The influential political philosopher Leo Strauss has been credited by conservatives with the recovery of the great tradition of political philosophy stretching back to Plato. Among Strauss's most enduring legacies is a strongly negative assessment of Nietzsche as the modern philosopher most at odds with that tradition and most responsible for the sins of twentieth-century culture--relativism, godlessness, nihilism, and the breakdown of family values. In fact, this apparent denunciation has become so closely associated with Strauss that it is often seen (...) as the very core of his thought. In Leo Strauss and Nietzsche, the eminent Nietzsche scholar Laurence Lampert offers a controversial new assessment of the Strauss-Nietzsche connection. Lampert undertakes a searching examination of the key Straussian essay, "Note on the Plan of Nietzsche's Beyond Good and Evil." He shows that this essay, written toward the end of Strauss's life and placed at the center of his final work, reveals an affinity for and debt to Nietzsche greater than Strauss's followers allow. Lampert argues that the essay comprises the most important interpretation of Nietzsche ever published, one that clarifies Nietzsche's conception of nature and of human spiritual history and demonstrates the logical relationship between the essential themes in Nietzsche's thought--the will to power and the eternal return. (shrink)

_The Enduring Importance of Leo Strauss_ takes on the crucial task of separating what is truly important in the work of Leo Strauss from the ephemeral politics associated with his school. Laurence Lampert focuses on exotericism: the use of artful rhetoric to simultaneously communicate a socially responsible message to the public at large and a more radical message of philosophic truth to a smaller, more intellectually inclined audience. Largely forgotten after the Enlightenment, exotericism, he shows, deeply informed Strauss both (...) as a reader and as a philosophic writer—indeed, Lampert argues, Strauss learned from the finest practitioners of exoteric writing how to become one himself. Examining some of Strauss’s most important books and essays through this exoteric lens, Lampert reevaluates not only Strauss but the philosophers—from Plato to Halevi to Nietzsche—with whom Strauss most deeply engaged. Ultimately Lampert shows that Strauss’s famous distinction between ancient and modern thinkers is primarily rhetorical, one of the great examples of Strauss’s exoteric craft. Celebrating Strauss’s achievements while recognizing one main shortcoming—unlike Nietzsche, he failed to appreciate the ramifications of modern natural science for philosophy and its public presentation—Lampert illuminates Strauss as having even greater philosophic importance than we have thought before. (shrink)

Written in 1932, just before the fall of the Weimar Republic and on the eve of the Nazi accession to power, Ernst Jünger’s The Worker: Dominion and Form articulates a trenchant critique of bourgeois liberalism and seeks to identify the form characteristic of the modern age. Jünger’s analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the movement of history and an insightful interpretation of Nietzsche’s philosophy. -/- Martin Heidegger considered Jünger “the only genuine follower (...) of Nietzsche,” singularly providing “an interpretation which took shape in the domain of that metaphysics which already determines our epoch, even against our knowledge; this metaphysics is Nietzsche's doctrine of the ‘will to power.’” In The Worker, Jünger examines some of the defining questions of that epoch: the nature of individuality, society, and the state; morality, justice, and law; and the relationships between freedom and power and between technology and nature. -/- This work, appearing in its entirety in English translation for the first time, is an important contribution to debates on work, technology, and politics by one of the most controversial German intellectuals of the twentieth century. Not merely of historical interest, The Worker carries a vital message for contemporary debates about world economy, political stability, and equality in our own age, one marked by unsettling parallels to the 1930s. (shrink)

outrageous remarks about contradictions. Perhaps the most striking remark he makes is that they are not false. This claim first appears in his early notebooks (Wittgenstein 1960, p.108). In the Tractatus, Wittgenstein argued that contradictions (like tautologies) are not statements (Sätze) and hence are not false (or true). This is a consequence of his theory that genuine statements are pictures.

