This book is the first attempt to think philosophically about the comic phenomenon in literature, art, and life. Working across a substantial collection of comic works author Agnes Heller makes seminal observations on the comic in the work of both classical and contemporary figures. Whether she's discussing Shakespeare, Kafka, Rabelais, or the paintings of Brueghel and Daumier Heller's Immortal Comedy makes a characteristic contribution to modern thought across the humanities.

This study focuses on the ancient commentaries on Plato’s Phaedo by Olympiodorus and Damascius and aims to present the relevance of their challenging and valuable readings of the dialogue to Neoplatonic ethics.

H. Rider Haggard’s adventure story She is a favorite of Freudian critics who focus on the demonic, erotic, immortal Ayesha as a symbol of the “eternal feminine.” They mostly ignore, however, the mortal Ustane, the other powerful woman in She. The sources of Ustane’s strength suggest an ideological reason for her neglect: she reflects biological imperatives, while the immortal Ayesha transcends them. Though the deaths of both women seem to thwart a resolution of these conflicting sources of potency, I contend (...) that evolutionary theory (especially Darwin’s sexual selection) provides a better explanation of feminine power in She than Freudian theory. (shrink)

A collection examining representations of the embodied self in the writings of Milton and his contemporaries.

I offer an overview of the book, _Death, Immortality, and Meaning in Life_, summarizing the main issues, arguments, and conclusions (Fischer 2020). I also present some new ideas and further developments of the material in the book. A big part of this essay is drawing connections between the specific issues treated in the book and those in other areas of philosophy, and in particular, the theory of agency and moral responsibility. I highlight some striking similarities of both structure and (...) content between the death/meaning in life literature and the free will/moral responsibility literature. (shrink)

This paper offers new arguments to reject the alleged dream of immortality. In order to do this, I firstly introduce an amendment to Michael Hauskeller’s approach of the “immortalist fallacy”. I argue that the conclusion “we do not want to live forever” does not follow from the premise “we do not want to die”. Next, I propose the philosophical turn from “normally” to “under these circumstances” to resolve this logical error. Then, I review strong philosophical critiques of this transhumanist (...) purpose of immortality in the literature. There are two key questions related to the possibility of fulfilling this goal: the hard problem of consciousness and the personal identity dilemma. Finally, I defend a specific type of indefinite life and justify that it is more desirable than our current limited life. (shrink)

This paper explores the metaphysical concepts of divine “love” (ʿeshq), “attraction” (jadhbe), and “selflessness” (bīkhodī) in the seminal Iranian Shīʿī Muslim thinker Mullā Muḥsin Fayḍ Kāshānī’s poetry. This research emerges from the gap in existing literature, which mainly explores Fayḍ Kāshānī’s philosophical, theological, or ḥadīth works, while the scrutiny of his poetry largely stays within its literary attributes, overlooking the philosophical and mystical themes embedded within. The paper’s thesis posits that according to Fayḍ Kāshānī, the spiritual journey commences with (...) reason, progressing to constant divine contemplation, a combination that nurtures muḥabbat—an initial stage of divine love—which, when discovered, evokes a more intense love: “divine attraction” in the seeker’s heart, leading to selflessness and divine unity. This paper employs the hermeneutic method and analytical examination to scrutinize Fayḍ Kāshānī’s poetry within the context of his treatises. It follows an “intracultural” interpretation to explore Fayḍ Kāshānī’s thought within Persian intellectual tradition and uses an “intercultural” interpretation to contextualize the findings within Islamic, Christian, and ancient Greek metaphysics. The methodology includes a “horizontal interpretation” of Quranic and ḥadīth references in Fayḍ Kāshānī’s works and a “vertical interpretation” of unveiling deeper meanings of Fayḍ Kāshānī’s thoughts within the broader mystical traditions. (shrink)

Young’s paper (2012) offers an interesting and fruitful extension to recent work on Cotard’s syndrome, and in particular, a philosophical investigation of how and why beliefs around death and non-existence frequently co-occur with beliefs around immortality. In this brief response, we discuss a few issues from the paper. Namely, the issue of Cotard delusion being a natural kind, the seeming paradox of death and immortality and its relation to wider culture and literature, and the utility of the (...) concept of misplaced being. (shrink)

Much of the literature on the desirability of immortality (inspired by B. Williams) has considered whether the goods of mortal life would be exhausted in an immortal life (whether, i.e., immortality would necessarily end in tedium). However, there has been very little discussion of whether the bads of mortal life would also be exhausted in an immortal life, and more generally, how good immortal life would be on balance, particularly in comparison to a mortal life. Here I (...) argue that there are compelling reasons to favor a mortal over an immortal life because a mortal life offers a higher ceiling for well-being and assigns our agency a greater role in how our lives turn out. (shrink)

The “postgenomic age,” whose start date roughly corresponds to the turn of the millennium, is characterized not only by the rapid development of genomic technologies and commercial products but also by the widespread publication of literary works focused on genomics and its cultural implications. Defining “postgenomic literature” as literature that is both of and about the postgenomic age, this essay explores how works by nonfiction writer Rebecca Skloot and novelist Richard Powers exemplify a significant trend within the genre: (...) the thematic exploration of ethical questions in the field of literature itself. While both authors address questions of medical and scientific ethics prompted by genomic research, with special emphasis on the exploitation of vulnerable populations, these questions lead readers directly to questions of narrative responsibility: who can tell whose story to whom—and for whose benefit? The Immortal Life of Henrietta Lacks and Generosity: An Enhancement, like other examples of postgenomic literature, invite readers to engage in critical reading practices that resist both textual and genetic determinism. (shrink)

