become a scientific phenomenon until Europeans in laboratories began to study electricity and magnetism. In the early modern period, Paracelsus argued that a vital fluid courses through the cosmos. The human being draws this flow like a magnet attracts force. When the body pulls to itself evil effluvia, it falls ill. To return patients to health, Paracelsus placed magnets on painful areas. He hoped to extract the unwanted current and return it to the cosmic swirl. 2 In "magnetizing" spirit, Paracelsus opened a door for empirical inquiry into the invisible world. In 1600, William Gilbert claimed that magnets correspond to the earth: both are animated by universal attraction and repulsion. 3 By the end of the seventeenth-century, Newton proposed that things are impelled by a force that draws and repels. Newton's theory of gravity inspired natural philosophers of the next centuries to search for a principle of which the magnet and the spark are manifestations. 4During the second half of the eighteenth century and the early part of the nineteenth, natural philosophers explored electricity and magnetism with unprecedented precision. In 1752, Benjamin Franklin revealed the mystery of lightning and perhaps the spark of life. 5 Inspired by Franklin, F. C. Oetinger, J. L. Fricker, and Prokop Divisch developed a theology of electricity, based on the belief that God is the electrical current. 6 Later in the century, Luigi Galvani and Alessandro Volta debated over whether the galvanic flow might be the origin and principle of life itself. 7 A few years before Franklin harvested lightning, John Michell argued that the magnetic force is not constrained to lodestones but is possibly pervasive. Some years later, Franz Aepinus suggested that magnetism and electricity manifest a deep energy. Soon after, C. A. de Coulomb discovered the mathematical law by which electrical and magnetic forces operate (Whittaker, pp. 50–59).These findings led to the breakthroughs of the nineteenth century. 8 In 1807, Humphry Davy hypothesized that chemical elements interact through electromagnetic affinity or repulsion. 9 In 1820, H. C. Oersted demonstrated the correspondence between electricity and magnetism. The same year, A. M. Ampere formulated the laws by which electrical and magnetic currents interact (Whittaker, pp. 81–86). Michael Faraday in 1831 revealed electromagnetic induction and thus inaugurated a second Copernican revolution: he showed that matter is not solid and discrete but a field of electromagnetic energy. 10 The dreams of [End... (shrink)

E' naturale che a pubblicare l'intero corpus degli opuscoli retorici di Teodoro II Duca Lascari (1221–1258; imperatore dal 1254 al 1258) sia Luigi Tartaglia [da ora in avanti = Tart.], giacché buona parte di tali testi avevano visto la luce per la prima volta proprio per opera sua; ed è altrettanto naturale che il livello di tale edizione integrale sia alto, data la competenza e la lunga militanza di Tart. nel campo della bizantinistica. Per la precisione, gli opuscoli (...) costituenti il corpus sono in tutto dieci ed appartengono ai generi letterari pìù diversi (in questo quadro, il termine “retorici” con il quale sono designati i dieci opuscoli nel loro complesso rappresenta un'utile convenzione). Di tali opuscoli, due vengono qui editi per la prima volta (opp. 1 e 8); cinque sono ripubblicati, con ritocchi, dall'editor princeps di essi (opp. 2, 6, 7, 9 e 10); due erano già stati editi da altri studiosi, ma sulla base di un unico manoscritto e, dunque, in modo non scientifico (opp. 3 e 4); uno solo (op. 5) era stato pubblicato sulla scorta di tutti e quattro i manoscritti esistenti degli opuscoli stessi da A. Ph. Markopoulos nel 1968. (shrink)

This book is the first of its kind to provide a comprehensive overview of happiness in Economics. Although it is comparatively unusual to put happiness and economics together, the association appears increasingly exciting and fruitful. A number of studies have been produced following Richard Easterlins and Tibor Scitovskys pioneering works throughout the 1970s. The essays collected in this book provide an authoritative and comprehensive assessment both theoretical, applied and partly experimental of the whole field moving from the so-called paradoxes of (...) happiness in Economics. The book breaks new ground, particularly on the more recent directions of research on happiness, well-being, interpersonal relations and reciprocity. The meaning of happiness is thoroughly explored and the tension between a hedonic-subjective idea of happiness and a eudaimonic-objective one is discussed. This volume opens with Richard Easterlins own assessment of the main issues. Other authors include Robert H. Frank, Robert Sugden, Bruno S. Frey, Alois Stutzer, Richard Layard, Martha C. Nussbaum, Matt Matravers, Bernard M.S, van Praag, Oded Stark, You Q. Wang, Ruut Veenhoven, Charlotte Phelps, Stefano Zamagni, and Luigi Pasinetti. (shrink)

