In the past decade, digital technology, fiber optics, cellular phones, satellite television, home computers, and the Internet have substantially transformed business, education, and leisure practices. These technologies are becoming so integrated into our daily routines that their ubiquity often goes unnoticed. We are, nonetheless, in the midst of a telecommunications revolution, and the healthcare industry is becoming a major player. The burgeoning field of home-based telemedicine is evidence of this.

Many philosophers and scientists take perceptual experience, whatever else it involves, to be representational. In ‘The Silence of the Senses’, Charles Travis argues that this view involves a kind of category mistake, and consequently, that perceptual experience is not a representational or intentional phenomenon. The details of Travis’s argument, however, have been widely misinterpreted by his representationalist opponents, many of whom dismiss it out of hand. This chapter offers an interpretation of Travis’s argument from looks that it is argued presents (...) a genuine and important challenge to orthodox representational views of experience. Whilst this challenge may not be insurmountable, it places a substantial burden upon the representationalist to explain not only how experiences come to have the contents that they do, but how those contents come to feature in our conscious mental lives. (shrink)

In addition to the scientific and medical issues surrounding the use of fetal tissue transplants, the ethical implications should be considered. Two major ethical issues are relevant. The first of these is whether this experimental procedure can be justified on the basis of potential benefit to the patient. The second is whether the use of tissue obtained from intentionally aborted fetuses can be justified in the context of historical and existing guidelines for the protection of human subjects. The separation of (...) ethical decisions from medical practice and scientific research is necessary to prevent the exploitation of innocent human life. (shrink)

In his account of visual perception, Thomas Reid describes visible figure as both ‘real and external’ to the eye and as the ‘immediate object of sight’. These claims appear to conflict with Reid's direct realism, since if the ‘immediate’ object of vision is also its direct object, then sight would be perceptually indirect due to the role of visible figure as a perceptual intermediary. I argue that this apparent threat to Reid's direct realism may be resolved by understanding visible figure (...) as the set of geometrical properties that holds between an object's visible surfaces and some particular perspective or point of view. On this relational interpretation of visible figure, and once an ambiguity over the use of the term ‘object’ is resolved, Reid's account of vision is both epistemically and perceptually direct, as well as consistent with his account of the other senses and doctrine of signs. (shrink)

It is widely accepted that there is a visual field, but the analogous notion of an auditory field is rejected by many philosophers on the grounds that the metaphysics or phenomenology of audition lack the necessary spatial or phenomenological structure. In this paper, I argue that many of the common objections to the existence of an auditory field are misguided and that, contrary to a tradition of philosophical scepticism about the spatiality of auditory experience, it is as richly spatial as (...) visual experience—and in some ways even more so. By carefully considering the spatiality and boundedness of audition, along with how sounds or their sources are experienced as occurring within the surrounding acoustic environment, we can gain a better understanding of (i) our auditory experience of space and (ii) the conditions for the existence of spatial sensory fields in general in a way that does not privilege vision over the other senses. (shrink)

General discussions of the appropriate relations between history and philosophy of science must be complemented by examinations of particular studies involving both fields. Martin Curd's attempt to illuminate the rationality of theory change through analysis of the Copernican Revolution is such a study; his work is undercut by serious flaws and actually displays an ahistorical approach. The result misleads both about the Copernican Revolution and the general problem of theory change in science. The study does illustrate several types of failing (...) that can vitiate efforts to bring historical considerations into philosophical discussion, namely, pitfalls in the characterization of theories, arguments, range of choices, and criteria. (shrink)

After decades of specialization within the sciences, the development and application of implantable microchips and biosensors are now being made possible by a growing convergence among seemingly disparate scientific disciplines including, among others, biology, informatics, chemistry, and engineering. This convergence of diverse scientific disciplines is the basis for the creation of new technologies that will have significant medical potential. As of today, implantable microchips and biosensors are being used as mental prostheses to compensate for a loss of normal function, to (...) remotely monitor patients' vital signs, to control the delivery of medications, and to communicate with geographically distant healthcare professionals and the outside environment. (shrink)