THE IMMORTAL FLY: ETERNAL WHISPERS. WHO IS SHE? Author: Rituparna Ray Chaudhuri. Hello, Recently my book named, ‘The Immortal Fly: Eternal Whispers : Based On True Events of a Family' been published from Partridge (USA) In Association with Penguin Random House (UK) and achieved a separate Google identity. -/- As being # the author of the book, I thought to define self in the book what is definition of 'Depression'. I wanted to explain self in many ways, but the best (...) quotation appeared to me : “My life will end someday, but it will end at my convenience.’’ -/- ***** I am missing "her". By now, years passed without 'her' . Even though, unlike before, everything is becoming to be more scattered, gloomy and desolate. She is no-where whom I share my feelings. Even now, when I do close my eyes, I can visualize the same that I had left years since on 7th February, 2019 at 8.20 A.M. in the hospital struggling a continuous period of fifty days : on the fifty one day, my father said, ”The End of our Fifty Years relationship has been completed with the Fifty Days”….’Whoever’ she was to others , but she is our legend…To me, she is ‘My Ma’. -/- The story could begin, 'I failed preciously on success of my life.' Simplicity, Innocence, Belief, Faith and Personality met unknowingly with filthy waves skillfully immersed in Betray, Sorcery, Jealousy, Greediness, Revenge, Lie... ‘’ ******* The Daughter writes, “I had asked Ma many times, but her ‘impenetrable personality’ and dynamic words to everyone with a tinge of smile as reflected on her face, she was reluctant to continue her conversation with me. I had thought, hence, I must not be indefinite on my spoken words. Who shall I blame!” Based on true story of a family came from South Calcutta (India) to a suburb, on staying at home of the Daughter’s maternal grandmother’s house, this book reveals in facts and true events how Destiny had unknowingly ‘further’ played an abominable role to Fate of The Daughter, when eventually one day on 7th February, 2019 everything was finished within 8.20A.M. The Daughter is, therefore, left alone on terrestrial with immortal words as written in her Diary, ‘Eternal Whispers’: “My words to self that I am to fulfill my Ma’s - wish. ’’ ‘’ -/- • Keywords: 1. Diary and True Events 2. The Chaotic Society 3. Fatality 4. Of A-Family 5. Science , Philosophy and Literature 6. Severe Depression 7. Medical Journey. -/- The Alternative Title of the Book: The Greatest Mistake or Fortune:: The book is mainly carrying with intense words of a journey of the relationship between a Mother with her Daughter has left readers in an abrupt situation where ,perhaps, I can define "Man is the innocent creature with 'his' personality under circumstances..." -/- . (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Konstantin Kolenda IMMORTALITY REVISITED In his essay, "Poets and Thinkers: Their Kindred Roles in the Philosophy of Martin Heidegger," J. Glenn Gray points out that Heidegger "does not treat imaginative literature and other works of art qua literature and art but as aspects of philosophy or meditative thought." To Heidegger's question, "How long are we going to prevent ourselves from experiencing the actual as actual?", Gray (...) is inclined to answer as follows: "Until we have become aware that the poetic eye is capable of seeing as deeply into nature and man as the scientific eye," and he adds that "there is hope that philosophers may once again take seriously the discoveries of creative writers who are not consciously seeking to 'do' philosophy."2 There is little evidence that Gray's hope has materialized to any great extent; few philosophers are paying much attention to discoveries of creative writers, thus bearing out Heidegger's contention that "at this moment in the world's history we have first to learn that the making of poetry, too, is a matter of thinking."3 But it should not surprise us that when philosophers turn to the thinking of poets they will not necessarily agree in their interpretations. Although it has been remarked that Rilke translated Nietzsche into poetry and then in turn Heidegger translated Rilke into prose, when we look at what Heidegger actually says about Rilke's ideas, we may find that these ideas allow alternative interpretations.4 Nevertheless, the fact that alternative interpretations are possible bears out the soundness of Heidegger's and Gray's claim that at least some poetic thought is worth taking seriously. In this article we shall examine Rilke's view of the relationship between life and death, as expressed in his Duino Elegies. Since this is a theme which figures prominently in Heidegger's philosophy, it is only proper to begin by pointing out certain basic correspondences between the views of the two thinkers on this topic. But as we pursue the matter further it soon becomes apparent that Rilke has set forth an intriguing and original, albeit unorthodox, notion of immortality, a notion that 167 1 68Philosophy and Literature does not need to be tied down to Heidegger's philosophy as a whole but can be defended in its own right. This article constitutes such a defense. In Being and Time, Heidegger suggests that death "belongs" to Dasein. "In Dasein there is undeniably a constant 'lack of totality' which finds an end with death. This 'not-yet' 'belongs' to Dasein as long as it is; this is how things stand phenomenally." Rilke's way of expressing a similar thought is to say, in the First Elegy, that "all of the living make the mistake of drawing too sharp distinctions." The contrast he speaks of is that between life and death. Like Heidegger, Rilke calls attention to phenomena that seem to go against the ingrained tendency to view life and death as belonging to two separate realms. Both manage to break the hold of pictures which for so long have led our thinking on this topic into dead ends. The radical temporality of human existence, its inevitable mortality, leads Heidegger to include the resolute acceptance of "being-toward-death" as a necessary condition of authentic existence. The "not-yet" of eventual death is always with us; since we cannot escape it, we must not keep denying our mortality by self-deception or by resigned waiting but should take it up into a resolute anticipation. The factor of death must be included in the consciousness of our vital decisions. In other words, death is to be taken up into human life and is to be viewed, paradoxically perhaps, as its essential component. Thus, the radical contrast between life and death is undermined. The taming of death is one of the central themes in Rilke's poem. Like Novalis before him, Rilke thought of death as the night-side of life. "Death is the side of life that is turned away from us and is unillumined for us."7 But he made use of still another notion to break down a distinction which, in his opinion, we the... (shrink)

The first look at the philosophy behind Stephenie Meyer's bestselling Twilight series Bella and Edward, and their family and friends, have faced countless dangers and philosophical dilemmas in Stephenie Meyer's Twilight novels. This book is the first to explore them, drawing on the wisdom of philosophical heavyweights to answer essential questions such as: What do the struggles of "vegetarian" vampires who control their biological urge for human blood say about free will? Are vampires morally absolved if they kill only animals (...) and not people? From a feminist perspective, is Edward a romantic hero or is he just a stalker? Is Jacob "better" for Bella than Edward? As absorbing as the Meyer novels themselves, Twilight and Philosophy: Gives you a new perspective on Twilight characters, storylines, and themes Helps you gain fresh insights into the Twilight novels and movies Features an irresistible combination of vampires, romance, and philosophy Twilight and Philosophy is a must-have companion for every Twilight fan, whether you're new to the series or have followed it since the beginning. (shrink)

Although I reject his argument, I defend Bernard Williams’s claim that we would lose reason to go on if we were to live forever. Through a consideration of Borges’s story "The Immortal," I argue that immortality would be motivationally devastating, since our decisions would carry little weight, our achievements would be hollow victories of mere diligence, and the prospect of eternal frustration would haunt our every effort. An immortal life for those of limited ability will inevitably result in endless (...) frustration, since the number of significant projects that one is capable of completing is finite, but the span of time is infinite. (shrink)

77 ff. ; RS Deshmukh, Religion in Vedic Literature, p. 331. Jacobi seems to take the extreme view that the conception of immortality of the Soul was unknown ...

