‘In the beginning God created the heaven and the earth’ (Genesis 1.1). For millions of Jews, Christians and Muslims this has been a fundamental article of belief. Nor is it unknown in the classical Indian traditions. The Upanishads, taken by the orthodox to be ‘heard’, not invented, and to be verbally inerrant, state: ‘He desired: “May I become many, may I procreate” … He created (or emanated) this whole universe’ (Taittiriya Upanishad, 6). The belief that everything in the universe (...) is brought into being by an act of will or desire on the part of one uniquely uncreated being is widespread and fundamental in religion. Historians of religion generally suppose that it is a rather late belief in the Biblical tradition, having developed from an earlier stage at which Jahweh was one tribal deity among others. By the time of the major prophets, however, the notion was firmly established that there is only one God, creator of everything other than himself. Christian theologians always seem to have had a great interest in conceptual problems, and the idea of creation has proved a very fruitful one for generating philosophical puzzles. Those puzzles are still of great theoretical interest, and I shall consider some of them with reference to the work of Augustine and, to a lesser extent Thomas Aquinas. Their views have been so influential that they may fairly be called ‘classical’, in Christian theology. (shrink)

Contemporary virtue ethics was revolutionized by Alasdair MacIntyre’s reconfiguration using practices as the starting point for understanding virtues. However, MacIntyre has very pointedly excluded the professions of the financial world from the reformulation. He does not count these professions as practices, and further charges that virtue would actually hinder or even rule out one’s pursuit of these professions. This paper addresses three tasks, in regard to the financial profession of investment advising. First, the paper lays out MacIntyre’s soon-to-be-published charges against (...) the investment world, as specified to this profession. Second, it sets forth the role function of investment advising and shows that it does possess internal goods—the crucial aspect of practices disputed by MacIntyre in this case—including goods of production and goods of performance. Third, it demonstrates that this function, and the goods tied to it, cannot be achieved apart from the virtuous pursuit of the profession, thereby showing that MacIntyre’s charges are mistaken. Investment advising is shown to be a virtue-based practice, and the groundwork is laid for showing that other financial professions are so, as well. (shrink)

The score was tied in the bottom of the ninth, I was on third base, and there was only one out when Bubba hit a towering fly ball to deep left-center. Although I’m no speed-demon, the ball was hammered so far that I easily could have scored the winning run if I had tagged up. But I didn’t. I got caught up in the excitement and stupidly played it half way, standing between third and home until I saw the center (...) fielder make his spectacular catch, after which I had to return sheepishly to third. The next batter grounded out, and we lost the game in extra innings. (shrink)

A religious tradition’s rational kernel interprets the basic human situation and its attendant religious problem, and proffers a solution. Religious faith involves accepting, and living in accord with, a kernel’s teachings. If the kernel is monotheistic, faith includes trust in God; if a kernel is Christian, it also involves trust in Christ. In addition, faith presupposes a certain epistemological ambiguity. There must be some evidence that the kernel is false, or at least what is such evidence unless one accepts a (...) theory that is based only on the kernel itself. (shrink)

From epic to limerick, novel to anecdote, literary narratives engage and entertain us. From autobiography and biography to accounts of familial generations, narratives define communities. Myths and histories loom large in religious traditions as well. Recently, the importance of narrative to ethics and religion has become a pervasive theme in several scholarly disciplines. In the essays presented here, a distinguished roster of scholars addresses a range of issues associated with this theme, focusing especially on questions concerning narrative's contribution to knowledge.