This monograph represents the first comprehensive study dedicated to the interdisciplinary French philosopher Michel Serres. As the title of this project unequivocally suggests, Serres s prolific body of work paints a rending portrait of what it means for a sentient being to live in the modern world. This book reflects Serres s profound conviction that philosopher c est anticiper / to philosophize (about something) is to anticipate ( Philosophie Magazine ). According to Serres, a philosopher is someone who possesses an (...) extremely broad base of knowledge coupled with the uncanny ability to envision what "might" transpire based upon his or her astute observations concerning phenomena that are already starting to unfold in a given society. Serres s explanation of what engaging in philosophical inquiry entails encourages us to imagine all of the present and future ramifications of certain trajectories that are clearly visible all around us. From 1968 to the present, Serres has been generating forceful, prophetic visions in his works that mingle philosophy, religion, theology, contemporary science, and literature. Comprehensive and insightful introduction both illuminates pressing contemporary issues and presages potential futures-to-come. This is a remarkable achievement and a genuine gift to readers both new and old to Serres s work. -Steven D. Brown, Professor of Psychology, University of Leicester An essential book for becoming aware of the threat of a return of obscurantism despite the development of new technologies and of the necessity of a new century of "Lumieres." -Issa Asgarally, Associate Professor, Mauritius Institute of Education, founder, Foundation for Interculturality and Peace Moser s engaging prose makes this study a great read, and he demonstrates a formidable grasp on the connections within Serres work, as well as the links between Serres and other major twentieth century thinkers. -Tom Trzyna, Professor Emeritus of English, Seattle Pacific University Both timely and thorough. His provocative critique of societal malaise, from our relationship to the planet, to ourselves, to each other, and to technology, as well as the solutions envisioned through an erudite and thoughtful analysis of Serres entire philosophical corpus is a remarkable contribution to Philosophy and French Studies. -Isaac Joslin, University of Denver Keith Moser s pioneering vision of the post-Marxist era, as reflected in the syncretism of philosophy, religion, theology, science and literature in Michel Serres body of work during the last half a century, transforms human consciousness beyond its illusory genophobia that has damaged the very semiotics of life. Moser s monograph taps into a tremendous flow of energy that evokes a passionate desire in a dead humanity to re-live and re-think. -Professor Ananta Sukla, Editor, Journal of Comparative Literature and Aesthetics Keith Moser is Associate Professor of French at Mississippi State University. He is the author of "A Practical Guide to French Harki Literature, J.M.G. Le Clezio: A Concerned Citizen of the Global Village, Le Clezio dans la foret des paradoxes" (co-editor), and "Privileged Moments in the Novels and Short Stories of Le Clezio: His Contemporary Development of a Traditional French Literary Device." Moser has also contributed approximately forty essays to peer-reviewed publications such as "The French Review, The International Journal of Francophone Studies, Romance Notes, Dalhousie French Studies, Les Cahiers Le Clezio, Modern Language Review, French Cultural Studies, Forum for Modern Language Studies" (Oxford), "Interdisciplinary Studies in Literature and Environment" (Oxford), and "Pennsylvania Literary Journal."". (shrink)

Philosophers and scientists have studied sensory perception and, in particular, vision for many years. Increasingly, however, they have become interested in the nonvisual senses in greater detail and the problem of individuating the senses in a more general way. The Aristotelian view is that there are only five external senses—smell, taste, hearing, touch, and vision. This has, by many counts, been extended to include internal senses, such as balance, proprioception, and kinesthesis; pain; and potentially other human and nonhuman senses. This (...) “multisensory turn” has been driven partly by developments in contemporary psychology and neuroscience, which have revealed a host of complex interrelations and interactions between sensory modalities previously thought to be distinct. Contrasts between modalities and other crossmodal phenomena, including multisensory integration, synesthesia, and sensory substitution, have also begun to receive more attention in a burgeoning scientific and philosophical literature on multisensory perception and other crossmodal effects. This article focuses on recent empirically informed contributions to the philosophy of perception, as well as key scientific works that provide important background information and insights into the nature of the senses and sensory perception. Indeed, one of the lessons of the multisensory turn, and of contemporary philosophy of mind more generally, is that philosophers ignore this body of empirical research at their peril because many human and animal senses turn out to be richer and more complex than philosophers and scientists had previously imagined, making this a fruitful area for interdisciplinary interaction and research. (shrink)

Let FΛ be a finite dimensional path algebra of a quiver Λ over a field F. Let L and R denote the varieties of all left and right FΛ-modules respectively. We prove the equivalence of the following statements. • The subvariety lattice of L is a sublattice of the subquasivariety lattice of L. • The subquasivariety lattice of R is distributive. • Λ is an ordered forest.

