The Treatise on Giving Rise to Faith in the Great Vehicle is one of the most important foundational texts of East Asian Buddhism. This new annotated translation of the Treatise draws on the historical and intellectual contexts of the work's composition and pays close attention to its interpretation in early commentaries.

This book addresses one of the most controversial topics in restorative justice: its potential for resolving conflicts within families. It focuses on feminist and indigenous concerns in family violence that may warrant special caution in applying restorative justice. At the same time, it looks for ways of designing a place for restorative interventions that respond to these concerns.

Each chapter heading bears a phrase from a contemporary author, held to incorporate the character of that section of the study under consideration. Chapter 1 carries the title given to early English translations of the Lettres provinciales; chapter 2 recalls the description of Pascall by Boyle and other English scientists; and chapter 3 draws from Kennett's preface to his version of the Pensees. The heading of chapter 4 is from Pope's Essay on Man. The exclamation which introduces chapter 5 concludes (...) an essay in the Gentleman's Magazine for 1789, probably by Boswell; the words for chapter 6 come from a pastoral letter of John Wesley; and chapter 7 represents the verdict of Coleridge. The title of the book itself is derived from the heading to the twenty-first chapter of Kennett's Pensees, which seems to have forecast the essence of the eighteenth-century's perplexity upon the issues raised by Pascal: 'The strange Contrarieties discoverable in Human Nature, with regard to Truth, and Happiness, and many other things.'. (shrink)

A great philosopher will change the way you think about your life. For most of human history, religion provided a clear explanation of life and death. But in the late 19th and early 20th centuries new ideas -- from psychiatry to evolution to Communist -- seemed to suggest that our fate was now in our own hands. We would ourselves become God. This is the theme of a remarkable new book by one of the world's greatest lving philosophers. It is (...) a brilliant and frightening look at the problems and opportunities of a world coming to grips with humankind's now solitary, unaided place in the universe. Gray takes two major examples: the belief that the science-backed Communism of the new USSR could reshape the planet, and the belief among a group of Edwardian intellectuals -- popularized through mediums and automatic writing -- that there was a non-religious form of life after death. Gray presents an extraordinary cast of philosophers, journalists, politicians, charlatans and mass murderers, all of whom felt driven by a specifically scientific and modern world view. He raises a host of fascinating questions about what it means to be human. The implications of Gray's book will haunt its readers for the rest of their lives. (shrink)

When we think of getting older, we know we will slowly lose more and more of our memory—and with it, our sense of where we belong and how we connect to others. We might relax a little if we considered the improvements in computer data storage, which may lead us into a future when the limits of our memory become less constricting. In this book, John Scanlan explores the nature of memory and how we have come to live both (...) with and within it, as well as what might come from memory becoming a process as simple as retrieving and reading data. Probing the ways philosophers look at memory, Scanlan reveals that some argue that being human means having the ability to remember, to see oneself as a being in time, with a past and future. At the same time, he shows, our memories can undo our present sense of time and place by presenting us with our past lives. And in a digital age, we are immersed in a vast archive of data that not only colors our everyday experiences, but also supplies us with information on anything we might otherwise have forgotten—breaking down the distinction between the memories of the individual and the collective. Drawing on history, philosophy, and technology, _Memory_ offers an engaging investigation of how we comprehend recollection and how memory, as a phenomenon, continually remakes everyday life. (shrink)

Strange Tools: Art and Human Nature, by NöeAlva. New York: Hill and Wang, 2015. Pp. xiii + 285.

This essay is a discussion of Aquinas’s argument “from motion” to the existence of God as the argument is found in his Summa Contra Gentiles. The aimof the essay is to suggest an approach to Aquinas’s argument that emphasizes its particular context, where “context” signifies not so much the assumed Aristotelian physics as Aquinas’s larger project of carrying out “the office of a wise man,” namely, “to order things.” Construing the relevant “ordering” as a making sense of things—indeed of “the (...) whole of things”—the argument from motion is thus seen as part of an attempt to make sense of what, following Aristotle, can be called “the whole of life,” that whole within which any one of us must live out his or her particular life. Several ideas found in Wittgenstein’s Tractatus Logico-Philosophicus are introduced in the conviction that they may help at least some of us to see the “strangeness” of the conclusion of Aquinas’s argument, the conclusion, namely, that the first principle of the whole of being is an “unmoved mover”—the strangeness of which conclusion, it is argued, is essential to its significance. (shrink)