While most people believe the best possible life they could lead would be an immortal one, so‐called “immortality curmudgeons” disagree. Following Bernard Williams, they argue that, at best, we have no prudential reason to live an immortal life, and at worst, an immortal life would necessarily be bad for creatures like us. In this article, we examine Bernard Williams' seminal argument against the desirability of immortality and the subsequent literature it spawned. We first reconstruct and motivate Williams' (...) somewhat cryptic argument in three parts. After that, we elucidate and motivate the three best (and most influential) counterarguments to Williams' seminal argument. Finally, we review, and critically examine, two further distinct arguments in favor of the anti‐immortality position. (shrink)

In this paper I discuss some of Martha Nussbaum's defenses of Epicurean views about death and immortality. Here I seek to defend the commonsense view that death can be a bad thing for an individual against the Epicurean; I also defend the claim that immortality might conceivably be a good thing. In the development of my analysis, I make certain connections between the literatures on free will and death. The intersection of these two literatures can be illuminated by (...) reference to my notion of a Dialectical Stalemate. (shrink)

In a well-known paper, Bernard Williams argues that an immortal life would not be worth living, for it would necessarily become boring. I examine the implications for the boredom thesis of three human traits that have received insufficient attention in the literature on Williams’ paper. First, human memory decays, so humans would be entertained and driven by things that they experienced long before but had forgotten. Second, even if memory does not decay to the extent necessary to ward off (...) boredom, once-satisfied desires often return after a sufficient period of time. Eternity would always contain sufficient time for our desires to rejuvenate. Third, even if too many of our desires were satisfied but not yet rejuvenated, we can expect that human ingenuity would continue to invent new pursuits, pastimes, careers, and ways of life that would prevent us from becoming bored as we moved from one to another. Finally, I consider and respond to several objections, including the claims that as much variety as I propose to be put into an eternal life is inconsistent with having one character throughout one’s life and that the sort of character change and memory decay I postulate is inconsistent with personal identity. (shrink)

The group of mathematicians known as Bourbaki persuasively proclaimed the isolation of its field of research – pure mathematics – from society and science. It may therefore seem paradoxical that links with larger French cultural movements, especially structuralism and potential literature, are easy to establish. Rather than arguing that the latter were a consequence of the former, which they were not, I show that all of these cultural movements, including the Bourbakist endeavor, emerged together, each strengthening the public appeal (...) of the others through constant, albeit often superficial, interaction. This codependency is partly responsible for their success and moreover accounts for their simultaneous fall from favor, which, however, can clearly be seen as also stemming from different internal problems. To understand this dynamics, I argue that Bourbaki’s role can best be captured by using the notion of cultural connector, which I introduce here. (shrink)

John Norris’s novel and compelling theory on the soul’s immortality is both a central element of his overall philosophical vision and a vital engagement with his contemporaries on the topic. Even so, it has been mostly neglected in the secondary literature. This article aims to fill this lacuna by providing a detailed analysis of how Norris arrives at two seemingly inconsistent theses: the soul is naturally immortal in the sense of being incorruptible but naturally mortal in the sense (...) of being perishable. I focus particularly on how Norris articulates this position in dialogue with a number of Scholastic philosophers whose views he rejects. I conclude by suggesting that Norris’s arguments against these thinkers are less than fully successful. (shrink)

This article revisits Bernard Williams’s influential argument that an immortal human life would be meaningless and argues for a shift in focus. There’s good reason to keep Williams’s framework for evaluating the prospects of meaning in continued life. But there’s also good reason to abandon the conception of human psychology that he, and most of the vast literature in response, uses to fill in that framework. Focusing on values, as opposed to desires, reveals that the most pressing threats to (...) a meaningful immortal human life are not repetition or satisfaction, but rather changes in what the world has to offer. (shrink)

Bernard Williams has famously argued that an immortal life would necessarily be boring. Despite the obvious importance that boredom occupies in Williams’ argument, he says very little about the nature of boredom. In this paper, I argue that attention to the empirical literature on boredom reveals a serious flaw in Williams’ argument. Specifically, I show that there is no available explication of boredom that is supported by the empirical research and which at the same time establishes Williams’ conclusions.

The paper analyzes the collection of the Northern Irish poet Frank Ormsby entitled A Northern Spring published in 1986. On the basis of selected poems, the author of this paper aims to examine the poet’s reflections about World War II, the lives of the soldiers, and the things that remain after a military combat, which are both physical and illusive. The poems included in the volume present the author’s reflections upon the senselessness of war and dying, short lives of the (...) soldiers, the awareness of their own meaninglessness in comparison to the broader picture, and the contradictory and desperate need to be remembered nevertheless. They also show what is left of the soldiers and the war, as well as how life goes on, with or without them. (shrink)

The Philosophy of Literature: Four Studies puts forth the question of the extent to which philosophers must go to school with the poets. It begins with a new interpretation of the famous Platonic quarrel with the poetic wisdom of Homer. It brings this question forward through the humanism of thinkers of the Italian Renaissance and the German Idealism of Hegel. It then treats the relation of philosophy and literature in four ways by considering philosophy as literature, philosophy (...) of literature, philosophy in literature, and philosophy and literature. In regard to the first of these, it discusses Jorge Luis Borges’s The Immortal, to the second James Joyce’s Finnegans Wake, to the third Carl Sandburg’s epic prose poem The People, Yes, and to the fourth, Sebastian Brant’s Ship of Fools. This work demonstrates that in an area of thought often dominated by fashionable doctrines of literary interpretation, the great works of literature and philosophy remain as permanent residents of our thought and imagination. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 40-61 [Access article in PDF] Montaigne, Skepticism and Immortality Zahi Zallou I IN THE LAST PAGES OF HIS ESSAY "Of Experience," Michel de Montaigne warns against the desire to "go outside ourselves." 1 While Montaigne apparently spares Christian mystics from his biting critique ("those venerable souls, exalted by ardent piety and religion to constant and conscientious meditation on divine things" [p. 856]), (...) there is no suggested criterion enabling one to discriminate between these "venerable souls" and those individuals dangerously engaging in similar practices, claiming to have similar mystical religious experiences. The latters' "care of the self" (cura sui) is a kind of caring that would paradoxically do violence to their human self (conceived by Montaigne as both mind and body): "That is madness: instead of changing into angels [in order to be closer to the divinitas of God], they change into beasts [a regression to the realm of animalitas]; instead of raising themselves, they lower themselves" (p. 856). With this conduplicatio, the repetition of the verb "to change," Montaigne emphasizes the role of agency, thus pointing out that they are to a large measure responsible for their condition, through their practices of self-care, or rather what Nietzsche has called their spiritual "incuria sui." 2 Neither the mind nor the body should be excluded from serious consideration, Montaigne stresses: "For it is indeed reasonable, as they say, that the body should not follow its appetites to the disadvantage of the mind; but why is it not also reasonable that the mind should not pursue its appetites to the disadvantage of the body?" (p. 681). Divorcing the mind from the body is, indeed, seen as an unwise, and potentially disastrous, practice: [End Page 40] Those who want to split up our two principal parts and sequester them from each other are wrong. (p. 484) To what purpose do we dismember by force a structure made up of such close and brotherly correspondence? On the contrary, let us bind it together again by mutual services. Let the mind arouse and quicken the heaviness of the body, and the body check and make fast the lightness of the mind. (p. 855) Montaigne's suspicion of claims pertaining to the transcendent realm is perhaps most forcefully expressed in his late additions to "Of Experience": "Between ourselves, these are two things that I have always observed to be in singular accord: supercelestial thoughts and subterranean conduct. [...] These transcendental humors frighten me, like lofty and inaccessible places" (p. 856). Not even Socrates, who is known to have engaged in excessive spiritual meditations, is spared from the essayist's critical reflections: "And nothing is so hard for me to stomach in the life of Socrates as his ecstasies and possessions by his daemon, nothing is so human in Plato as the qualities for which they say he is called divine" (p. 856). This should be seen as a qualification of his earlier discussion of Socrates's daimonion in "Of Prognostications": "The daemon of Socrates was perhaps a certain impulse of the will that came to him without awaiting the advice of his reason [discours]. In a well-purified soul such as his, prepared by a continual exercise of wisdom and virtue, it is likely that these inclinations, although instinctive and undigested, were always important and worth following" (pp. 29-30). What is at issue here is the contrast (yet without any tension) between reason's way and God's way, so to speak, between Socrates's "discours" (his reason, which dictates to him the appropriate and rational means of action) and his "demon" (Socrates's divine voice or "divine sign," 3 which informs him of what to do and, especially, not to do). 4 Due to Socrates's wise and virtuous character, the essayist speculates, the former never erred in acting on his impulses or undigested inclinations. Montaigne generalizes and is even tempted to translate some of his own past actions in terms of a Socratic-like divine inspiration: "Everyone feels within himself some likeness of such stirrings [...] And I have had some [...] by which I let myself... (shrink)

