In this major work, Blumenberg takes issue with Karl Lowith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the ...

Zu den heftig diskutierten Themen der zeitgenössischen Philosophie gehört die Frage nach der Lebenswelt. Oft erscheint sie als eine Welt des alltäglichen Handelns, aus der die Philosophie entspringt, ohne doch in ihr aufgehen zu können. Zum 90. Geburtstag von Hans Blumenberg präsentiert der Suhrkamp Verlag nun einen Nachlaßtext, in dem der Philosoph das Problem weit radikaler faßt. Blumenberg begreift die Lebenswelt nicht als faktische Welt oder Alltagswelt, sondern als die Welt, wie sie wäre, wenn es in ihr keine unbeantworteten Fragen, (...) keine unbefriedigten Bedürfnisse, keine ungesicherten Aussagen gäbe. In dieser Welt der Selbstverständlichkeit ist Philosophie noch nicht möglich oder nicht mehr nötig. Von Kants »Ding an sich± über die Schwarzen Löcher der Astronomen bis hin zum Zustand wunschlosen Glücks reichen Blumenbergs Vergleiche, die auf immer wieder überraschende Weise beleuchten, worin die Schwierigkeiten liegen, die Lebenswelt überhaupt zum Gegenstand von Erkenntnis zu machen. Es zeigt sich, daß die Beziehung zwischen Theorie und Lebenswelt in einer Erfahrung des Verlusts gesucht werden muß: Wissenschaft ist nichts anderes als der Versuch, mit den Folgen des Verschwindens von Selbstverständlichkeit fertig zu werden. (shrink)

In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Val+1⁄4ry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide (...) and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Hans Blumenberg is Professor of Philosophy at the University of M++nster. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy. (shrink)

What role do metaphors play in philosophical language? Are they impediments to clear thinking that should be eradicated in the interests of terminological exactness? Or can they be used by philosophers to indicate the attitudes that regulate an epoch?

This major work by the German philosopher Hans Blumenberg is a monumental rethinking of the significance of the Copernican revolution for our understanding of modernity.

This collection of original essays by preeminent interpreters of continental philosophy explores the question of whether Western thought and culture have been dominated by a vision-centered paradigm of knowledge, ethics, and power. It focuses on the character of vision in modern philosophy and on arguments for and against the view that contemporary life and thought are distinctively "ocularcentric." The authors examine these ideas in the context of the history of philosophy and consider the character of visual discourse in the writings (...) of Plato, Descartes, Hegel, Nietzsche, Husserl, Heidegger, Benjamin, Sartre, Merleau-Ponty, Levinas, Derrida, Foucault, Gadamer, Wittgenstein, and Habermas. With essays on television, the visual arts, and feminism, the book will interest readers in cultural studies, gender studies, and art history as well as philosophers. (shrink)

Shipwreck with Spectator traces the evolution of the complex of metaphors related to the sea, to shipwreck, and to the role of the spectator in human culture from ancient Greece to modern times. This elegant essay exemplifies Blumenberg's ideas about the ability of the historical study of metaphor to illuminate essential aspects of being human. Originally published in the same year as his monumental Work on Myth, Shipwreck with Spectator traces the evolution of the complex of metaphors related to the (...) sea, to shipwreck, and to the role of the spectator in human culture from ancient Greece to modern times. The sea is one of humanity's oldest metaphors for life, and a sea journey, Blumenberg observes, has often stood for our journey through life. We all know the role that shipwrecks can play in this journey, and at some level we have all played witness to others' wrecks, standing in safety and knowing that there is nothing we can do to help, yet fixed comfortably or uncomfortably in our ambiguous role as spectator. Through Blumenberg's seemingly inexhaustible knowledge of letters, from ancient texts through nineteenth-century reminiscences and modern speeches, we see layer upon layer revealed in the meaning humans have given to these metaphors; and in this way we begin to understand what metaphors can do that more straightforward modes of expression cannot. This edition of Shipwreck with Spectator also includes "Prospect for a Theory of Nonconceptuality," an essay that recounts the evolution of Blumenberg's ideas about metaphorology in the years following his early manifesto "Paradigms for a Metaphorology.". (shrink)

Inhaltsverzeichnis - Einleitung; Lebenswelt und Technisierung unter Aspekten der Phänomenologie; 'Nachahmung der Natur'. Zur Vorgeschichte der Idee des schöpferischen Menschen; Anthropologische Annäherung an die Aktualität der Rhetorik; Sprachsituation und immanente Poetik; Paradigma, grammatisch; Ernst Cassirers gedenkend bei Entgegennahme des Kuno-Fischer-Preises der Universität Heidelberg.

1947 legt Hans Blumenberg aus Bargteheide in Holstein an der Christian-Albrechts-Universität zu Kiel seine unter schwierigsten persönlichen Umständen entstandene Dissertation 'Beiträge zum Problem der Ursprünglichkeit der mittelalterlich-scholastischen Ontologie" vor. Hinter diesem Titel verbirgt sich eine mit ständigem Bezug auf die Philosophie Heideggers und seine "Fundamentalontologie' geführte Auseinandersetzung mit dem Denken des christlichen Mittelalters, in dem die Frage nach dem Grund des Seins eine so krisenhafte wie produktive Zuspitzung erfahren hatte. Die Dissertation wird von den Gutachtern Ludwig Landgrebe und Rudolf Schneider (...) mit "ausgezeichnet" bewertet, aber sämtliche Bemühungen, zeitnah einen Verlag für die Arbeit zu finden, scheitern. Blumenbergs brillantes Erstlingswerk blieb mehr als 70 Jahre ungedruckt. Nun wird es erstmals publiziert in einer leserorientierten Edition, die unter anderem Übersetzungen der zahlreichen altsprachlichen Zitate wie auch ein "Verzeichnis der Referenzliteratur" bietet, das die Lücke des im Original fehlenden Literaturverzeichnisses schliesst und dieses darüber hinaus durch heute zugängliche Ausgaben ergänzt. In ihrem Nachwort beleuchten die Herausgeber den Entstehungskontext dieses Werks, das überraschende Perspektiven auf Blumenbergs Biographie und Denkentwicklung eröffnet. (shrink)

