The implicit-explicit distinction is applied to knowledge representations. Knowledge is taken to be an attitude towards a proposition which is true. The proposition itself predicates a property to some entity. A number of ways in which knowledge can be implicit or explicit emerge. If a higher aspect is known explicitly then each lower one must also be known explicitly. This partial hierarchy reduces the number of ways in which knowledge can be explicit. In the most important type of implicit knowledge, (...) representations merely reflect the property of objects or events without predicating them of any particular entity The dearest cases of explicit knowledge of a fact are representations of one's own attitude of knowing that fact. These distinctions are discussed in their relationship to similar distinctions such as procedural-declarative, conscious unconscious, verbalizable-nonverbalizable, direct-indirect tests, and automatic voluntary control. This is followed by an outline of how these distinctions can be used to integrate and relate the often divergent uses of the implicit-explicit distinction in different research areas. We illustrate this for visual perception, memory, cognitive development, and artificial grammar learning. (shrink)

In der Reihe werden herausragende monographische Untersuchungen und Sammelb nde zu allen Aspekten der Philosophie Kants ver ffentlicht, ebenso zum systematischen Verh ltnis seiner Philosophie zu anderen philosophischen Ans tzen in Geschichte und Gegenwart. Ver ffentlicht werden Studien, die einen innovativen Charakter haben und ausdr ckliche Desiderate der Forschung erf llen. Die Publikationen repr sentieren damit den aktuellsten Stand der Forschung.

Zajímavě psaná odborná studie podrobným rozborem dochovaných svědectví o řeckém filosofu dokládá, že Sokrates "tak, jak žil a žije v obecném podvědomí, je vlastně postavou neskutečnou, nehistorickou, legendárně zidealizovanou", a že hlavní zásluhu na sokratovských legendách má jeho žák Plato.

Phenomenological psychiatry has suffered from a failure to translate its insights into terms specific enough to be applied to psychiatric diagnosis or to be used in contemporary research programs. This difficulty can be understood in light of the well-known tradeoff between reliability and validity. We argue, however, that with sufficient ingenuity, phenomenological concepts can be adapted and applied in a research context. Elsewhere, we have described a phenomenologically oriented conception of schizophrenia as a self- or ipseity-disorder with two main facets: (...) decline in the sense of existing as a subject of awareness (diminished self-affection) and heightened awareness of aspects of experience that would normally remain tacit or presupposed (hyperreflexivity). This approach is consistent with Minkowski, Blankenburg, and Kimura and offers one possible synthesis of their views. Here we describe two areas of empirical research that are congruent with, or actually inspired by, a phenomenological approach emphasizing such disorders of consciousness and self-experience: (1) Phenomenologically oriented, interview studies show that, whereas negative-symptom patients generally deny any diminishment of affect and thinking, they do describe qualitative alterations of experience suggestive of hyperreflexivity and diminished self-affection. (2) Another line of research suggests that the early detection of schizophrenic symptoms may be enhanced by adopting a phenomenological approach. (shrink)

In this volume, Fr. Fuchs has brought together 12 exceptionally important essays which consider various aspects of the relationship between Christian morality ...

Following Hegel's remark that art is a “thousand-eyed Argos,” one can formulate the assumption that under contemporary conditions art and surveillance state do not necessarily exclude, but reflect each other. The film minority report as popular art offers a visual self-reflection on this proposition. The central question is whether and to what extend this film performs a legitimization or delegitimization of the normative order.

Theology and Society is the most comprehensive study of Islamic intellectual and religious history, focusing on Muslim theology. With its emphasis on the eighth and ninth centuries CE, it remains the most detailed prosopographical study of the early phase of the formation of Islam. Originally published in German between 1991 and 1995, Theology and Society is a monument of scholarship and a unique scholarly enterprise which has stood the test of time as an unparalleled reference work.

