Provides a short introduction to Kant, emphasizing Kant's own view of his philosophy. Deleuze offers an overview of the whole of Kant's critical philosophy.

Deleuze and Guattari differentiate between philosophy, science, and the arts - seeing each as a means of confronting chaos - and challenge the common view that philosophy is an extension of logic. The authors also discuss the similarities and distinctions between creative and philosophical writing. Fresh anecdotes from the history of philosophy illuminate this book, along with engaging discussions of composers, painters, writers, and architects.

Firms located in communities in which people are, on average, more trusting enjoy some benefits in terms of the power of CEO contracts. We present two pieces of empirical evidence to support this claim: (1) higher average trust in a county is associated with “flatter” executive contracts and (2) when an exogenous shock occurs (such as a scandal involving an important social institution), both trust and contracting move in similar directions. We obtain the first result in a panel specification and (...) the second in a “difference-in-difference” specification that uses the revelation of sex scandals involving the Catholic Church across different U.S. localities. (shrink)

Praised for its rare combination of scholarly rigor and imaginative interpretation, _Nietzsche and Philosophy_ has long been recognized as one of the most important analyses of Nietzsche. It is also one of the best introductions to Deleuze's thought, establishing many of his central philosophical positions. In _Nietzsche and Philosophy_, Deleuze identifies and explores three crucial concepts in Nietzschean thought-multiplicity, becoming, and affirmation-and clarifies Nietzsche's views regarding the will to power, eternal return, nihilism, and difference. For Deleuze, Nietzsche challenged conventional philosophical (...) ideas and provided a means of escape from Hegel's dialectical thinking, which had come to dominate French philosophy. He also offered a path toward a politics of difference. In this new edition, Michael Hardt's foreword examines the profound influence of Deleuze's provocative interpretations on the study of Nietzsche, which opened a whole new avenue in postwar thought. (shrink)

Considered one of the most important works of one of France's foremost philosophers, and long-awaited in English, "The Logic Of Sense" is an essay in literary and psychoanalytic theory, and philosophy, and helps to illuminate such works as "Anti-Oedipus".

Examines the philosophical foundations of Foucault's writings and discusses his views on knowledge, punishment, power, and subjectivation.

This brilliant exposition of the critique of identity is a classic in contemporary philosophy and one of Deleuze's most important works. Of fundamental importance to literary critics and philosophers,Difference and Repetition develops two central concepts—pure difference and complex repetition&mdasha;and shows how the two concepts are related. While difference implies divergence and decentering, repetition is associated with displacement and disguising. Central in initiating the shift in French thought away from Hegel and Marx toward Nietzsche and Freud, _Difference and Repetition_ moves deftly (...) to establish a fundamental critique of Western metaphysics. (shrink)

A critical examination of the figure of Oedipus in psychoanalysis and Western culture as it relates to the history of society and capitalism.

« Je considère ici le sens et le rôle de l'irrationnel dans certaines œuvres humaines, dans certaines créations majeures de l'esprit humain, et tout particulièrement dans les œuvres de la science. Dans cette perspective, je distinguerais trois types significatifs d'irrationnel. Le premier serait l'irrationnel comme obstacle, point de départ d'une reconquête de la rationalité. Le second, l'irrationnel comme recours, moyen de renouveler et de prolonger l'acte créateur. Le troisième, l'irrationnel par renoncement, ou si l'on veut par abandon, est au contraire (...) un véritable rejet du rationnel. C'est cette triple distinction qui servira de fil conducteur à nos réflexions sur l'irrationnel dans les œuvres, dans l'esprit d'un rationalisme ouvert et dynamique, en vue de reconnaître et de délimiter le rôle positif de l'irrationnel. » G. G. G. (shrink)

Il faudrait que le dialogue se fasse, non pas entre des personnes, mais entre les lignes, entre des chapitres ou des parties de chapitre. Ce seraient les vrais personnages. Perdre la mémoire : il faudrait plutôt dresser des " blocs ", les faire flotter. Un bloc d'enfance n'est pas un souvenir d'enfant. Un bloc nous accompagne, est toujours anonyme et contemporain, et fonctionne dans le présent - Oublier l'histoire : la question des devenirs, et de leur géographie. Un devenir-révolutionnaire est (...) plus important que l'avenir ou le passé de la révolution. Un devenir-femme, un devenir-animal sont plus importants que la différence des sexes et des règnes - Ne pas " faire le point " : plutôt tracer des lignes. Les lignes n'ont pas d'origine, et poussent par le milieu. On ne fait jamais table rase, on est toujours au milieu de quelque chose, comme l'herbe. Plus on prend le monde là où il est, plus on a de chance de le changer... Se séparer de l'appareil d'Etat et de tout système qui le prend pour modèle ou veut le conquérir : la présence diffuse de machines de guerre irréductibles au modèle d'Etat, toute une histoire populaire qui n'a pas été recueillie, un nomadisme même immobile. Devenir ou re-devenir marxiste : aucune analyse n'est possible si elle ne porte aussi sur les mécanismes industriels et surtout financiers dans un champ social. Non pas suprême instance, mais lignes, et régimes de signes, qui s'enchaînent avec les autres, et dont les flottaisons s'agencent avec d'autres flux. (shrink)