Paradigme même du diagramme, l’arbre a fait l’objet des convocations les plus variées dans des domaines et aux fins les plus diverses : outil mnémotechnique, modèle d’organisation de la connaissance, hiérarchies conceptuelles, relations généalogiques, processus héréditaires, modélisation de l’histoire ou de l’évolution naturelle, etc. De l’arbre de Porphyre à l’arbre des encyclopédistes, de l’arbre darwinien de la vie aux arbres de l’histoire littéraire de Franco Moretti, les diagrammes arborescents témoignent d’une capacité apparemment infinie à se laisser réactiver pour délivrer des (...) potentiels inédits, quitte parfois à faire émerger des contre-figures comme le rhizome de Deleuze et Guattari, ou encore le corail de Darwin. Cette capacité de métamorphose de l’arbre, qui est explorée ici, explique pourquoi il est souvent considéré comme le diagramme des diagrammes. (shrink)

This dissertation advances a solution to a problem intrinsic to understanding the dialogues of Plato. How are we to understand Plato's thought when he never speaks in his own name in any of his dialogues? Many writers assume that Plato's characters speak for him. With this assumption, they study the thought articulated by Plato's characters as if it were his own, and elaborate a so-called "doctrinal" interpretation. A variety of subjective readings follows, since what Socrates and other characters say in (...) the dialogues is often inconsistent or contradictory. To resolve these problems the dissertation constructs a method for interpreting Socratic dialogue which is true to the genre. Extending the work of Bakhtin, Clay, and Kahn, it develops a metalanguage for specifying the structure, plot, aim , and effect of a dialogue as well as the thought , character , and pathos of its participants, by applying concepts in Plato's dialogues and in Aristotle's Poetics, Ethics, Politics, Metaphysics, Physics, and other works. The dissertation shows that the Republic represents Glaucon as subject to erotic desire and desires for luxury and honor, and that the aim of Socrates' discourse is to induce a catharsis in Glaucon in order to change these states of character. ;To support this interpretation, the dissertation shows: Aristotle does not apply a doctrinal reading to Plato's dialogues; he does not attribute the remarks of the character Socrates to Plato. Irwin's claims in "Plato's Ethics" are not supported by the texts of Aristotle which he cites. Aristotle's treatment of the Republic in Politics II is consistent with a mimetic interpretation of the dialogue. His treatment of the Republic is peirastic: he refutes Socrates' proposals with premisses and arguments that Socrates himself expresses in the dialogue. The dissertation discusses Aristotle's treatment of Socrates' proposals for unity in the city of the guardians, the sharing of women and children, gender, sacrilegious acts and incest, property, and the minimum necessary elements for a city. Aristotle's concept of catharsis can be derived from Sophist 230 and Republic X. (shrink)

Face à sa finitude, l'homme est désemparé. Il aborde l'existence par la question du " pourquoi ". " Pourquoi m'a-t-on donné la vie si c'est pour la reprendre? " Il est envahi par la colère, la révolte... puis, il cherche un sens à sa mort et pose un au-delà salvateur, un lieu où tout peut continuer autrement... ou encore il envisage une réincarnation; bref, quelque chose qui n'est plus " la fin de la fin ". Mais quand l'homme se fait (...) philosophe, comment appréhende-t-il cette idée qui sera aussi sa réalité ultime? (shrink)

The book that Dewey co-authored with Arthur Bentley, Knowing and the Known, has long resisted coherent interpretation in relation to his previous work. This article suggests that we look at his work from a methodological rather than a metaphysical point of view. This requires looking first at what he was doing with his concepts and only secondly to their content. The whole purpose of his philosophy was to construct an account which, when used, would draw our attention to observable phenomena (...) and have the consequence of promoting empirical inquiry. (shrink)

