In lieu of an abstract, here is a brief excerpt of the content:Imagining the Moor in Medieval PortugalJosiah Blackmore (bio)For medieval Portugal, Africa was familiar and strange, a known place across the modest parcel of the Mediterranean between the Algarve and Ceuta, and, farther south, an unknown expanse of land that glimmered black under the equatorial sun. And for Portugal, like for Spain, Africa was part of the demographics and history of Iberian culture in the figure of the Moor, (...) at once an “other” and a closer, more intimate presence. Jeffrey J. Cohen reminds us of the “cultural work” of the Saracen (one of the medieval terminological possibilities for “Moor”), “whose dark skin and diabolical physiognomy were the western Middle Ages’ most familiar, most exorbitant embodiment of racial alterity” [189]. Cohen argues, therefore, that the Saracen (grosso modo) existed in a network of literary and ideological productions of western Europe; in the case of Iberia, the Moor was sometimes but not always a Saracen and was both a figure of alterity and of familiarity and sameness, less an aprioristic other and more of a figure that could be variously othered as a marker of boundaries including “race,” spirituality, and sexuality. While this essay does not take on the idea of racial alterity per se, it does assume the notion that in the literary culture of Portugal blackness, in some manner, informed constructions of the Moor. My purpose here is to delineate an understanding of the Moor in medieval Portugal as a construct that resists easy categorizations as an undifferentiated figure of otherness, a consideration that culminates with the work of Gomes Eanes de Zurara (1410?–1474?), the first chronicler of Portuguese exploration into (west) Africa. To this end, I will briefly consider the Moor in representative examples from the livros de linhagens (genealogical books) and the cantigas d’escarnho e de mal dizer (poetry of mockery and insult, hereafter abbreviated CEM), not so much in order to trace a direct influence between these texts and the work of Zurara but to provide an idea of how the Moor was variously fashioned in earlier texts. The analysis here is not exhaustive nor conclusive but suggestive, and is meant to indicate how the Moor—and the idea of the Moor—in Portugal can add to critical conversations on the imaginative and ideological constructions of the Moor and of Africa and its inhabitants.The formulations of national and cultural identities in European texts of the Middle Ages and Renaissance1 that in some way engage Africa and the African have increasingly [End Page 27] and understandably become an object of interest among literary and cultural theorists. One of the advances in recent years of this critical work is the freeing of the Moor from the strictures of the “self/other” binary that permeated earlier scholarly work on Europeans and their others, especially in the field of imperial/colonial studies or in the study of the conflictive representations of Moors and Europeans in genres such as medieval epic.2 In the medieval field, Cohen’s work on the Saracen is one good example of this more theoretically suggestive approach, since Cohen explores the work of representation as it dovetails with the universalizing claims of psychoanalysis. Suzanne Conklin Akbari’s essay usefully reminds us that the medieval world considered itself as existing in three parts, thus making problematic modern applications of binaries as supposedly informing a medieval perception of “Asian Orient and European Occident” [20]. Other studies, though concerned with postmedieval literatures and histories, also explore the cultural work of the Moor. Such, for instance, is the case with Emily C. Bartels’s articles on the Moor in Shakespeare. Bartels charts the flexibilities and inconsistencies of the term “Moor” in Renaissance England [“Making More” 434], noting especially its “racial” claims. In analyzing the place of postcolonialism as it might inform critical work on Africa in the Renaissance, Bartels questions the model that postcolonial studies assumes as underlying its own practice by arguing that “[postcolonial critiques] continue … to recreate the history of silenced voices through only one model of cultural exchange: one in which European domination is both the motivating force and the inevitable outcome” [“Othello and Africa” 46].These representative studies of the Moor tag... