The essay deals with the question of how works of art that evoke a sense of the sublime are to be analysed in terms of Kant’s theory. Although Kant assumes the possibility of a beautiful representation of the sublime, of a sublime “shaped by beauty”, that a work can appear sublime is not immediately clear. Contrapurposiveness plays a key role in the experience of the sublime, but art is an essentially purposive context and aims at beauty. Following readings such as (...) those by K. Pillow and R. Wicks, this paper argues that a work of art can occasion a feeling akin to that of the sublime by expressing aesthetic ideas. According to Kant, the beautiful form conveys representations of imagination that strive towards a presentation of the ideas of reason, that is, the true sublime for Kant, opening up for the mind the prospect of an immensurable field of related representations. The image itself suggests that, in confronting this multitude of representations, the mind is “animated” in a way that can be compared -- albeit with significantdifferences -- to that typical of the sublime. In the essay this possibility is further pursued with particular regard to painting. (shrink)

In this paper, I distinguish three general approaches to public trust in science, which I call the individual approach, the semi-social approach, and the social approach, and critically examine their proposed solutions to what I call the problem of harmful distrust. I argue that, despite their differences, the individual and the semi-social approaches see the solution to the problem of harmful distrust as consisting primarily in trying to persuade individual citizens to trust science and that both approaches face two general (...) problems, which I call the problem of overidealizing science and the problem of overburdening citizens. I then argue that in order to avoid these problems we need to embrace a (thoroughly) social approach to public trust in science, which emphasizes the social dimensions of the reception, transmission, and uptake of scientific knowledge in society and the ways in which social forces influence both positively and negatively the trustworthiness of science. (shrink)

Philosophers suggested that usual picture perception requires the simultaneous occurrence of the perception of the surface and of the depicted object. However, there are special cases of picture perception, such as trompe l'oeil perception, in which, unlike in usual picture perception, the object looks like a real, present object we can interact with, of the kind we are usually acquainted with in face-to-face perception. While philosophers suggested that usual picture perception and trompe l'oeil perception must differ with respect to the (...) perception of the surface, nobody has ever proposed a final explanatory account for such a difference. Here, I propose such an account. I consider the two possible options as candidates for the explanation of the illusory power of trompe l'oeil perception. The first is that, with trompe l'oeils, we perceive the surface unconsciously. The second is that, with trompe l'oeils, we cannot perceive the surface at all, that is, we cannot perceive it either consciously or unconsciously. I show that the second option is the unique plausible option, as it is in line with vision science, and with our received view about the nature of usual picture perception. (shrink)

This discussion of pride, shame, and guilt centers on the beliefs involved in the experience of any of these emotions. Through a detailed study, the author demonstrates how these beliefs are alike--in that they are all directed towards the self--and how they differ. The experience of these three emotions are illustrated by examples taken from English literature. These concrete cases supply a context for study and indicate the complexity of the situations in which these emotions usually occur.

Are there any universal entities? Or is the world populated only by particular things? The problem of universals is one of the most fascinating and enduring topics in the history of metaphysics, with roots in ancient and medieval philosophy. This collection of new essays provides an innovative overview of the contemporary debate on universals. Rather than focusing exclusively on the traditional opposition between realism and nominalism, the contributors explore the complexity of the debate and illustrate a broad range of positions (...) within both the realist and the nominalist camps. Realism is viewed through the lens of the distinction between constituent and relational ontologies, while nominalism is reconstructed in light of the controversy over the notion of trope. The result is a fresh picture of contemporary metaphysics, in which traditional strategies of dealing with the problem of universals are both reaffirmed and called into question. (shrink)

According to the received view in the philosophical literature on pictorial perception, when perceiving an object in a picture, we perceive both the picture’s surface and the depicted object, but the surface is only unconsciously represented. Furthermore, it is suggested, such unconscious representation does not need attention. This poses a crucial problem, as empirical research on visual attention shows that there can hardly be any visual representation, conscious or unconscious, without attention. Secondly, according to such a received view, when looking (...) at a picture aesthetically, one both consciously represents and visually attends to both the depicted object and the picture’s surface simultaneously. Thus, contra the empirical research on attention, only conscious visual representations are coupled, by such current view, with attention. And this clearly poses a second problem, as this philosophical account is not in tune with what vision science tells us about the functioning of our visual system. Furthermore, this raises another crucial problem, namely, that of explaining why aesthetic experience of pictures does not feel odd or conflicting, since, as previously noted in the philosophical literature, and contra the received view, if we are simultaneously consciously perceiving both the picture’s surface and the depicted object, there seems to be two things, at the same time, in the foreground of one’s visual consciousness. But, if so, as suggested, this would lead to a conflicting spatial visual experience. This paper offers a new description of the role of visual attention in picture perception, which explains the difference between the usual and the aesthetic way of perceiving a depicted object, without facing the problems reported above. A crucial role in our new account is played by the notion of unconscious attention, the distinction between focal and distributed, as well as top-down and bottom-up visual attention and the relationship between visual attention and visual consciousness. The paper, thus, offers the first theory concerning the exercise of visual attention in pictorial perception that is both philosophically rigorous and empirically reliable. (shrink)