Conceptual integration—“blending”—is a general cognitive operation on a par with analogy, recursion, mental modeling, conceptual categorization, and framing. It serves a variety of cognitive purposes. It is dynamic, supple, and active in the moment of thinking. It yields products that frequently become entrenched in conceptual structure and grammar, and it often performs new work on its previously entrenched products as inputs. Blending is easy to detect in spectacular cases but it is for the most part a routine, workaday process that (...) escapes detection except on technical analysis. It is not reserved for special purposes, and is not costly.In blending, structure from input mental spaces is projected to a separate, “blended” mental space. The projection is selective. Through completion and elaboration, the blend develops structure not provided by the inputs. Inferences, arguments, and ideas developed in the blend can have effect in cognition, leading us to modify the initial inputs and to change our view of the corresponding situations.Blending operates according to a set of uniform structural and dynamic principles. It additionally observes a set of optimality principles. (shrink)

La philosophie n'est ni contemplation, ni réflexion, ni communication. Elle est l'activité qui crée les concepts. Comment se distingue-t-elle de ses rivales, qui prétendent nous fournir en concepts? La philosophie doit nous dire quelle est la nature créative du concept, et quels en sont les concomitants : la pure immanence, le plan d'immanence, et les personnages conceptuels. Par là, la philosophie se distingue de la science et de la logique. Celles-ci n'opèrent pas par concepts, mais par fonctions, sur un plan (...) de référence et avec des observateurs partiels. L'art opère par percepts et affects, sur un plan de composition avec des figures esthétiques. La philosophie n'est pas interdisciplinaire, elle est elle-même une discipline entière qui entre en résonance avec la science et avec l'art, comme ceux-ci avec elle : trouver le concept d'une fonction, etc. C'est que les trois plans sont les trois manières dont le cerveau recoupe le chaos, et l'affronte. Ce sont les Chaoïdes. La pensée ne se constitue que dans ce rapport où elle risque toujours de sombrer. (shrink)

This article presents a gnostic division of truth and the world, or between theory and philosophy. In the course of the article the structure of decision is articulated in both political and theoretical senses. Against the agnosticism of philosophy, always an alibi given over to the functioning of the capitalist world where life is not worth living, this article presents a gnosis that requires creating and beginning with the proletarian subject akin to the way the French Maoist group Gauche prolétarienne (...) began by taking theory into the factories in the late 1960s. (shrink)

Threat-related stimuli can capture attention. However, it remains debated whether this capture is automatic or not. To address this question, we compared attentional biases to emotional faces using a dot-probe task (DPT) where emotion was never goal-relevant (Experiment 1) or made directly task-relevant by means of induction trials (Experiments 2–3). Moreover, the contingency between the DPT and induction trials was either partial (Experiment 2) or full (Experiment 3). Eye-tracking was used to ascertain that the emotional cue and the subsequent target (...) were processed with peripheral vision. Experiments 1 and 2 both showed that negative faces captured attention, with faster target processing when it appeared on the same side as the preceding fearful face (i.e. fear-valid trials) compared to the opposite side where the neutral face was shown (i.e. fear-invalid trials), but also when it appeared on the side of the preceding neutral face (i.e. happy-invalid trials) compared to the happy face (i.e. happy-valid trials). Importantly, this preferential spatial orienting to negative emotion was not observed in Experiment 3, where the goal relevance of emotion was high. However, in that experiment, fearful faces produced a specific attentional bias during the DPT, which was mostly driven by the induction trials themselves. (shrink)

Here, I lay the foundations of a high-level ontology of particulars whose structuring principles differ radically from the 'continuant' vs. 'occurrent' distinction traditionally adopted in applied ontology. These principles are derived from a new analysis of the ontology of “occurring” or “happening” entities. Firstly, my analysis integrates recent work on the ontology of processes, which brings them closer to objects in their mode of existence and persistence by assimilating them to continuant particulars. Secondly, my analysis distinguishes clearly between processes and (...) events, in order to make the latter abstract objects of thought (alongside propositions). Lastly, I open my ontological inventory to properties and facts, the existence of which is commonly admitted. By giving specific roles to these primitives, the framework allows one to account for static and dynamic aspects of the physical world and for the way that subjects conceive its history: facts account for the life of substances (physical objects and processes), whereas events enable cognitive subjects to account for the life story of substances. (shrink)

Neste artigo, apresentamos o intuicionismo como uma atitude epistêmica geral, caracterizada pelo rigor de suas exigências de verificação não apenas na matemática e na lógica, mas em todo conhecimento cientifico.