Driven by the desire to fill newspaper pages with sensational images, press photographers shot everything, day and night: automobile accidents, fires, murders, all the cop news that fought for a hot spot on the Front Page. And they covered uncounted numbers of social affairs -- pictures called 'grip-and-grins' in the trade: school events, sports, celebrities, oddities both of nature and humanity. Veteran journalist and mystery writer Larry Millett has unearthed over 200 of the best photos from the archives of the (...) St Paul Pioneer Press and the St Paul Dispatch for 'Strange Days, Dangerous Nights'. Included are the sensational stories behind the photos and biographies of some of the top press photographers of the day. An evocative look at another time, this is a visual history like no other, a feast for fans of photography and photojournalism, crime buffs, and urban historians -- and a testament to the craft of those photographers who documented their era one shot at a time. (shrink)

Economic sociologists have developed and applied theories and concepts in close connection with broadly economic phenomena, including, recently, embeddedness and actor network theory. Key to these theories is understandings of action given uncertainty in which actors develop calculative capabilities, and an emphasis on markets with boundaries and interstices as essential properties. This article reflects upon the connections between Parsons' and Smelser's economic sociology and that of contemporary authors including Granovetter, Callon and White. As a strange other to economics and (...) to sociology, economic sociology can develop research questions in considering arbitrage generally, rather than only restricted to financial markets. (shrink)

Bruno Latour (2004) claims that modernist critique, the kind that removes the false veils of ideology, ‘has run out of steam’. Despite its theoretical variety, it often consists in pointing out how...

The essays in this new book from John Milbank range over the entire field of theology, and both extend and enrich the theological perspective underlying his earlier Theology and Social Theory. The essays are focused around the theme of a theological approach to language, and offer a richly textured and broad ranging inquiry which will contribute to a variety of contemporary debates.

This paper seeks to address the problem of strangeness within the context of migration in Africa. I draw on historical realities that inform existing international and African discourses on migration. I hope to show that most African countries have unconsciously bought into international arguments that drive the legitimacy of building walls, visible and invisible, and the promotion of stringent migration policies that minimise the influx of African immigrants. I draw on political and philosophical positions of African thinkers like Kwame Nkrumah, (...) among others, in my theorisation of strangeness and the need to dispel the potential negative conception of strangeness within Africa’s migration policies. I juxtapose these positions with Western political theories with the hope of emphasizing African humanism as a key conception worth considering when decolonising borders. (shrink)

God has been called many things, but perhaps nothing so strange as the name of “lobster” which he receives in A Thousand Plateaus.1 Is this simple profanation a pendant to the gleeful anti-clericalism of Deleuze2, for whom there is no insult so wretched as that of “priest”?3 Certainly, on one level. But it is also a clue to Deleuze’s ability to use a traditional concern of theology, the name of God, to intervene in the most basic questions of Western (...) philosophy, in this case, the interchange of theology, biology and politics inherent in the question of nature and the organism. (shrink)

Oddity One : Kripke claims that Wittgenstein has invented "a new form of scepticism", one which inclines Kripke "to regard it as the most radical and original sceptical problem that philosophy has seen to date, one that only a highly unusual cast of mind could have produced" (K, p. 60). However, Kripke also claims that there are analogies (and sometimes the analogies look very much like identities) between Wittgenstein's sceptical argument and the work of at least three and maybe four (...) other philosophers, viz., Quine, Goodman, Hume and Berkeley. Strange stuff indeed. The originality of Wittgenstein's work is especially difficult to see after Kripke claims that Wittgenstein presents a problem concerning the nexus between past . . . 'meanings' and present practice" (K, p. 62), and says that Hume is said to have questioned "the causal nexus whereby a past event necessitates a future one, and the inductive inferential nexus from the past to the future." (K, p. 62). Whither the originality? And the connection with Goodman's work with 'grue' is even closer than that between Kripke's Wittgenstein and Hume. Given that Kripke had read Goodman before "discovering" the rule-following paradox in Wittgenstein, one ought to be sceptical of Kripke's claim that Wittgenstein has invented a new form of scepticism. It would be much more accurate to say that Kripke has strapped Wittgenstein with a hybrid scepticism drawn from Hume and Goodman. (shrink)

Thomas Kuhn described the progress of science as comprising occasional paradigm shifts separated by interludes of ‘normal science’. The paradigm that has held sway since the inception of molecular biology is that genes (mainly) encode proteins. In parallel, theoreticians posited that mutation is random, inferred that most of the genome in complex organisms is non‐functional, and asserted that somatic information is not communicated to the germline. However, many anomalies appeared, particularly in plants and animals: the strange genetic phenomena of (...) paramutation and transvection; introns; repetitive sequences; a complex epigenome; lack of scaling of (protein‐coding) genes and increase in ‘noncoding’ sequences with developmental complexity; genetic loci termed ‘enhancers’ that control spatiotemporal gene expression patterns during development; and a plethora of ‘intergenic’, overlapping, antisense and intronic transcripts. These observations suggest that the original conception of genetic information was deficient and that most genes in complex organisms specify regulatory RNAs, some of which convey intergenerational information. Also see the video abstract here: https://youtu.be/qxeGwahBANw. (shrink)