God, who is an omnipotent, omniscient, and omnibenevolent Creator and Providence, exists and There is evil are logically compatible claims. God exists, If God exists, then He has a morally sufficient reason for allowing any evil that He does allow , and There is evil is a consistent triad of propositions. Thus any pair from that triad is also consistent. Thus God exists and There is evil are logically compatible. But this does not settle the question as to whether the (...) truth of There is evil in the world has such consequences for theism as making it highly improbable that God exists or making it unreasonable to believe that God exists . That propositions P and Q are logically compatible does not entail that one does not provide powerful evidence against the other. In particular, it has seemed that some actual evils are gratuitous or in some manner just could not fit into a God-made world. Thus the simple argument is offered that: There are gratuitous evils; If there are gratuitous evils, then there is no God; so: There is no God. I will call this simple argument the ‘root argument’, for it is this argument and sophistications of it that will occupy us hereafter. (shrink)

This book aims to provide a solution to the semantic paradoxes. It argues for a unified solution to the paradoxes generated by our concepts of denotation, predicate extension, and truth. The solution makes two main claims. The first is that our semantic expressions 'denotes', 'extension' and 'true' are context-sensitive. The second, inspired by a brief, tantalizing remark of Godel's, is that these expressions are significant everywhere except for certain singularities, in analogy with division by zero. A formal theory of singularities (...) is presented and applied to a wide variety of versions of the definability paradoxes, Russell's paradox, and the Liar paradox. Keith Simmons argues that the singularity theory satisfies the following desiderata: it recognizes that the proper setting of the semantic paradoxes is natural language, not regimented formal languages; it minimizes any revision to our semantic concepts; it respects as far as possible Tarski's intuition that natural languages are universal; it responds adequately to the threat of revenge paradoxes; and it preserves classical logic and semantics. Simmons draws out the consequences of the singularity theory for deflationary views of our semantic concepts, and concludes that if we accept the singularity theory, we must reject deflationism. (shrink)

If there are abstract objects, they necessarily exist. The majority view among contemporary philosophers of religion who are theists is that God also necessarily exists. Nonetheless, that God has necessary existence has not been shown to be true, or even (informally) consistent. It seems consistent—at least is does not seem (informally) inconsistent—but neither does its denial. Arguments that necessary existence is a perfection, and God has all perfections, assume that Necessitarian Theism is true, and hence consistent. Thus they do not (...) provide reason to believe that Necessitarian Theism is true. Nonnecessitarian (“plain”) theism is on a philosophical par with Necessitarian Theism and can accommodate abstract objects all the while avoiding theological and philosophical refutation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:94. HUME'S EXPLANATION OF RELIGIOUS BELIEF1 In The Natural History of Religion, David Hume offers a not unsophisticated account of the fact that persons hold religious beliefs. In so doing, he produces an explanatory system analogous to that which occurs concerning causal belief, belief in 'external objects', and belief in an enduring self in the Treatise ¦ The explanation of the occurrence of religious belief is more detailed than (...) the explanation provided in the other cases just mentioned. In the Natural History, Hume devotes a short volume to explaining religious belief, while in the Treatise the causal, external object, and enduring self beliefs merit 2 but long sections. More important, however, than length of treatment is the fact that the pattern of explanation is identical in each instance. The Natural History could be embedded without categorial clash into the Treatise, perhaps as Book Four with"fifteen sections, and each formerly separate volume would shed light on the program and tactics of the other. My interest here is in the epistemic features of the explanatory system Hume developed in the Natural History. Hume forthrightly proclaims that The Natural History Of Religion is in fact an attempt to explain the occurrence of religious belief. He writes: What those principles are, which give rise to the original belief, and what those accidents and causes are, which direct its operation, is the subject of our present enquiry.4 (NHR21) Original belief here does duty for "original religious belief", and as he takes religious belief to be nearly but not altogether universal in scope and astonishingly diverse in object, he supposes the principle, or cause, of such belief to be secondary in the sense that its operation is (so to say) defeasible and its product diversified. Hume's powerful critique of the argument from design in Sections II 95. through VIII of the Dialogues is not the only reason for doubting that his occasional kind remarks concerning it should be taken as indicating that he supposed it sound and valid. The very fact that Hume wrote a book intended to explain the occurrence of religious belief by identifying as its cause a built-in principle and its eliciting stimuli should give us pause about Hume's apparent acceptance of something like the argument from design. For while in the Natural History he says that: The whole frame of nature bespeaks an intelligent author; and no ¦ rational enquirer can, after serious reflection, suspend his belief a moment with regard to the primary principles of genuine Theism and Religion. (NHR21) He speaks, not of a conclusion having been proved true, but of a belief having been rendered unsuspendable. Further, neither we nor Hume will ordinarily offer a causal account of the fact that a person has a belief unless there is doubt that the person has sufficient reason for holding it. He does not, for example, offer any such explanation of our acceptance of sincere present-tense first person psychological reports, concerning the truth (indeed, the incorrigibility ) of which he in the Treatise confidently affirms : For since all actions and sensations of the mind are known to us by consciousness, they must necessarily appear in every particular what they are, and be what they appear. Every thing that enters the mind, being in rea lity perception, 'tis impossible any thing should to feeling appear different. This were to suppose that even where we are most intimately conscious, we might be mistaken. (T190) Or, even more modestly, and without assuming a causal-account and a sufficient-reason-account of a belief to be competing (or even necessarily different) explanations, we may note that Hume proposes to explain the occurrence of religious belief by reference to principle and eliciting stimuli without making reference to reasons or arguments as items possessing epistemic function or 96. evidential force, but only as items capable of triggering a built-in response. That this is_ his tactic I have argued rather fully on another occasion; here I will focus only on the general pattern of Hume's explanation of religious belief. Hume endeavors to explain religious belief without supposing it (in any of its forms) to be true as well as without supposing it... (shrink)