À la fois omniprésent et incernable, le temps est une dimension omniprésente de nos existences, indissociable de notre rapport au cosmos, à la vie biologique, à la conscience mais aussi à l’histoire, à la culture et à la société. Parce qu’elle est au confluent de plusieurs champs d’expérience et de réflexion, la question du temps offre une passerelle privilégiée pour croiser des approches rarement invitées à se rencontrer : celles des sciences d’un côté (physique, biologie, médecine, cosmologie), celles des arts (...) de l’autre (littérature, cinéma, arts plastiques, musique, théâtre). Au-delà des questions qui touchent à la réorganisation des partages cognitifs et disciplinaires (entre sciences et arts), l’objectif de cet ouvrage est de montrer la fécondité des transferts épistémologiques entre ces deux domaines. D’un côté, les sciences constituent un réservoir inépuisable pour les arts, auxquels elles proposent une multiplicité de modèles du temps opérant à différentes échelles : temporalités non linéaires, réversibles, cycliques ou emboîtées, qui peuvent être dynamisées par des bifurcations, des catastrophes ou des phénomènes d’émergence imprévisibles. De l’autre, les arts sont un lieu privilégié de modélisation, d’exposition et de mise à l’épreuve de modèles temporels, qui tantôt croisent la rationalité dominante (sciences, historiographie), tantôt en réactivent des dimensions occultées (mythe, rite, etc.). Frayant à la fois dans l’imaginaire et le rationnel, ces représentations du temps permettent d’exhiber la complexité d’un phénomène qui ne peut être appréhendé que dans l’entre-deux des savoirs et des arts. (shrink)

La société chinoise aujourd’hui peut être définie comme produisant différentes formes de compressed modernities où se contractent et s’entrelacent des temporalités historiques, sociales, politiques, économiques, mais aussi individuelles et collectives. Nous introduisons ici la notion de temporalité « contractée » qui favorise la superposition, l’intensification et la multiplication de risques sociaux, économiques, écologiques et sanitaires. Temporalités et espaces s’agencent en Chine de manière flagrante dans la production de mobilités, migrations et circulations très intenses aujourd’hui. La conquête de soi apparaît comme (...) une question d’intensité liée à l’accélération des temporalités sociales et économiques objectives et subjectives ; se construit alors la figure d’un Individu compressé dans la société chinoise. Les temporalités collectives favorisent des micromobilisations où s’ouvrent des micro-arènes publiques et où se construit, en contexte autoritaire, de la démocratie « par le bas ». (shrink)

In this book, controversial topics such as the morality of abortion, withdrawing treatment from handicapped newborns, the role of ethics committees, diagnosing death, withdrawing food and fluids and giving lethal injections are discussed. It proposes model legislation to prevent abuse and neglect of the medically vulnerable and dependent, and in a piercing and insightful manner, Fr. Barry critically evaluates many contemporary views on these topics, arguing forcefully for a reappraisal of many popular views on these topics.

Face à la question des modes de distribution inégalitaire de l’honneur social et de la lutte pour la reconnaissance chez des populations objets de mépris social, le « savoir-être avec » l’Autre est devenu pour le sociologue un enjeu scientifique, méthodologique et épistémologique important. Est proposée ici une ethnographie de la reconnaissance où l’Autre est regardé et reconnu avec son expérience, sa compétence, et son identité plurielle, fluctuante, réversible, inscrit dans une diversité de mondes sociaux organisée par des processus culturels (...) producteurs de hiérarchies et d’inégalités.When faced with unequal forms of distribution of social honour and with the struggle for recognition among populations subject to social contempt, knowing how to be with the Other has become a major methodological and epistemological scientific issue. Here, we are proposing an ethnography of recognition, in which the Other is regarded and recognized with his experience, his competence, and his fluctuating, reversible and varied identity, anchored in a diversity of social worlds organized on the basis of structural processes which produce hierarchy and inequalities. (shrink)

