Drawing on many areas of expertise, from paleontology to psychology, Tomasello offers a plausible, evolutionary story abouthow our ancestors are likely to have developed cooperative behaviors and collaborative lifeways in order to survive and thrive.He also claims that this narrative explains why they would have begun to think in characteristically cooperative and moral ways,developing a “we is greater than me” [we>me] psychological orientation. Do the arguments offered support this extra claim? Thisarticle suggests that they do not. It seeks to alleviate (...) this shortcoming by drawing upon some conceptual resources offered bySartre’s Theory of Practical Ensembles. The centerpiece of the article consists of a detailed analysis of Sartre’s account of the genesisof the “group-in-fusion,” seeking to show that the genesis of a we-way of thinking in a group made up of many requires themediation of what Sartre calls a “third party” (le tiers). After closely examining Sartre’s treatment of the “third party” in theapocalyptic genesis of the “group-in-fusion,” I evaluate the success of this notion in resolving those questions that Tomasello’saccount raises while, at the same time, addressing the ontological question concerning the nature of the individual-grouprelation, in a way that suggests new and significant alternatives to standard dilemmas in contemporary social philosophy. (shrink)

Based on the theoretical reconstruction of neglected post-WWI writings and political action of W. E. B. Du Bois, this volume offers a normative account of transnational cosmopolitanism. Pointing out the limitations of Kant's cosmopolitanism through a novel contextual account of Perpetual Peace, Transnational Cosmopolitanism shows how these limits remain in neo-Kantian scholarship. Inés Valdez's framework overcomes these limitations in a methodologically unique way, taking Du Bois's writings and his coalitional political action both as text that should inform our theorization and (...) normative insights. The cosmopolitanism proposed in this work is an original contribution that questions the contemporary currency of Kant's canonical approach and enlists overlooked resources to radicalize, democratize, and transnationalize cosmopolitanism. (shrink)

According to a recent and prominent view, a ‘we-perspective’ arises out of a dyadic I-you relation involving a special form of reciprocity in which I relate to another as a you – as somebody who is also attending and addressing me. As important as this argument might be, one obvious limitation lies in that it typically applies to dyadic forms of ‘we’ which are bound to the here and now of face-to-face interactions between ‘ad hoc pairs of individuals’. Drawing inspiration (...) from Sartre’s Critique of Dialectical Reason and Freud’s Group Psychology and the Analysis of the Ego, I will argue that in order to trace a way out of this impasse, one needs to shift the theoretical focus from dyadic face-to-face (immediate) relations of reciprocity between I and You, self and other to ternary relations of ‘mediated reciprocity’ involving the figure and the functions of a third party (le tiers). (shrink)

Between what we call “us” and what we call “them”, a line must be drawn, which immediately becomes a contentious border, or a divide, that brings to the fore who “we” are, and that consigns to the background, or to the margin, those people who do not count as “us”. Wherever this border is traced — whether along the lines of existing nation-states, racial or linguistic communities, or political affiliations — the resulting potential for antagonism leads to both internal social (...) tensions within a society and, at the level of nations, to outright war—the ultimate example of the friend/enemy divide conceptualized by Carl Schmitt. Once this is recognized, the problem we encounter is the following: can we think of nothing else along the boundaries between “us” and “them”, but an antithesis, nothing else but an antagonism? Under what conditions, “from within what axiomatic” (Derrida), can political thinkers be assured, that the “us/them” relation is by necessity one of hostility? In this paper I will set up a dialogue between Bernhard Waldenfels and Jacques Derrida around the figure of the stranger [_étranger_] — a figure which “frequently operates as a limit-experience for humans trying to identify themselves over and against others” (Kearney) — in order to challenge the logic of this presupposition. My aim is to show how the encounter between these thinkers allows us to challenge _at the same time_ the antagonistic view of the “us/them” relation and the logic of binary opposition that informs it. (shrink)

If we want to be fair judges of all situations, first of all, we must convince ourselves that none of us are without fault. "seneca".

