How will the Holocaust be remembered as its survivors disappear? In this article Janina Bauman reflects upon her own work on the Holocaust in the context of the Holocaust's broader reception. She offers her own views about the genre with reference to contemporary documents and testimonials, secondary work, scholarly work, fiction and film. These observations and stories all circulate around her own 1986 landmark text, Winter in the Morning.

Recent discussions on corporate citizenship highlight the new political role of corporations in society by arguing that corporations increasingly act as quasi-governmental actors and take on what hitherto had originally been governmental tasks. By examining political and sociological citizenship theories, the authors show that such a corporate engagement can be explained by a changing conception of corporate citizens from corporate bourgeois to corporate citoyen. As an intermediate actor in society, the corporate citoyen assumes co-responsibilities for social and civic affairs and (...) actively collaborates with fellow citizens beyond governmental regulation. This change raises the question of how such corporate civic engagement can be aligned with public policy regulations and how corporate activities can be integrated into the democratic regime. To clarify the mode of CC contributions to society, the authors will apply the tenet of subsidiarity as a governing principle which allows for specifying corporations’ tasks as intermediate actors in society. By referring to the renewed European Union strategy for Corporate Social Responsibility, the authors show how such a subsidiary corporate-governmental task-sharing can be organized. (shrink)

What is the nature of the compulsion to life writing? How does the elongated project of writing a life change as it shifts moments and locales, and why do others respond so directly as readers of stories that are so specific and particular? Janina Bauman is known in English-speaking cultures for two books, Winter in the Morning and A Dream of Belonging. The first covers her girlhood in the Warsaw ghetto, and escape; the second, more fictionalized, deals with the (...) period leading up to exile from Poland after 1968. Janina Bauman spent 20 years of her life working in Polish film. This article reflects on the process of coming to autobiography, and making sense of the writing process and the reception process. (shrink)

Popular posthumanist theories are revealing a lot about their origin from enlightenment humanism. In this paper I will firstly have a closer look on the history of the enlightenment-humanistic concept of human nature and its roots in the Mesopotamian Epic of Gilgamesh. Afterwards I will show how this notion of human nature will be broadened in transhumanist thinking, turned upside down as a modern enlightenment humanism, or even deformed and perverted in the popular posthumanist vision of the immortal and from (...) its body completely abstracted mind in the Singularity of a computer interface. (shrink)

This issue ofScience in Contextis dedicated to the question of whether there was a “cinematographic turn” in the sciences around the beginning of the twentieth century. In 1895, the Lumière brothers presented their projection apparatus to the Parisian public for the first time. In 1897, the Scottish medical doctor John McIntyre filmed the movement of a frog's leg; in Vienna, in 1898, Ludwig Braun made film recordings of the contractions of a living dog's heart (cf. Cartwright 1992); in 1904, Lucien (...) Bull filmed in slow motion a bullet entering a soap bubble. In 1907 and 1908, respectively, Max Seddig and Victor Henri recorded Brownian motion with the help of a cinematograph (Curtis 2005). In 1909, the Swiss Julius Ries was one of the first to film fertilization and cell division in sea urchins (Ries 1909). In that same year in Paris, Louise Chevroton and Frédéric Vlès used a film camera to observe cell division in the same object (Chevroton and Vlès 1909). As early as 1898, the Parisian surgeon Eugène-Louis Doyen began filming several of his operations, among them the spectacular separation of the Siamese twins Doodica and Radica (Bonah and Laukötter 2009). And in England, the scientist and zoologist Francis Martin Duncan produced an array of popular-scientific films for Charles Urban: “The unseen world: A series of microscopic studies” was presented to the public in the Alhambra Theatre in London for the first time in 1903 (see Gaycken in this issue). (shrink)