We tend to seek theoretical explanations of our own human behavior, to understand everything we do as arising, computationally, from a systematic set of simple laws, principles, or rules. Here, influenced by the later Wittgenstein, I argue that the very possibility of the kind of talk we use in our theorizing arises out of the joint or dialogical activities in which we engage in our practical lives together, and only has its meaning within the context of such activities – thus (...) we cannot turn it around to explain its own genesis. We can, however, achieve a greater reflective awareness of our own structuring of our own activities through the new, nontheoretical methods Wittgenstein introduces into our intellectual practices. Here, I explore some of these methods, and the strange nature of our dialogical activities when seen in their light. (shrink)

If the universe is teeming with intelligent alien life, as many SF stories would have us believe, why has nobody come to visit us or even beamed us a radio message? David Brin's excellent science-fact article "Just How Dangerous is the Galaxy?" ANALOG, July 1985) was a very comprehensive survey of possible explanations for The Great Silence, "the strange and apparently longstanding absence of intelligent extraterrestrial life". By any standard this article is a contender for best-of-the-year science fact article (...) in any SF magazine. If you haven't read it yet you should dig out your back issues and do so. (shrink)

This book explores the logic and historical origins of a strange taboo that has haunted literary critics since the 1940s, keeping them from referring to the intentions of authors without apology. The taboo was enforced by a seminal article, "The Intentional Fallacy," and it deepened during the era of poststructuralist theory. Even now, when the vocabulary of "critique" that has dominated the literary field is under sweeping revision, the matter of authorial intention has yet to be reconsidered. This work (...) explains how "The Intentional Fallacy" confused different kinds of authorial intentions and how literary critics can benefit from a more up-to-date understanding of intentionality in language. The result is a challenging inventory of the resources of literary theory, including implied readers, poetic speakers, omniscient narrators, interpretive communities, linguistic indeterminacy, unconscious meaning, literary value, and the nature of literature itself. (shrink)

This paper responds to John Milbank's essay, `The Poverty of Niebuhrianism' in The Word Made Strange, in which Milbank critiques Reinhold Niebuhr's Christian realism for reliance on Stoic natural law thinking and its deficiency in regard to original sin. While Milbank rightly detects naturalism in Christian realism, this naturalism is inaccurately identified as Stoic in conception. Additionally, more detailed analysis of Niebuhr's thought reveals similarities between Niebuhr and Milbank on original sin, as this article seeks to demonstrate.

The appearance of Priestley's electrical work as a brief and irrelevant prelude to his more substantial chemical enquiries may explain why it has been strangely overlooked by historians of science. It was only fairly recently that Sir Philip Hartog sought to rectify this situation with the affirmation that ‘Priestley's electrical work offers the key to Priestley's scientific mind’. Attacking traditional chemical historiography for tracing Priestley's opposition to Lavoisier's theory to a deficiency in his scientific sensibilities, Hartog insisted that Priestley's natural (...) philosophy can properly be understood only in relation to his ‘profound convictions on scientific method’ as fully expressed in the History of electricity. Only thus would Priestley's scientific thought be related correctly to his ‘work as a whole’. (shrink)

The study of remembering is both compelling and challenging, in part, because of the multiplicity and the complexity of influences on memory. Whatever their interests, memory researchers are always aware of the many different factors that can drive the processes they care about. A search for the phrase ‘influences on memory’ confirms this daunting and exhilarating array of influences, of many different kinds, operating at many different timescales, and presumably often interacting in ways that we can’t yet imagine, let alone (...) model. There are hormonal and neuromodulatory, genetic and pharmacological, developmental and age-related influences; there are influences of arousal, stress, gender, mood, emotion, sleep and personality; there are unconscious, schematic or semantic influences, and there are influences of context, situation, task and environment. There are many aspects of ‘media influence on memory’ (Loftus and Banaji, 1989; Strange and Garry, 2007), and, of course, there are both ‘social influences on memory’ (Echterhoff and Hirst, 2009) and ‘cultural influences on memory’ (Gutchess and Indeck, 2009). Notoriously, there are numerous ‘suggestive influences’ on memory (Loftus, 2003): influences of misinformation (Seifert, 2002; Wright and Loftus, 1998), or of ‘memory conformity’ (Gabbert et al., 2006) and ‘memory contagion’ (Roediger et al., 2002). People who know each other well, such as intimate couples, ‘may be well practised in yielding to each other’s influence and incorporating their partner’s information into their own memories of the past’ (French et al., 2008: 264). (shrink)