At first trust plays a fundamental role within the social sphere. Accordingly, trust serves as philosophical term above all in Political, Social, and Moral Philosophy. But it is also central in recent Sociology and Psychology. Referring to these disciplines, the relationship of trust be- tween viewer and hero on the screen can be called ›parasocial‹, as-if-interaction. In contrast, ontological trust is of particular interest for recent philosophy of film. Instead of explaining it, following Deleuze, in terms of a metaphysics of (...) cinema it seems to be more adequate to com- bine the different subject-specific answers in Kant’s concept of play. Aesthetic experiences then are encouraging us in the attitude to act as if there could be trust in the world. (shrink)

Ausgehend von Jacques Rancière lässt sich das Verhältnis von Ästhetik und Politik erneut, wie schon im deutschen Idealismus, als Einheit eines Widerspruchs begreifen. Rancière verknüpft dieses Verhältnis mit einem romantischen Begriff von Politik. Unabhängig davon aber rekonstruiert er es ‚historisch-apriorisch‘ unter dem genannten idealistischen Prinzip. Für das Konzept des Spiels hat das, über Rancière hinausgehend, ambivalente Konsequenzen. Seine Attraktivität wie Kalamität werden bestimmt durch die ‚Regime‘ der Moderne, die sich als ausdifferenzierte Formen des dialektischen Widerspruchsprinzips erweisen.

Concerning artistic research, the state of affairs is still one of delusions and confusions. The reason for this is the pluralization and dedifferentiation of rationality pushed forward by the postmodern period. The way out of it is the way of differentiations. Thus, it seems helpful, first, to remember what we already have in philosophical aesthetics, namely four basic models of art and knowledge. The question, then, is whether artistic research fits into these models. To my mind, it does – though (...) in a new way. Secondly, it is helpful to have a short sober sociological look at the situation. Finally, we have to ask the question about the kind of research that is at stake in artistic research. Here, the meaning of non-propositional knowledge and Kant’s idea of an as-if-knowledge is useful. All in all, artistic research still fails in giving a sufficient explanation of itself. (shrink)

The Art of a Democracy of Emotions There is a long discussion in philosophy about the relationship between reason, emotions and politics. Today the adequate question is not whether, but to what extent and in which sense emotions normatively have to play a role in democracy. My first thesis is that there are three central answers to that question which can be brought down to the nominators ‘presentation’, ‘compensation’ and ‘transformation’. Within a political context, emotions ask for a contemporary form (...) of presentation, for a tempering or balancing compensation, and for a meaningful transformation. And my second thesis is that this threefold reaction can be achieved either with the aid of, or even in an excellent way by, aesthetic experiences. In detail I focus on a brief analysis of the modern political meaning of impertinence; the current situation concerning the philosophical discussion on democracy, emotions and aesthetics (with an accent on Martha Nussbaum); and finally on my own suggestion, supported by I. Kant and J. Dewey, concerning the concept of aesthetic experience. (shrink)

Ever since ›Die Kunst der Entzweiung‹, one can detect a certain Lubitsch touch at work in Martin Seel’s books: subtlety, wit, finesse, elegance, nonchalance. In a general typology that tentatively orders philosophy in its relation to comedy, Seel accordingly belongs to the wellknown type of irony and humour. However, this type can only show its strength when it absorbs the unsettling intensity of experiences and the sting of indissoluble opposites, a synthesis for which Billy Wilder stands cinematically.

Whilst the role of Maturation or M‐phase Promoting Factor (MPF) as a universal M‐phase regulator is well documented, much less attention has been paid to its role in nuclear transplantation experiments and especially to its influence upon remodelling of transplanted nuclei. There is currently wide acceptance that successful nuclear transplantation using differentiated nuclei is possible only in a cytoplasmic environment that is capable of inducing rapid nuclear de‐differentiation to a pronuclear‐like form. In this review our purpose is firstly, to outline (...) the conditions under which such remodelling can be induced, and secondly, to extend the debate to include a consideration of whether complete nuclear remodelling is an absolute necessity for clonal development. (shrink)

The paper offers an interpretation of a classical study of Coleridge’s poetry: The Road to Xanadu by John Livingstone Lowes published in 1927. While Lowes’ book is considered a monumental work summarizing the sources of Coleridge’s poetic image, the paper tries to show that in addition to that Lowes develops a remarkable theory of imagination close to certain themes of Freud’s theory of dream-work, as well as to Warburg’s interpretation of Boticelli or Havlí?ek’s conception of poetic image.