This article suggests that the best available normative framework for guiding conduct in war rests on categories that do not echo the terms of an individual rights-based morality, but acknowledge the impossibility of rendering warfare fully morally justified. Avoiding the undue moralization of conduct in war is an imperative for a normative framework that strives to actually give behavioral guidance to combatants, most of whom will inevitably be ignorant of the moral status of the individuals they encounter on the battlefield (...) and will often be uncertain or mistaken about the justice of their own cause. We identify the requirement of military necessity, applied on the basis of what we refer to as the “St. Petersburg assumption”, as the main principle according to which a combatant should act, regardless of which side or in which battlefield encounter she finds herself. This pragmatic normative framework enjoys moral traction for three reasons: first, in the circumstances of war it protects human life to a certain extent; second, it makes no false claims about the moral justification of individual conduct in combat operations; and, third, it fulfills morally important functions of law. However, the criterion of military necessity interpreted on the basis of the St. Petersburg assumption does not directly replicate fundamental moral prescriptions about the preservation of individual rights. (shrink)

Robots as social companions in close proximity to humans have a strong potential of becoming more and more prevalent in the coming years, especially in the realms of elder day care, child rearing, and education. As human beings, we have the fascinating ability to emotionally bond with various counterparts, not exclusively with other human beings, but also with animals, plants, and sometimes even objects. Therefore, we need to answer the fundamental ethical questions that concern human-robot-interactions per se, and we need (...) to address how we conceive of »good lives«, as more and more of the aspects of our daily lives will be interwoven with social robots. (shrink)

This volume of essays studies the problem of transition in economics from a historical perspective. It uses historical ideas and theories in a modern context to examine economic thought. It aims to show that social and historical context are important when considering economic transitions.

When comparing aesthetic with moral values Ingarden does not define their mutual relation but tries to determine generic moments of various types. Neither aesthetic nor moral values can exist autonomously but require a vehicle. Aesthetic values appear as some qualifications of aesthetic objects, whereas moral values are some qualifications of conscious subjects and a proper structure both of subjects and of the world which must admit free actions is indispensable for the realisation of moral values. Ingarden admits the possibility of (...) a different mode at existence for moral values than for aesthetic ones, the former being more firmly rooted in their foundation. Values form hierarchies. Theory serve nothing but themselves and depend on no evaluation, Ingarden tries to demonstrate the objectivity of values, listing the conditions on which it depends, and postulates that a necessary correlation be sought between the properties of the vehicle and the values of determinate qualities. The main difference between aesthetic and moral values is that the latter are obligatory in character. This may be read from the content of their ideas. Values only partly go into the general ontology developed by Ingarden, but this ontology was no closed system even for himself and there is evidence that he may have expended his conception to embrace also the sphere of values. Ingarden described accurately neither the mode of existence nor the formal structure of va1ues. His closest interest belonged to their matter because in it he thought he might find the principle of grouping values into various genera. He regarded the study of the laws of co-existence of various value, as a major task of material ontology. Moral values may be credited with a higher dignitas than other values and their realisation is not without influence on the acting subject’s personality. In conclusion the authoress proposes to define value as a new qualitative dimension of the object serving as its vehicle. The value dimension of objects might go in various directions depending on the kind of value involved. (shrink)

This study investigates how background music influences learning with respect to three different theoretical approaches. Both the Mozart effect as well as the arousal-mood-hypothesis indicate that background music can potentially benefit learning outcomes. While the Mozart effect assumes a direct influence of background music on cognitive abilities, the arousal-mood-hypothesis assumes a mediation effect over arousal and mood. However, the seductive detail effect indicates that seductive details such as background music worsen learning. Moreover, as working memory capacity has a crucial influence (...) on learning with seductive details, we also included the learner’s working memory capacity as a factor in our study. We tested 81 college students using a between-subject design with half of the sample listening to two pop songs while learning a visual text and the other half learning in silence. We included working memory capacity in the design as a continuous organism variable. Arousal and mood scores before and after learning were collected as potential mediating variables. To measure learning outcomes we tested recall and comprehension. We did not find a mediation effect between background music and arousal or mood on learning outcomes. In addition, for recall performance there were no main effects of background music or working memory capacity, nor an interaction effect of these factors. However, when considering comprehension we did find an interaction between background music and working memory capacity: the higher the learners’ working memory capacity, the better they learned with background music. This is in line with the seductive detail assumption. (shrink)

