Este pequeno texto é uma singela homenagem que dedico para o meu exprofessor da graduação em Filosofia e meu orientador no mestrado em Ética e Epistemologia da UFPI. Trata-se de um texto rememorativo e de agradecimentos pela convivência e aprendizagem que tive com o professor Dr. José Sérgio D. da Fonseca. A grata oportunidade de conhecer o professor Dr. José Sérgio ocorreu-me por volta do ano 2009 em uma disciplina de seminário, na qual o professor José Sérgio ministrou um (...) curso sobre filosofia da mente, se minha memória não falha. (shrink)

A differenza dell'età moderna e contemporanea, nell'antichità e nel Medioevo, moltissimi sono stati i commenti che hanno avuto il valore di testi filosofici fondamentali, vere e proprie pietre miliari nella storia del pensiero. E questo è il caso di Alessandro di Afrodisia e del commento che qui si presenta, per la prima volta tradotto in italiano, al De Anima di Aristotele. L'opera di Alessandro ebbe un'enorme influenza sul pensiero del Medioevo e del Rinascimento e per questo motivo, oltre ad (...) essere un passaggio obbligato per la conoscenza della filosofia antica e tardoantica, essa può interessare anche studiosi e studenti della filosofia di queste due età più recenti. (shrink)

Lo studio si concentra sul modo in cui i commenti alla Metafisica di Paolo di Venezia e Alessandro di Alessandria evidenziano il grado di modificazione della comprensione della dottrina aristotelica sull'essenza, dovuta alla ricezione della dottrina di Tommaso d'Aquino e di Averroè al riguardo. Dopo un'introduzione di inquadramento storico dottrinale dei due commenti, la seconda parte è centrata sulle dottrine dei due maestri relative all'essenza, e l'A. articola la sua ricognizione attorno ai temi del rapporto fra essenza e sostanza, essenza (...) e predicazione, e sulla rispettiva ricezione della dottrina tomista sull'essenza, fondata a sua volta sulla dottrina avicenniana . La terza parte verte su una puntuale ricostruzione della dottrina dell'essenza in Paolo, mentre la quarta evidenzia come Alessandro sia la fonte primaria di Paolo. L'A., infine, esamina il commento di Alessandro in relazione al tema dell'essenza. Nella conclusione ribadisce come Alessandro e Paolo tentino di riconciliare la dottrina averroista con Aristotele, adottando l'interpretazione di Tommaso. Tra i testi dell'Aquinate utilizzati si ricordano il De ente et essentia, il commento alla Metaphysica e quello alle Sentenze, la Summa theologiae. (shrink)

Il libro di Petra Werner, ricercatrice alla Alexander-von-Humboldt-Forschungsstelle dell’Accademia delle Scienze di Berlino (Berlin-Brandebur- gische Akademie der Wissenschaften), costituisce un contributo singolare nel panorama degli studi sulla vita, le opere e il pensiero di Alexander von Humboldt (1769-1859). Werner analizza, per la prima volta all’interno della Humboldt-Forschung, il rapporto di Humboldt con le arti figurative e con l’arte, studiando e valutando la sua corrispondenza epi...

Contemporary architecture is increasingly grounded in science and mathematics. Architectural discourse has shifted radically from the sometimes disorienting Derridean deconstruction, to engaging scientific terms such as fractals, chaos, complexity, nonlinearity, and evolving systems. That's where the architectural action is -- at least for cutting-edge architects and thinkers -- and every practicing architect and student needs to become conversant with these terms and know what they mean. Unfortunately, the vast majority of architecture faculty are unprepared to explain them to students, not (...) having had a scientific education themselves. Here is an architecture book by an architect/scientist, just in time to help architects in the new millennium. Alexander discusses many of the scientific terms arising in cutting-edge architecture, and explains them to those who don't have scientific training or advanced mathematical knowledge. We find discussions of the evolution of forms; the importance of process in design; iteration; genetic algorithms; sequences of transformations; different levels of scale (i.e. fractals); etc. They are explained here by an architect who is also a scientist, because he wants to change the way architects think and build. Alexander is not merely popularizing other scientists' results and making them accessible to architects: he is in fact presenting new and original scientific work that ties many of these concepts together in a way that will be useful to architects. (shrink)

Empiriomonism is Alexander Bogdanov's monistic philosophy of being and cognition, which he believed is consistent with both modern science and Marxism. In Books One and Two of Empiriomonism, Bogdanov begins with Ernst Mach's and Richard Avenarius's neutral monism - the idea that the 'physical' and the 'psychical' are two sides of one reality - and explains how human psyches are causally interconnected with the rest of nature. In Book Three, he shows how empiriomonism substantiates the principles of historical materialism (...) more adequately than G.V. Plekhanov's out-dated materialism. Bogdanov concludes that empiriomonism, although not technically materialist, is nevertheless of the same order as materialist systems and, since it is the ideology of the productive forces of society, it is a Marxist philosophy. (shrink)

Aims to show that the brain is not responsible for consciousness, and uses this assertion to explore profound love and human connection.