The “we” is not only a way of calling people together. The “we” tends also to perform acts of exclusion. According to political studies, the antagonism resulting from this process is ineradicable and leads by necessity to fragmentation both _within_ and _between_ groups — the ultimate example of the friend/enemy divide conceptualized by Carl Schmitt. Nowadays, however, the increasing great migratory processes produced by globalization intensifying the formation of multicultural societies demand a re-examination of such a political view and call (...) for new pathways for the future. Once this is recognized, the problem we encounter is the following: can we think of nothing else along the boundaries between ‘us’ and ‘them,’ but an antithesis, nothing else but an antagonism? Under what conditions, “from within what axiomatic” (Derrida, The politics of friendship. Verso, 2005), can political thinkers be assured that the us/them relation is by necessity one of hostility and exteriority? How does contemporary philosophy offer new viewpoints coming from old insights? With a view to address these questions, this paper set up a dialogue between Bernhard Waldenfels and Jacques Derrida around the limit-experience of the stranger and probe their reflections on its _in-between_ position — in-between the enemy and the guest — as a challenge to the antagonistic view of the “us/them” divide as well as to the logic of binary opposition that informs it. (shrink)

Cet article explore l’expérience esthétique particulière que nous procurent les promenades sonores. En partant d’une étude d’un cas paradigmatique – les tournées audio Remote X du collectif Rimini Protokoll – et par le biais d’une réflexion sur la perception opérant à partir de Husserl et Merleau-Ponty, je m’intéresse en particulier aux renversements perceptifs qui émaillent le parcours déambulatoire du spectateur ainsi qu’au brouillage entre le réel et l’imaginaire, qu’il éprouve au niveau même de son inscription corporelle dans l’espace. Une telle (...) approche mène à la conclusion que la notion de perception synesthésique offerte par Merleau-Ponty permet non seulement de dépasser le défi posé à la théorie husserlienne de l’imagination ( phantasia ) par l’expérience esthétique ici en question, mais aussi et, de surcroît, de penser le paradoxe d’une affinité du divers sensoriel qui affleure dans les performances contemporaines lorsque de multiples dispositifs médiatiques sont en jeu. (shrink)

The kind of collective improvisation attained by the “free jazz” at the beginning of the sixties sets a challenge to analytic theories of collective intentionality, that emphasize the role played by future-directed plans in the interlocking and interdependent intentions of the individual participants, because in the free jazz case the performers’ interdependence or [interplay] stems from an intuitive understanding between musicians. Otherwise said: what happens musically is not planned in advance, but arises from spontaneous interactions in the group. By looking (...) at the way jazz improvisers take up the challenge of making music together without a pre-conceived notion as to what kind of effect they will achieve and without a pre-set code of agreements, my aim has been to clarify what kind of strategies — other than advanced action plans and joint commitments — are used by improvising musicians to integrate their improvisations into a unified shared activity. In developing this proposal I initially drawn pre-theoretically on one paradigmatic study case — Ornette Coleman’s double quartet Free Jazz, A collective Improvisation and brought it in conversation with Husserl’s phenomenology of time. In a final move, I brought this phenomenological frame into dialogue with some recent readings of the predictive coding model. All in all, what we learned from the Free Jazz case is that the interdependence and interlocking of attitudes among individual participants characteristic of shared intention is not determined by a future-directed plan and the rational pressure to be responsive to and coordinate with others, it typically engages. Rather, in the free jazz case, the performers’ connection and interplay depend on the players’ readiness to feel each other out, by listening to each other playing, in a way that no doubt presupposes the Husserlian retention-protention scheme. (shrink)

