Guido Adlers Studie über den Stil in der Musik bietet einen tiefgehenden Einblick in die musikalischen Strömungen vom Mittelalter bis zur Renaissance. Für alle, die ein tiefes Verständnis der Entwicklung von Europas Musikgeschichte gewinnen möchten. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, (...) you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis (...) and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Through sophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time. (shrink)

I argue that intercultural argumentation can only succeed if the same views about rational argumentation dominate in the two cultures. Hence, I will show that the possibilities of successful intercultural argumentation are limited. I will proceed in the following way: First, I will define arguments and argumentation situations. Second, I will investigate the general cases of persons, who in fact are rational in argumentation situations and persons, who believe to be rational. Third, I will illustrate the consequences for both cases. (...) Fourthly, I will apply these general cases to representatives of different cultures i.e. to intercultural argumentation. (shrink)

Pierre Duhem (1861-1916) gehörte zu jenen Wissenschaftlern, die im ausgehenden 19. Jahrhundert an der Umbildung der Physik im großen Stil arbeiteten und damit an der Vorbereitung der wissenschaftlichen Revolution beteiligt waren, die durch Planck und Einstein herbeigeführt wurde. Duhems klassisches Werk der modernen Wissenschaftstheorie hat auf die Entwicklung des logischen Empirismus nachhaltigen Einfluß ausgeübt. Das von Duhem beigezogene reichhaltige Material und seine konzisen Fallstudien stellen eine Fundgrube für jeden dar, der sich ernsthaft mit Wissenschaftstheorie beschäftigt.

It is widely hold view that persons have privileged access to their own minds, although there are numerous different views, how it exactly looks like. One possible interpretation of this privilege of first-person-perspective is to regard reference to own mental states as privileged in comparison to reference to mental states of others. I will argue for the existence of an additional privilege of third-person-perspective: Other persons can refer to all mental states of a person in way the person herself cannot. (...) Hence, the possibilities for first-person-reference from a third-person-perspective are limited. In this sense, there also exists a privileged access to other minds. (shrink)

Critical scholarly edition of J. G. Fichte's Closed Commercial State.

We prove that the Weihrauch lattice can be transformed into a Brouwer algebra by the consecutive application of two closure operators in the appropriate order: first completion and then parallelization. The closure operator of completion is a new closure operator that we introduce. It transforms any problem into a total problem on the completion of the respective types, where we allow any value outside of the original domain of the problem. This closure operator is of interest by itself, as it (...) generates a total version of Weihrauch reducibility that is defined like the usual version of Weihrauch reducibility, but in terms of total realizers. From a logical perspective completion can be seen as a way to make problems independent of their premises. Alongside with the completion operator and total Weihrauch reducibility we need to study precomplete representations that are required to describe these concepts. In order to show that the parallelized total Weihrauch lattice forms a Brouwer algebra, we introduce a new multiplicative version of an implication. While the parallelized total Weihrauch lattice forms a Brouwer algebra with this implication, the total Weihrauch lattice fails to be a model of intuitionistic linear logic in two different ways. In order to pinpoint the algebraic reasons for this failure, we introduce the concept of a Weihrauch algebra that allows us to formulate the failure in precise and neat terms. Finally, we show that the Medvedev Brouwer algebra can be embedded into our Brouwer algebra, which also implies that the theory of our Brouwer algebra is Jankov logic. (shrink)