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"Charles "Teenie" Harris photographed the events and daily life of African Americans for the Pittsburgh Courier, one of the nation's most influential Black newspapers. From the 1930s to 1970s, Harris created a richly detailed record of public personalities, historic events, and the lives of average people. In 2001, Carnegie Museum of Art purchased Harris's archive of nearly 80,000 photographic negatives, few of which are titled and dated; the archive is considered one of the most important documentations of 20th?century African American (...) life. The book will serve as the definitive publication on the life and work of Teenie Harris, consisting of three significant essays: Cheryl Finley, assistant professor in the history of art at Cornell University, offers the first thorough analysis of Harris as an artist, situating him within the history of 20th?century African American art as well as American documentary and vernacular photography; Larry Glasco, associate professor of history at the University of Pittsburgh, draws on new research to present a detailed biography of the photographer; and Joe Trotter, professor of history and social justice at Carnegie Mellon University, explores the social and historical context of Harris's photographs. The book will also include a foreword by Deborah Willis, professor at the Tisch School of the Arts at NYU. In addition to comparative illustrations within the essays, the book includes 100 plates of Harris's signature work and a complete bibliography and chronology"--. (shrink)

Depuis une quinzaine d'années, on assiste à l'émergence en France d'un modèle de débat public relativement original. Son institutionnalisation progressive, par la création de la Commission nationale du débat public, correspond à la volonté d'intégrer des acteurs différents autour d'une discussion au plus près des instances d'exécution de la politique publique. Elle est révélatrice d'une tension entre deux modes de conception de la communication en politique, l'une délibérative et l'autre instrumentale. Ainsi, bien que la création de la CNDP corresponde incontestablement (...) à un élargissement de la palette des modalités d'expression démocratique et contribue à la diffusion d'une « culture du débat » en France, il reste que son ancrage dans le processus décisionnel reste problématique et encore contesté par de nombreux élus.Past fifteen years have seen the emergence in France of a model of public debate relatively original. Its progressive institutionalization by creating the National Commission for public debate is the desire to integrate different actors around a closer discussion of the enforcement of public policy. It reveals a tension between two modes of communication design in politics, one deliberative and the other instrumental. Thus, although the creation of the CNDP undoubtedly corresponds to a broadening of the range of conditions for democratic expression and contributes to the spread of a "culture of debate" in France, the fact remains that its anchoring in the decision-making process remains problematic and still contested by many elected officials. (shrink)

Cet article de présentation concerne deux notions, l’anaphore et les pronoms, dont nous examinons d’abord successivement l’état actuel des connaissances et des problématiques afférentes. Pour chaque notion, nous présentons aussi des éléments complémentaires issus de l’examen d’un corpus commun en anglais par des chercheurs qui évoluent dans des approches différentes, éléments que nous mettons en dialogue. La dernière partie de l’article vise à mettre en évidence la contribution que peut appor...

This paper takes the theme of Heidegger’s phrase “a productive dialogue with Marxism” from the “Letter on Humanism” and examines what Heidegger could have meant by it by referring to a number of his works and commentary in other places, and the backdrop of European, Western, and global history in the twentieth century. The paper touches on Heidegger’s relationship with Jean-Paul Sartre, Kostas Axelos and Jean Beaufret. It looks at a key section of the 1969 television interview Heidegger conducted with (...) Richard Wisser, when he discussed the eleventh of Marx’s Theses on Feuerbach. The paper examines Heidegger’s interpretation of the “Letter” and of Being and Time in view of what he meant by “the language of metaphysics,” as well as his central interpretation of Marx at Zähringen in 1973, and his understanding of “production” in relation to his critique of technology. The paper concludes by showing how Heidegger understands Marx and Marxism to have made possible a historical dialogue at the “end of metaphysics” which opens the way to what Heidegger sees as the Abendland, that is, what befalls us through the new beginning that history offers to thinking. (shrink)

