Taking its point of departure in an anachronic exhibition, Soulèvements (2016/18), this book is a theoretical exploration of how the notion of contemporaneity understood as the coming together of different times in the same historical present relates to the end of a certain history of art. Critical of hitherto dominant chronological, ahistorical, and/or culturally restricted notions of the contemporary, Lund's overall aim is to make an argument for the contemporary contemporary, as the point of departure for any anachronic relationship with (...) time today, and as the inescapable point of departure for any possible historical imagination. (shrink)

How our experience of presence, time, and history is articulated in contemporary artistic practices. Our present is defined by contemporaneity: the interconnection of heterogeneous times, histories, and temporalities. These many and various times do not merely exist in parallel with one another, simultaneously. Rather, they interconnect and are brought to bear on the same present, forming a sort of planetary present, and—at least in principle—a global sharing of time, although one not shared equally. In The Changing Constitution of the Present: (...) Essays on the Work of Art in Times of Contemporaneity, Jacob Lund explores how the conditions for politically engaged art and aesthetic practice, for questioning the present, have changed in recent decades, while considering how our historical present and its temporal quality differ significantly from previous presents. (shrink)

This article reads Jean-Luc Godard’s film essay Histoire du cinéma as a contemporary artistic endeavour to resist the synchronising, standardising time of global capital, the pervasive uniformity of the global super-present, brought about by today’s televisual and digital communications, which threatens to trivialise the different processes of memory and history, as well as art and culture in general. Taking its point of departure in Bernard Stiegler’s observation that the final stage of capitalism is the control and synchronisation of “available brain (...) time,” the article argues that Godard’s work opposes this control and synchronisation of our minds through an aesthetics of contemporaneity. The argument is based on the development of a theoretical framework that combines recent theories of contemporaneity with reflections on the politics of images. Focusing on the ways in which the Holocaust is remembered in Histoire du cinéma, the article deals with Godard’s image-political creation of temporal contemporaneity through a montage of clips of old films and newsreels, photographs, stills, images of paintings, new footage, advertisements, music, sound and voice recordings, textual citation, narration and commentary. (shrink)

Les géologues ont suggéré de nommer l’époque actuelle « Anthropocène » pour indiquer que les activités humaines ont atteint un impact sur l’environnement qui rivalise avec celui d’événements naturels comme l’érosion des sols, les orbites lunaires, la tectonique des plaques, etc. Il semble évident que le terme n’a de sens que s’il est possible de distinguer les événements anthropiques des événements naturels, c’est-à-dire les êtres humains de la nature. La grande influence de Bruno Latour sur le débat international autour des (...) questions environnementales est indiscutable, mais surprenante si l’on considère qu’il s’est efforcé, au fil des ans, dans ses livres, articles et interviews, de contester le sens même du terme « nature ». Par conséquent, il a minimisé la pertinence du concept pour aborder la situation désastreuse actuelle concernant l’Anthropocène. Dans cet article, l’auteur tente de reconstituer les prises de position changeantes de Latour sur le concept de nature, en s’appuyant sur une sélection de ses œuvres jusqu’à la publication de Où atterrir? Comment s’orienter en politique. Il s’avère que Latour a, dans une certaine mesure, abandonné sa première interprétation constructiviste de la nature comme « fabriquée » et a timidement commencé à accepter l’existence de la nature. Cependant, il n’a jamais défini un concept cohérent de la nature et, par conséquent, n’a pas non plus atteint une position stable sur les questions écologiques fondamentales. (shrink)

Drawing upon Bernard Stiegler’s and Jacques Rancière’s conceptions of medium as a milieu this article seeks to address the question of the political aspects of the aesthetic in relation to the notion of medium. Based on the analysis of this theoretical question the article interprets and discusses artistic endeavors to re-appropriate and reconfigure conservative symbolic orders and media milieus that have become dissociated in relation to works of art by Alfredo Jaar and Thomas Hirschhorn.

The article analyses the constitution of subjectivity in Ruben Östlund’s film Force Majeure. At the centre of attention stands the male protagonist who is uncapable of reconciling his inner nature with the external expectations. If the film may be un- derstood as a critique of existing middle-class conventions, it also reproduces a highly conventional ideal of the self-identical subject. The article argues that this confusion or irony is an expression of a Cartesian subject – still prevalent in the film – (...) in crisis. A neglected aspect of Descartes’ theory is that the autonomy of the subjects presupposes the existence of God. The problem for Östlund’s char- acters is that there is no God. Still, they act as if he, or as if any au- thority might, legitimize their subjectivity. Thus, the whole existence becomes a series of performances. The idea of an inner nature cor- responds with the notion of an outer nature. The latter is certainly very present in Force Majeure, but at the same time this nature is constantly problematized. On an allegorical level, the film may thus be read as a comment on the Anthropocene, a state where we no longer know neither what “nature”, nor “culture” is. (shrink)

Across philosophical traditions the question of taste has – at least paradigmatically since Kant’s third critique – been one of the most, perhaps the most central question within the discipline of aesthetics. The present issue of NJA explores ways in which this question can be addressed today; politically, analytically, historically, disciplinarily. The articles all stem from the inaugural conference of the research network Aesthetics Unlimited, which was held at Roskilde University, Denmark on 4–5 May 2017. Collaborating with Séminaire d’Esthétique Européen (...) this new international research network for aesthetic studies is funded by the Danish Council for Independent Research and is led by Anne Elisabeth Sejten, Professor of Aesthetics at Roskilde University. (shrink)