Author note: Keith E. Yandell is Professor of Philosophy and South Asian Studies at the University of Wisconsin-Madison.

Direct Realism often emerges as a solution to a certain type of problem. Hume and, especially, Berkeley, wielding some of the most powerful arguments of 18th Century philosophy, forcefully attacked the notion that there could be good inferences from the occurrence of one’s sensations to the existence of external, mind-independent bodies. Given the success of these attacks, and also given the assumption, made by Berkeley and arguably by Hume as well, that our knowledge of and rational belief in the existence (...) of material objects would depend upon there being such good inferences, a problem arises: We cannot know of or rationally believe in the existence of material objects. Reid’s Direct Realism then emerges as the solution to this problem. Reid admits the success of Berkeley’s and Hume’s attacks against the possibility of successfully grounding our material world beliefs on inferences from our sensations,[1] but claims that our belief in the existence of material objects can be perfectly rationally acceptable, and can amount to knowledge, despite the lack of such inferences. Though he did not use the terminology, it seems to be Reid’s position – and it’s this position that I will be referring to as his “Direct Realism” here – that certain perceptual beliefs whose content is such that they imply the existence of material objects are properly basic: they are rationally held, and if true can amount to knowledge, without having to be based on any other beliefs, including, most notably, beliefs about one’s own sensory experiences. (shrink)

This chapter contains sections titled: Having an Experience Religion Describability Phenomenology Criteria for Kinds: Content Criteria for Kinds: Structure Object Claims Aspect Claims Relevance Conditions Content, Structure, and Evidence A Modest Typology Explanations The Doctrines of the Traditions The Appropriateness of Asking about Evidence A Principle of Experiential Evidence Recommended readings.

A brilliant and accessible rebuttal of The God Delusion from one of Christianity's most incisive thinkers In this, his first new book since the best-selling God: A Guide for the Perplexed (Oneworld, 2002), Keith Ward turns his attention to the role - and the validity of religion over the centuries and in the world today. His erudite yet informative and factual narrative outlines the various attempts that have been made throughout history to explain religion, including the anthropological, psychological, sociological (...) and philosophical theories of key thinkers from Immanuel Kant to Sigmund Freud. Adopting a comparative approach, the book covers all the religious traditions from West and East alike, concluding in a compelling manner that not only are the world faiths much more than a series of theoretical perspectives, but that, in the face of discord and violence, religious understanding retains more resonance than ever before within our global community. (shrink)

