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J. C. Yardley [10]J. Yardley [3]Jennifer Yardley [2]John C. Yardley [1]
Jim Yardley [1]
  1.  55
    True confessions?: Alumni's retrospective reports on undergraduate cheating behaviors.Jennifer Yardley & Melanie Domenech Rodr - 2009 - Ethics and Behavior 19 (1):1 – 14.
    College cheating is prevalent, with rates ranging widely from 9 to 95% (Whitley, 1998). Research has been exclusively conducted with enrolled college students. This study examined the prevalence of cheating in a sample of college alumni, who risk less in disclosing academic dishonesty than current students. A total of 273 alumni reported on their prevalence and perceived severity of 19 cheating behaviors. The vast majority of participants (81.7%) report having engaged in some form of cheating during their undergraduate career. The (...)
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  2.  36
    True Confessions?: Alumni's Retrospective Reports on Undergraduate Cheating Behaviors.Jennifer Yardley, Melanie Domenech Rodríguez, Scott C. Bates & Johnathan Nelson - 2009 - Ethics and Behavior 19 (1):1-14.
    College cheating is prevalent, with rates ranging widely from 9 to 95%. Research has been exclusively conducted with enrolled college students. This study examined the prevalence of cheating in a sample of college alumni, who risk less in disclosing academic dishonesty than current students. A total of 273 alumni reported on their prevalence and perceived severity of 19 cheating behaviors. The vast majority of participants report having engaged in some form of cheating during their undergraduate career. The most common forms (...)
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  3.  45
    Paulus Silentiarius, Ovid, and Propertius.J. C. Yardley - 1980 - Classical Quarterly 30 (01):239-.
    In the late nineteenth century and the early decades of the twentieth thematic resemblances to the Roman elegists in Paulus Silentiarius were explained as the result of the poets' reliance on a common Hellenistic source – usually this was identified as the so-called ‘subjective Alexandrian love elegy’ – and this represented a departure from the views of earlier scholars such as Hertzberg and Postgate, who had maintained that Paulus knew and imitated the elegists. In recent years the pendulum has swung (...)
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  4.  45
    Cerinthus' Pia Cura ([Tibullus] 3.17.1–2).J. C. Yardley - 1990 - Classical Quarterly 40 (02):568-.
    In a recent issue of CQ, N. J. Lowe refers to the ‘slyly Catullan appeal to the language of pietas’ in [Tib.] 3.7 1–2 . In this he follows Matthew Santirocco, who comments on these lines: ‘significantly, the expression for love here is not just cura as before [sc. in 3.16 [4.10] 3], but pia cura. We recall the pietas Catullus proclaimed in his affair with Lesbia and perhaps also pius Aeneas and all that pietas meant to the Augustan age, (...)
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  5.  13
    Roman writers and the indian practice of suttee.Waldemar Heckel & John C. Yardley - 1981 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 125 (1-2):305-312.
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  6. Archive for September, 2012.Jim Yardley - forthcoming - Cogito.
     
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  7.  60
    Justin on tribunates and generalships, Casares, and Augusti.J. C. Yardley - 2000 - Classical Quarterly 50 (02):632-.
    Little, if anything, in Justin scholarship has been as controversial as the dating of the so-called Epitome of the Philippic History of Pompeius Trogus. Suggested dates have varied from the time of Antoninus Pius through the third century to the end of the fourth. The latter was proposed in 1988 by Sir Ronald Syme, but has in fact received little support in subsequent literature on Justin, which has tended to accept the earlier dating . An exception is T. D. Barnes, (...)
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  8.  35
    Prisce Iubes Again.J. C. Yardley - 1972 - The Classical Review 22 (03):314-315.
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  9. Tibullus 1.2.7:: "Ianua difficilis domini te verberet imber".J. Yardley - 2002 - Hermes 130 (1):121-122.
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  10.  38
    The Roman Elegists, Sick Girls, And The Soteria.J. C. Yardley - 1977 - Classical Quarterly 27 (02):394-.
    In his very valuable study of generic patterns in ancient poetry Francis Cairns assigns Propertius 2.28, [Tib.] 3.10 , and Ovid Am. 2.13 to the genre Soteria, that is works of congratulation and thanksgiving on the recovery from illness of a friend, and he sees the resemblances between the poems as due to the elegists’ attempts to produce ‘dramatized’ examples of the genre, with the situation developing from the girl's illness at the beginning of the poem to her recovery at (...)
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