The editorial note recommending the book by Vladimir Kantor Russkaya Klasika Ili Bytiye Rassiyi communicates that the author (philosopher, novelist and historian) believes that only this culture is fully valuable whose most representative artists’ work turns into classics, thus gaining the status of high culture. It indicates the extent to which the great names of Russian literature write with an awareness that in order to make it into the classics canon of European literature, too, one needs to reckon with the (...) previous work of Dante, Goethe, Schiller, Cervantes, Shakespeare, Hegel, Marx, Feuerbach, Nietzsche, and a number of other prominent representatives of the culture of the West. This is not to say that Pushkin, Goncharov, Tolstoy, Gogol or Dostoyevsky were imitators. By reproducing patterns or themes developed by the literature of the West, they set those in realities fundamentally different from the social realities of the West, often in a polemic vein. Kantor stresses that the great artistic ambitions or the Russian classics are accompanied by great social duties because they lived and created their artin a country that had been lagging behind for centuries. It did catch up at times, but it was successful only as of Czar Peter I, not without periodic regressive collapses, though. The sense of social obligations, characteristic of Russian writers, intellectuals, or intelligentsia, and to be more precise, the implementation of these obligations, enabled Kantor to prove that the progress of literature—the great classics in particular—was linked in Russia with civilizational progress, and that in terms of the weight of these links, Russia was very different in civilizational progress from Europe, which lay ahead civilization-wise. (shrink)

Jerzy Perzanowski s ideas were based on an original blend of logic and ontology in what he called onto/logic, where the slash is meant to suggest a quotient of ontology by logic. Perzanowski began as a logician, his early works being on modal logic, then gradually shifted his interest to logical philosophy, meaning not so much philosophy of logic as philosophy informed by logic. Perzanowski was a rare breed of analytical philosopher who thought that a philosophical theory of everything (...) was worthwhile. In this systematic spirit, he began with method. He presented his method of total analysis and synthesis quite simply: reduce the object of research to its simplest possible constituents, and then combine them in some way. Better still, combine them in every possible way, thereby producing a space of possibilities analogous to (and in certain cases identical with) the logical space. Thus, analysis and synthesis differ from a trivial disassembly and reassembly.". (shrink)

Chciałem Go pożegnać. Kilkakrotnie próbowałem napisać choć parę słów. O Nim samym. Okazało się, że nie potrafię. Udało mi się tylko przedstawić Jego poglądy na reizm Tadeusza Kotarbińskiego, ale uczyniłem to gdzie indziej. Muszę tu poprzestać na ofiarowaniu Mu tego, co napisałem na Jego dziewięćdziesiąte urodziny, w osiemdziesięciolecie naszej przyjaźni.

The paper analyzes the philosophical consequences of the recent discovery of direct violations of the time–reversal symmetry of weak interactions. It shows that although we have here an important case of the time asymmetry of one of the fundamental physical forces which could have had a great impact on the form of our world with an excess of matter over antimatter, this asymmetry cannot be treated as the asymmetry of time itself but rather as an asymmetry of some specific physical (...) process in time. The paper also analyzes the consequences of the new discovery for the general problem of the possible connections between direction of time and time-asymmetric laws of nature. These problems are analyzed in the context of Horwich’s Asymmetries in time: problems in the philosophy of science argumentation, trying to show that existence of a time–asymmetric law of nature is a sufficient condition for time to be anisotropic. Instead of Horwich’s sufficient condition for anisotropy of time, it is stressed that for a theory of asymmetry of time to be acceptable it should explain all fundamental time asymmetries: the asymmetry of traces, the asymmetry of causation, and the asymmetry between the fixed past and open future. It is so because the problem of the direction of time has originated from our attempts to understand these asymmetries and every plausible theory of the direction of time should explain them. (shrink)