In this article, we propose a new account concerning the interlock between intentions and motor representations (henceforth: MRs), showing that the interface problem is not as deep as previously proposed. Before discussing our view, in the first section we report the ideas developed in the literature by those who have tried to solve this puzzle before us. The article proceeds as follows. In Sections 2 and 3, we address the views by Butterfill and Sinigaglia, and Mylopoulos and Pacherie, respectively, and (...) argue that both solutions entail a translation between representational formats, which both accounts aim to avoid. In Section 4, we present our brand‐new claim, according to which intentions and MRs partially share the same motor format, inasmuch as executable action concepts are naturally represented in the agent's motor system together with the action's outcomes. Indeed, since intentions are constituted by executable action concepts and since there is evidence that action concepts are represented (and, thus, built) in the same motor format as action outcomes, the interlock between intentions and MRs no longer constitutes a problem. Then, in Section 5, we report empirical evidence in support of our claim, and before concluding, in Section 6 we briefly clarify our relations with two very recent accounts that criticized the proposals by Mylopoulos and Pacherie and Butterfill and Sinigaglia: Shepherd's and Burnston's. Finally, in Section 7, we offer some remarks about the philosophical idea defended here. The basic insight is that interface without translation is possible because action concepts are such stuff as MRs are made on. (shrink)

Vol. 1. Aristotle's Ontology and the Middle Ages: the Tradition of Met., Book Zeta.

Within a laboratory experiment we investigate a principal-agent game in which agents may, first, self-select into a group task (GT) or an individual task (IT) and, second, choose work effort. In their choices of task and effort the agents have to consider pay contracts for both tasks as offered by the principal. The rational solution of the game implies that contract design may not induce agents to select GT and provide positive effort in GT. Furthermore it predicts equal behavior of (...) agents with different productivities. In contrast, considerations of trust, reciprocity and cooperation – the social-emotional model of behavior – suggest that contract design can influence the agents’ willingness to join groups and provide effort. We analyze the data by applying a two-step regression model (multinomial logit and tobit) and find that counter to the rational solution, contract design does influence both, task selection and effort choice. The principal can increase participation in work groups and can positively influence group performance. Larger payment increases the share of socially motivated agents in work groups. The selection effect is larger than the motivation effect. (shrink)

The Simple Counterfactual Analysis (SCA) was once considered the most promising analysis of disposition ascriptions. According to SCA, disposition ascriptions are to be analyzed in terms of counterfactual conditionals. In the last few decades, however, SCA has become the target of a battery of counterexamples. In all counterexamples, something seems to be interfering with a certain object’s having or not having a certain disposition thus making the truth-values of the disposition ascription and of its associated counterfactual come apart. Intuitively, however, (...) it would seem that, if all interferences were absent, the disposition ascription and its associated conditional would have the same truth-value. Although this idea may seem obvious, it is far from obvious how to implement it. In fact, it has become widely assumed that the content of qualifying ceteris paribus clauses (such as ‘if all interferences were absent’) cannot be specified in a clear and non-circular manner. In this paper, I will argue that this assumption is wrong. I will develop an analysis of disposition ascriptions, the Interference-Free Counterfactual Analysis, which relies on a clear and non-circular definition of the notion of interference and avoids the standard counterexamples to SCA while vindicating the intuition that disposition ascriptions and counterfactual conditionals are intimately related. (Please note that an erratum has been issued for the published version of this paper. It is recommended to read the self-archived version of the paper.). (shrink)

Here is a crucial question in the contemporary philosophy of perception: how can we be aware of action properties? According to the perceptual view, we consciously see them: they are present in our visual phenomenology. However, this view faces some problems. First, I review these problems. Then, I propose an alternative view, according to which we are aware of action properties because we imagine them through a special form of imagery, which I call visuomotor imagery. My account is to be (...) preferred as it offers an explanation of our awareness of action properties without generating all the problems that the perceptual view faces. (shrink)