We prove existence of mixed strategy equilibria for a class of discontinuous two-player games with non-compact strategy sets. As a corollary of our main results, we obtain a continuum of mixed strategy equilibria for the first- and second-price two-bidder auctions with toeholds. We also find Klemperer’s (2000) result about the existence of mixed strategy equilibria in the classical Bertrand duopoly.

"Alexander's commentary on Book 1 concerns the definition of Aristotelian syllogistic argument; its resistance to the rival Stoic theory of inference; and the character of inductive inference and of rhetorical argument. Alexander distinguishes inseparable accidents, such as the whiteness of snow, from defining differentiae, such as its being frozen, and considers how these differences fit into the schemes of categories. He speaks of dialectic as a stochastic discipline in which success is to be judged not by victory but (...) by skill in argument. Alexander also investigates the subject of ambiguity, which had been richly developed since Aristotle by the rival Stoic school."--BOOK JACKET. (shrink)

Walter Benjamin's influence on Theodor Adorno centers on the former's early philosophy of language, which drew on manifold sources, including importantly the theological writings of Johann Georg Hamann. Adorno adapts this “expressivist” philosophy of language as part of a critique of Hegel's dialectic that forms the basis for Adorno's understanding of epistemology and social criticism. The result of this tempered influence is that Benjamin's and Adorno's projects share a great deal of common ground and vocabulary, but diverge in fundamental ways. (...) These tensions come to the fore in Adorno's 1930s criticisms of Benjamin's unfinished Arcades Project. Of particular import are their respective understandings of Benjamin's notion of a constellation. For Adorno the constellation is a response to the dialectical tension in the relation between subject and object, while for Benjamin it transcends that relation. (shrink)

This is the second of two special issues, and the articles are grouped according to two themes: The previous, first issue featured articles that shared the theme Technologies and the Political, while this second issue is focused on the theme of Subjectivities. In this second, somewhat expanded, introduction, the “sky’s the limit.” This introduction canvasses various theoretical and conceptual-empricial perspectives that the articles of both issues touch on and further tries to open many doors through which readers are invited to (...) go on their own rather than give readymade answers. This introduction is written not only to give both an overview of some of the most important conceptual, methodological, and empirical contexts that the two special issues evoke but also to create invitations for many further conversations to be had from here on forward by beginning the interrogating and troubling of the intercourse between “science” and “science fiction”: beause all of this has happened before and will happen again. (shrink)

In view of the posthumous Nietzschean writings, written between the years 1872 and 73, the scope of this paper is to investigate the place and function of philosopher in culture. We will analyze to what extent Nietzsche thought the nature of philosophical framework and the complex relation that philosophy establishes with science and with art. Regarding its edifying purposes, philosophy departs from the aims of science, which is the production of pure knowledge, and goes towards the uplifting goal of art.

Gleichzeitig reformuliert er die Erbsundenlehre der christlichen Tradition, wenn er den Menschen als radikal bose bezeichnet. Heit zeigt, dass Kant die Spannung zwischen Freiheit und Sunde nur durch religiosen Vollzug fur uberwindbar halt.

Theocritus' twenty-second idyll is cast in the form of a hymn to the Dioscuri, who are addressed in the proem as saviours of men, horses, and ships. This opening section of the idyll is modelled loosely on the short thirty-third Homeric hymn, and like that hymn contains an expanded account of the twins' rescue of ships about to be lost in a storm. As is hardly surprising, Theocritus in reworking the Homeric hymn draws on other literary antecedents as well, and (...) like other Alexandrian poets makes prominent use of diction borrowed and adapted from the Homeric epics. At the same time, the proem also shares several points of contact, largely overlooked or disputed by previous scholarship, with the poetry of Theocritus' own contemporaries. In the present paper, I shall suggest that in the storm scene of the proem references to Aratus' Phaenomena and Apollonius Rhodius' Argonautica occur in a carefully arranged pattern with potentially significant implications for our understanding of the proem and the idyll as a whole. (shrink)