The kind of collective improvisation attained by free jazz at the beginning of the sixties appears interesting from the perspective of contemporary debates on collective intentionality for several reasons. The most notable of these, is that it holds a mirror up to what analytical philosophers of action identify as “the complexly interwoven sets of collective intentions” that make a group more than the sum of its parts. But at the same time, free jazz poses a challenge to these philosophical theories (...) of collective intentionality, because what happens is not planned in advance but arises from spontaneous interactions in the group. The second and no less decisive reason is that jazz musicians act together in a very distinctive way, which casts into clear relief the interplay between togetherness and agonism, individual freedom and group commitment, which is contained in every human interaction. In other words, in free jazz we find what Hannah Arendt calls the “paradoxical” or “twofold” character of “human plurality.” Starting with the analysis of two paradigmatic case studies—Charles Mingus’s Folk Forms No. 1 and Ornette Coleman’s Free Jazz: A Collective Improvisation—my main concern in this paper is to provide a phenomenological account of the individual-yet-plural intentionality that emerges and runs through the improvisatory process in the free jazz case. After having made the negative point that this phenomenon represents a challenge to the analytical theories of collective intentionality, I shall argue that it can be accounted for from a phenomenological perspective. My basic thesis is that the overall cohesiveness of the improvisatory process must be regarded as a meaningful realization of an overall feeling, shared and shaped together by musicians over time—and not as the execution of an advanced plan. (shrink)

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Jean-Luc Nancy (1940-2021) a, tout au long de son chemin philosophique, maintenu le cap d'une interrogation centrée autour de la question dite de la "communauté", ou bien encore, et comme ses travaux ont incité à le dire le plus souvent, de l'"être-en-commun", de l'"être-ensemble", et finalement de l'"être-avec". Philosophe pleinement engagé dans son temps, il en a tout à la fois vécu les bouleversements et pensé les nouvelles articulations à l'ère de la mondialisation, les dérives les plus dangereuses de nos (...) jours, en réaffirmant en toute circonstance le fort caractère éthicopolitique qui caractérise sa manière unique de faire de la philosophie depuis ses premiers écrits. Fruit d'un travail collectif, cet ouvrage explore différents aspects de la question de la communauté, envisagée à la fois comme la question essentielle de la philosophie de Jean-Luc Nancy et comme la question philosophique majeure de notre temps. Au croisement de multiples voix singulières, qui font dialoguer Jean-Luc Nancy avec Jacques Derrida, Roland Barthes, Hans Jonas, Sigmund Freud, Jacques Lacan et bien d'autres, les essais qui composent ce volume explorent la cartographie complexe et variée des questionnements que la réflexion philosophique de Jean-Luc Nancy sur la communauté a contribué à faire émerger et à nourrir."--Page 4 of cover. (shrink)

Cet ouvrage vise à montrer que la question de la réflexion et de son éveil au sein de la vision occupe une place centrale dans la pensée de Maurice Merleau-Ponty et apparaît comme la source secrète d'une énigme et d'une interrogation fondamentales, à partir desquelles son oeuvre entière peut être relue et révéler une nouvelle cohérence. Mais qu'il s'agisse de la perception, de l'expression ou de la chair, c'est à chaque fois la question de la conscience et de son éveil (...) réflexif qui est repensée à nouveau frais et relancée comme un nouveau défi. De ce fait, cet ouvrage vise également à faire apparaître la nouvelle signification - ou configuration - que prend le commencement de la réflexion chez Merleau-Ponty, dans le dévoilement progressif d'une seule figure typique, composée par touches successives, à partir des différentes figurations qu'elle revêt dans son oeuvre. Elle trouve à s'incarner dans la figure, hautement évocatrice du peintre qui "pense le pinceau à la main", au moment "où sa vision se fait geste". [Source: 4e de couv.]. (shrink)