In this engaging sequel to Rethinking History , Keith Jenkins argues for a re-figuration of historical study. At the core of his survey lies the realization that objective and disinterested histories as well as historical 'truth' are unachievable. The past and questions about the nature of history remain interminably open to new and disobedient approaches. Jenkins reassesses conventional history in a bold fashion. His committed and radical study presents new ways of 'thinking history', a new methodology and philosophy and (...) their impact on historical practice. This volume is written for students and teachers of history, illuminating and changing the core of their discipline. (shrink)

One chapter in the science of emotion has focused, largely through an individualist lens, on just a few emotions: the Ekman Six. Considerable debate has occurred and entrenched positions have ensued. In this essay we offer evidence and argument revealing that there are not only six emotions, nor states measured as valence and arousal, but upwards of 20 discrete emotions that contribute to our subjective and social lives. These emotions enable the rich fabric of relationships, from caregiving interactions to collective (...) activities, that are vital to cooperation. Grounded in advances in cultural evolution, we detail how emotions and culture co-evolved, highlighting how emotions are building blocks of cultural forms such as ceremonies, dance, narratives, music, and visual art. (shrink)

Shors & Matzel's conclusion that LTP is not related to learning is similar to one we reached several years ago. We discuss some methodological advances that have relevance to the issue and applaud the authors for challenging existing dogma.

In lieu of an abstract, here is a brief excerpt of the content:An Invitation to Play:A Response to Patrick Schmidt's "What We Hear is Meaning Too:Deconstruction, Dialogue, and Music"Patrice Madura Ward-SteinmanThe aims of dialogue-as-deconstruction, as described by Patrick Schmidt, are concepts I have pondered as a result of a five-week sabbatical visit to Melbourne, Australia. My research focus there was improvisation, and early in my visit I attended two concerts at the premier jazz club, Bennett's Lane. There I heard (...) twelve improvisers in a variety of ensembles, all in celebration of the seventieth birthday of their mentor, Tony Gould, who also performed. Gould is cited by John Whiteoak and Aline Scott-Maxwell as an "outstanding player who has never ceased to develop as an improviser" and who "as a pianist, records prolifically across a wide musical spectrum."1While the music was jazz, it was freer and fresher than usual. There was striking interaction among the musicians, including facial expressions that reflected genuine ecstasy, and body movement that was naturally "in sync" with the music. I began to ask many questions, including: Is Australia's jazz different from that [End Page 82] in the U.S.? Is Tony Gould's influence as a teacher the reason for the difference? What accounts for the sensation of "freshness" in this music? And why is this musical experience so gripping, both aurally and visually? Serendipitously, I discovered answers through the opportunity to respond to Schmidt's aims of dialogue-of-deconstruction. I shall illustrate how those aims, namely decentralized power and conflict, multiplicity and meaning, and mis-listening may be met in the improvising music ensemble.Decentralized Power and ConflictThe lifeblood of "free jazz" and "free improvisation" ensembles is de-centralized musical interaction, which may be considered a metaphor for dialogue-as-deconstruction. Case in point: the Tony Gould Quartet was an improvising unit with each musician contributing to the musical whole. The air was electric with each musician poised in both the anticipation of what the other might play and in the moment of creation.A recent trend in studies of organizational behavior is on "self-directed" or "self-managed" groups, as identified by Keith R. Sawyer.2 David Borgo3 explains that the characteristics of these "self-organizing systems" or "SOSs" are threefold: they operate without centralized control, they "exhibit both complex and adaptive dynamics," and they are comprised of autonomous individuals who demonstrate a high degree of connectivity. Both authors assert that an ideal SOS is the free improvising ensemble, where musical ideas are allowed to emerge and adapt, and even musical "mistakes" may be manipulated into the context, thus creating new directions in dialogue.However, SOSs have some inherent problems. For example, they are "slow to emerge.... The more complex they are, the longer it may take them to warm up: hierarchical layers have to settle down... and individual(s) have to acquaint themselves with one another."4 Borgo explained that even advanced improvisers often need to pursue a musical idea for a long while for it to achieve coherence. Philip Alperson adds: "As the number of designing intelligences increases, the greater is the difficulty in coordinating all the parts; the twin dangers of cacophony and opacity lurk around the corner."5It seems that "interactional synchrony"6 can develop among musicians who have "good chemistry" after a warm-up period, but those with conflicting personalities, aesthetic dispositions, or musical styles may have a more difficult time of it. When members of the Tony Gould Quartet were asked how they are able to achieve musical unity, they explained that they have played together for many years, they "hang out and drink together" when not on the bandstand, and they trust each other. Even when one of the members feels "out of sorts," their improvisations are respected as authentic expressions. Others' differences are honored, [End Page 83] rather than felt in opposition to one's self.7 Ingrid Monson8 quotes several musicians who use the metaphor of marriage to describe the musical relationship during a peak performance; on the other hand, jealousy, competition, and even hostility on the bandstand are not uncommon and can destroy an ensemble. So, it appears... (shrink)

