Results for 'Ken-Ichi Ono'

966 found
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  1.  17
    On the Origin of Indeterminancy.Ken-Ichi Ono - 1975 - In J. T. Fraser & Nathaniel M. Lawrence, The Study of Time II: Proceedings of the Second Conference of the International Society for the Study of Time Lake Yamanaka-Japan. Springer Verlag. pp. 249--257.
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  2. Jikan, kūkan, busshitsu.Kenʼichi Ono - 1967
     
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  3.  14
    21-seiki no hō fukushi iryō: sono kadai to tenbō: Yamagami Kenʾichi Hakushi koki kinen ronbunshū.Kenʾichi Yamagami (ed.) - 2002 - Tōkyō: Chūō Keizaisha.
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  4.  7
    Esunikku no jigen: sōshi no tame ni.Ken'ichi Sasaki - 1998 - Tōkyō: Keisō Shobō.
    「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.
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  5.  14
    Philosophy and Art: Changing Landscapes for Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):84-100.
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  6. Nīche.Ken'ichi Mishima - 1987 - Tōkyō: Iwanami Shoten.
     
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  7.  26
    The So-Called "Third"-Person Possessive Pronoun jue 氒 in Classical ChineseThe So-Called "Third"-Person Possessive Pronoun jue in Classical Chinese.Ken-Ichi Takashima - 1999 - Journal of the American Oriental Society 119 (3):404.
  8. Tetsugaku no ayumi.Kenʾichi Ikeo - 1968 - Hanawa Shobo.
  9.  53
    Reformulation of “How Is Society Possible?”.Ken’Ichi Kawano - 2012 - Schutzian Research 4:65-77.
    “How is society possible?” posed by Georg Simmel has been one of the fundamental problems in sociology. Although various attempts have been made to solve it, I conceive that “society” in the problem remains to be articulated. Simmel provides us with two concepts of society—“society as interaction” and “society as unity”—to be distinguished. Some research traditions in sociology have been concerned with the former, others have dealt with the latter. On the other hand, Simmel maintains continuity between them. In this (...)
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  10.  9
    Shiryō ni miru songenshi mondai.Ken'ichi Nakayama & Akira Ishihara (eds.) - 1993 - Tōkyō: Nihon Hyōronsha.
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  11.  66
    A Silent Rhetoric: The Mechanism of Propaganda as Persuasion.Ken-Ichi Sasaki - 2008 - Contemporary Aesthetics 6.
  12. Bigaku jiten =.Ken'ichi Sasaki - 1995 - Tōkyō: Tōkyō Daigaku Shuppankai.
     
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  13.  66
    Eros, Beauty, and Ugliness.Ken-Ichi Sasaki - 2008 - Nordic Journal of Aesthetics 19 (35).
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  14.  27
    La beauté embellissante.Ken-Ichi Sasaki - 2015 - Nouvelle Revue d'Esthétique 14 (2):101-113.
    Il s’agit ici de mettre en évidence une propriété de la beauté, à la fois subtile et évidente, mais largement ignorée de l’esthétique occidentale : la capacité du beau à embellir ce qui l’entoure. L’analyse s’appuie sur le commentaire d’un waka d’Akiko Yosano et étudie les proximités et les différences de cette beauté embellissante et de concepts philosophiques européens qui s’en rapprochent : l’éclat selon Platon, l’aura selon W. Benjamin, et le cérémonial, selon H. Kuhn.
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  15. On the Front: Aesthetics vs. the Popular Arts and Mass Culture - I.Ken-Ichi Sasaki - 2017 - Contemporary Aesthetics 15 (1).
     
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  16. A Viewpoint of Painting? On a Problematic Theory of Computational Psychology.Ken'ichi Iwaki - 2007 - Filozofski Vestnik 28 (2):217 - +.
    The general understanding of pictorial representation as constructed through the viewpoint of the artist outside the picture space is mediated through our present-day familiarity with geometric perspective and photography. This presumes the existence of an external viewpoint. This understanding of painting has become common sense. In this way a 'historical product' has been taken as an 'a-historical essence' of our understanding. Even now, many theories on painting seem to remain caught in such a essentialist thinking. In this paper I discuss (...)
     
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  17. Chiteki yasei kyōiku.Ken'ichi Takemura - 1978 - Edited by Yōko Kirishima.
     
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  18.  27
    Éditorial.Ken-Ichi Sasaki & France Grenaudier-Klijn - 2011 - Diogène 233 (1):3.
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  19.  12
    Nihon dōtoku kyōiku no rekishi: kindai kara gendai made.Ken'ichi Eshima - 2016 - Kyōto-shi: Mineruva Shobō.
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  20.  16
    Masukomi wa nani o tsutaenai ka: media shakai no kashikoi ikikata.Kenʼichi Shimomura - 2010 - Tōkyō: Iwanami Shoten.
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  21. Jitsuzon tetsugaku no ayumi.Kenʾichi Ikeo - 1983 - Tōkyō: Hanawa Shobō.
     
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  22. Kyōiku to rinri.Kenʾichi Ikeo - 1965
     
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  23. Sakuhin no tetsugaku.Ken'ichi Sasaki - 1985 - Tōkyō: Tōkyō Daigaku Shuppankai.
     