On demande : où l’histoire se fait-elle? […] Quel est ce mouvement qui trace et laisse derrière lui les figures du sillage? Il est du même ordre que le mouvement de la Parole et de la Pensée, et enfin que l’éclatement du monde sensible entre nous : partout il y a sens, dimensions, figures par-delà ce que “chaque conscience” aurait pu produire […]. Cette interrogation et cette ébauche de réponse nous placent au cœur de la conception merleau-pontienne du mouvement de (...) l’expression, le mouvemen... (shrink)

The general aim of this paper is to reach a better understanding of the dynamic process that gives rise to a self and its conscious activity. In order to meet this overall goal, I will analyse in detail the three main stages of the creative process, taking Merleau-Ponty’s reflections on the painter’s experience provided in Eye and Mind as my starting point. My argument will unfold in three main stages. First, I will focus on his notion of flesh, in order (...) to explore the experience of bodily feeling that precedes the very emergence of a self in the midst of perceptual life. Second, I will analyze descriptions of the circle of artistic creation, provided by famous painters—such as Paul Klee and Paul Cézanne—in order to reach a better understanding of the dynamic process through which bodily selfhood occurs and brings about consciousness in a continuous intertwining with the world that constantly nurtures the performance of its expressive gesture. Third, I will return to Merleau-Ponty’s notion of flesh, this time grasped in its practical form as a moving and expressive body, in order to achieve a more radical formulation of this same process. In conclusion, this approach should show that the arousal of consciousness, this shining eye allowing things hidden in the shadow to appear, is in some way conditional upon an expressive gesture which prolongs vision and leads back to it. (shrink)

Today, the “we” has not lost its place in contemporary debates. On the contrary, it has become a crucial question in the political and philosophical debates relating to global-scale disasters and traumatic events, which expose all of humanity to the same risks and same threats. In a dramatic and paradigmatic way, these events invite us to “mourn” the fantasy of self-sufficiency of the I and remind us to which extent our lives are immediately linked to those of others. At the (...) same time, however, these events, which yields the potential to reveal a relationality constitutive of “who we are,” also suggest the need to reframe our understanding of the “we,” and to overcome the us/them divide upon which it has been construed until now. In this essay, I take up this challenge by first engaging in a critical discussion of Judith Butler’s ethics of vulnerability, and then turning to the ethical philosophy of Emmanuel Levinas. (shrink)

What position does take on Justice and why?

In European science and technology policy, various styles have been developed and institutionalised to govern the ethical challenges of science and technology innovations. In this paper, we give an account of the most dominant styles of the past 30 years, particularly in Europe, seeking to show their specific merits and problems. We focus on three styles of governance: a technocratic style, an applied ethics style, and a public participation style. We discuss their merits and deficits, and use this analysis to (...) assess the potential of the recently established governance approach of ‘Responsible Research and Innovation’. Based on this analysis, we reflect on the current shaping of RRI in terms of ‘doing governance’. (shrink)

Admiration and adoration have been considered as emotions with the power to change people, yet our knowledge of the specific nature and function of these emotions is quite limited. From an interdisciplinary perspective, we present a prototype approach to admiration and what has variously been labelled adoration, worship, or reverence. Both admiration and adoration contribute to the formation of personal and collective ideals, values, and identities, but their workings differ. We offer a detailed theoretical account of commonalities and differences in (...) the appraisal patterns and action tendencies associated with the two emotions. This analysis reveals that admiration motivates the internalisation and emulation of ideals embodied by an outstanding role model. Adoration motivates adherence to the teachings and expectations of a meaning maker and benefactor perceived as superhuman or sacred. Thus, the primary function of admiration is to promote individual learning and change, whereas adoration primarily serves to bind communities together. (shrink)

