When The Absurd Hero in American Fiction was first released in 1966, Granville Hicks praised it in a lead article for the Saturday Review as a sensitive and definitive study of a new trend in postwar American literature. In the years that followed, David Galloway’s analysis of the writings of John Updike, William Styron, Saul Bellow, and J. D. Salinger became a standard critical work, an indispensable tool for readers concerned with contemporary American literature. The New York Times (...) described the book as “a seminal study of the modern literary imagination." David Galloway, himself an established novelist, later extensively revised The Absurd Hero to include authoritative discussions of more than a dozen novels which had appeared since the first revised edition was released in 1970. Among them are John Updike’s Couples, Rabbit Redux, and The Coup; William Styron’s The Confessions of Nat Turner and Sophie’s Choice; and Saul Bellow’s Mr. Sammler’s Planet and Humboldt’s Gift. Through detailed analyses of these works, Galloway demonstrates the continuing relevance of his own provocative concept of the absurd hero and provides important insights into the literary achievements of four of America’s most influential postwar novelists. (shrink)

Scholars have long recognized that riddles were part of literary and intellectual culture in late-medieval England, and considerable effort has been expended to ponder a prominent handful of late-fourteenth-century writings in Latin and English that use them, including John Ergome's commentary on the Vaticinium of “John of Bridlington,” the seditious vernacular letters circulated during the Rising of 1381, and most famously Piers Plowman, all notorious for the use of peculiar and difficult riddles that flaunt their interpretative challenges and (...) the social power of their hermeneutical barriers. Comparatively vast gaps, however, remain in our knowledge of the range, distinctive modes, and customary contexts of riddles in this period, so that the isolated uses of them that have been studied seem, in May McKisack's words about Piers Plowman, to speak “to us from a forgotten world, drowned, mysterious, irrecoverable.”. (shrink)

Alexander R. Galloway and Jason R. LaRiviére’s article “Compression in Philosophy” seeks to pose François Laruelle’s engagement with metaphysics against Bernard Stiegler’s epistemological rendering of idealism. Identifying Laruelle as the theorist of genericity, through which mankind and the world are identified through an index of “opacity,” the authors argue that Laruelle does away with all deleterious philosophical “data.” Laruelle’s generic immanence is posed against Stiegler’s process of retention and discretization, as Galloway and LaRiviére argue that Stiegler’s philosophy seeks (...) to reveal an enchanted natural world through the development of noesis. By further developing Laruelle and Stiegler’s Marxian projects, I seek to demonstrate the relation between Stiegler's artefaction and “compression” while, simultaneously, I also seek to create further bricolage between Laruelle and Stiegler. I also further elaborate on their distinct engagement(s) with Marx, offering the mold of synthesis as an alternative to compression when considering Stiegler’s work on transindividuation. In turn, this paper seeks to survey some of the contemporary theorists drawing from Stiegler (Yuk Hui, Al-exander Wilson and Daniel Ross) and Laruelle (Anne-Françoise Schmidt, Gilles Grelet, Ray Brassier, Katerina Kolozova, John Ó Maoilearca and Jonathan Fardy) to examine political discourse regarding the posthuman and non-human, with a particular interest in Kolozova’s unified theory of standard philosophy and Capital. (shrink)

In 1940, John and Morag Aitkenhead set up Kilquhanity School in rural Galloway, inspired by the writings of A.S. Neill and the practices at Summerhill School. In 1962, Aitkenhead wrote that he had swallowed ‘hook, line and sinker’ Neill's theories and that ‘but for him and his example, there could never have been this free school in Scotland’. Historians and commentators have tended to share his view, for example, describing Aitkenhead as a ‘disciple’ of Neill and Kilquhanity as (...) an ‘approximate’ of Summerhill with its weekly meeting, informality of relations between adults and children and a valuing of freedom and happiness over academic achievement.However, this article, drawing on primary research with ex-pupils and staff, uncovers significant differences of philosophy and practice between the two schools, particularly in relation to pupils’ contribution to the Kilquhanity School community through the daily practice of ‘useful work’. These differences raise questions about the positioning of Kilquhanity as simply a less well-known and less radical ‘Summerhill in Scotland’ and expose an often neglected fault line within the progressive and radical movements with which both schools are associated. (shrink)

Draws on interviews with many of the worlds leading scientists to discuss the possibility that humankind has reached the limits of scientific knowledge.