Økonomer har fra den statsvidenskabelige uddannelses oprettelse i 1848 udgjort en central del af den danske moralske elite, forstået som den del af eliten, der har bl.a. uddannelsesmæssige og organisatoriske ressourcer til at påvirke samfundets normative fundament. I artiklen gennemføres en karrierenetværksanalyse af data fra Kraks Blå Bog i perioden 1910-1923 til at skitsere en prosopografi (kollektiv biografi) af økonomerne som gruppe. Det vises, at økonomerne i Blå Bog i høj grad reproducerede deres klassemæssige baggrund, og at de var engagerede (...) i samfundets dominerende organisationer på tværs af sektorer. Desuden identificeres fem klynger af økonomer. I anden del fokuseres idéhistorisk på klynge fem, i hvilken en ny generation af videnskabeligt revolutionerende statsøkonomer befinder sig. Særligt fokus lægges på professor Harald Westergaard, idet det vises, hvordan de nye metoder, han var med til at udvikle, fungerede rammesættende for den politiske debat om universalisme i socialpolitikken, mens hans eget sociale engagement gik på tværs af sektorer, idet han fremførte, grundlagde og støttede religiøse civilsamfundsorganisationer som en løsning på samfundsproblemer. (shrink)

Ways of Seeing is a unique collaboration between an eminent philosopher and a world famous neuroscientist. It focuses on one of the most basic human functions - vision. What does it mean to 'see'. It brings together electrophysiological studies, neuropsychology, psychophysics, cognitive psychology, and philosophy of mind. The first truly interdisciplinary book devoted to the topic of vision, it will make a valuable contribution to the field of cognitive science.

Thought-provoking essays on science as an integral part of the culture of our age from a leader in the scientific humanism movement. "A profoundly moving, brilliantly perceptive essay by a truly civilized man."--Scientific American.

The underdetermination of theory by data argument (UD) is traditionally construed as an argument that tells us that we ought to favour an anti-realist position over a realist position. I argue that when UD is constructed as an argument saying that theory choice is to proceed between theories that are empirically equivalent and adequate to the phenomena up until now, the argument will not favour constructive empiricism over realism. A constructive empiricist cannot account for why scientists are reasonable in expecting (...) one theory to be empirically adequate rather than another, given the criteria he suggests for theory choice. (shrink)

Important study focuses on the revival and assimilation of ancient Greek mathematics in the 13th–16th centuries, via Arabic science, and the 16th-century development of symbolic algebra. This brought about the crucial change in the concept of number that made possible modern science — in which the symbolic "form" of a mathematical statement is completely inseparable from its "content" of physical meaning. Includes a translation of Vieta's Introduction to the Analytical Art. 1968 edition. Bibliography.

What theory should we accept from the practical point of view, or accept as a basis for guiding our actions, if we don’t know which theory is true, and if there are too many plausible alternative theories for us to take them all into consideration? This question is the theme of the first three parts of this dissertation. I argue that the problem of theory acceptance, so understood, is a problem of practical rationality, and hence that the appropriate grounds for (...) theory acceptance are practical considerations. I argue for a number of principles of theory acceptance, and I explore the implications of these principles for the acceptance both of descriptive theories and evaluative theories. (shrink)

If Kant’s theory of justice is known for one thing, it is for offering a vision of a perfectly just society that is utterly disconnected from the imperfect societies that we occupy. The purity of Kant’s account has attracted criticism from those who claim that if a theory of justice is to be practical, it must offer more than a vision of a perfectly just society. It must also explain how existing societies mired in injustice are to be brought into (...) ever-closer conformity with the ideal that justice prescribes. In this essay, I will argue that this is exactly what Kant’s mature legal and political theory offers. To discern this feature of Kant’s theory, a neglected component must be integrated into his broader framework. This component is what Kant refers to in Toward Perpetual Peace as a permissive law of public right. (shrink)

John Morrison has argued that confidences are assigned in perceptual experience. For example, when you perceive a figure in the distance, your experience might assign a 55-percent confidence to the figure’s being Isaac. Morrison’s argument leans on the phenomenon of ‘completely trusting your experience’. I argue that Morrison presupposes a problematic ‘importation model’ of this familiar phenomenon, and propose a very different way of thinking about it. While the article’s official topic is whether confidences are assigned in perceptual experience, it (...) is also about two more general issues: how we can determine which properties are assigned in perceptual experience; and how we transition from perception to belief. (shrink)

Ideal theorists aim to describe the ideally just society. Problem solvers aim to identify concrete changes to actual societies that would make them more just. The relation between these two sorts of theorizing is highly contested. According to the benchmark view, ideal theory is prior to problem solving because a conception of the ideally just society serves as an indispensable benchmark for evaluating societies in terms of how far they deviate from it. In this paper, I clarify the benchmark view, (...) argue that existing criticisms of it are unsuccessful, and develop a novel redundancy objection to the benchmark view and the claim of priority it allegedly entails. I then consider the extent to which ideal theory might facilitate problem solving without being prior to it and argue that it can only play a modest role in this regard. The upshot is that ideal theory is neither required for nor especially relevant to problem solving—but it is not completely irrelevant either. It facilitates problem solving to some limited degree, but no more, say, than theorizing about dystopia. (shrink)

In his classic “Freedom and Resentment,” P. F. Strawson introduces us to an optimist who believes that our moral responsibility practices are justified by their beneficial consequences. Although many see Strawson as a staunch critic of this consequentialist position, his stated view is only that there is a gap in the optimist’s story where the reactive attitudes should be. In this paper, I fill in the gap. I show how optimism can be suitably modified to reflect an appreciation of the (...) reactive attitudes. And I argue that the ensuing position—on which our moral responsibility practices, taken as a whole, are justified both by their regulation of behavior and by their enabling of interpersonal relationships—provides us not only with a plausible justification of our moral responsibility practices, but also with a fruitful framework for evaluating potential reforms. (shrink)