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Why Theory?Oscar Martín (bio) and Simone Pinet (bio)Theory is, of course, a medieval word, brought from Greek into Latin from a common root (theastai) that also gives us theater, linked through shared meanings related to speculation, contemplation, and so forth. It is used in the Bible, and its English modern use, according to the Oxford english dictionary, probably comes from a medieval Latin translation of Aristotle. The dictionary does (...) not direct us to any specific translation, but prompts us to compare with Italian and, of course, French usage. In French, however, the word théorie was not used until quite late. In fact, it appeared for the first time in French in a 1584 translation of Antonio de Guevara, the famous Spanish court preacher and man of letters whose oeuvre was translated, imitated, and plagiarized in France, Italy, Germany, and England during the sixteenth century. In Spanish, the word theoria had begun its vernacular life a few years before in the writings of Fernando de Herrera.Theoria is already documented by Antonio de Nebrija’s Vocabulario español-latino of 1495, listed between “speculation” and “species” and designating the contemplative and the art of speculation, from theory to the perception of its quality. It is appropriate that Spanish would give theory to the West, sharing with it a point of view or, better, a series of perspectives or miradores, as María Rosa Menocal would call them, from which to look back into or beyond cultural and literary practices [“Visions of al-Andalus”]. For Medieval Iberia was, as this collection of essays purports to be, not a space or a history but a shifting and fluid gaze on the conflicting world surrounding the different literary and cultural works dealt with in this issue.Reluctant at best, and most of the time resentful of theoretical approaches to the study of literature and culture, medievalism found in Hispanism a surprising and most loyal ally. If in most Spanish departments critical theory pushed its way into the study of later periods, to the point that today even the mourning itself (or celebration) of the agony of theory is done from a theoretical standpoint, Hispanomedievalism remained suspicious longer, and sharpened its words on statistics and “scientific” claims to authority. Its close relationship to historical research, however, also made this philology vulnerable to the practices of interpretation. And it is as a will to interpretation that theory has managed to place itself within and outside the criticism of medieval Iberian literature and culture in insightful and renewing ways—including collective projects similar to the present one. Marina Brownlee’s contribution to this volume in this sense offers a most telling guiding thread of this continued approach to the discipline, which she helped revitalize through her participation in the project the new Medievalism. More recently, Josiah Blackmore and Gregory Hutcheson, also contributing to the present volume, sparked a lively debate, as showcased in a forum published by La corónica, with their project Queer iberia: sexualities, cultures, and crossing from the Middle ages to the renaissance. But a host of monographs and single-authored books in recent years have come to inhabit and enliven medieval studies as Hispanism has grown into the most important area of foreign language studies. [End Page 3]Theories find themselves in the articles for this special issue by way of a development from within. There is no application, no rigid use of conceptual frameworks to revisit texts, but an interior process of thought on and through the texts and cultural practices analyzed that produces theoretical insights. While a variety of methodologies and theoretical positionings can be identified, both explicitly and not, from speech-act theory to deconstruction, from Žižek to Badiou, postcolonialism to politics, these seem to emerge from within, as if the obvious result of the need to think questions posed from slightly different standpoints than they have been up until now. All of the articles reflect on very well-known texts and periods, pondering about a discipline, its methodologies, even the nature of its object of study. These articles do not dismiss previous work, but they do bring it under a new light.At a... (shrink)