How do civilians react to being harmed in war? Existing studies argue that civilian casualties are strategically costly because civilian populations punish a belligerent who kills civilians and support the latter's opponent. Relying on eighty-seven semi-structured interviews with victims of coalition attacks in Afghanistan, this article shows that moral principles inform civilians’ attitudes toward their own harming. Their attitudes may therefore vary with the perceived circumstances of an attack. Civilians’ perception of harm as unintended and necessary, in accordance with the (...) moral principles of distinction and necessity, was associated with narratives that cast an attack as relatively more legitimate and with a partial or full release of the coalition from blame. The principle of proportionality, which requires that civilian casualties are caused in pursuit of a legitimate war aim, informed their abstract attitudes toward civilian casualties in Afghanistan. Two rules of international law, which accord with the moral principles of distinction and necessity, were reflected in the civilians’ attitudes. The legal rule of proportionality, which diverges from the namesake moral principle, failed to resonate with the civilians. The article explores whether compliance with the legal rules of distinction and necessity can contribute to mitigating the strategic costs of civilian casualties. (shrink)

Artykuł nawiązuje do jednej z najbardziej intensywnych dyskusji we współczesnej filozofii języka, jaką jest spór o zasięg i charakter wpływu kontekstu wypowiedzi na znaczenie użytych w niej wyrażeń, gdzie kontekst jest rozumiany bardzo ogólnie, jako „zewnętrzne okoliczności, które wykorzystywane są przez uczestników sytuacji komunikacyjnej do określenia pewnej własności pewnej jednostki językowej”. Jest to w istocie spór o autonomię semantyki. Spornymi stanowiskami w toczonej debacie są kontekstualizm i minimalizm semantyczny. Zaproponowane ujęcie wypowiedzi jako celowego i racjonalnego aktu komunikacji, w którym wyrażenie (...) językowe i kontekst stanowią odrębne źródła informacji będącej przedmiotem interpretacji wypowiedzi, pozwoliło bardziej szczegółowo określić rolę kontekstu i znaczenia językowego w determinowaniu treści wypowiedzi. Z tej perspektywy została przeprowadzona analiza wypowiedzi zdania ‘Jan jest wysoki’ w trzech różnych kontekstach, co pozwoliło lepiej ocenić siłę argumentów badanych stanowisk. Rozważania zostały przeprowadzone jako próba obrony minimalizmu semantycznego, który utrzymuje, że grupa wyrażeń, których znaczenia zależą od kontekstu, ogranicza się do typowych wyrażeń okazjonalnych. Wpływ kontekstu na wyrażenia spoza tej grupy zaznacza się jedynie na płaszczyźnie pragmatycznej. Procesy pragmatyczne nie zmieniają znaczenia językowego wyrażeń użytych do sformułowania wypowiedzi, a jedynie wpływają na interpretację wypowiedzi. Zdania języka po usunięciu typowych wyrażeń okazjonalnych wyrażają sądy minimalne i nie wymagają dodatkowej informacji kontekstowej. Minimalizm semantyczny pozostaje w opozycji do stanowiska kontekstualizmu głoszącego, że niemal wszystkie wyrażenia języka naturalnego są wrażliwe na kontekst, który moduluje ich znaczenie na poziomie semantycznym. Zgodnie ze stanowiskiem kontekstualizmu zdania języka, takie jak np. ‘Jan jest wysoki’, nie mają określonych warunków prawdziwości, gdyż warunki prawdziwości można przypisać tylko konkretnym wypowiedziom, a nie zdaniom rozumianym jako wyrażenia językowe. Przeprowadzona analiza użycia w różnych kontekstach zdania należącego do spornej grupy dostarcza argumentów na rzecz minimalizmu semantycznego. Pokazuje ona, że zarówno samo słowo ‘wysoki’ posiada pewną treść wspólną dla wszystkich kontekstów i odniesień, jak też zdanie ‘Jan jest wysoki’ formułuje pewien sąd minimalny o określonych warunkach prawdziwości. (shrink)