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  24.  33
    Le feeling, ou la faculté de sentir.Ken-Ichi Sasaki & Brigitte Rollet - 2011 - Diogène 233 (1):30.
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  25.  16
    Art and Aesthetics: From Modern to Contemporary.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):148-157.
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  26.  22
    Aesthetic Life in Anti-Urban Culture of Japan.Ken-Ichi Sasaki - 1997 - Dialogue and Universalism 7 (3):67-72.
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  27. Proceedings of the KEK Summer Institute on High Energy Phenomenology: KEK, Tsukuba, Japan, August 21-25, 1990.Kenʾichi Hikasa (ed.) - 1990 - Tsukuba-shi, Ibaraki-ken, Japan: National Laboratory for High Energy Physics.
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  28. "Okinawa kaku mitsuyaku" o seotte: Wakaizumi Kei no shōgai.Kenʼichi Gotō - 2010 - Tōkyō: Iwanami Shoten.
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  29. Sōtairon.Ken'ichi Gotō - 1972
     
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  30.  64
    LTP plays a distinct role in various brain structures.Ken-Ichi Hara & Tatsuo Kitajima - 1997 - Behavioral and Brain Sciences 20 (4):620-620.
    LTP is thought to be an experimental model for studying the cellular mechanism of learning and memory. Shors & Matzel review some contradictory data concerning the linkage between LTP and memory and suggest that LTP does not underlie learning and memory. LTP is a cellular and synaptic process and cannot be a memory mechanism. In fact, it is a cellular information storage mechanism.
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  31.  54
    Roger Bacon and the Origins of Perspectiva in the Middle Ages: A Critical Edition and English Translation of Bacon's Perspectiva, with Introduction and Notes. Roger Bacon, David C. Lindberg.Ken'ichi Takahashi - 1999 - Isis 90 (2):358-359.
  32.  26
    Aesthetics Tomorrow: Re-Contextualizations?Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):118-126.
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  33.  24
    Contemporary Meaning of European Landscape.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):73-83.
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  34.  13
    The Artistic Disenfranchisement of Philosophy.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):168-176.
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  35.  10
    The Role of Art in History and the Art of the Future.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):158-167.
  36.  15
    CLIP: concept learning from inference patterns.Ken'ichi Yoshida & Hiroshi Motoda - 1995 - Artificial Intelligence 75 (1):63-92.
  37. Hayashi Razan nenpu kō.Kenʾichi Suzuki - 1999 - Tōkyō: Perikansha.
  38.  9
    Kojēvu no hōtetsugaku: fuhen tōshitsu kokka ni okeru seigi.Ken'ichi Katada - 2019 - Tōkyō-to Shinjuku-ku: Seibundō.
    公平の正義の道筋を明らかにする試み!普遍等質国家における人間のあり方および人間世界の統治のあり方を提示する!
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  39.  22
    Głębsza retoryka - mechanizm propagandy jako perswazji (tł. M. Bokiniec).Ken-Ichi Saski - 2003 - Estetyka I Krytyka 4 (4):115-134.
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  40.  17
    "Mōshi" no kakumei shisō to Nihon: tennō-ke ni wa naze sei ga nai no ka.Ken'ichi Matsumoto - 2014 - Iwaki-shi: Shōheikō Shuppankai.
    日本国家の成り立ち、天皇制のかたちに「孟子」はどのように関わっているのか。古代より現代に至る政治思想史を“革命”の視点から読み解く驚異の書!
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  41.  6
    Nīche to sono kage: geijutsu to hihan no aida.Ken'ichi Mishima - 1990 - Tōkyō: Miraisha.
    近代の哲学的思潮の中でニーチェへの再評価は目覚ましい。本書はドイツ現代思想の第一人者による本格的ニーチェ論であり、その影響力を今日に問い直す。.
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  42.  10
    Rekishi ishiki no dansō: risei hihan to hihanteki risei no aida.Ken'ichi Mishima - 2014 - Tōkyō-to Chiyoda-ku: Iwanami Shoten.
    歴史的人文学の来歴を剔抉し、その現場を問う。西欧人文学における歴史意識の諸側面を反省的に捉え、現代の知を挑発する著者の主要な思想史的論考を集成。.
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  43.  16
    Detection of surface orientation and motion from texture by a stereological technique.Ken-Ichi Kanatani - 1984 - Artificial Intelligence 23 (2):213-237.
  44. Chūsei buke no sahō.Kenʾichi Futaki - 1999 - Tōkyō: Yoshikawa kōbunkan.
  45.  15
    Aesthetics of Urban Design.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):63-72.
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  46.  22
    Body and the Arts: The Need for Somaesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):7-20.
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  47.  12
    Erotičnost vizualnosti. Semantična analiza japonskih besed »oko« in »videnje«.Ken-Ichi Sasaki - 1996 - Filozofski Vestnik 17 (2).
    Članek je razdeljen na dva dela. V prvem delu je obravnavan aktivni značaj gledanja. Ta je tako aktiven, da angažira naše celotno bitje v izkustvenem polju. V drugem delu je nasprotno poudarjena aktivna moč sveta: neprosojni pojav, ki poseduje to močno privlačnost, se imenuje v japonščini »oko« – ravno tako kot organ vida. Po teh analizah je obravnavana specifičnost vida med petimi čutili.
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  48.  35
    Detective Novel as a Modernism.Ken-Ichi Sasaki - 2019 - Sztuka I Filozofia (Art and Philosophy) 55 (2).
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  49.  23
    Shape from texture: General principle.Ken-Ichi Kanatani & Tsai-Chia Chou - 1989 - Artificial Intelligence 38 (1):1-48.
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  50.  33
    Should/Can Philosophy be Ethnic? Varieties of Internationalism in Philosophy.Ken-Ichi Sasaki - 1997 - Metaphilosophy 28 (4):351-358.
    This paper describes the situation of philosophy in Japan with respect to the question of internationalism. For more than a hundred years, Japan took Western culture as its model and European philosophy as the authentic philosophy. This tendency was paradoxically strengthened by the post‐war humanism. It gave us Japanese philosophers a clear discipline to work in but cut us off from our own native culture, history, and philosophical traditions. In wishing to recover this loss, I argue that it is necessary (...)
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