Die vorliegende Arbeit fragt nach Formen autonomer Individualität, welche zugleich nicht hinter die postmoderne 'Auflösung des Subjekts' zurückgehen. Diese Problematik wird zunächst vor dem Hintergrund der Analyse von Friedrich Nietzsches Begriff des souveränen Individuums diskutiert. Hierbei werden neben der begrifflichen Analyse auch die Ergebnisse der Nietzscheforschung zum Thema behandelt. Um das Konzept souveräner Individualität aber auch weiter zu entwickeln, wird darüber hinaus ein Vergleich zu Foucaults Analyse der antiken Selbstsorge vorgenommen. Die Ergebnisse dieser Analyse werden daraufhin auf Probleme der aktuellen (...) Subjektphilosophie übertragen. Hierbei steht die Frage im Mittelpunkt, wie die Depotenzierung des Subjekts durch die Idee einer autonomen Individualität ergänzt werden kann. Neben dem erstmals vorgenommenen Vergleich zwischen Nietzsches und Foucaults Konzepten der Selbstsorge entwickelt Johannes Heinrich also auch den Begriff einer autonomen Identität, der bereits durch die dekonstruierende Kritik jüngster Subjekttheorien hindurchgegangen ist. (shrink)

PREFACE TO THE FIRST FEENCH EDITION. WHEN the Emperor Otho IIL visited the tomb in which had reposed for many years the mortal remains of Charlemagne, ...

Performance-Kunst ist mehr als ein kulturindustrielles Spektakel, denn sie will auf die Beteiligten existenziell einwirken. Hanna Heinrich entwickelt Analysekategorien, die die Kommunikationsmodi dieser Kunstform ebenso wie ihren gesellschaftstransformativen Anspruch philosophisch ergründen. Dazu bedient sie sich der ästhetischen Positionen G.W.F. Hegels, Friedrich Nietzsches, Martin Heideggers, Alain Badious und Michel Foucaults, die der Kunst große emanzipatorische und soziopolitische Kraft zusprechen sowie politischer Philosophien und Ethiken und zeigt damit auf: »Gelungene« Performances stellen sich als exemplarische Handlungsräume mit utopischem Potenzial der gegenwärtigen Entfremdung (...) entgegen und verweisen auf die (Mit-)Verantwortung und Freiheit jedes Einzelnen. (shrink)

Now you can learn from the original, most important source for magic in the Western world that has ever been published, when you get Agrippa'sThree Books of Occult Philosophy. This massive volume was originally published in 1531, and occultists have been drawing on it ever since. Now, Llewellyn is proud to produce the first complete reprint of the original English translation in the last 500 years. Donald Tyson edited this work and removed the hundreds of errors that appeared in the (...) original translation. He also fully annotated the work, to make it understandableand usableby people today. ·Discover what the Renaissance scholar knew about astrology, medicine, history, herbs, geography, animals, angels, devils, Witches, charms, the weather, and a host of other subjects ·Gain immediate reference to a vast amount of arcane, but completely annotated, magical material ·Find corrected drawings of seals, sigils, and magic squares, and correctly represented geomantic figures ·Explore the practical Kabbalah, geomancy, the magic squares, the elements, the humors, and the Soul of the World ·Consult the new Biographical dictionary for background on each of the hundreds of writers and historical figures referred to by Agrippa ·Consult the new Geographical Dictionary for data on referenced rivers, mountains, nations, citiesmany of which now carry different names. The Three Books of Occult Philosophy is the most complete repository of pagan and Neoplatonic magic ever compiled. This book is packed with material you will not find elsewhere, including copious extracts on magic from obscure or lost works by Pythagoras, Ptolemy, Plato, Aristotle, and many others. Tyson's detailed annotations clarify difficult references and provide origins of quotations, even expanding upon them in many cases, in order to make Agrippa's work more accessible to the modern reader. The Three Books of Occult Philosophy is the ultimate "how-to" for magical workings. It describes how to work all manner of divinations and natural and ceremonial magic in such clear and useful detail that it is stillthe guide for modern techniques. The extensive new supplementary material makes this wisdom practical for use today. The Three Books of Occult Philosophy is an essential reference tool for all students of the occult. Get your copy today. (shrink)

Zudem kommen neben Uninteressierten (Descartes, Kant) auch Kritiker der Tradition (Nietzsche, Heidegger) zu Wort. Die Rolle der Wahrheit in Politik, Recht und Theologie wird im Blick gehalten.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our (...) continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. (shrink)

This book develops an original theory of performative beauty. Philosophical aesthetics has largely neglected one's own actions as a potential experience of the beautiful. Throughout the book, the author uses own experiences of Argentine tango as a case study; one important incentive for social dancing is to have pleasurable and beautiful experiences. This book begins by investigating the methodological causes for why beauty in modernity has been seen to result only from contemplating external objects. It then builds a theory of (...) performative beauty that incorporates findings from new phenomenology, neuroaesthetics, enactivism, and somaesthetics and that reassesses existing inquiries of beauty. The result is an account that identifies kinaesthetic awareness as the point of emergence of both theory and practice, of creation (poiesis) and perception (aisthesis), and of moving (agency) and being moved (reception). Performative beauty is the pleasure of being moved by the dance where the dancer feels both as a creative improvisor and as an integrated part of the activity itself. A Somaesthetics of Performative Beauty - Tangoing Desire and Nostalgia will appeal to scholars and advanced students working in aesthetics, dance studies, performance studies and related fields of artistic research. (shrink)

Neinsagen ist die Formel des Protestes. In einer Welt, die zu Protesten Anlaß bietet, scheint es nicht überflüssig, diese Formel zu untersuchen.

Nuestro punto de partida es la concepción de Merleau-Ponty del lenguaje como "habla". Sostenemos que esta, como experiencia corporal del lenguaje -como lenguaje "en" nosotros-, permite comprender el fenómeno de la /nter-culturalidad como un fenómeno esencialmente /ntra-cultural, en el sentido de una experiencia de la cultura "desde dentro", es decir, desde la experiencia que cada quien hace del lenguaje. Este carácter endógeno e individual de pensar la cultura pone en evidencia, sin embargo, un "entre-lazamiento" recíproco originario entre lo propio y (...) lo extraño que impide de entrada privilegiar ya sea una visión universalista o totalizante o bien individualista o regionalista de la cultura. En dos momentos doy cuenta de este planteamiento: 1. Mundo de la vida y diversidad cultural y 2. El habla como lugar de acceso a las culturas. Our starting point is the conception in Merleau Ponty of language as "speech". We support this concept as corporal experience of language -as language "in" us - allows to understand the phenomenon of ¿nter-culturality as an essentially ¿ntra-cultural phenomenon, in the sense of an experience of culture "from within", that is to say; from the experience that everyone does with the language. This endogenous and individual character of thinking about culture highlights, however, a reciprocal "entanglement" originated among one's own and the strange that initially prevents to privilege, even a universal or totalizing or either an individualistic or regionalist vision of culture. Two moments I take on this approach: 1. World of life and cultural diversity. 2. Speech as an access place to the cultures. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)