Author John E. Rexine expounds on the theologies of the great Roman thinkers Plato and Cicero in this essay.

A fundamental issue concerning the treatment of meaning in context is how to deal with the extremely flexible relationship that appears to hold between descriptions, which are taken as the exchange...

John Haldane; The Mystery of Emergence, Proceedings of the Aristotelian Society, Volume 96, Issue 1, 1 June 1996, Pages 261–268, https://doi.org/10.1093/aristot.

John Ashton, the editor who brought us In Six Days and On the Seventh Day, has done it again with this compelling new book that is a must-read for all ...

Thornhill, John Among the thinkers who have helped me expand my intellectual horizons, Dawson has a unique place. From an early date, I became aware of the importance of situating the Church's expression of our faith tradition in its historical and cultural context. In time I was to find that Dawson's interpretation of cultural history made it possible to do this within the enlightening framework he provided.

In Adulthood, Morality, and the Fully Human, John Shea examines what it means for someone to achieve full moral development or to become what he calls “fully human.” Shea highlights integrity, mutuality, care, and justice as core components of this process and depicts the effects of personal growth on education, psychotherapy, and spirituality.

Over the past two centuries Western culture has largely valorized a particular kind of 'good' music--highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original--and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional models for valuing music. By engaging examples such as Handel oratorios, Beethoven and Mahler symphonies, jazz improvisations, Bruce Springsteen, and prog rock, he argues that metaphors of perfection do justice (...) to neither the perceived strengths nor the assumed weaknesses of the music in question. Instead, he proposes an alternative model of appreciation where abstract notions of virtue need not dictate our understanding. Good music can, with pride, be playful rather than serious, diverse rather than unified, engaging to both body and mind, in dialogue with manifold styles and genres, and collaborative to the core. We can widen the scope of what music we value and reconsider the conventional rituals surrounding it, while retaining the joys of making music, listening closely, and caring passionately"-- $c Page [4] of cover. (shrink)

The Foundations of Pragmatism in American Thought Series offers two sets of volumes containing the most significant defenses and critiques of pragmatism written before World War I: the Early Defenders of Pragmatism and Early Critics of Pragmatism. This, the first collection, Early Defenders, provides key texts for understanding the context of pragmatism's years of greatest vitality. The early defenders were products of pragmatism's three cradles. H. Heath Bawden was a graduate of the Chicago philosophy department, having studied with John (...) Dewey and George Mead. John E. Boodin and Horace M. Kallen earned their Ph.Ds with William James and Josiah Royce at Harvard. D. L. Murray and Howard V. Knox were independent scholars and writers inspired by F. C. S. Schiller's humanistic pragmatism at Oxford. This collection brings together the central texts of the movement along with a representative selection of the secondary texts, reviews and responses, they elicited. Each volume features a newly-commissioned introduction by a leading scholar of American pragmatism. --five central texts reproduced in facsimile, accompanied by the main responses and replies, reset in new typography --scattered and scarce works available together for the first time --new introductions to each volume by leading scholars of American pragmatism. (shrink)

During the last 40 years, political philosophers have made important advances in our understanding of why equality is valuable, and what kind of equality is important. This article summarizes the development of these ideas, in particular, the contributions of John Rawls, Amartya Sen, Ronald Dworkin, Robert Nozick, Richard Arneson, and G. A. Cohen. It shows how these ideas have filtered into economic thinking in the conceptualization of equality of opportunity. It concludes with a brief discussion of how these ideas (...) might be extended to evaluate intergenerational and global distributions of income or welfare. (shrink)

Sir John Templeton (1912–2008), the Wall Street legend who has been described as “arguably the greatest global stock picker of the twentieth century,” clearly knew what it took to be successful. The most important thing, he observed, was to have strong convictions that guided your life—this was the common denominator he saw in all successful people and enterprises. Fortunately for us, he was eager to share his own blueprint for personal success and happiness with the rest of the world. (...) In The Templeton Plan, he laid out the twenty-one guiding principles by which he governed both his professional and personal life. These principles were grounded in virtues that he considered important enough to be considered the “laws of life”—they include honesty, perseverance, thrift, enthusiasm, humility, and altruism. From this moral foundation, Templeton formulated a step-by-step plan to help improve anyone’s personal and professional life. Among the steps he enumerates, readers will find: · Four exercises that will help anyone find the positive in every negative · How to be the one person in ten that will productively use more time than they waste · The secret trait that separates great workers from good workers · How to control your thoughts for effective action · The practical applications of a sense of humility · How successful people approach risks differently from most people Taken as a whole, the lessons contained within his twenty-one steps will help readers make lasting friendships, reap significant financial rewards, and find personal satisfaction. Ever a believer in the future’s vast potential, Templeton hoped that sharing his principles would inspire others to seek their own laws of life, formulate their own plans, and find success and happiness on a scale exponentially greater than his own. He freely admitted that he didn’t know everything and that there was yet much to be discovered about prosperity and joy. The Templeton Plan not only offers his recipe for success, but also shows us the way to formulate our own plans. (shrink)