The so-called ‘type method’ widely employed in biological taxonomy is often seen as conforming to the causal-historical theory of reference. In this paper, I argue for an alternative account of reference for biological nomenclature in which taxon names are understood as descriptive names. A descriptive name, as the concept came to be known from the work of Gareth Evans, is a referring expression introduced by a definite description. There are three main differences between the DN and the causal account. First, (...) according to the DN account, rather than fixing a name to a referent, the assignment of a type specimen to serve as the name-bearer for a taxon should be seen as performatively establishing a synonymy between a name and a definite description of the form “the taxon whose type is t”. Each taxon name is therefore associated with a criterion of application, a semantic rule that establishes the connection between the name and the descriptive content. This is the second major difference from the causal account: taxon names do have some descriptive content associated with them. The final locus of dissent concerns the strength of the modality resulting from the usage of taxon names. In order to address this point, I use the DN account to focus on the debate between Matt Haber and Joeri Witteveen concerning misidentification of type specimens, misapplication of names, and the truth conditions of Joseph LaPorte’s de dicto necessary sentence “Necessarily, any species with a type specimen contains its type specimen”. Using a pragmatic variant of the distinction between attributive and referential uses of descriptions, I argue that a metalinguistic version of the de dicto sentence is in fact falsified, as previously argued by Haber. (shrink)

Resumo Este artigo analisa, as recentes versões, da objecção à existência de um fluxo do tempo, com base na pergunta: “Com que velocidade flui o tempo?”. O autor mostra que as soluções existentes para o problema não são plausíveis e, que em vez disso, a resolução deve ser encontrada numa nova concepção de fluxo temporal, que evite tais dificuldades. A teoria metafísica proposta desenvolve as ideias de Broad e Prior sob um novo enquadramento, que invalida a objecção resultante da questão (...) sobre o ritmo da passagem do tempo e das respostas “segundo a segundo”. Neste texto também se procura mostrar, que esta teoria metafísica, aqui proposta, possui outras virtudes que testemunham a seu favor. Palavras-chave : existência dinâmica, fluxo do tempo, presentismo, velocidade de passagem do tempoThe paper analyzes some recent versions of the objection to the existence of the flow of time based on the question: “How fast does time flow?”. It shows that the replies given to the problem are implausible and instead proposes a solution for the issue in the form of a conception of the flow of time which can avoid such a difficulty. The proposed metaphysical theory develops the ideas of Broad and Prior in a radical way and invalidates the objection resulting from the question about the rate of passage and answers “second per second”. The paper also tries to show that this metaphysical theory has other virtues which testify in favor of it. Keywords : flow of time; rate of time’s passage; presentism; dynamic existence. (shrink)

Among the composers with whom Wojciech Młynarski collaborated – a brilliant songwriter and penetrating satirist, librettist and translator, as well as a talented singer – was a completely unique artist, often referred to as the “Polish Gershwin” – Jerzy Wasowski. As a result of their nearly twenty years of cooperation, interrupted by Wasowski’s death in 1984, about thirty songs were created, most often being cabaret-satirical works or in the form of “sung columns”. Among the achievements of the Młynarski-Wasowski company (...) there are many “small masterpieces”, which are examples of masterly connections between words and music. The works they wrote together in the last period of their cooperation have been remembered in a special way by Młynarski. These songs were written at a special moment in the history of the People’s Republic of Poland – during the “Solidarity” carnival and during the martial law period. Moreover, the story of their proprietary company closed. The works they wrote last – in 1982 and 1983 – were described by Młynarski as “interesting songs”. During the martial law period, Młynarski decided to suspend public appearances – joining the artists who, in protest, decided to boycott the state media. He only took care of writing lyrics for new songs. At that time, he addressed the proposal to compose music mainly to Wasowski, who, like him, believed that one should continue to write, but – for now – “in the drawer”. Eight works were written then, six of which – Ballada o szachiście, Jestem piłeczką pingpongową, Po Krakowskim w noc majową, W miejskim teatrzyku lalek, Róbmy swoje, Ballada o dwóch koniach – had a satirical and journalistic character and entered Młynarski’s repertoire when he resumed his performances. Whereas the other two songs – Mam złe lata i dobre dni oraz Gram o wszystko – were lyrical-reflective pieces with female texts, and became their performers a few years later: Hanna Banaszak and Ewa Bem. This article analyzes one of these songs – Ballada o szachiście – aimed at explaining – in an elementary way – why Młynarski used the word “interesting” to refer to the songs written with Wasowski during the martial law period. This term is primarily intended to denote a work whose words and music were written in order to “give food for thought” to the audience. (shrink)