Literature from the United Kingdom and the United States represents the cultural expression of those peoples' lived experiences. Reading British and American literature may also aid in our understanding of the values, worldview, and ideological underpinnings of western civilization. Therefore, this thesis examines the mythological and religious themes in British and American literature using literary works from both countries. Greek Myth is the source and soil of ancient Greek literature. Ancient Greek and Roman literature is (...) a rich treasure for later generations to understand myths, providing creative materials for later British and American writers. It can be said that myths and religious ideas gave birth to great literary works and some immortal poets. Among them, "_Wuthering Heights_" is the main representative work of 19 th -century literature and occupies an important position in British and American literary history. Based on this, this paper discusses British and American literature's religious and cultural characteristics in "_Wuthering Heights_", mainly from the perspective of environment description and plot shaping. I hope this research can play a role in attracting jade. (shrink)

This article studies a new fantasy subgenre that emerged in contemporary China, xiuzhen xiaoshuo (immortality cultivation fiction), which builds imaginary worlds around the magical practice of Chinese alchemy and fuses it with science and technology. After the arrival of the modern, Western triad of science, religion, and magic/superstition, alchemical practices of the Daoist tradition were labeled as a “superstition” to be eradicated; however, they persisted and began to flourish within and beyond the realm of fantasy literature in the (...) late twentieth and early twenty‐first centuries. Immortality cultivation fiction has generated a magical form of transhumanism, which envisions human enhancement through techniques beyond the boundaries of “proper” science and “legitimate” religion. While transhumanism in the Euro‐American West is popular among white bourgeoisie males and dominated by tendencies to reaffirm the human subject constructed by excluding the various subhuman others, magical transhumanism in Chinese fantasy explores the possibility of transcending that antagonistic relationship and making a posthuman subject and a utopian world. (shrink)

Medieval philosophy is primarily associated today with university-based disputations and the authorities cited in those disputations. In their own time, however, scholastic debates were recognized as just one part of wide-ranging philosophical and theological discussions. A Hidden Wisdom breaks new ground by drawing attention to another crucial component of these conversations: the Christian contemplative tradition. The thirteenth–fifteenth centuries in particular saw a dramatic increase in the production and consumption of mystical and contemplative literature in the ‘Christian West’, by laypeople (...) as well as religious scholars, women as well as men. A Hidden Wisdom focuses on five topics of particular interest to both scholastics and contemplatives in this period—namely, self-knowledge, reason and its limits, love and the will, persons, and immortality and the afterlife. This focus centers on the (often overlooked) contributions of medieval women and demonstrates that when we reunite scholasticism with its contemplative counterpart, we gain not only a more accurate understanding of the scope of medieval Christian philosophy and theology but also an increased awareness of a deeply practical tradition that builds up as well as tears down, generates as well as deconstructs. The book’s treatment of topics and figures is meant to be representative rather than exhaustive—a tasting menu rather than a comprehensive study. The choice of topics offers a series of ‘hooks’ for philosophers to connect their own interests to issues central to medieval contemplative philosophy, while also providing medievalists in other disciplines a fresh lens through which to view these texts. (shrink)

Dewi Phillips was an insightful practitioner of a philosophical method of cultural phenomenology focused upon word and deed. His interests and outlook also brought him close to the concerns of some post-Kantian theologians, such as Schleiermacher. The present essay observes a link between their treatments of the nature and significance of the idea of immortality. It then explores something of Phillips' positions as developed in Death and Immortality, acknowledging the importance, which he emphasises, of the spiritual meaning of (...) these ideas. On the other hand, it argues that his rejection of metaphysical aspects and underpinnings to these ideas is misplaced, in part because it leads not only to overlooking certain possibilities, but also because it fails to capture the complexity of actual religious claims concerning these matters advanced in Judaeo-Christian scripture and related literature. The essay ends by setting out an argument from Anselm's Monologion concerning the immortality of the soul in relation to loving and being loved by God. It is pointed out that since loving is an intentional attitude, one might love God while not knowing that God was the object of one's affection. (shrink)

