A Defence of Chemical Warfare J B S Haldane Originally published in 1925 "Mr Haldane’s brilliant study." Times Leading Article "A book to be read by every intelligent adult." Spectator. This volume discusses the use of chemical weapons during the Second World War from the scientific viewpoint of the eminent bio-chemist, J B S Haldane and attempts to predict their use in conflicts of the future. 84pp Paris or the Future of War B H Liddell Hart Originally published in (...) 1925. "…a gem of close-thinking and deduction." Observer Liddell Hart was one of the twentieth century’s most respected military historians. In this volume he analyzes the causes of war, and the future of war, as well as examining the air, naval and army weapon and the evolution of "New Model Armies". 84pp. Janus: The Conquest of War A Psychological Inquiry William McDougall Originally published in 1927 "Among all the volumes in this series, none, I think is so weighty and impressive as this…" Evening Standard This volume covers lessons of the Great War, the Causes of War, Preventives of War, League to Enforce Peace, and International Air Force as a Prevention of War. 132pp Sinon Or the Future of Politics Edgar Ansel Mowrer Originally published in 1930 A striking analysis of politics and their future from a national and international standpoint. 86pp Typhoeus Or the Future of Socialism Arthur Shadwell Originally published in 1929 "Invaluable, a miracle of compression and illumination."Yorkshire Post This volume provides an analysis of the aims and prospects of Socialism, both in its political and economic aspects. 112pp. (shrink)

H. G. Liddell & R. Scott, A Greek-English Lexicon, rev. and aug. by Sir H. S. Jones. with the ass. of R. McKenzie, Oxford, Clarendon Press, 1940. ῥυθμός , Ion. ῥυσμός (v. infr. 111, IV), ὁ : (ῥέω) :— A. any regular recurring motion (“πᾶς ῥ. ὡρισμένῃ μετρεῖται κινήσει” Arist.Pr.882b2) : I. measured motion, time, whether in sound or motion, Democr.15c ; = ἡ τῆς κινήσεως τάξις, Pl.Lg.665a, cf. 672e ; “ὁ ῥ. ἐκ τοῦ ταχέος (...) - Études grecques (...) et latines. (shrink)

With volumes by some of the most eminent commentators of the day, such as J B S Haldane and B H Liddell Hart, the volumes in this set, originally published between 1925 and 1930 focus on politics, international relations and the lessons that were learnt from the First World War.

This well organized and interesting anthology concerns the image of the self-directed individual as replaced by a deterministic model of his behavior. Since legal, personal-social, and religious institutions still see man as self-controlled and therefore responsible, Mr. Klausner views this replacement as particularly troublesome. The first third of the book is predominantly historical and draws from an extremely tolerant range of sources including yoga, philosophy, psychology, hypnosis and self-help publications. The remainder of the volume is psychological and sociological, with emphasis (...) on the individual acting under stress, and with the traditional philosophical problems completely ignored. While the thematic problem is not obviously tackled there is fruitful examination of significant concepts with detailed and well-researched relationships of these concepts with a manifold of phenomena. There are several extensive bibliographies accompanying the readings. Not including introductory contributions the book includes: "Self-Control in the Perspective of History": Klausner, B. Nelson, Moses Hadas; "Self-Control in a Sociological Perspective": S. M. Dornbusch, M. K. Opler, Guy E. Swanson; "Self-Control in Psychological Perspective": I. L. Janis, S. J. Korchin, H. Liddel; "Self-Control in Psychiatric Perspective": M. T. Orne, O. McK, Rioch, K. Goldstein; and "Scientific Hermeneutics": Klausner.—D. A. G. (shrink)

The words χρxs22EF and δεxs1FD6 with their inflectional and dialectic variations, are less definite and stable in their semantic range than the other Greek expressions for the general ideas of necessity, obligation, or propriety. Their semantic boundaries varied with the dialect, province of literature, and period–which cannot, indeed, be entirely separated. From Homer to Aristotle there is a steady trend, so plain that the slight notice taken of it is rather surprising. Everyone sees that the two are sometimes differentiated; yet (...) it seems to be loosely taken for granted that they are substantially equivalent, and that either may, almost anywhere, be taken as an equivalent of the verbal in -τxs22EFος. The statements in Liddell and Scott under χρxs22EF present an admirable confusion of all periods and styles, and J. H. H. Schmidt, with no mention of dates, makes a distinction that resembles a reversal of the true relation. (shrink)

Purpose of the study is to shed light on the role of psychophysiology in the creative process, namely, the style corrections connected with pathological changes in the artist’s organism, deviating from empirical-descriptive methods. Theoretical basis of the study implies the interpretation of the notions style and disease not in their narrow professional limitation but from the standpoint of expanding the parameters of these concepts to philosophical dimensions. Based on the principle of analogy, the research findings prove that non-mimetic creative process (...) manifests itself exclusively in connection with a human from a bodily viewpoint through anthropological mimesis, which can program the propensity to certain capabilities of the individual organism. C. G. Jung was the first who pointed to the productivity of this method in his work "Theoretical Reflections on the Nature of the Psyche". The creativity phenomenon reflects not only "pure" psychology and the intellectual and spiritual component but also its relation to the artist as a physical being. It, outside its belonging to and being conditioned by transcendent factors, includes a quantitative aspect related to the moment of intensity. The disease acts to some extent as a stimulator of the production/change of aesthetic enzyme. In this context, the dialectic method is also effective because the subject of study cannot be comprehensively argued using naturalistic approaches only and requires a semantic explanation too. The essence of it is the logic of contradictions. In this case, the antinomy of matter-spirit plays a conceptual role in the projection on the plane of word-formation. Originality of the research findings is in the expansion of the causal relationship range of the creative process, namely the inclusion of the factor of psycho-physiological pathology into the system artist-work. This factor performs important stylistic functions. Conclusions. In contrast to scientific studies, where 1) style is analyzed separately and 2) the figure of the artist, this study argues the need to correlate these issues, taking them beyond descriptiveness to avoid schematics and one-dimensionality. (shrink)

1. Amūnīyūs ibn Hirmiyās wa-atharuh fī falsafat al-Farābī = Ammonius son of Hermias and his influence on the philosophy of Al-Farabi--2. Simbilīlīkūs wa-atharuh fī mītāfīzīqā Ibn Sīnā = Simplicius and his influence on Avicenna's metaphysics.

What are we to make of Sophocles's use of the term "Tyrannus"1 in the title of his tragedy Oedipus Tyrannus? Did he simply mean "king," as most translators would have it, or did he mean "tyrant" in the sense of despot—or some combination of both? A sampling of translations offered by Amazon yields seventeen titles using either "Rex" or "King," on the one hand, and three using "Tyrant."H. G. Liddell and Robert Scott define tyrannus as meaning an "absolute monarch (...) unlimited by law or constitution … not applied to old hereditary sovereignties … for the term rather regards the irregular way the power was gained, than the way in which it was exercised.… However, the word soon came to imply reproach, like our... (shrink)