In dit stimulerende en diepgravende boek onderzoekt John D. Caputo het religieuze denken. Tijdens dit onderzoek komen fascinerende vragen aan de orde: 'Wat heb ik lief als ik God liefheb?' en 'Wat heeft Star Wars ons te zeggen over de huidige beleving van religie?' (proberen we altijd een manier te vinden om te zeggen: 'God zij met je'?) Waarom betekent religie voor zoveel mensen een moreel houvast in een postmoderne, nihilistische tijd? Is het mogelijk om 'religie zonder religie' te (...) hebben? Via een bespreking van enkele huidige beelden van religie, zoals Robert Duvall's film The Apostle , biedt Caputo ook een aantal fascinerende en originele inzichten in religieus fundamentalisme. (shrink)

The aim of the paper is to reconstruct and present in a critical perspective the main methodological devices of John Rawls’ Political Liberalism, which introduces the idea of the overlapped consensus as a way to guarantee, in a political sense, social justice within contemporary democratic societies. Those methodological devices are presented in order to reveal their conceptual failures when contrasted with real world situations and to indicate three elements: a) the psychologism of the theory which reduces the individuals of (...) the comprehensive doctrines to an inhuman procedural forgetting of the historical facticity that defines them and provides them with meaning and identity; b) how unfair the overlapped consensus might be, considering that it is developed without taking into account the doctrines and at the expenses of the historical processes for power and struggles for recognition of such doctrines; iii) the limited reach of the methodological devices when applied to the real world, i.e., that when those devices are faced with the realities of the doctrines they lack practical justification. Because of that, liberalism should be considered as another tradition which struggles with the doctrines. (shrink)

John Locke, Marylène Delbourg-Delphis. (56) — SIC COGITAVIT DE INTELLECTU HUMANO JO LOCKE AN 1671. INTELLECTUS HUMANUS CUM COGNITIONIS CERTITUDINE, ET ASSENSUS FIRMITATE. § 1. 1° J'imagine que toute ...

This long-anticipated Norton Critical Edition represents an extensive revision of its predecessor, On Liberty, edited by the late David Spitz.

Collins, John Review of: Religion and violence: A dialectical engagement through the insights of Bernard Lonergan, by Dominic Arcamone, Eugene, OR: Pickwick, 2015, pp. 281, paperback, $45.95.