It is shown explicitly that the linearized theory does not constitute any approximation to the exact solutions in the case of free fields. The only regular solution satisfying, as boundary condition, the requirement of a sufficiently rapid decrease at infinity is a flat space. The problem of conservation laws is discussed anew. The continuity equation satisfied by Einstein's pseudotensor does not guarantee the existence of global conservation laws. Solutions violating the energy conservation are interpretable as representing gravitational radiation absorbed or (...) emitted by sources at infinity. (shrink)

The axiom of canonicity was introduced by the famous Polish logician Roman Suszko in 1951 as an explication of Skolem's Paradox (without reference to the L\"{o}wenheim-Skolem theorem) and a precise representation of the axiom of restriction in set theory proposed much earlier by Abraham Fraenkel. We discuss the main features of Suszko's contribution and hint at its possible further applications.

Jerzy Franczak comprehensively presents Jacques Rancière's thought by emphasizing the relations between politics and literature. The detailed analysis considers the context of modern aesthetics and political philosophy, which is why the book introduces further protagonists, such as Louis Althusser, Michel Foucault, Pierre Bourdieu, or Jean-François Lyotard. Franczak first reconstructs Rancière's original philosophy of literature so as to then immediately apply it in readings of select world literature masterpieces by Gustav Flaubert, Max Jacob, Bertold Brecht, Vladimir Nabokov, and Philip Roth.

This article is drafted on the basis of three complementary essays by Professor Jerzy Janik. The author takes a look at selected issues in the field of quantum mechanics – especially the problem of quantum superposition and supersymmetry – from perspective of great philosophical systems. The author draws attention to the fact that some of these issues reflect old philosophical problems, and – in some cases – philosophical perspective may save interpretations of quantum mechanics from paradoxes.

ABSTRACT: In this article, we intend to address the role of memory and narrative in the constitution of personal identity, based on Alice Munro’s short story “The Bear Came Over the Mountain” and the theoretical concepts of Paul Ricoeur (especially in Oneself as Another). This movement will allow us to underscore the idea that, contrary to what part of the analytical literature on identity and narrative has held, it is not just what we might call self-narrative that plays a role (...) in maintaining personal identity. Instead, we recover the Ricoeurian idea of a network of narratives or tangled of stories, in which self- and hetero-narratives are entangled, thus providing support to the identities it captures. (shrink)

The concepts of measurement and measurable quantity are discussed. A probabilistic interpretation independent of the arrow of time is recommended and a definition of quantizable physical systems is given. The space of states of information about the physical system is Schwarz space rather than Hilbert space.

In this paper I discuss Ernst Zermelo’s ideas concerning the possibility of developing a system of infinitary logic that, in his opinion, should be suitable for mathematical inferences. The presentation of Zermelo’s ideas is accompanied with some remarks concerning the development of infinitary logic. I also stress the fact that the second axiomatization of set theory provided by Zermelo in 1930 involved the use of extremal axioms of a very specific sort.1.

Hermann Grassmann’s 1861 work [2] was probably the first attempt at an axiomatic approach to arithmetic. The historical significance of this work is enormous, even though the set of axioms has proven to be incomplete. Basing on the interpretation of Grassmann’s theory provided by Hao Wang in [4], I present its detailed discussion, define the class of models of Grassmann’s arithmetic and discuss a certain axiom system for integers, modeled on Grassmann’s theory. At the end I propose to modify the (...) set of axioms of Grassmann’s arithmetic, which consists in adding an elementary sentence and removing a non-elementary one. I prove that after this modification the only model of the theory up to isomorphism is the standard model. (shrink)