Except for a few brief periods, Einstein was uninterested in analysing the nature of the spacetime singularities that appeared in solutions to his gravitational field equations for general relativity. The existence of such monstrosities reinforced his conviction that general relativity was an incomplete theory which would be superseded by a singularity-free unified field theory. Nevertheless, on a number of occasions between 1916 and the end of his life, Einstein was forced to confront singularities. His reactions show a strange asymmetry: (...) he tended to be more disturbed by merely apparent singularities and less disturbed by real singularities. Einstein had strong a priori ideas about what results a correct physical theory should deliver. In the process of searching through theoretical possibilities, he tended to push aside technical problems and jump over essential difficulties. Sometimes this method of working produced brilliant new ideas—such as the Einstein–Rosen bridge—and sometimes it lead him to miss important implications of his theory of gravity—such as gravitational collapse. (shrink)

Then, as soon as my column was safely submitted, hot new results on antigravity appeared. The lead article in the January 6, 1986 issue of Physical Review Letters had the unassuming title: "A Reanalysis of the Eötvös Experiment" by E. Fischbach, et al. Two days later the New York Times ran an article with the headline: "Hints of Fifth Force in Universe Challenge Galileo's Findings" describing the importance of Fischbach's work. Peculiar experimental results from terrestrial gravity measurements and from the (...) behavior of "strange" K-mesons (kaons) had been explained by a new theory proposing a "hypercharge" force, a new fifth force of nature which is gravity-like but which repels rather than attracting nearby masses. This new antigravity force is the subject of this AV column. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 122.3 (2001) 429-432 [Access article in PDF] John Miles Foley. Homer's Traditional Art. University Park: Pennsylvania State University Press, 1999. xviii + 363 pp. Bibl., indexes. Cloth, $48.50. With Homer's Traditional Art, which may well prove his most popular book, Foley attempts a synthesis of his theory of traditional oral aesthetics, which has been under construction for a decade, since Traditional Oral Epic (Berkeley (...) 1990) and Immanent Art (Bloomington 1991). Because substantial passages in the book have lived past lives, and the fresh material adapts arguments made elsewhere, we are looking here for a statement that gives coherence and new force to a program of study; one that cultivates, rather than breaks, new theoretical ground. That this is Foley's aim is confirmed by a description of his audience: "a wide spectrum of readers, from the advanced undergraduate to the professional scholar" (xv), representing "the greatest number and variety of readers" possible (317 n. 1). Foley offers three main justifications for this new synthesis. First is the doctrine of the Homeric sêma (a key sign open to interpretation), which Foley ingeniously cites as evidence for a Greek concept similar to that of the South Slavic rec=, or "word." This he takes from Parry's interviews with Yugoslav epic singers in which they proclaim the term's application to various levels of traditional discourse, from the formula to the proverb to larger narrative patterns. The second--if I read the book's stylistic motives correctly--is a new "Homeric" technique in scholarly prose. Homer's Traditonal Art is a rhetorical juggernaut that creates inevitable momentum by frequently signaling the progress of Foley's argument, often rewording parts of the theory, and, as if to demonstrate in prose the referential power of Homer's "traditional register" of speech, offering some sêmata of his own (5-7): six "proverbs" of his own coining that encapsulate the main findings of his previous studies (e.g., "Oral tradition works like language, only more so"). These recur steadily throughout, often in closing paragraphs or summing up evidence, and are lightly varied according to context, but always point back to larger critical vistas. Third is the début of the apparatus fabulosus, or running cues to the "traditional referentiality" of a passage; here some lines from Odyssey 23 (reproduced 254-55; cf. the similar printing of the Old English poem Deor, 275). This is an attempt to approximate an "original" experience of a traditional text in performance, though Foley has no illusions about its perfection. Again, the effort requires that he supply conventions of his own (introduced in chapter 7), which he promises to refine for future "editions" on traditional principles.The book is laid out in four large sections, subdivided into an introduction, eight main chapters, an afterword on Old English poetics, two appendices, a large [End Page 429] apparatus of notes, and a rich bibliography (with few serious omissions, such as Manetti's Theories of the Sign in Classical Antiquity [Bloomington 1993]), a good general index (including scholars cited), and index locorum. If this does not sound like a work for a general readership, that is because Foley has expressly sought to divide his voice in two: the main discussion was to be plainly worded and clearly laid out; the scholarly audience to be addressed in the notes. On the whole, this technique works well, only occasionally failing one side or the other. The editors made the strange and regrettable decision of omitting non-Greek works from the index locorum, so that you have to check all entries in the general index for discussions of key passages in Beowulf, Deor, the many recorded South Slavic epics discussed, and so on. Greek traditional phrases are indexed in translation, so that for a discussion of (e.g.) chlôron deos, you need to know how Foley happens to translate it. The Pennsylvania State University Press has atoned for such lapses by producing a handsome volume, printed on good paper and bound in signatures with linen thread, a delight to hold. (Teachers will want... (shrink)