Causal inference plays a central role in behavioral science. Historically, behavioral science methodologies have typically sought to infer a single causal relation. Each of the major approaches to causal inference in the behavioral sciences follows this pattern. Nonetheless, such approaches sometimes differ in the causal relation that they infer. Incremental causal inference offers an alternative to this conceptualization of causal inference that divides the inference into a series of incremental steps. Different steps infer different causal relations. Incremental causal inference is (...) consistent with both causal pluralism and anti-pluralism. However, anti-pluralism places greater constraints the possible topology of sequential inferences. Arguments against causal inference include questioning consistency with causation as an explanatory principle, charging undue complexity, and questioning the need for it. Arguments in favor of incremental inference include better explanation of diverse causal inferences in behavioral science, tailored causal inference, and more detailed and explicit description of causal inference. Incremental causal inference offers a viable and potentially fruitful alternative to approaches limited to a single causal relation. (shrink)

Visual perception is widely taken to present properties such as redness, roundness, and so on. This in turn might be thought to give rise to accuracy conditions for experience, and so content, regardless of which metaphysical view of perception one endorses. An influential version of this argument—Susanna Siegel’s ’Argument from Appearing’—aims to establish the existence of content as common ground between representational and relational views of perception. This goes against proponents of ‘austere’ relationalism who deny that content plays a substantive (...) role in philosophical explanations of conscious perceptual experience. Though Siegel’s argument purports to be neutral with respect to the metaphysics of perception, it relies upon an equivocation between the presentation of property-types and property-instances. Consequently, the argument begs the question against the austere relational view, and so fails to establish the desired conclusion. So while relationalists can and should allow that experiences have accuracy conditions, it does not follow from this that they have contents of any philosophically interesting or significant kind. (shrink)

In the advent of the 21st century there can be no doubt that we have entered uncharted territory as we continue to employ diverse information and communication technologies within healthcare. This is simply a matter of fact, at least for the Western world. But, as a question of value, what are the ethical and social ramifications of this healthcare trek? What assessments can we render on this murky, barely explored topography? A utopian answer is that ICT would deliver us to (...) a technologic garden of healthcare delights. Here, health-related information and services abound and healthcare professionals and patients, under the protection of an electronic, global umbrella, operate in perfect harmony for the good of patients. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:L’esthétique de StaceA. M. KeithAnne-Marie Taisne. L’esthétique de Stace. Paris: Les Belles Lettres, 1994. 433 pp. Paper, 280 FF. (Collection d’Etudes Anciennes 122)Anne-Marie Taisne is the author of numerous articles concerning the literary history and artistic context that inform single poems in Statius’ Silvae and self-contained passages in his Thebaid and unfinished Achilleid, papers which lay the groundwork for her comprehensive new study of the literary aesthetic on (...) display in the extant poetic oeuvre of P. Papinius Statius. In this ambitious monograph, she undertakes to explore two facets of Statius’ technical artistry, his spatial and temporal imagery, within the theoretical framework provided by ancient literary criticism. She is particularly concerned to articulate the poet’s dynamic reuse of the weighty literary tradition to which he is heir, and accordingly proposes, in her introduction, to structure her discussion around such central ancient critical issues as imitatio (mimesis) along with its close relatives aemulatio and contaminatio, and doctrina with its associated critical vocabulary of ingenium, ratio, and ars (6–10). Throughout the volume, she explicates these techniques in detailed analysis of Statian imagines, which she defines generally in the sense of “imagery” following S. Viarre (“L’image et le symbole dans la poésie d’Ovide: Recherches sur l’imaginaire,” REL 62 [1974] 263–80), and particularly by reference to individual usages of the term as they are discussed in the article on imago in the Thesaurus Linguae Latinae (11).Part 1, “Correspondances dans l’espace,” examines the spatial imagery of Thebaid, Achilleid, and Silvae in three chapters which treat (1) echo and reflection (17–52), (2) metamorphosis, multiplication, and contagion (53–119), and (3) simile (120–76). Part 2, “Correspondances dans le temps,” investigates the poems’ use of time as a structural principle, again in three chapters which discuss (1) prophecies and portents (177–236), (2) digressive elements such as ecphrases and embedded narratives (237–303), and (3) leitmotifs, or repeated patterns of imagery, such as divine and human interventions and the role of nature in the poems. The material Taisne analyzes in part 1 coheres more convincingly with her overarching theme of spatial imagery than that which she discusses in part 2 under the rubric of temporal imagery. I did not understand, for example, why nature, well discussed in connection with Statius’ use of the simile in part 1 (137–62), reappears in part 2 (331–58) with no explanation of its relevance to temporal imagery.Taisne persuasively documents the wide range of literary models on which Statius draws in all his poetry, and shows that the Thebaid makes particular use of epic and tragic models (166–68, 170, 373–75), the Achilleid of tragic and lyric models (168–71, 374–78). Her discussion of the literary echoes and wider symbolic relevance of individual passages is often very interesting, and the sheer accumulation of literary parallels is extremely impressive. I was reminded of and newly alerted to significant literary resonances on almost every page, and noticed only one incomplete assemblage of literary parallels (in her discussion of Hylas [End Page 159] in Silvae 1.2.199 [27–28], there is no mention of Theocr. Id. 13, Ap. Rhod. Arg. 1.1207–72, or Nicander apud Ant. Lib. Met. 26). The service to which this material is put, however, is not as exciting as the length of the study might lead one to hope. Throughout, Taisne argues that Statius’ deployment of imagery is consistent with the overarching thematic framework of each poem, defined as furor and horror in the Thebaid (23 and passim), an ambiguous and deceptive calm in the Achilleid (353–54 and passim), and serenity and harmony in the Silvae (28 and passim), but she does not press her analysis beyond the accumulation of imagery in the service of these themes as evidence of Statian amplificatio. This is particularly disappointing in an author so well placed to discuss the material culture of the Flavian epoch and the interrelations between Statius’ poetry (especially the Silvae) and the culture of display in Domitian’s Rome. Nevertheless, scholars will be grateful to Taisne for the material she has collected... (shrink)