Over the course of the Twilight series, Bella strives to and eventually succeeds in convincing Edward to turn her into a vampire. Her stated reason for this is that it will allow her to be with Edward forever. In this essay, I consider whether this type of immortality is something that would be good for Bella, or indeed for any of us. I begin by suggesting that Bella's own viewpoint is consonant with that of Leo Tolstoy, who contends that (...) one could not have meaningful life without immortality, because only immortality could allow one to make a permanent difference in the world. I argue that this characterization of a meaningful life is problematic, however, insofar as (1) immortality is neither sufficient nor necessary for having such an impact and (2) there is little reason to think that having such an impact is constitutive of a meaningful life. I go on to consider Edward's fear that vampires lack a soul as it relates to Martha Nussbaum's claim that immortal beings would be less capable of certain paradigmatic human values and virtues such as courage, love, or self-sacrifice. I suggest, contra Nussbaum, that Carlisle provides an example of an immortal who displays recognizably human virtues. However, the possibility of Carlisle's being virtuous in this way depends on the existence of other creatures who are mortal. -/- I close by considering the problem of boredom, as articulated by Bernard Williams. According to Williams, a meaningful human life is constituted by certain categorical desires such as the desire to raise children or to create art. The projects aimed at accomplishing these desires are necessarily finite in length, and cannot be repeated indefinitely without losing their value. I argue that many, though perhaps not all, of the immortals described in the series suffer from such boredom. For example, Edward and Rosalie struggle to find meaning in their lives and most werewolves choose to age and die normally after a certain time. Perhaps more significantly, many of the non-"vegetarian" vampires seem to have become entirely divorced from any recognizably human projects or values, and have become focused entirely on satisfying their immediate desires. These examples provide some reason to think that many of Bella's reasons for living, which are essentially tied to her mortality, are not likely to be met by becoming immortal. While this does not show that her choice to become a vampire will leave her ultimately unhappy, it does suggest that her doing so represents a considerable sacrifice. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Capitalism in “Wealthy Hellas”? PETER W. ROSE Josiah ober has taken on the very ambitious task of analyzing a vast swath of ancient Greek history— precisely the periods—as his opening quotation from Byron (1) implies—most admired by those who have devoted any time to the study of Greek antiquity: Fair Greece! sad relic of departed worth! Immortal, though no more! Though fallen, great!1 At the same time, again as (...) suggested by the repetition of Byron’s lines (206, also mentioned on 293), Ober’s book falls within the large category of celebratory works about ancient Greece—like Werner Jaeger’s once popular three volumes of Paideia or, at the outset of the twentieth century, Alfred Zimmern ’s The Greek Commonwealth.2 It does not, on the other hand, fit in with a plethora of relatively recent, relatively short (as opposed to George Grote’s twelve volumes) histories of Greece aimed at the potentially lucrative textbook market for general more comprehensive overviews of Greek civilization.3 As such, the basis on which Ober celebrates ancient Greece merits close scrutiny. history and the overriding thesis ober’s conception of “history” here is heavily weighted towards the theoretical elaboration and justification of an Josiah Ober, The Rise and Fall of Classical Greece (Princeton University Press 2015), hardback, 415 pages. A truncated, arbitrarily reorganized version of this review appeared in New Left Review 103 (2017) 139–49. Thanks to Daniel Tompkins for full comments on an earlier version, and to Peter Green and Stephen Hodkinson for clarifications on specific points. arion 26.3 winter 2019 overriding thesis. Five initial chapters of a total of eleven are devoted to that task before five chronologically focused chapters, which offer a cursory romp through Greek history from ca. 1000 BCE to 334 BCE and some brief suggestions about the period down to the decisive takeover of Greece by Rome, usually dated to 31 BCE. The volume is capped by a final summary and overview chapter. Ober is admirably forthright about his agenda. Immediately in his preface he declares, “in states where citizens keep rulers in check, public authority protects individual rights and the rule of law pertains most of the time. These political conditions promote economic growth. The conjunction of democratic politics and a strong economy is, in practice, available only to affluent citizens of highly developed countries.... Democracy and growth define the normal, although not yet the usual, conditions of modernity” (xiii, my emphasis).4 This somewhat utopian conception of the present-day interface of democratic institutions and economic growth—posited as an unquestioned desideratum in sublime disregard of “ecology” in the literal sense5—underlies Ober’s whole project. While acknowledging the obvious negatives of ancient slavery,6 “denial of rights to women, and glorified war,” he argues “if we are interested in the conjunction of political and economic exceptionalism, we must start somewhere, and classical Greece was the society in which the wealth-and-democracy package first emerged in a form that can be studied in depth” (xv). Athenian democracy has been at the center of Ober’s impressive scholarly career at least since the publication of his study of fourth-century BCE Athenian rhetoric, Mass and Elite in Democratic Athens (Princeton 1989). “Athens” or “democracy” have featured in the titles of all his subsequent book publications7—not to mention the extraordinary output of more specialized essays in multiple venues. One overriding question about his latest book is whether the unique phenomenon of Athenian democracy is being unduly generalized to “Classical Greece.” 142 capitalism in “wealthy hellas”? The special focus of his interest here in ancient Greece, the “conjunction of political and economic exceptionalism,” is further clarified in his opening chapter which begins with the quotation from Byron cited above: “Byron’s vision of greatness was inspired by ancient Greek cultural and intellectual achievement: art and architecture, literature, visual and performance art, scientific and moral thought.... Hellas was great because of a cultural accomplishment that was supported by sustained economic growth. That growth was made possible by a distinctive approach to politics” (1–2). Greek cultural achievements, however, are bracketed (and in practical terms dismissed)8 in favor of the “wealth-anddemocracy... (shrink)

Kant claims in the religion that morality leads ineluctably and inevitably to religion. I argue that a moral agent can resist the movement towards religion and still remain moral. My strategy differs from many found in the literature insofar as I do not believe we need to attack the notion of the highest good. I argue instead that the promotion of the highest good can be a moral duty for a rational nonbeliever.

It has long been recognised that great art, whether visual art, literature or music, has a special capacity to “live on” – to endure – long after the moment of its creation. Thus, our world of art today includes, for example, ancient Mesopotamian sculpture, Shakespeare’s plays, and the music of medieval times. How does this capacity to endure operate? Or to ask that question another way: what does “endure” mean in the case of art? The Renaissance concluded that art (...) endures because it is timeless – impervious to change, “eternal”, “immortal” – and this solution, which was ratified without question by Enlightenment philosophers of art such as Hume and Kant, still lingers on in some quarters today. But developments since the nineteenth century have gravely weakened the credibility of the proposition that art is immortal, and the idea is now effectively dead. This leaves us with a major dilemma: if art is not impervious to change, how exactly does it endure? If the time-honoured solution of immortality is no longer viable, what alternative explanation can we find to replace it? -/- This paper explains why immortality is dead, describes our contemporary dilemma, and briefly canvasses a possible solution. (shrink)

Pindar's victory songs teem with divinity. By exploring them within the lived religious landscapes of the fifth century BCE, Hanne Eisenfeld demonstrates that they are in fact engaged in theological work. Focusing on a set of mythical figures whose identities blur the boundaries between mortality and immortality, she newly interprets the value of immortality in the epinician corpus. Pindar's depiction of these figures responds to and shapes contemporary religious experience and revalues mortality as a prerequisite for the glory (...) found in victory. The book combines close reading and philological analysis with religious historical approaches to Pindar's songs and his world. It highlights the inextricability of Greek literature and Greek religion, and models a novel approach to Greek lyric poetry at the intersection of these fields. (shrink)

The classical is defined by Gadamer, following and adapting Hegel, as “self-significant” and “self-interpretive”. By its power of interpreting itself, the classic reaches into the present and addresses it. In so doing, the classical precedes, encompasses and anticipates latter-day interpretations within its own already-in-progress self-interpretation: “the classical preserves itself precisely because it is significant in itself and interprets itself; that is, it speaks in such a way that it is not a statement about what is past — documentary evidence that (...) still needs to be interpreted — rather, it says something to the present as if it were said specifically to it”. This suggests specifically how the hermeneutic theory of the classic finds in the instance of the Commedia as classic, with its highlighting of the address to the reader, an exceptionally acute and self-conscious instantiation. Moreover, Dante has purposefully woven an ideal of the poetic classic as resistant to time together with his model of Christian salvation and resurrected life in the cantos of Purgatory recounting his meeting with the first-century Roman poet, Statius. Statius’ remark that “poet” is “the name that most endures and honors” (“il nome che più dura e che più onora” — XXI. 85) gestures towards a trans-historical value in literature parallel to the eternal truth of the word of the gospel. This parallelism achieves lapidary form when Statius gives credit for his discovery of enduring, preserving, saving value in both the literary and the religious domains at once to that greatest of classical authors, in Dante’s view, Virgil, to whom he says: “Per te poeta fui, per te cristiano” (“Through you I became poet, through you Christian”). Purgatorio XXI-XXII intimates that poiesis is fundamentally a way through which humans may participate in immortality. Though immortality is certainly a gift from the transcendent Lord of life, it does not come as an object wrapped up neatly for humans in a package. It comes, or rather is given, through their own making, through an active involvement with what transforms them in their own activity of self-transcendence. (shrink)