The aim of this paper is twofold: (1) to assess whether the construct of neural representations plays an explanatory role under the variational free-energy principle and its corollary process theory, active inference; and (2) if so, to assess which philosophical stance - in relation to the ontological and epistemological status of representations - is most appropriate. We focus on non-realist (deflationary and fictionalist-instrumentalist) approaches. We consider a deflationary account of mental representation, according to which the explanatorily relevant contents of neural (...) representations are mathematical, rather than cognitive, and a fictionalist or instrumentalist account, according to which representations are scientifically useful fictions that serve explanatory (and other) aims. After reviewing the free-energy principle and active inference, we argue that the model of adaptive phenotypes under the free-energy principle can be used to furnish a formal semantics, enabling us to assign semantic content to specific phenotypic states (the internal states of a Markovian system that exists far from equilibrium). We propose a modified fictionalist account: an organism-centered fictionalism or instrumentalism. We argue that, under the free-energy principle, pursuing even a deflationary account of the content of neural representations licenses the appeal to the kind of semantic content involved in the aboutness or intentionality of cognitive systems; our position is thus coherent with, but rests on distinct assumptions from, the realist position. We argue that the free-energy principle thereby explains the aboutness or intentionality in living systems and hence their capacity to parse their sensory stream using an ontology or set of semantic factors. (shrink)

In 2000, Rüdiger Thiele [1] found in a notebook of David Hilbert, kept in Hilbert's Nachlass at the University of Göttingen, a small note concerning a 24th problem. As Hilbert wrote, he had considered including this problem in his famous problem list for the International Congress of Mathematicians in Paris in 1900.

Il labirinto è un argomento ricorrente negli scritti di Borges, ed in particolar modo l’interesse dello scrittore argentino è rivolto al racconto del mito cretese, giunto ai nostri giorni attraverso l’elaborazione antica e medievale.Nel corso del Medioevo l’elaborazione del mito attribuì grande importanza, soprattutto da un punto di vista metaforico, al fatto che la complessità del labirinto fosse solo apparente: il labirinto veniva concepito come un tracciato monoviario, ma ugualmente veniva descritto come un luogo nel quale, fino all’inevitabile momento del (...) raggiungimento del centro, si aveva l’impressione di potersi perdere.Le situazioni labirintiche borgesiane risultano similmente impostate, dal momento che sempre si raggiunge la meta , ma solo dopo aver superato innumerevoli difficoltà, che inizialmente apparivano insormontabili. (shrink)

How is admiration different from adoration? We provided one answer to this question by examining the pathways through which admiration and adoration linked to self-expansion in a questionnaire and an experimental (autobiographical recall of emotion episodes) study. Both emotions were associated with increased potential efficacy to accomplish goals (i.e., self-expansion), but different action tendencies accounted for these links. While our emotion inductions did not successfully distinguish between admiration and adoration, we could statistically disentangle their effects through mediator models. In both (...) studies, self-reported admiration linked to self-expansion through the tendency to emulate admired others. Adoration related to self-expansion through the tendency to affiliate with adored others. These findings were obtained after controlling for other emotions in response to the target person (awe, love, hope, benign envy) and mutuality of the relationship. Our findings also suggest that considering specific emotions (rather than undifferentiated positive affect) helps uncover different pathways to self-expansion. (shrink)

Firms usually need to attract debt to form and grow, but increasing financial leverage also entails increased risks and costs for stakeholders, such as customers and employees. Accordingly, past research suggests that for common commercial firms (CCFs), which prioritize profits, higher leverage leads to lower sales growth and higher employment costs. However, Certified B Corporations (CBCs) distinguish themselves by having a credible prosocial mission and, therefore, might be better insulated against the adverse effects of higher leverage. Using a European multi-country (...) matched sample of 136 CBCs and 136 CCFs, we find that the negative relationship between leverage and sales growth and the positive relationship between leverage and employment costs are weaker for CBCs than CCFs. Taken together, due to their certified prosocial mission, CBCs enjoy an advantage in debt financing compared to CCFs. (shrink)