Paul Ekman's view of the emotions is, we argue, pervasive in psychology and is explicitly shaped to be compatible with evolutionary thinking. Yet, strangely, jealousy and parental love, two emotions that figure prominently in evolutionary psychology, are absent from Ekman's list of the emotions. In this paper we examine why Ekman believes this exclusion is necessary, and what this implies about the limits of his conception of emotion. We propose an alternative way of thinking about emotion that does not exclude (...) jealousy and parental love. (shrink)

The article suggests that the best examples of textual work in the computational humanities are best understood as motivated by aesthetic concerns with the constraints placed on literature by computation’s cultural hegemony. To draw these concerns out, I adopt a middle-distant depth of field, examining the strange epistemology and unexpected aesthetic dimension of numerical culture’s encounters with literature. The middle-distant forms of reading I examine register problematically as literary scholarship not because they lack rigor or evidence but because their (...) unacknowledged object of study is the infrastructure of academic knowledge production. Work in the computational humanities is approaching a point at which the scale of analyzed data and data analysis washes out readings, the algorithms are achieving opaque complexity, and the analytical systems are producing purposive outputs. These problems cannot be addressed without attending to the aesthetics of data-driven cultural encounters, specifically the questions of how we produce readings/viewings and how they change our perceptions and characterize the interesting, critical theorization on method and meaning that make the best work in the computational humanities legitimately humanistic. I contribute a working example: a recommendation system for passages within the Shakespearean dramatic corpus, built using a large bibliographical dataset from JSTOR, a counting/ranking algorithm used at large scale. The system returns passages as intertexts for the passage a reader has selected. I explain how and why this system provides meaningful intertextual connections within the Shakespearean dramatic corpus by tracing the legible structural effects of disciplinary knowledge formation on the shape of this dataset. I close by suggesting how the computational and more traditional methods in the humanities might begin to stop debating past one another. (shrink)

PHYSICIANS AND NURSES TRAINING IN CITY HOSPITALS are in daily contact with the richness of the actual. The surprising, the unusual, and the abnormal assault them on every side. Their work requires that they recognize every shade of the strange, the marginal, and the deviant as parts of a spectrum of cases no two of which are altogether alike and each of which demands differential treatment.

Nicolas Malebranche was born in Paris on August 6, 1638, and died there on October 13, 1715. According to Fontenelle he was a tenth, according to André a thirteenth child, and his “machine” was persistently refractory. He was tall—about six feet—but something misshapen from rickets or some other such cause. His spine, according to the unprofessional P. Adry, was “tortueuse dans toute sa longueur,” his clavicles too large, while his arms “n'étaient point attachés à l'ordinaire.” Besides he had “all the (...) maladies known in his time,” including severe acidity of the stomach from the age of twenty-five onwards . Nevertheless, he used to chew tobacco and was one of the earliest Parisians to become a coffee-drinker. For the most part, however, he tried to “manage his machine” by drinking water copiously. His portraits show him to have been strange, gaunt, intense, high-browed, and small-chinned. (shrink)

Psalms 16, 22, and 110. Historically Interpreted as Referring to Jesus Three Christological Psalms, 16, 22, and 110 are troublesome to modern interpreters as they are used by New Testament writers. Scholars in earlier centuries had little difficulty following the ways these psalms seemed to be counted in the New Testament as predictions of Jesus. This interpretation was continued in the Reformation but is strongly questioned by conservative and critical scholars today. The argument reviews the contextual commentary for important quotations (...) of these psalms in the New Testament, and examines the special content of the psalms to conclude that the earlier interpreters are more trustworthy guides. The unusual New Testament usage and strange content of the psalms warrants the application of exceptional hermeneutical principles to read them properly in the biblical canon. The implications for a Christological reading of these psalms are explored for theological and practical value. (shrink)