Molyneux’s question famously asks about whether a newly sighted subject might immediately recognize, by sight alone, shapes that were already familiar to her from a tactile point of view. This paper addresses three crucial points concerning this puzzle. First, the presence of two different questions: the classic one concerning visual recognition and another one concerning vision-for-action. Second, the explicit distinction, reported in the literature, between ocular and cortical blindness. Third, the importance of making reference to our best neuroscientific account on (...) vision, ‘the two visual systems model’, in order to better address Molyneux’s problem. Then, by offering a new, deeper analysis of the relation between, and, this paper suggests that the subjects of Molyneux’s two different questions show the same visual impairment as brain-damaged subjects with different lesions of the visual cortex. In particular, the subject of the first question shows the same impairment in visual recognition as a visual agnosic subject, while the subject of the second question shows the same visual impairment in visuomotor processing as an optic ataxic subject. These impairments still hold even if ocular processing is restored. Therefore, I suggest the following. For the first classic question, the required experimental setting cannot be properly reached. By contrast, concerning the second question, based on the interpretation we select, either the answer is negative, or, as with the first question, the experimental setting cannot be properly reached. This proposal constitutes, with the other approaches offered in the literature, a further attempt to tackle the enormous complexity of Molyneux’s puzzle. (shrink)

This paper is part of a book symposium on Theodore Sider's Writing the Book of the World.

In two often neglected passages of the Critique of Pure Reason, Kant submits that the Critique is a 'treatise' or a 'doctrine of method'. These passages are puzzling because the Critique is only cursorily concerned with identifying adequate procedures of argument for philosophy. In this book, Gabriele Gava argues that these passages point out that the Critique is the doctrine of method of metaphysics. Doctrines of method have the task of showing that a given science is indeed a science (...) because it possesses 'architectonic unity' – which happens when it realizes the 'idea' of a science. According to Gava's novel approach, the Critique establishes that metaphysics is capable of this unity, and his reading of the Critique from this perspective not only illuminates the central role of the Transcendental Doctrine of Method within it, but also clarifies the relationship between the different parts of the work. (shrink)

According to power theorists, properties are powers—i.e. they necessarily confer on their bearers certain dispositions. Although the power theory is increasingly gaining popularity, a vast majority of analytic metaphysicians still favors what I call ‘the nomic theory’—i.e. the view according to which what dispositions a property confers on its bearers is contingent on what the laws of nature happen to be. This paper argues that the nomic theory is inconsistent, for, if it were correct, then properties would not confer any (...) dispositions on their bearers—they would only appear to do so (just like how, in cases of mimicking, objects do not really have the relevant dispositions, they merely appear to have them). If my arguments are sound, then the nomic theory is incoherent and ultimately collapses into what I call ‘neo-occasionalism’ and powers turns out to be the only available option for those who believe that properties genuinely confer dispositions on their bearers. (shrink)

Public reason liberalism is defined by the idea that laws and policies should be justifiable to each person who is subject to them. But what does it mean for reasons to be public or, in other words, suitable for this process of justification? In response to this question, Kevin Vallier has recently developed the traditional distinction between consensus and convergence public reason into a classification distinguishing three main approaches: shareability, accessibility and intelligibility. The goal of this paper is to defend (...) the accessibility approach by demonstrating its ability to strike an appealing middle course in terms of inclusivity between shareability and intelligibility. We first argue against Vallier that accessibility can exclude religious reasons from public justification. Second, we use scientific reasons as a case study to show that accessibility excludes considerably fewer reasons than shareability. Throughout the paper, we connect our discussion of accessibility to John Rawls’s model of public reason, so as to give substance to the accessibility approach and to further our understanding of Rawls’s influential model. (shrink)

This paper explores the socio-epistemic practice of shopping for experts. I argue that expert shopping is particularly likely to occur on what Thi Nguyen calls cognitive islands. To support my argument, I focus on macroeconomics. First, I make a prima-facie case for thinking that macroeconomics is a cognitive island. Then, I argue that ordinary people are particularly likely to engage in expert shopping when it comes to macroeconomic matters. In particular, I distinguish between two kinds of expert shopping, which I (...) call cynical and wishful, and introduce the notion of assisted expert shopping, which occurs when people or organizations shop for experts on behalf of other people. I argue that assisted expert shopping can sometime result in what I call a propagandistic use of expertise. Finally, I critically examine some possible reasons for optimism and find them wanting. I conclude by suggesting that that much of what I said about shopping for macroeconomic experts might also apply mutatis mutandis to other policy-relevant domains of expertise. (shrink)

The history of Pythagoreanism is littered with different and incompatible interpretations. This observation directs this book towards a fundamentally historiographical rather than philological approach, setting out to reconstruct the way in which the tradition established Pythagoreanism s image.".