L’objectif de l’article est de proposer une théorie de l’engagement psychologique dans le langage. C’est-à-dire de présenter une vue systématique de l’implication de la psyché des sujets parlants dans leur accomplissement d’actes de langage ou encore de ce à quoi ils sont assujettis sur le plan psychologique quand ils parlent. Cette théorie a la forme d’une série de thèses chacune relative à un trait spécifique de la performance langagière. Prenant appui sur la philosophie du langage de John Searle et Daniel (...) Vanderveken, elle est élaborée à partir d’une notion originale d’engagement à avoir des états mentaux.The aim of this article is to propose a theory of the psychological commitment in the language. In other words, it is to present a systematic view of how the mental states of the speakers are present in their performance of speech acts, of what are the psychological states to the possession of which the speakers are committed when they speak. This theory is based on several thesis, each of which is about a specific aspect of the performance of speech acts. It is proposed in the perspective of the philosophy of language of John Searle and Daniel Vanderveken on the basis of an original concept of commitment to have mental states. (shrink)

The aim of the present article is to examine the paradox that while Bourdieu appears to be highly favorable to Marx, there is a radical disagreement between their two theoretical systems. In Bourdieu’s writing, comments favorable to Marx outweigh criticism by a ratio of 4,5 to 1. Marxists, in contrast, come in for ten times more criticism than support. Bourdieu’s approval of Marx in fact concerns only what are secondary aspects, while the few critiques he addresses delineate a structural opposition (...) between the two authors. Bourdieu rejects the theory of surplus value, the Marxist theory of exploitation, and the communist project. Among other things, he draws up a critique of Marx’s analyses of the State, legitimation, social classes. Explanation for the paradox is to be sought in the strategy deployed by Bourdieu in the field of the social sciences. (shrink)

Let X be a non-reflexive Banach space such that X ∗ is separable. Let N be the set of all equivalent norms on X , equipped with the topology of uniform convergence on bounded subsets of X . We show that the subset Z of N consisting of Fréchet-differentiable norms whose dual norm is not strictly convex reduces any difference of analytic sets. It follows that Z is exactly a difference of analytic sets when N is equipped with the standard (...) Effros–Borel structure. Our main lemma elucidates the topological structure of the norm-attaining linear forms when the norm of X is locally uniformly rotund. (shrink)

Les Salons de Diderot figurent sans conteste parmi les plus fameux écrits sur l’art. Bien plus, on a longtemps répété que l’encyclopédiste avait initié la « critique d’art », entendue comme un genre littéraire clairement défini et appelé à une postérité féconde. Or, non seulement Diderot n’est pas l’inventeur du genre, mais le philosophe ne se percevait pas lui-même comme critique d’art. Les Salons, en effet, ne constituent pas une production en marge du corpus philosophique de Diderot ; au contraire, (...) ils s’inscrivent au cœur de l’œuvre générale de ce penseur atypique, en même temps qu’ils en restituent l’image, en prolongent les questionnements, en dévoilent les ambitions et en révèlent la méthode. Pourtant, il n’est pas faux d’affir­mer que les écrits de Diderot sur l’art sont conçus comme une critique des œuvres d’art, singulièrement de celles des peintres, à la double condition d’entendre conve­nablement le sens philosophique que Diderot donne au mot « critique » et de conserver en mémoire qu’écrire, pour le salonnier, ne consiste jamais à parler de la peinture mais, bien plutôt, de s’astreindre à parler peinture. (shrink)

Tratamos neste artigo de algumas questões concernentes aos aspectos do pensamento nas obras científicas e à relação entre ciência e filosofia.