Offers a critical examination of Alvin Plantinga's and Richard Swinburne's contemporary attempt to defend traditional theism within the context of analytic philosophy.

A universal issue of scholastic deliberation, human rights involves a sizeable international involvement in its global deliberation. This article discusses the two broad sets of theoretical perspectives that tend to dominate the empirical examination of both the issues of commitment and compliance: one based on rational actor assumptions and the other largely focused on socialization and the diffusion of norms. The article analyses the general substantive expectations of each of the theoretical perspectives and then discusses the evidence and insights generated (...) by the body of empirical analysis, firstly in regard to state commitment to human rights agreements and then in regard to compliance with these formal commitments. Finally, it discusses the limitations that have constrained this body of research and makes suggestions for future research. (shrink)

An incisive exploration of Nietzsche as a bold, visionary poet-philosopher. Today, Nietzsche is justly celebrated for his rich, philosophical naturalism, but Keith Ansell-Pearson warns that we must not overlook the visionary dimension of his thinking and his focus on the need to cultivate a new care of the self and care of life. In Nietzsche's Earthbound Wisdom, Ansell-Pearson recovers Nietzsche's love for a philosophy that guides us through our passions, one that opens us more fully to the possibilities of (...) life and the joy of knowledge. Ansell-Pearson offers close readings of Nietzsche's texts in conversation with philosophical and literary figures including Augustine, Baudelaire, Carlyle, Dostoevsky, Emerson, Flaubert, Stendhal, and more. Throughout, Ansell-Pearson examines Nietzsche's sophisticated critique of literary naturalism and his alternative conception of the poet as a seer who has a deep longing for a new earth. (shrink)

Friedrich Nietzsche is one of the most influential thinkers of the past 150 years and On the Genealogy of Morality is his most important work on ethics and politics. A polemical contribution to moral and political theory, it offers a critique of moral values and traces the historical evolution of concepts such as guilt, conscience, responsibility, law and justice. This is a revised and updated 2006 edition of one of the most successful volumes to appear in Cambridge Texts in the (...) History of Political Thought. Keith Ansell-Pearson modified his introduction to Nietzsche's classic text, and Carol Diethe incorporated a number of changes to the translation itself, reflecting the considerable advances in our understanding of Nietzsche. In this guise the Cambridge Texts edition of Nietzsche's Genealogy should continue to enjoy widespread adoption, at both undergraduate and graduate level. (shrink)

The ability to think in abstractions depends on the imagination. An important evolutionary change was the installation of a suite of six imaginative activities that emerge at first in childhood, which include empathy, symbolic play, and theory-of-mind. These abilities can be built upon in adulthood to enable the production of oral and written stories. As a technology, writing has three aspects: material, skill based, and societal. It is in fiction that expertise in writing is most strikingly attained; imagination is put (...) to use to create simulations of the social world that can usefully be offered to others. Fiction is best conceived as an externalization of consciousness, which not only enables us to understand others but also to transform ourselves so that we can reach beyond the immediate. (shrink)

The Cults of the Greek States. By L. R. Farnell, D. Litt. Vol. V. Pp. xii+496, with 19 collotypes and 41 other illustrations. Price 18s. 6d. net. Clarendon Press, Oxford. 1909.