Il concetto di "libertà" descrive uno dei valori fondamentali della società occidentale contemporanea. Tuttavia, sebbene tutti concordino circa la necessità di difendere la libertà, persone che incarnano convinzioni politiche, morali e sociali diverse interpretano la libertà in maniere differenti, se non perfino contrapposte. Nonostante queste evidenti divergenze, è opinione diffusa che questo concetto si caratterizzi alla sua base per una sorta di denominatore comune, a proposito del quale sussiste un’unanimità pervasiva e che delinea l’orizzonte di una comune battaglia. Questo studio (...) investiga questa opinione da un punto di vista cognitivo allo scopo di determinare come sia costituito e di quale informazione si componga il concetto astratto di “libertà”. La ricerca – che si rifà in parte alla teoria di G. Lakoff – identifica un nucleo cognitivo comune concreto del concetto e chiarisce come questo si contamini ideologicamente nel corso del suo sviluppo da concetto concreto a concetto astratto. Le conclusioni di questo studio evidenziano tuttavia come il nucleo universale del concetto sia eccessivamente indeterminato per costituire un denominatore comune politicamente rilevante che fornisca una base di accordo a proposito di un valore condiviso ed evidenzia alcuni limiti dell'impostazione data da Lakoff al problema, avanzando delle ipotesi per futuri sviluppi della ricerca su questi temi. (shrink)

Through a commentary of the letter sent by Husserl to the 8th International Congress of Philosophy in 1934, the essay intends to clarify the concept of “responsibility” as a “universal form” thanks to which the rational human being orients his acts according to a consciously ethical direction. By focusing on the dynamics that characterize the relationship between Logos and Ethos, is then pointed up Husserl’s aim to build a gnoseology that can’t be solved in an abstract intellectualism as it embodies (...) always a constructive criticism of the present and its aberrations. The appeal contained in the letter of 1934 for an epoché of every historical tradition becomes therefore the premise for an overcoming of past conceptual forms in order to reach the “implicit” concealed into every historical event and whose grasp and interpretation is possible only to the eidetic view of the phenomenologist. (shrink)

The Renaissance perspective represents the three-dimensional space onto a bi-dimensional one. This cultural construction, which unifies real and virtual, like all simulations, has some limitations – the main one is that it only works from a precise viewpoint that rules the illusion. When moving away from this position the illusion becomes imperfect. Similar to physics, where reality depends on the observer’s position, perspective depends on the viewer’s position. Since perspective has been inherited by photography, cinema, video, computer images, virtual reality, (...) 3D videogames, we live in a perspective-based culture. In perception the boundaries between opposite qualities are often blurred and even indistinguishable. A screen is generally considered as rectangular, but it can be viewed as really rectangular only from its central perpendicular axis, at the crossing of the diagonals. When moving from this position it should appear as trapezoidal, but people still say it is rectangular: because they see it as rectangular or because they know it is rectangular? This threshold between vision and knowledge is imperceptible and obscure. Something similar happens with the senses. They are considered as separate entities: touch, hear, sight, smell and taste are described as distinct ways to detect the phenomenal world. But they are intermingled; the boundaries that are supposed to separate them are apparent: they are logically separable but not separate. The sensorial system is a cohesive and interrelated continuum where the senses act in synergy with each other. Continuity and discreteness, indistinguishability and distinction, inseparability and division are qualities to individuate, describe, classify and/or communicate the phenomena. These qualities are both theoretical and technical, since they depend on the general perspective of the analysis, on the goals to pursue, on the scale at which the phenomena are observed and on the accuracy of the instruments that are used. (shrink)

‘Engineered’ and ‘organic’ have always represented two sides of a challenge that went along with human evolution. Since the dawn of its existence, humankind has been trying to adapt ‘Nature’, the phenomenal world, to his goals, through projects, techniques, instruments, devices, machines, in a process that received propulsion and acceleration from the advent of symbolic ability. Inside the phenomenal world, the ‘organic’ – the material carbon-based dimension on which life is founded, according to the sciences – has always represented a (...) very important subsystem, mainly the world of the living. The ‘organic’ as food, support, pleasure, invention, care, with human skill, has been developing since prehistory, to select, hybridize and breed animals and plants, through more and more successful techniques ranging from crossbreeding to genetic manipulation and engineering. But also as ways to take care of the human body and life with tools, dresses, signs, machines and medical treatments. Scientific evolution has led to the capacity to deeply modify existing organisms and create new ones, new species that would never have evolved naturally. One major technique to describe and simulate the world and to interoperate with Nature is digital technology. Artificial intelligence, artificial life and robotics are mainly digitally based, working at the edge of Nature and the engineered. Digitally based technologies such as 3D printing and the Internet of Things can get to an intimate relationship among the engineered, the organic and Nature, blurring the divide between matter and language, life and code, ‘hardware’ and ‘software’. Hence, through sciences and technologies humanity is creating a Third Life originating from knowledge and culture, which is independently and autonomously evolving, expanding Nature from inside the realm of Nature. (shrink)