Une copie vénitienne d'un bilan financier, dressé par la Secrète du royaume de Chypre pour l'année 1412-1413, vient démontrer les capacités de réaction des derniers Lusignan aux crises du XIVe s. Le compte examiné, en dépit de ses nombreuses lacunes, assure que Janus, suivant l'exemple de Jacques Ier, renforce l'exploitation directe du domaine de la couronne, fiscalise les fiefs, développe les recettes extraordinaires (dîme royale, mète du sel). Ainsi, durant la seconde décennie du XVe s., le royaume franc conserve des (...) revenus importants, comparables à ceux d'autres États de l'Occident médiéval. Le règne de Janus, au moins jusqu'en 1424, ne s'identifie pas à la période de déclin trop souvent décrite. (shrink)

Résumé Les trois dernières décennies de la croissance de l’économie chinoise sont à mettre au crédit de son insertion dans l’économie mondiale. Une grande partie de l’activité est liée à des commandes faites par des donneurs d’ordre étrangers à des établissements manufacturiers. Les relations de sous-traitance ne se résument pourtant pas à des relations de subordination. En particulier en Chine rurale, ces relations peuvent être horizontales, fortement insérées dans des réseaux sociaux préexistants. Cette situation interroge la frontière entre autonomie et (...) subordination. (shrink)

La tesis central de este artículo es que “los centros de encierro” disciplinarios descritas por Foucault: “cárcel, hospital, fábrica, escuela, familia, atraviesan una crisis generalizada”. Vivimos la decadencia de la “sociedad disciplinaria”, que fue “la sucesora de las sociedades de soberanía”, cuyos fines y funciones eran completamente distintos. Estas surgieron en los siglos XVII y XVIII hasta mediados del XX, y fueron el tema central de las investigaciones de Foucault. La sociedad actual es denominada como “sociedad de control” y éste (...) se ejerce fluidamente en espacios abiertos, en forma desterritorializada, mediante los psico-fármacos, el consumo televisivo, el marketing, el endeudamiento privado, el consumo, entre otras modalidades. Lo esencial en ellas son las cifras fluctuantes e intercambiables como las que muestran el valor de una moneda en las otras, el movimiento incesante del surf que sustituye los deportes lentos y estratégicos como el box. Las fábricas son reemplazadas por las empresas, que son formaciones dúctiles y cambiantes, las máquinas simples por sistemas computarizados de producción y control. La in-dividualidad es sustituida por “divuales” externos, informatizados e informatizables, que se desplazan en un espacio virtual. (shrink)

This article presents a formal ontology which accounts for the general nature of artefacts. The objective is to help structure application ontologies in areas where specific artefacts are present - in other words, virtually any area of activity. The conceptualization relies on recent philosophical and psychological research on artefacts, having resulted in a largely consensual theoretical basis. Furthermore, this ontology of artefacts extends the foundational DOLCE ontology and supplements its axiomatization. The conceptual primitives are as follows: artificial entity, intentional production (...) of entities, (state of) capacity, capacity to play a role in actions of a given type, function and functional object. These primitives enable artefacts in general to be characterized as intentionally and successfully produced entities, and isolate an important subclass of “technical” artefacts to which a function is ascribed. Lastly, we emphasize the novelty of this ontology by comparing it with other works with similar objectives. (shrink)

Perhaps the question “What is philosophy?” can only be posed late in life, when old age has come, and with it the time to speak in concrete terms. It is a question one poses when one no longer has anything to ask for, but its consequences can be considerable. One was asking the question before, one never ceased asking it, but it was too artificial, too abstract; one expounded and dominated the question, more than being grabbed by it. There are (...) cases in which old age bestows not an eternal youth, but on the contrary a sovereign freedom, a pure necessity where one enjoys a moment of grace between life and death, and where all the parts of the machine combine to dispatch into the future a trait that traverses the ages: Turner, Monet, Matisse. The elderly Turner acquired or conquered the right to lead painting down a deserted path from which there was no return, and that was no longer distinguishable from a final question. In the same way, in philosophy, Kant’s Critique of Judgment is a work of old age, a wild work from which descendants will never cease to flow.We cannot lay claim to such a status. The time has simply come for us to ask what philosophy is. And we have never ceased to do this in the past, and we already had the response, which has not varied: philosophy is the art of forming, inventing, and fabricating concepts. But it was not only necessary for the response to take note of the question; it also had to determine a time, an occasion, the circumstances, the landscapes and personae, the conditions and unknowns of the question. One had to be able to pose the question “between friends” as a confidence or a trust, or else, faced with an enemy, as a challenge, and at the same time one had to reach that moment, between dog and wolf, when one mistrusts even the friend. Gilles Deleuze was professor of philosophy at the University of Paris VIII, Vincennes-St.-Denis, until his retirement in 1987. Among his books translated into English are the two-volume Capitalism and Schizophrenia , the two-volume Cinema , The Logic of Sense , and Expressionism in Philosophy: Spinoza . Daniel W. Smith is a doctoral candidate in philosophy at the University of Chicago. He is at work on a study of the philosophy of Deleuze, and is translating Deleuze’s Francis Bacon: Logique de la sensation. Arnold I. Davidson, executive editor of Critical Inquiry, teaches philosophy at the University of Chicago and is currently Marta Sutton Weeks Fellow at the Stanford Humanities Center. (shrink)