It is curious how little recognition has been given by the authorities on Greek grammar to the persistent use of the future participle, except within very narrow limits. Goodwin,1 for example, recognizes its use mainly with expressions of motion in the sense of purpose, and in indirect discourse, or with the article, or with ώς: the only quotation he gives which goes beyond these uses is one passage where S0009838800021984_inline1 is found with the nominative of the participle. Gildersleeve2 quotes only (...) cases where it represents in indirect discourse the future indicative and refers to its use with verbs of motion. Monro3 recognizes the use with verbs of motion, and in the following cases, the isolated S0009838800021984_inline2; in S0009838800021984_inline3 in two passages, but with the suggestion4 that the form is not a future at all, but an aorist; in Il. xviii. 309, S0009838800021984_inline4 and in Od. xi. 608, S0009838800021984_inline5. Even then he5 describes the usage in as a use of the future participle, which is hardly to be defended. Kiihner-Gerth6 also give nothing further. (shrink)

Visual experience is often characterised as being essentially spatial, and auditory experience essentially temporal. But this contrast, which is based upon the temporal structure of the objects of sensory experience rather than the experiences to which they give rise, is somewhat superficial. By carefully examining the various sources of temporal variation in the chemical senses we can more clearly identify the temporal profile of the resulting smell and taste (aka flavour) experiences. This in turn suggests that at least some of (...) the objects of olfactory experience have significant temporal structure, including interactions between odorants and the body’s own sensory systems. This can help to inform our understanding not only of the metaphysics of olfaction, but the temporal structure of sensory processing and experience in other sense-modalities, including vision and audition. (shrink)

The historiography of pandemics and inequality can be characterized by two distinct but often overlapping traditions. One centers structural and political analysis, the other a race-critical approach to the production of human difference. This bibliographic essay reviews historical scholarship in these traditions spanning the past hundred years, with a focus on Anglophone literature in the history of medicine in the United States over the past half century. Early writing on the history of epidemics celebrated the conquest of disease through the (...) application of laboratory research. Insights from social history and environmental history came to inform new analyses of epidemic inequalities, drawing questions of race, class, and empire into the frame during the 1960s and 1970s. The AIDS pandemic of the 1980s further oriented scholarship toward reckoning with stigma, identity, and human experiences of inequality while also troubling the relationship between medicine and the state. In more recent decades, the scholarship on race, social inequality, and pandemics has become deep and broad, remedying longstanding biases toward elite scientific actors and the metropolitan centers of Europe and the East Coast of the United States. In expanding their vision, historians also have engaged in more nuanced analyses of racialization as a social, environmental, and ideological process of embodying difference. Further, where earlier scholarship often relied on mortality data, there has been growing awareness of how numbers shape narratives and are shaped by them in turn. In its conclusion, the essay highlights emerging themes in race and inequality with particular attention to themes that have become prominent amid the global devastation wrought by the COVID-19 pandemic. (shrink)

Drawing on the empirical premise that attention makes objects look more intense, Ned Block has argued for mental paint, a phenomenal residue that cannot be reduced to what is perceived or represented. If sound, Block's argument would undermine direct realism and representationism, two widely held views about the nature of conscious perception. We argue that Block's argument fails because the empirical premise it is based upon is false. Attending to an object alters its salience, but not its perceived intensity. We (...) also argue that salience should be equated with mental primer, a close cousin of mental paint that reintroduces difficulties for direct realism and representationism. The upshot is that direct realism and representationism are still in trouble, but not for the reason that Block thinks. (shrink)