A very significant aspect of Josiah Royce's philosophical achievement is carefully and fully treated with special emphasis on his contribution as a philosopher of spirituality.

The possibility of error.--Individuality and freedom.--The temporal and the eternal.--The conception of immortality.--Loyalty and religion.--The idea of the universal community.--The moral burden of the individual.--The realm of grace.--Time and guilt.--Atonement.

Human beings are strange animals. Although evolutionary theory has brilliantly accounted for the features we share with other creatures—from the genetic code that directs the construction of our bodies to the details of how our muscles and neurons work—we still stand out in countless ways. Our brains are exceptionally large, we alone have truly grammatical language, and we alone compose symphonies, drive cars, eat spaghetti with a fork and wonder about the origins of the universe.

Now back in print, and in paperback, these two classic volumes illustrate the scope and quality of Royce'sthought, providing the most comprehensive selection ofhis writings currently available. They offer a detailedpresentation of the viable relationship Royce forgedbetween the local experience of community and thedemands of a philosophical and scientific vision ofthe human situation.The selections reprinted here are basic to any understandingof Royce's thought and its pressing relevanceto contemporary cultural, moral, and religious issues.

_Tracing practical reason from its origins to its modern and contemporary permutations_ The Greek discovery of practical reason, as the skilled performance of strategic thinking in public and private affairs, was an intellectual breakthrough that remains both a feature of and a bug in our modern world. Countering arguments that rational choice-making is a contingent product of modernity, _The Greeks and the Rational_ traces the long history of theorizing rationality back to ancient Greece. In this book, Josiah Ober explores (...) how ancient Greek sophists, historians, and philosophers developed sophisticated and systematic ideas about practical reason. At the same time, they recognized its limits—that not every decision can be reduced to mechanistic calculations of optimal outcomes. Ober finds contemporary echoes of this tradition in the application of game theory to political science, economics, and business management. _The Greeks and the Rational_ offers a striking revisionist history with widespread implications for the study of ancient Greek civilization, the history of thought, and human rationality itself. (shrink)

Consciousness, 'the last great mystery for science', has now become a hot topic. How can a physical brain create our experience of the world? What creates our identity? Do we really have free will? Could consciousness itself be an illusion? -/- Exciting new developments in brain science are opening up debates on these issues, and the field has now expanded to include biologists, neuroscientists, psychologists, and philosophers. This controversial book clarifies the potentially confusing arguments, and the major theories using illustrations, (...) lively cartoons, and experiments.Topics include vision and attention, theories of self and will, experiments on action and awareness, altered states of consciousness, and the effects of brain damage and drugs. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Throughout history there have been people who say it is all illusion. I think they may be right. But if they are right what could this mean? If you just say "It's all an illusion" this gets you nowhere - except that a whole lot of other questions appear. Why should we all be victims of an illusion, instead of seeing things the way they really are? What sort of illusion is it anyway? Why is it like that and not (...) some other way? Is it possible to see through the illusion? And if so what happens next. (shrink)

What did democracy mean before liberalism? What are the consequences for our lives today? Combining history with political theory, this book restores the core meaning of democracy as collective and limited self-government by citizens. That, rather than majority tyranny, is what democracy meant in ancient Athens, before liberalism. Participatory self-government is the basis of political practice in 'Demopolis', a hypothetical modern state powerfully imagined by award-winning historian and political scientist Josiah Ober. Demopolis' residents aim to establish a secure, prosperous, (...) and non-tyrannical community, where citizens govern as a collective, both directly and through representatives, and willingly assume the costs of self-government because doing so benefits them, both as a group and individually. Basic democracy, as exemplified in real Athens and imagined Demopolis, can provide a stable foundation for a liberal state. It also offers a possible way forward for religious societies seeking a realistic alternative to autocracy. (shrink)

[opening paragraph]: Do you believe, deep down, that you exist? Do you feel as though `you' make the decisions and run `your' life? Above all do you think that `you' are conscious? If so, according to Guy Claxton's latest book, you have got it all wrong.

Ender’s Game, Orson Scott Card’s award-winning 1985 novel, has been discovered and rediscovered by generations of science fiction fans, even being adopted as reading by the U.S. Marine Corps. Ender's Game and its sequels explore rich themes — the violence and cruelty of children, the role of empathy in war, and the balance of individual dignity and the social good — with compelling elements of a coming-of-age story. Ender’s Game and Philosophy brings together over 30 philosophers to engage in wide-ranging (...) discussion on issues such as: the justifiability of pre-emptive strikes; how Ender’s disconnected and dispassionate violence is mirrored in today’s drone warfare; whether the end of saving the species can justify the most brutal means; the justifiability of lies and deception in wartime, and how military schools produce training in virtue. The authors of Ender’s Game and Philosophy challenge readers to confront the challenges that Ender’s Game presents, bringing new insights to the idea of a just war, the virtues of the soldier, the nature of childhood, and the serious work of playing games. (shrink)

This article builds on conclusions drawn in the article “Eyeless in America,” by the same author and considers how 50 American films about the wars in Iraq and Afghanistan intended to function as what Jacques Ellul called “integration propaganda,” fared. This article considers and rejects a number of theories about why most feature war films failed between 2002 and 2012 and proposes what war films might look like in the near future.

What is it like to die? Although most of us fear death to a greater or lesser extent, there are now more and more people who have "come back" from states close to death and have told stories of usually very pleasant and even joyful experiences at death’s door.

Memes are not best understood as semantic information stored in brains, but rather, as whatever is imitated or copied in culture. Whereas other theories treat culture as an adaptation, for memetics it is a parasite turned symbiont that evolves for its own sake. Memetics is essential for understanding today's information explosion and the future evolution of culture. (Published Online November 9 2006).

The latest Gallup poll (Gallup and Newport 1991) shows that about a third of Americans believe in telepathy and about a quarter claim to have experienced it themselves. Rather fewer have experienced clairvoyance or psychokinesis (PK), but still the numbers are very high and have not been decreasing over the years. Previous surveys have found similar results and also that the most common reason for belief in the paranormal is personal experience (Palmer 1979; Blackmore 1984).