In lieu of an abstract, here is a brief excerpt of the content:John Edward MacKinnon BORIS PASTERNAK'S CONCEPTION OF REALISM To desire truth is to desire direct contact with a piece of reality. To desire contact with a piece of reality is to love. —Simone Weil, The Needfor Roots According to czeslaw milosz, Boris Pasternak "did not pluck fruits from the tree of reason, the tree of life was enough for him. Confronted by argument, he replied with his sacred (...) dance." Pasternak's poetry, he concludes, is "antispeculative, anti-intellectual," and though he was compelled to make certain concessions in the course of writing Doctor Zhivago, speculative thought nonetheless remained for him a perennial and decided "adversary." ' However, the familiar and conveniently stark distinction between lyricist and thinker upon which such judgments depend is in fact both naive and tiresome since, plainly, creativity and reflection need in no way necessarily subvert one another. Accordingly, while it is indeed likely that the most valued feature of Pasternak's poetry and best prose is its detailed recording ofthe world's incessant change, of the magic and movement of weather and gardens, seasons and landscapes, Milosz is far from just in so readily and categorically dismissing any attribution of poetic thought to Pasternak. For as much as the whole of his poetry amounts to a celebration of life's small wonders, unrivaled in their greatness, there remains at bottom the inspiration of the thinker, of one who has seen and felt, but who at the same time has had to compile and consider in an attempt to make sense of the whole. As if in open challenge to Milosz, CM. Bowra notes that Pasternak's poetic sensibility is "both physical and intellectual." The mental states described in his poems, Bowra writes, "begin with sensations of the eye and ear but contain something else in their mental appreciation of the 211 212Philosophy and Literature situation," namely, his "gift for grasping abstract problems." 2 If Milosz remains unconvinced, and if Wladimir Weidle dismisses Pasternak's poetic thought as "puny and piteous," still more poets and critics have shared Bowra's view.3 Henry Gifford refers to Pasternak's "philosophical habit of mind," Ronald Hingley to the "pyrotechnics" ofhis "darting intellect," and Yury Lotman to his personal and "thoroughly professional philosophical culture." 4 In her review ofPasternak's My Sister, Life, meanwhile, Marina Tsvetaeva observes that "thought is what works in him, burrows in subterranean passages...." 5 And though Nadezhda Mandelstamclaims that the word of all poets "flows from a general, integrated view of the world," she acknowledges too that poets "vary in the range and depth of their understanding" and proceeds to cite Pasternak as her one example of a poet with a particularly unified worldview.6 If we were to agree with Francis Sparshott that "the fiercest hatreds spring from the closest relationships," we could assume in turn that the fundamental antagonism customarily alleged to obtain between the creative and critical faculties in fact indicates only some common, if confused, origin or inspiration.7 In creating, after all, it is predictable rather than idiosyncratic that the artist will be led to investigate the roots ofart within himself, tiiat he will be tempted by the urge to define, to entertain, that is, some rudimentary theory. And indeed, in Pasternak 's case, it is not simply a matter of his poetry and prose having been informed by certain tacit, if stray, aesthetic conceptions, but rather of his having supplemented his intensely thoughtful artwith aconcurrently developed theory. In this article, I want specifically to consider Pasternak's conception of realism, that standard of achievement which, according to his theory, constitutes the touchstone of all great art. In order more firmly to ground this notoriously vague and unwieldy notion, I will appeal not only to complementary theoretical conceptions of Pasternak's, but also to those central ideas advanced by Iris Murdoch in The Sovereignty of Good. My intention will be to locate Pasternak's brand of realism within what I take to be an identifiable tradition, or at least a conspicuous and pervasive theoretical tendency, according to which the most crucial criterion of artistic realism is judged to be not any properly physical aspect ofthe completed work, and certainly... (shrink)

$\underline{\text{Saturation is} (\mu, \kappa)-\text{transferable in} T}$ if and only if there is an expansion T 1 of T with ∣ T 1 ∣ = ∣ T ∣ such that if M is a μ-saturated model of T 1 and ∣ M ∣ ≥ κ then the reduct M ∣ L(T) is κ-saturated. We characterize theories which are superstable without f.c.p., or without f.c.p. as, respectively those where saturation is (ℵ 0 , λ)- transferable or (κ (T), λ)-transferable for all λ. (...) Further if for some $\mu \geq \mid T \mid, 2^\mu > \mu^+$ , stability is equivalent to for all μ ≥ ∣ T ∣, saturation is (μ, 2 μ )- transferable. (shrink)

This paper has four roots. First, an increasing dissatisfaction over the gulf between classical and theological studies. Christianity in origin, after all, is a part of the story of the ancient world, and has to be seen in context. The context is complex: it is Judaea as part of the Hellenistic world under the rule of Rome: we ignore any part of that context at our peril. Classical scholars tend to be suspicious of those with theological interests: I was forbidden (...) by an examining board of the University of London to set the first verse of St John's Gospel for comment in a paper on Greek philosophy: they were being doctrinaire, not I. But equally some theologians have neglected the disciplined study of the ancient world. It would not be so bad if they left the context out; but instead they offer windy generalisations, secondhand, ill-based and false. Some corrective is needed. (shrink)

This edition of John M. Lothian’s transcription of an almost com­plete set of a student’s notes on Smith’s lectures given at the University of Glasgow in 1762–63_ _brings back into print not only an important discovery but a valuable contribution to eighteenth-century rhetorical theory.

In a recent paper in this journal, Gabor Forrai offers ways to resist my argument that in so-called Gettier cases the belief condition is not, as is commonly assumed, satisfied. He argues that I am mistaken in taking someone's reluctance to assert a proposition he knows follows from a justified belief on finding the latter false as evidence that he does not believe it, as such reluctance may be explained in other ways. While this may be true, I show that (...) it does not affect my central claim which does not turn on considerations special to assertion. (shrink)