A gourd is a sort of pumpkin whose shell is frequently used to keep food and water. Gourds are also used as kitchen utensils, musical instruments or decoration. This paper draws attention to the time framework in gourd image representations, which symbolize universality and immortality as well as the positive notions of regeneration and emptiness. By analyzing the artistic expressions in the form of gourd representations reflected in literature and art, this paper reveals the complex notion of time (...) in Chinese civilization. (shrink)

Department of Philosophy and Religions, Faculty of Arts, University of Benin, Benin City. Nigeria.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.2 (2004) 221-223 [Access article in PDF] John J. Conley. The Suspicion of Virtue: Women Philosophers in Neoclassical France. Ithaca, NY: Cornell University Press, 2002. Pp. xi + 222. Cloth, $39.95. The rediscovery of forgotten women philosophers began in the 1970s and has yielded important results by broadening substantially the intellectual history of early modern Europe. In The Suspicion of Virtue: Women Philosophers (...) in Neoclassical France, John J. Conley expands even more the corpus of philosophical texts written by women to include five authors whose work has never been considered in this context. Five salonnières, traditionally considered the authors of light literature, are the subject of Conley's book. By expanding the "map of philosophy sites and genres" (159), Conley has looked beyond the university setting and beyond the female philosophers associated with the major male figures of [End Page 221] the period. He argues that the salon produced important female philosophers whose intellectual power was especially revealed in their highly original consideration and discussion of virtue and whose work provides an alternative to the philosophy produced by the canonical male authors of the seventeenth century.As he explores the moral philosophies of Sablé, Deshoulières, Sablière, Vallière, and Maintenon, Conley shows us how the salon promoted experimentation with alternative methods of philosophical analysis. Specifically, the salon produced philosophical arguments that were "characterized more by debate and by epigrammatic commentary than by the lecture and the treatise" (158). It promoted new methods of argument and focused thematically on moral issues.The works of the Jansenist Madame de Sablé rely on the maxime, the literary genre associated most closely with salon culture. In her Maximes, Sablé engages in moral psychology to offer a critique of aristocratic society. She writes about the pride and self-interest that defines this milieu, and she draws a clear distinction between a physical aristocracy (based on blood and rank) and a spiritual aristocracy of the virtuous. For this author, the essential trait of the individual is moral identity, not family or heritage.The poetry and philosophy of Madame Deshoulières is rooted in naturalism and inspired by the works of Lucretius and Gassendi. For her, virtue involves "an ecological reverence for the material world" (49). She addressed the vice and confusion that come from human misconceptions about nature. In particular, the human refusal to accept mortality reflects a broader refusal to accept the materialist nature of human beings. The belief in human superiority and immortality constitutes an attack on nature and explains human efforts to dominate nature. The belief in human immortality in turn raises issues of morality because it produces in humans hubris and the consequent mistreatment of the animal world and material environment. For Deshoulières virtue involves reverence for the material world.With Sablière the ethical person is the "redeemed saint, the sinner freed to a life of charity by the sovereign action of God and summoned to a particular set of moral duties in the midst of austere prayer" (94-95). Her maxims refer ultimately to spiritual abandonment to the will of God, and Sablière combines a deeply mystical piety, shaped by contact with Quietism, and the idea of the sovereignty of God, derived from Augustinian theology. The individual is dependent upon God's grace, and to live a moral life requires serious contemplation and communication with God and pyschological detachment from self, a relationship that springs from God's initiative.La Vallière also interprets virtue in an Augustinian vein, but her approach to virtue does not insist on abandonment of the world. She writes about knowing God through the experiences of repentance and conversion. Her Reflections on the Mercy of God is a dialogue with God on the part of repentent female voice. Her voice is definitely gendered, and she witnesses to God's mercy.Finally, Conley shows us in turn that the salonnières brought to their discussion of virtue an interest in etiquette and manners that derived from the distinctive experiences of women. Here the... (shrink)

This book explores the desire to live forever, which manifests itself in many forms. The author's self-expressed 'aim has been, simply, to write a readable book that will afford the reader an increased sensitivity to the many ways the desire for immortality has shaped history, philosophy, art, and literature.'.

In lieu of an abstract, here is a brief excerpt of the content:284 HISTORY OF PHILOSOPHY Although this is not the first time that Gentile has been translated into French (a major work of his, L'esprit, acte pur, was published in Paris in 1925), the fact remains nevertheless that his neo-Hegelian system of philosophy fell on deaf ears originally in France, due to the predominance then of Bergsonism and positivi.sm in different areas of French thought. However, as Michele F. Sciacca (...) (another commentator on Gentile) notes in the Preface, the Gentilian system of "actual idealism" should get a better hearing in France from now on, because the widespread interest in Hegel there since 1925 has prepared the ground for its proper reception. The Bibliography, for which Sciacca himself is responsible, includes a section on Gentile's own writings "concerning the national and political formation of Italy" (p. 14); but, significantly enough, those dealing directly with Fascism are all omitted. This omission seems a deliberate attempt to separate Gentile the philosopher from Gentile the Fascist. No matter how understandable psychologically and politically may be the motive here--to have French readers forget that Gentile was the philosopher of Fascism--the attempt itself at bibliographical expurgation, ironically, runs completely counter to the very accent of the Gentilian theory of "pure act" on the unity of thought and action in human experience and history. Rightly or wrongly, Gentile (in sharp contrast to Croce) saw in Fascism the political expression of that unity. As to the secondary sources, the Bibliography again is unnecessarily incomplete, citing as it does only one work in English on Gentile. The anthology closes with a critical note on Gentile's transcendental conception of immortality by the translator (Joseph Moreau), who argues that the "actualistic" philosophy, despite its "religious tone," defeats itself by ending up with an "Epicurean attitude" (p. 324) toward death and the afterlife. PATRICK ROMANELL University o/ Oklahoma Die Tragik in der Existenz des modernen Menschen bei G. Sirnmel. By Isadora Bauer. (Berlin: Duncker und Humblot, 1962. Pp. 94. DM 12.60.) Miss Isadora Bauer's book lends a salutory touch to contemporary philosophical literature, so much of which is abstract and removed from experience. Her treatise, on the other hand, has for its subject matter the human condition, its finitude, and its inescapable tragedy. Georg Simmel, an early twentieth-century philosopher, is less known in this country than he deserves to be. His "Lebensphilosophie," as Miss Bauer points out, although it was influenced by Schopenhauer and Nietzsche, found an original expression through him and foreshadowed in many ways the work of Husserl and the contemporary existential thinkers. Miss Bauer's presentation of Simmel's concept of the tragic is lucid and thorough and manages in a wonderful way to let us see through this one aspect the broad outlines of Simmel 's philosophy as a whole. In Simmel's formulation, life itself, unfolding in tragic antinomy of flux and form, of becoming and being, is the ultimate ground of all tragic conflict. The dynamic life process brings forth all forms and also endangers and destroys them over and over again. The human being encounters these opposites in all aspects of his experience: his existence is tragic at its core. "Moira," the ancient goddess who confronted the Greek hero as an alien power, is in Simmel's modern view of tragedy within man himself. She is the opposition between continuity and discontinuity, the mere stream of events and their form or meaning broken in tragic conflict. At this point, Simmel's dialectics leads to a "third realm," a "more BOOK REVIEWS 285 than" which is both immanent and transcendent, a kind of "coincidentia oppositorum" beyond logic and definition. It is the realm of the "person" within which, although the tragic conflict is not resolved, there arises the free self from whose non-dual perspective the unity and eternity of life are seen. Within this realm the individual gains an illumination the result of which is "amor fad," his free decision to affirm his being. In this act of decision lies the "meaning" and "value" of life. The substance and point of Miss Bauer's book is to show the connection between the metaphysical ground of Simmel... (shrink)