This paper proposes an account of neurocognitive activity without leveraging the notion of neural representation. Neural representation is a concept that results from assuming that the properties of the models used in computational cognitive neuroscience must literally exist the system being modelled. Computational models are important tools to test a theory about how the collected data has been generated. While the usefulness of computational models is unquestionable, it does not follow that neurocognitive activity should literally entail the properties construed in (...) the model. While this is an assumption present in computationalist accounts, it is not held across the board in neuroscience. In the last section, the paper offers a dynamical account of neurocognitive activity with Dynamical Causal Modelling that combines dynamical systems theory mathematical formalisms with the theoretical contextualisation provided by Embodied and Enactive Cognitive Science. (shrink)

The intentionality of improvisation represents surely one of the most pressing and controversial issues in contemporary action theory: how do we find the way to characterize the proper intentionality of improvisation, which is an unplanned yet intentional action? This article will address this question bringing together Merleau-Ponty’s motor intentionality and Bergson’s conception of duration. My argument will unfold in three main stages. First, I will briefly describe the traditional scheme that is used to think of intentional action in contemporary action (...) theory and discuss how the phenomenon of improvisation casts doubts on it. Second, I will outline an initial, and provisional account of improvisation by crossing the descriptions of musical improvisation provided by Jankélévitch with the testimonials of two improvisatory composers—Enrico Pieranunzi and Keith Jarrett—and reports from Charles Rosen, an American pianist and Roger Sessions, an American composer. Finally, I will refine the basic concepts and lay out a phenomenological account of improvisation, by extending and applying the phenomenological notion of motor intentionality to the examples and testimonials gathered from the observation of a specific kind of improvisatory activity—musical composition. This methodology is intended to contrast both with more standard philosophical approaches based on hypothetical examples, and with more standard laboratory-based methodologies in cognitive sciences, psychology, and experimental philosophy. Overall, this approach is intended to redress the balance of action theory—one-sided directed towards planning, as a key aspect of human agency—with an analysis of the bodily and responsive aspect of intentionality. (shrink)

When someone masters a skill, their performance looks to us like second nature: it looks as if their actions are smoothly performed without explicit, knowledge-driven, online monitoring of their performance. Contemporary computational models in motor control theory, however, are instructionist: that is, they cast skillful performance as a knowledge-driven process. Optimal motor control theory, as representative par excellence of such approaches, casts skillful performance as an instruction, instantiated in the brain, that needs to be executed—a motor command. This paper aims (...) to show the limitations of such instructionist approaches to skillful performance. We specifically address the question of whether the assumption of control-theoretic models is warranted. The first section of this paper examines the instructionist assumption, according to which skillful performance consists of the execution of theoretical instructions harnessed in motor representations. The second and third sections characterize the implementation of motor representations as motor commands, with a special focus on formulations from OMCT. The final sections of this paper examine predictive coding and active inference—behavioral modeling frameworks that descend, but are distinct, from OMCT—and argue that the instructionist, control-theoretic assumptions are ill-motivated in light of new developments in active inference. (shrink)

This edited book deepens the engagement between 21st century philosophy of mind and the emerging technologies which are transforming our environment. Many new technologies appear to have important implications for the human mind, the nature of our cognition, our sense of identity and even perhaps what we think human beings are. They prompt questions such as: Would an uploaded mind be 'me'? Does our reliance on smart phones, or wearable gadgets enhance or diminish the human mind? and: How does our (...) deep reliance upon ambient artificial intelligence change the shape of the human mind? Readers will discover the best philosophical analysis of what current and near future 21st technology means for the metaphysics of mind. Important questions are addressed on matters relating to the extended mind and the distributed self. Expert authors explore the role that the ubiquitous smart phone might have in creating new forms of self-knowledge. They consider machine consciousness, brain enhancement and smart ambient technology, and what they can tell us about phenomenal consciousness. While ideas of artificial general intelligence, cognitive enhancements and the smart environment are widely commented on, serious analysis of their philosophical implications is only getting started. These contributions from top scholars are therefore very timely, and are of particular relevance to students and scholars of the philosophy of mind, philosophy of technology, computer science and psychology. (shrink)