Le pli a toujours existé dans les arts, mais le propre du Baroque est de porter le pli à l'infini. Si la philosophie de Leibniz est baroque par excellence, c'est parce que tout se plie, se déplie, se replie. Sa thèse la plus célèbre est celle de l'âme comme " monade " sans porte ni fenêtre, qui tire d'un sombre fond toutes ses perceptions claires : elle ne peut se confondre que par analogie avec l'intérieur d'une chapelle baroque, de marbre (...) noir, où la lumière n'arrive que par des ouvertures imperceptibles à l'observateur du dedans : aussi l'âme est-elle pleine de plis obscurs. Pour découvrir un néo-Baroque moderne, il suffit de suivre l'histoire du pli infini dans tous les arts : " pli selon pli " avec la poésie de Mallarmé et le roman de Proust, mais aussi l'œuvre de Michaux, la musique de Boulez, la peinture de Hantaï. Et ce néoleibnizianisme n'a cessé d'inspirer la philosophie. (shrink)

FOIS is the flagship conference of the International Association for Ontology and its Applications, a non-profit organization which promotes interdisciplinary research and international collaboration at the intersection of philosophical ontology, linguistics, logic, cognitive science, and computer science. This book presents the papers delivered at FOIS 2023, the 13th edition of the Formal Ontology in Information Systems conference. The event was held as a sequentially-hybrid event, face-to-face in Sherbrooke, Canada, from 17 to 20 July 2023, and online from 18 to 20 (...) September 2023. In total, 62 articles from 19 different countries were submitted, out of which 25 were accepted for inclusion in the conference and for publication; corresponding to an acceptance rate of 40 percent. The contributions are separated into the book’s three sections: (1) Foundational ontological issues; (2) Methodological issues around the development, alignment, verification and use of ontologies; and (3) Domain ontologies and ontology-based applications. In these sections, ontological aspects from a wide variety of fields are covered, primarily from various engineering domains including cybersecurity, manufacturing, petroleum engineering, and robotics, but also extending to the humanities, social sciences, medicine, and dentistry. A noticeable trend among the contributions in this edition of the conference is the recognition that improving the tools to analyze, align, and improve ontologies is of paramount importance in continuing to advance the field of formal ontology. The book will be of interest to all formal and applied ontology researchers, and to those who use formal ontologies and information systems as part of their work. (shrink)

We define a generic notion of cut that applies to many first-order theories. We prove a generic cut elimination theorem showing that the cut elimination property holds for all theories having a so-called pre-model. As a corollary, we retrieve cut elimination for several axiomatic theories, including Church's simple type theory.

Machine generated contents note: -- Preface to the English edition \ Translators' Introduction \Preface to the French Edition \ 1. Theses on Movement: First Commentary onBergson \ 2. Frame and Short, Framing and Cutting \ 3. Montage \ 4. TheMovement-Image and its Three Varieties: Second Commentary on Bergson \ 5. ThePerception-Image \ 6. The Affection-Image Face and Close-Up \ 7. TheAffection-Image: Qualities, Powers, Any-Space-Whatevers \ 8. From Affect toAction: The Impulse Image \ 9. The Action-Image: The Large Form \ 10. (...) The Action-Image:The Small Form \ 11. Figures, or the Transformation of Forms \ 12. The Crisisof the Action-Image \ Glossary \ Notes \ Index. (shrink)

Widespread preservation of fossilized biomolecules in many fossil animals has recently been reported in six studies, based on Raman microspectroscopy. Here, we show that the putative Raman signatures of organic compounds in these fossils are actually instrumental artefacts resulting from intense background luminescence. Raman spectroscopy is based on the detection of photons scattered inelastically by matter upon its interaction with a laser beam. For many natural materials, this interaction also generates a luminescence signal that is often orders of magnitude more (...) intense than the light produced by Raman scattering. Such luminescence, coupled with the transmission properties of the spectrometer, induced quasi‐periodic ripples in the measured spectra that have been incorrectly interpreted as Raman signatures of organic molecules. Although several analytical strategies have been developed to overcome this common issue, Raman microspectroscopy as used in the studies questioned here cannot be used to identify fossil biomolecules. (shrink)