Abstract: Socrates was both a loyal citizen (by his own lights) and a critic of the democratic community's way of doing things. This led to a crisis in 339 B.C. In order to understand Socrates' and the Athenian community's actions (as reported by Plato and Xenophon) it is necessary to understand the historical and legal contexts, the democratic state's commitment to the notion that citizens are resonsible for the effects of their actions, and Socrates' reasons for preferring to live in (...) Athens rather than in states that might (by his lights) have had substantively better legal systems. (shrink)

The Philosophy of Chrysippus is a reconstruction of the philosophy of an eminent Stoic philosopher, based upon the fragmentary remains of his voluminous writings. Chrysippus of Cilicia, who lived in a period that covers roughly the last three-quarters of the third century B.C., studied philosophy in Athens and upon Cleanthes’ death became the third head of the Stoa, one of the four great schools of philosophy of the Hellenistic period. Chrysippus wrote a number of treatises in each of the major (...) departments of philosophy, logic, physics, and ethics. Much of his fame derived from his acuteness as a logician, but his importance for Stoic philosophy generally was acknowledged in antiquity in the saying, “Had there been no Chrysippus, there would be no Stoa.” Previous accounts of Chrysippus’ philosophy, including Émile Bréhier’s study, the only work in this century which had sought to deal with Chrysippus’ philosophy alone, blurred the distinctive contributions of Chrysippus to Stoic philosophy and failed to bring to light the peculiar features in his thought. The vagueness in these accounts resulted in large measure from the assumption that if an ancient author ascribed a doctrine to “the Stoics” or “Stoicism”, one could infer that the doctrine belonged to Chrysippus. Professor Gould works from the more circumspect methodological principle that unless an ancient author explicitly ascribes a doctrine to Chrysippus, his testimony cannot be used in reconstructing Chrysippus’ philosophy. Working with those of the fragments in Hans von Arnim’s collection, Stoicorum Veterum Fragmenta, which are explicitly Chrysippean in the sense suggested, Mr. Gould has worked out an account of Chrysippus’ views in the fields of logic, natural philosophy, and ethics. In order that Chrysippus’ thought might be viewed in context Mr. Gould provides a background picture by describing the third century milieu in which the Stoic philosopher worked. This follows an account of Chrysippus’ life and reputation in antiquity and a description of modern assessments of Chrysippus’ position in the Stoa. In his account of Chrysippus’ philosophy Mr. Gould frequently introduces comparisons and contrasts with Plato and Aristotle to help emphasize the continuity between Hellenic and early Hellenistic philosophy. Finally, in a concluding chapter, the author shows that the dominant themes in Chrysippus’ philosophy, while not exhibiting a thoroughly well-knit system, nevertheless are woven together into a remarkably comprehensive whole, which must have been extraordinarily impressive in antiquity. (shrink)

Are you tempted by the prospect of a reversal of ageing, increased intelligence, improved relationships or irreversible world peace? These are just some of the benefits of meditation promised by the Transcendental Meditation organisation. Admittedly, it doesn't seem very plausible. Such claims imply that sitting still silently repeating a phrase - one form of meditation practiced by the followers of the TM movement - can have profound physical, psychological and even sociological effects. Indeed, it sounds so implausible that many people (...) simply dismiss meditation out of hand. (shrink)

Is there a theory that explains the essence of consciousness? Or is consciousness itself just an illusion? The "last great mystery of science," consciousness was excluded from serious research for most of the last century but is now a rapidly expanding area of study for students of psychology, philosophy, and neuroscience. Recently the topic has also captured growing popular interest. This groundbreaking book is the first volume to bring together all the major theories of consciousness studies--from those rooted in traditional (...) Western philosophy to those coming out of neuroscience, quantum theory, and Eastern philosophy. Broadly interdisciplinary, Consciousness: An Introduction is divided into nine sections that examine such topics as how subjective experiences arise from objective brain processes, the basic neuroscience and neuropathology of consciousness, altered states of consciousness, mystical experiences and dreams, and the effects of drugs and meditation. It also discusses the nature of self, the possibility of artificial consciousness in robots, and the question of whether or not animals are conscious. Enhanced by numerous illustrations and profiles of important researchers, the book also includes self-assessment questions, further reading suggestions, and practical exercises that help bring the subject to life. (shrink)