In this paper, I develop Mauricio Suárez’s distinction between denotation, epistemic representation, and faithful epistemic representation. I then outline an interpretational account of epistemic representation, according to which a vehicle represents a target for a certain user if and only if the user adopts an interpretation of the vehicle in terms of the target, which would allow them to perform valid (but not necessarily sound) surrogative inferences from the model to the system. The main difference between the interpretational conception I (...) defend here and Suárez’s inferential conception is that the interpretational account is a substantial account—interpretation is not just a “symptom” of representation; it is what makes something an epistemic representation of a something else. (shrink)

Interpretations of Kant’s account of the forms of “taking-to-be-true” (Fürwahrhalten) have generally focused on three such forms: opinion (Meinung), belief (Glaube), and knowledge (Wissen). A second distinction that has received comparatively less attention is that between conviction (Überzeugung) and persuasion (Überredung). Kant appears to use the distinction between the subjective and the objective sufficiency of a taking-to-be-true to characterize all of these forms. However, it is impossible to account for the differences between them by relying on this latter distinction alone. (...) In turn, this makes it difficult to fit all of these forms into a single classification of taking-to-be-true. In this chapter, I propose a new approach to conviction and persuasion that dissolves these problems. Conviction and persuasion are not single forms of taking-to-be-true with distinctive characteristics, yet it is not useful to treat them as “classes” of taking-to-be-true either. Rather, they are “operators” that determine whether a taking-to-be-true is apt or inapt, depending on whether it rests on a correct evaluation of the grounds we have. (shrink)

In this paper, I argue that, contrary to the constructive empiricist’s position, observability is not an adequate criterion as a guide to ontological commitment in science. My argument has two parts. First, I argue that the constructive empiricist’s choice of observability as a criterion for ontological commitment is based on the assumption that belief in the existence of unobservable entities is unreasonable because belief in the existence of an entity can only be vindicated by its observation. Second, I argue that (...) the kind of ontological commitment that is under consideration when accepting a scientific theory is commitment to what I call theoretical kinds and that observation can vindicate commitment to kinds only in exceptional cases. (shrink)

Among the theses that for centuries have ensured Niccolò Machiavelli an ambiguous fame, a special place goes to his extremely positive opinion of social conflicts, and, more in particular, to the claim that in ancient Rome 'the disunion between the plebs and the Roman senate made that republic free and powerful'. Contrary to a long tradition that had always highly valued civic concord, Machiavelli thought that - at least under certain conditions - internecine discord could be a source of strength (...) and not of weakness, and built upon this daring proposition an original vision of political order. Machiavelli in Tumult is the first book-length study entirely devoted to analyzing this idea, its ancient roots, its enduring influence up until the American and the French Revolution, and its relevance for contemporary political theory. (shrink)

The essay examines both the dances and the dance notation of renowned nineteenth century choreographer Carlo Blasis. It looks in detail at Blasis major treatise The Code of Terpsichore in an effort to evaluate how Blasis linked a science of movement to a conception of the body oriented around the prevailing aesthetics informing all of the fine arts. Identifying Blasis as both a philosopher and a mechanist, this essay analyzes his approach to teaching basic ballet vocabulary, and in particular the (...) arabesque. Whereas Kleist, with his Marionettentheater, proposes the puppet as a figure of grace, located somewhere between animal and doll, Blasis brings together the movement science of mechanics and the descriptive theory of grace in a poetics of the arabesque, a synthesis of elevation and evanescence, which we see when we conjure up pictures of nineteenth century Romantic ballet. (shrink)

In this paper, I consider how different versions of the similarity account of scientific representation might apply to a simple case of scientific representation, in which a model is used to predict the behaviour of a system. I will argue that the similarity account is potentially susceptible to the problem of accidental similarities between the model and the system and that, if it is to avoid this problem, one has to specify which similarities have to hold between a model and (...) a system for the model to be a faithful representation of that system. The sort of similarity that needs to hold between the model and the system, I argue, is a “second-order” similarity rather than simply a “first-order” similarity. This will not only avoid the problem but hopefully will contribute to dispelling the impression that an account of representation based on similarity is hopelessly vague. (shrink)

In this paper, I distinguish scientific models in three kinds on the basis of their ontological status—material models, mathematical models and fictional models, and develop and defend an account of fictional models as fictional objects—i.e. abstract objects that stand for possible concrete objects.