Diese Geschichte des Historismus ist eine Geschichte der Moderne. Sie handelt von der Entstehung des modernen Zeitregimes im Zeitalter der Französischen Revolution und von der Entwicklung des modernen Konzepts von Geschichte bis zum Ende des Ersten Weltkriegs. Im Mittelpunkt stehen Texte und Textverfahren von Johann Gottfried Herder und Georg Wilhelm Friedrich Hegel bis Wilhelm Raabe und Ricarda Huch. Sie zeigen, dass der Historismus das historische Bewusstsein und die geschichtskulturelle Praxis im langen 19. Jahrhundert dominant konfiguriert.

Advancing a radically enactive account of cognition, we provide arguments in favour of the possibility that cultural factors permeate rather than penetrate cognition, such that cognition extensively and transactionally incorporates cultural factors rather than there being any question of cultural factors having to break into the restricted confines of cognition. The paper reviews the limitations of two classical cognitivist, modularist accounts of cognition and a revisionary, new order variant of cognitivism – a Predictive Processing account of Cognition, or PPC. It (...) argues that the cognitivist interpretation of PPC is conservatively and problematically attached to the idea of inner models and stored knowledge. In abandoning that way of understanding PPC, it offers a radically enactive alternative account of how cultural factors matter to cognition – one that abandons all vestiges of the idea that cultural factors might contentfully communicate with basic forms of cognition. In place of that idea, the possibility that culture permeates cognition is promoted. (shrink)

O realismo estético é uma doutrina central na estética e na filosofia da arte. Neste ensaio introduzo-a e defendo a sua adopção, considerando algumas das suas motivações principais e incluindo algumas das suas aplicações úteis para outras áreas de pensamento, bem como para a vida prática. Primeiro, avalio algumas das razões para preferirmos o realismo estético, que já discuti noutros lugares (Morais: 2009, 2019). Depois, e aí mais originalmente, sugiro que, para que possa existir um domínio distintamente estético, e para (...) que exista a estética como disciplina filosófica, é necessário aceitar o realismo estético. Finalmente, aponto algumas aplicações para o realismo estético, isto é, algum trabalho útil que esta doutrina faz, não só no domínio da estética mas também noutras áreas de pensamento. -/- Errata: «Pôrque» deveria ler-se «Porquê»; «sensibiliza» deveria ler-se «sensibilia» (latim). (Embora me sejam alheios, estes erros tipográficos são compreensíveis no processo de edição e espero que os leitores os desculpem.). (shrink)

La biotecnología de edición genética pone a disposición de la humanidad la posibilidad de intervenir en la línea germinal. Este trabajo indaga sobre los fines de la intervención, los compromisos y la responsabilidad en su aplicación. Complementaria a la tarea ética precede la jurídica, como expresión de los valores sociales y, por ende, resulta necesaria una revisión teórica sobre las normativas internacionales, comunitarias y nacionales. Por último, se examina la magnitud del potencial efecto que puede tener en la humanidad, en (...) su dimensión colectiva, pero sin olvidar la dimensión individual, es decir, los sujetos directamente afectados en la intervención. (shrink)

This article examines the particular aesthetic experience brought about by soundwalks. In each case, the point of departure is the phenomenological analysis of two case study: Janet Cardiff’s Walks and the audio-tours Remote x by Rimini Protokoll. Drawing upon Husserl and Merleau-Ponty, I will examine the conflicts of perception and the peculiar shift from one order of perception to another that punctuate the spectator’s walking, as well as the intertwining of the real and the imaginary coming into being in such (...) performances and experienced at the very level of his bodily inscription in space. More specifically, my aim is to address the challenge that the aesthetic experience here in question sets to Husserl’s phenomenology of perception and to show how the extension of the notion of perception achieved by Merleau-Ponty makes it possible to overcome the paradox. (shrink)