Immortality is a subject which has long been explored and imagined by science fiction writers. In his intriguing new study, Stephen R.L.Clark argues that the genre of science fiction writing allows investigation of philosophical questions about immortality without the constraints of academic philosophy. He reveals how fantasy accounts of issues such as resurrection, disembodied survival, reincarnation and devices or drugs for preserving life can be used as an important resource for philosophical inquiry and examines how a society of (...) immortals might function through a reading of the vampire myth. _How to Live Forever_ is a compelling study which introduces students and professional philosophers to the possibilities of using science fiction in their work. It includes extensive suggestions for further reading, both fictional and philosophical, and examines the work of such major science fiction authors as _Arthur C. Clarke, Frank Herbert, Larry Niven, William Gibson_, and _Colin Wilson_. (shrink)

This book shows, "Nothing is permanent in this World" consisting of true events in span of life when matches with Classical Literature of reality against illusions..

The beliefs of ancient Mesopotamia included many important topics, which looked into the secret of man’s existence, life, and well-being, and the matter went beyond that when he beliefs with his death or the cessation of his life, so the idea of death for him was mysterious, frightening, or chilling the soul, and surrounded by the unknown. So the study of death and life is one of the topics, which draws knowledge of the emotional state towards knowing mortality and how (...) to deal with it, especially, when the people of Mesopotamia thought about, all this leading us to a better understanding of death. The people of Mesopotamia did not doubt about the inevitability of death for man, and made immortality the share of the gods, but Mesopotamian mythological thought leads us to differentiate between the death of gods and the death of humans. Through literary texts we know that the death of gods means disappearing and then appearing or returning again. It also means changing from one state to another as a result of an act that was not death in the true sense, but rather it is their transformation from one state to another. Or they took the permanent form or nature consecrated to them after they were killed, or the final stable form whose accompanying entity was known. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Plato on Virtue:Definitions of ΣωΦpoσynh in Plato's Charmides and in Plotinus Enneads 1.2 (19)Matthias VorwerkWhen interpreting Plato's dialogues we are confronted with a number of difficulties that we rarely meet when looking at the works of any other philosopher in antiquity. The most important reason for these difficulties can be found in the literary form that Plato has chosen for all his extant works, the dialogue. Instead of developing (...) his theories in systematic treatises, as at least some of the pre-Socratic philosophers and most of the philosophical later writers we know of did, Plato prefers to display philosophical conversations, usually with Socrates as the main interlocutor. The advantage of this literary form is that it conveys a sense of immediacy and vividness as does a drama on stage;1 it involves readers in the discussion and lets them experience the process of dialectic going on in the conversation.2 Nevertheless, Plato's dialogues raise a number of questions for those who do not read them only as pieces of literature but who want to analyze their philosophical content, especially where the so-called early dialogues3 are concerned: How are we to interpret the figure of Socrates? Is he supposed to represent the historical Socrates or is he only Plato's mouthpiece, or both? Are the aporiai of the early dialogues really insoluble or are there hints at possible solutions? Are we allowed to refer to later Platonic dialogues, in which metaphysical theories such [End Page 29] as the immortality of the soul, the theory of ideas, and cosmology are explicitly developed, in order to interpret the dialogues of the early period? Is it possible to detect something like a Platonic system that stands behind the dialogues but is not presented in all its details? What is the relation between such a system and Aristotle's reports about the unwritten doctrines () that Plato taught in his school, the Academy? In what regard are Plato's oral teachings at the Academy and his written dialogues connected to each other? And finally: What was Plato's object in composing the dialogues? These are some of the vexed questions that have been occupying scholars since Friedrich Schleiermacher for the past two centuries4 and that form the complex of problems every interpreter of Plato has to face.The present study does not intend to give a solution to all the problems mentioned above. It is concerned with one of the central aporetic early dialogues, the Charmides, which deals with the definition of the meaning of (hereafter, sophrosune), one of the Platonic cardinal virtues. First I am going to describe which definitions of sophrosune are proposed in the Charmides and how Socrates seemingly proves them wrong. Then I will show that these definitions are accepted in Plato's later dialogues or that they can at least be justified with the help of these. Finally I will present Plotinus' theory of the stages or grades of virtue with respect to sophrosune, and with the help of this theory I shall try to find a solution for the aporiai in the Charmides.1. The Definitions of Sophrosune in Plato's CharmidesThe Charmides,5 named after one of the interlocutors of Socrates, is set in the Athens of the year 432, at the beginning of the Peloponnesian [End Page 30] war.6 After a longer absence, which he spent in the military expedition at Potidaia, Socrates returns to Athens and on the next day immediately goes to the usual public meeting places (, 153a2-3). In the Palaistra or wrestling-school of Taureas he meets some friends, among them Chairephon and Critias, the latter being a cousin of Plato's mother and later one of the thirty tyrants.7 When Socrates inquires after the state of philosophy and asks for information about young men excelling in the fields of knowledge and beauty (, 153d4-5), he is referred to Charmides, who has just arrived and who enchants not only the young but also the older men with his beauty. He is Critias' cousin and Plato's uncle, the brother of his mother. Thus the two most important interlocutors in this... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The War with God: Theomachy in Roman Imperial Poetry by Pramit ChaudhuriMartin T. DinterPramit Chaudhuri. The War with God: Theomachy in Roman Imperial Poetry. Oxford: Oxford University Press, 2014. xvi + 386 pp. Cloth, $74.We are all fighting our own demons, but some of us—so Chaudhuri tells us—are even fighting our own gods. Accordingly, a wide range of theomachs and their representation in classical literature fills the (...) ranks of this excellent book that will certainly elbow its way onto Mt. Olympus to sit comfortably next to divine Feeney (1991 and 1998) and sublime Hardie (1986 and 1993). Indeed, Chaudhuri transcends the scope of Feeney (1991) by including not only Senecan (and Attic) tragedy but also texts and contexts ranging from panegyric to philosophy and from lyric to historiography.Chaudhuri’s book falls into three parts. Its first three chapters cover theomachy in Greek poetry (Homer and Attic tragedy), as well as the development of theomachy in Augustan epic, with chapters on Lucretius and Vergil and Ovid. Here, Chaudhuri introduces some of the main patterns and contexts that will be developed in later imperial poetry. Chaudhuri also states clearly what will not be covered here at length: the voyage myths of the Odyssey and the Argonauts, Aristophanes’ Birds, and the (pseudo-) Aeschylean Prometheus Bound. Part 2 covers Neronian literature with Seneca’s Hercules Furens and Lucan, while Part 3 focuses on the Flavian era, with Silius and Statius. Statius’ Capaneus forms a highpoint amongst the theomachs and thus deservedly receives extra attention. Chaudhuri rounds off the Flavian section with a chapter on the politics [End Page 177] of theomachy, in which he samples theomachy as a trope for the confrontation between subject and ruler, ruler and god, rival emperors and the confrontation of dynasties. After all, the Flavian poets had witnessed the principate develop over time, the struggles for the throne, and the rise and fall of dynasties. This is followed by a titillating epilogue showcasing how the themes developed in the previous chapters that breach the divide between mortal and immortal (such as fame, equanimity, skepticism, and poetic and imperial apotheosis) echo through the centuries. Rarely, however, do we find simple didactic moralism. Instead, “the theomach is instrumental in generating a dialogue on the broader symbolism of fighting the gods, its stakes and implications” (323). Chaudhuri can but hint at the rich afterlife of the theomach across Europe from the fifteenth to the seventeenth centuries, a subject that would fill a second volume. He nevertheless whets the reader’s appetite by pointing to Milton’s Paradise Lost and Samson Agonistes, Ariosto’s Orlando Furioso, Christopher Marlowe’s Tamburlaine, Dante’s Inferno, and Tasso’s Gerusalemme Liberata, as well as a host of epigraphs to each chapter, and concludes with a glance at the twentieth and twenty-first centuries with Philip Pullman’s His Dark Materials, Richard Dawkins versus God, and modern physicists’ search for a God particle.Chaudhuri sets the volume off by contrasting theomachy with gigantomachy. While the feats of the Giants “remain far distant in time from the activities of humankind … the theomach speaks the language of humanity … offering a richer context for his radical aspirations and … inviting the audience to adopt an alternative view on the theological status quo” (5). He also places theomachy in its cultural context when he follows Momigliano’s (1984) suggestion that under Augustus poetry replaced antiquarianism and philosophy as the primary genre in which to think about the gods. The figure of the contemptor divum (despiser of the gods) thus comes to embody the contrast between piety and impiety which itself is grounded in the empirical basis of Roman religion. But rather than testing methods of communication with the divine, as the Romans so often did with divinatory practices and ritual protocols, the contemptor divum tackles the question of whether it is possible to know the divine at all and whether the gods even exist. “By placing these conflicts at the heart of their works, the epic poets expanded the cultural conversation to include the testing of the divine in the Romans’ attempts to make sense of the epistemological, theological, and political concerns pertaining... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 147 The Godly Image: Christ and Salvation in Catholic Thought from Anselm to Aquinas. By ROMANUS CESSARIO, O.P. Studies in historical theology. v. 6. Petersham, Mass.: St. Bede's Publications, 1990. Pp. xxiv + 214. $14.95 (paper). The Godly Image presents a retouched version of the author's dissertation, first published in 1982 as Christian Satisfaction in Aquinas: Towards a Personalist Understanding (Washington, DC: University Press of America). Seeking (...) a broader audience, the author has dropped the dissertation's numerous Latin footnotes, shortened and enlivened the chapter titles, and streamlined some of his arguments (e.g., pp. 9395 ). He has as well corrected (e.g., on Pannenberg, p. xxii; on Anselm, p. 157) or toned down (e.g., the description of monastic theology, p. 1) earlier statements. Reference to the possibility that Aquinas suffered a nervous breakdown disappears (p. 18). Still, the work remains substantially the same, reproducing even some typos (e.g., William of St. Armour [sic], p. 3) from the original. The new subtitle, Christ and Salvation in Catholic Thought from Anselm to Aquinas, is unfortunate. First, it leads one to expect a survey of the major soteriological positions articulated in the period between the two, hut such is not forthcoming. The work remains what the original title indicated, a study in the thought of Aquinas. Second, in that work Anselm plays hut a perfunctory role, serving as the foil from whose mercantile model (p. 73) or juridical mentality (p. 91) Thomas can advance to a more appropriately interpersonal grasp of the mode of our salvation. This reading of Anselm, however, leaves him in the hands of liberal Protestant historians of doctrine of the nineteenth century, and, as the bibliography indicates, it ignores more recent literature which rightly stresses the metaphysical and religious depth of Anselm's key concept of iustitia. For a precise rendering of the relation between Anselm and Aquinas, one may wish to place greater emphasis on ST III, q.14, a.I, ad 1. In that text Aquinas accomplishes two things. First, he integrates Anselm's concept of satis· faction with the traditional religious insight that, in some sense, Christ suffered what sinners deserve to suffer. At the same time he deepens the concept by rendering explicit the place of love and obedience as the formal element in satisfaction and thus rejoins Anselm in rejecting any strict notion of penal substitution. These reservations aside, the author's thorough, comprehensive, and competent investigation into Aquinas fills a lacuna in the history of soteriology, a lacuna, one regrets to say, still left open by the work of his immediate predecessor, B. Catao. At the same time the scope 148 BOOK REVIEWS of the author's work offers a further and important contribution. By researching Thomas's thought on satisfaction in the context of penance as well as soteriology, the author manages to suggest, and explicitly, that the generative matrix for Thomas's theoretic work in both areas lies in the cruciform dynamics of Christian conversion, the life of grace. With this insight he opens a door from historical theology to a contemporary systematics. Catholic University of America Washington, D.C. WILLIAM P. LOEWE Free Will and the Christian Faith. By W. S. ANGLIN. Oxford: Clarendon Press, 1990. Pp. vii + 218. $55.00 (cloth). W. S. Anglin, a Post-Doctoral Research Fellow in Mathematics at McGill University, has produced a highly compact and compelling volume which attempts in just 218 pages to prove God's existence, to argue for personal immortality, to defend the coherence of theism against the problem of evil, to provide cogent analyses of both omnipotence and omniscience, and to examine criteria for distinguishing divine revelation from other forms of communication. The thread holding these rather motley swatches of cloth together is the author's concentration on libertarian freedom which weaves throughout the above issues in one way or another. It shows up in the expected places (e.g., in the so-called 'free will defense' of the problem of evil) but also in places hitherto unexpected (Anglin nicely argues that if humans are truly free in the libertarian sense, then it is appropriate and necessary that the Scriptures take the... (shrink)