Recent debate over transubstantiation has concentrated either on transubstantiation as a kind of embarrassment in consequence of modern physics, or on the extent to which it is both a doctrine elaborated in the light of metaphysics and recoverable in consequence of metaphysics having been overcome. In this sense the tension between Aquinas' apparently metaphysical formulation of the doctrine and the less overtly metaphysical formula adopted by the Council of Trent has indicated a way of ‘rescuing’ or ‘recovering’ the doctrine.This article (...) argues that such a recovery is a false trail. Pope Paul VI was right to be wary of relativising the Eucharistic event to the believing community in any doctrine of transignification. Alternatively, attempts like Chauvet's and Macquarrie's to restate Eucharistic event in terms of Heidegger's Geviert presuppose Heidegger has succeeded in destroying the metaphysics of presence, so that they can use the fruits of his researches. What is actually at issue in thinking through transubstantiation is how the doctrine relates to conceptions of the physical: Aristotelian, what comes to be Newtonian, or postmodern conceptions which appear to eschew physics altogether.Heidegger's contribution to the debate would better point to how knowing anything means being included in and disclosed by what I know. A re‐investigation of transubstantiation might therefore take into account the extraordinary reappearance of the term ‘transubstantiation’ in current non‐theological investigations of performativity .Here transubstantiation would include not the maximal meaning of bread and wine as signs constituted in das Geviert, ‘after’ substance has been critiqued, but their minimality, in enacting a change in substance . This would confirm the divinising meaning of the Eucharistic event, which stresses how we are caught up into the divine. Thus, whereas in transignification the Eucharistic event occurs in consequence of the will of the community of believers, in transubstantiation it is the enactment of the community as community that is at issue, an enactment in consequence of no act of will of its own. In terms of the postmodern and non‐theological appropriation of the word transubstantiation, this means that I who participate in the Eucharistic am re‐ordered, or re‐materialised, or ‘trans‐substantiated’ in the Eucharistic event. (shrink)

This paper examines two claims currently made of Heidegger and Lévinas: (1) that Heidegger, work and man, had no adequate ethics; and (2) that Lévinas draws attention to this both in his own work and in the ground for ethics that he sought to give through the assertion of an explicitly Platonic ethics of transcendence to the ‘Good beyond Being’. The paper takes as a statement of Lévinas ethics his text ‘Alterity and Transcendence’ and shows, by relating what he says (...) to Plato, Aristotle and Heidegger, that Lévinas’s ethics are themselves shaped by a commitment to intersubjectivity which fails to achieve a genuine orientation to the ‘other’ of contemporary discourse, and that results only in the self-positing of the subject. Finally it examines Heidegger’s own discussions of alterity, ethics and being-with-one-another to show how Heidegger’s work does in fact point to what an ethical discourse of the other is seeking to achieve. (shrink)

The paper begins by tracing the development of the understanding of truth as adjunct to the self in postmodernity. It then proceeds to ask what history is in postmodernity in the light of the reconfiguration of truth, and what kinds of response Christianity, and especially Catholic Christianity might develop to the postmodern situation. Using a critique of Habermas’ speech “Modernity – an incomplete project” it develops a notion of postmodernity as an extreme interpretation of modernity, solely through reference to the (...) self. By analysing the concept of the universal horizon in Habermas and in Hegel it shows how postmodernity both produces and deflects the notion of modernity, so that prior to the postmodern, neither modernity nor postmodernity can really be said to be thought at all.The paper suggests that postmodernity is not really ‘thought’ at all, but rather thinks for us, so that we take it for granted. It then takes a sketch of Nietzsche’s critique of the death of God as a springboard to ask what arenas a thoughtless theological response might be tempted into – especially that of conceiving the world purely and baldly as “sacramental” in structure. Finally it concludes by asking what possibilities postmodernity opens up through a thoughtful discernment of how it constitutes us at all. (shrink)

L'article interroge la compréhension du parcours de transsexualisation comme rite de passage, notamment dans sa capacité à rendre compte d'un certain nombre de caractéristiques propres au « changement de sexe » et dans sa manière d'envisager la notion d'identité sexuée.The article examines the understanding of course transsexualisation a rite of passage, especially in its ability to account for a number of characteristics of the "sex change" And in the way consider the notion of sexual identity.