1. Critica de capire e altri scritti. 2. Scritti kantiani. 3. L'analitica trascendentale. 4. Il problema della scienza e il giudizio storico.

Preparedness is an anticipatory approach developed in the military and health sectors in response to unforeseen and unforeseeable crises and emergencies. It has recently entered the debate over the resilience and sustainability of European food systems. The paper seeks to shed light on the implications of the European Union's adoption of preparedness in its food security policy, particularly focusing on the preparatory phase and the early activity the European Food Security Crisis Preparedness and Response Mechanism (EFSCM), a consultative body launched (...) by the European Commission in 2021. Through an analysis of documents and meeting minutes, we illustrate how debates on implementing preparedness are influenced by conflicting sociotechnical imaginaries of sustainable food security. Results show that the EU's shift towards preparedness combines elements of continuity and novelty in its food policy. Continuity concerns the acknowledged need to deal with growing turbulence and unpredictability affecting food systems. Novelty involves attempts at building bridges between diverging imaginaries of sustainable food security to address both short-term and long-term challenges to food security. Also new is the shift to a ‘management,’ as opposed to a ‘problem-solving,’ outlook on crisis and emergency. (shrink)

In this paper, I will deal with the analogy between Cassirer’s interpretation of relativity and his philosophy of culture. As to the structure of the paper, it will be divided into six parts. I will start with a brief introduction, after which I will succinctly outline Cassirer’s reading of Einstein’s theory, and in particular of general covariance. I will then focus on the presentation of his project for a “systematic philosophy” in the last chapter of Einstein’s Theory of Relativity and (...) subsequently delve into the lexical references to relativity made in Philosophy of Symbolic Forms. After this, I will tackle Cassirer’s rectorship speech, where relativity and the philosophy of culture are explicitly interwoven, but with the important clarification (already provided in Einstein’s Theory of Relativity and Philosophy of Symbolic Forms) that not all kinds of knowledge align with de-anthropomorphized objectivity. The final section contains the concluding remarks. (shrink)

ERNST CASSIRER AND BIOLOGY: FROM EVOLUTIONISM TO PALEOANTHROPOLOGY AS HUMAN TRANSCENDENTAL SCIENCE In the present paper I will deal with the special epistemological problem of setting the basic conditions of a transcendental science of man in the spirit of Cassirer’s critical philosophy. Bearing in mind this aim, I will particularly analyze the section Cassirer dedicated to the history and epistemology of biology in his Erkenntnisproblem IV, and I will focus, on the one hand, on the emergence of the theory of (...) types, and on the other hand, on the rise of the theory of evolution. In considering that the empirical data we now possess are pushing us towards the refutation of a too continuous concept of evolution, I will try to shed some light on how the modern palaeontology, and not properly the evolutionary theory, could represent the very basis of such a transcendental theory of man. (shrink)

In this paper, I will survey the “received view” of the interpretation of relativity theory in Natorp and Cassirer. Neo-Kantian and non-neo-Kantian scholars (such as Hentschel or Ferrari) usually distinguish Natorp’s reading from Cassirer’s by virtue of “immunising” and “revising” strategies. “Immunisation” consists of a strict defence of Kantian philosophy, while “revision” pertains to the modification of Kantianism depending on relativity theory. In this respect, I will suggest some arguments that will put things in perspective. In particular, I will show (...) that Natorp’s interpretation is justified considering the state of physical research in 1910. By the same token, I will highlight where Cassirer leverages immunising strategies. However, I will demonstrate that, in contrast to Natorp, the influence of general relativity (GR) is pivotal to Cassirer and it does have an impact on his whole epistemology (and philosophy), implying a highly radical reform of pure intuition in light of general covariance. I will also add that Cassirer may have a bearing on Einstein as to the possibility of reconsidering his former censure of Kantian philosophy. (shrink)