History, Metaphors, and Fables collects the central writings by Hans Blumenberg and covers topics such as on the philosophy of language, metaphor theory, non-conceptuality, aesthetics, politics, and literary studies. This landmark volume demonstrates Blumenberg's intellectual breadth and gives an overview of his thematic and stylistic range over four decades. Blumenberg's early philosophy of technology becomes tangible, as does his critique of linguistic perfectibility and conceptual thought, his theory of history as successive concepts of reality", his anthropology, or his studies of (...) literature. History, Metaphors, Fables allows readers to discover a master thinker whose role in the German intellectual post-war scene can hardly be overestimated. (shrink)

Accompanying CD contains a radio program originally broadcast on Hessischen Rundfunk on Dec. 12, 1967, entitled: Die Maschinen und der Fortschritt : Gedanken zu enier Geistesgeschichte der Technik.

This extract is the first English translation of Hans Blumenberg's posthumous publication Beschreibung des Menschen, which was published by Suhrkamp Verlag in 2006. Based on lectures concerning the German tradition of philosophical anthropology that Blumenberg gave at the University of Münster, the book's basic project is the explicit fusion of Husserlian phenomenology with philosophical anthropology — an attempt to grasp what the human is by identifying its basic structures. The result is a highly nuanced conception of the possibility of human (...) self-reflection that is at the core of philosophy and of culture as a recipe for the species’ survival. Instead of answering the question “What is man?” Blumenberg proposes here a minimalist anthropology that seeks to answer a different question: “How is man possible?” The chapters selected for translation are intended to give readers a sense of the book, little known in the Anglophone world, which in its original German runs to some nine hundred pages. (shrink)

In this accessible collection of short meditations on various topics, Blumenberg works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues—metaphors, gestures, anecdotes—essential to grasping human finitude.

Beherrschten vor 20 Jahren noch Industriekonglomerate, Energiekonzerne und Banken die Rangliste der wertvollsten Unternehmen, wurden diese längst von Internetgiganten wie Google, Apple, Amazon und Tencent abgelöst. Digitale Technik ist allgegenwärtig: Wir tragen Hochleistungsrechner in unseren Taschen herum, Waschmaschinen können sich mit dem Internet verbinden. Doch erschöpft sich darin das Neue am digitalen Kapitalismus? 0Philipp Staab beleuchtet den digitalen Kapitalismus aus unterschiedlichen Perspektiven, um ihn präziser auf den Begriff zu bringen. Er zeigt, wie digitale Überwachungs- und Bewertungspraktiken in immer mehr Bereiche (...) der Wirtschaft vordringen und dabei die soziale Ungleichheit verschärfen. Das Spezifische am digitalen Kapitalismus, so Staab, ist die Herausbildung 'proprietärer Märkte': Kam es früher darauf an, Dinge herzustellen und mit Gewinn zu verkaufen, geht es im Zeitalter der Unknappheit um das Eigentum an den Märkten selbst. (shrink)

In "Moses the Egyptian"--the centerpiece of Rigorism of Truth, the German philosopher Hans Blumenberg addresses two defining figures in the intellectual history of the twentieth century: Sigmund Freud and Hannah Arendt. Unpublished during his lifetime, this essay analyzes Freud's Moses and Monotheism and Arendt's Eichmann in Jerusalem, and discovers in both a principled rigidity that turns into recklessness because it is blind to the politics of the unknown. Offering striking insights into the importance of myth in politics and the extent (...) to which truth can be tolerated in adversity, the essay also provides one of the few instances where Blumenberg reveals his thinking about Judaism and Zionism. Rigorism of Truth also includes commentaries by Ahlrich Meyer that give a fuller understanding of the philosopher's engagement with Freud, Arendt, and the Eichmann trial, as well as situating these reflections in the broader context of Blumenberg's life and thought. (shrink)

An important work by 20-century philosopher Hans Blumenberg, here translated into English for the first time, The Laughter of the Thracian Woman describes the reception history of an anecdote best known from Plato's Theaetetus dialogue: while focused on observing the stars, the early astronomer and proto-philosopher Thales of Miletus fails to see a well directly in his path and tumbles down. A Thracian servant girl laughs, amused that he sought to understand what was above him when he was not mindful (...) of what was right in front of him. Blumenberg sees the story as a highly sought substitute for our missing knowledge of the earliest historical events that would fit the label "theory." By retelling the anecdote, philosophers reveal their distinctive values regarding absorption in curiosity, philosophy's past, and the demand that theorists abide by sanctioned methods and procedures. In this work and others, Blumenberg demonstrates that philosophers' most beloved images and anecdotes have become indispensable to philosophy as metaphors; that is, as representations whose meanings remain indefinite and invite frequent reinterpretation. (shrink)