A new, expanded, and reorganized edition of a collection of texts that present a fuller scope to Guattari's thinking from 1977 to 1985. This new edition of Soft Subversions expands, reorganizes, and develops the original 1996 publication, offering a carefully organized arrangement of essays, interviews, and short texts that present a fuller scope to Guattari's thinking from 1977 to 1985. This period encompasses what Guattari himself called the “Winter Years” of the early 1980s—the ascent of the Right, the spread of (...) environmental catastrophe, the rise of a disillusioned youth with diminished prospects for career and future, and the establishment of a postmodernist ideology that offered solutions toward adaptation rather than change—a period with discernible echoes twenty years later. Following Semiotext's release last season of the new, expanded edition of Chaosophy: Texts and Interviews 1972–1977, this book makes Guattari's central ideas and concepts fully available in the format that had been best suited to Guattari's temperament: the guerrilla-styled intervention of the short essay and interactive dialogue. This edition includes such previously unpublished, substantive texts as “Institutional Intervention” and “About Schools,” along with new translations of “War, Crisis, or Life” and “The Nuclear State,” interviews and essays on a range of topics including adolescence and Italy, dream analysis and schizo-analysis, Marcel Proust and Jimmy Carter, as well as invaluable autobiographical documents such as “I Am an Idea-Thief” and “So What.”. (shrink)

The fifth and sixth volume of the _Adagia_ (Proverbs) of the Amsterdam edition of the Latin texts of Erasmus give an introduction in German and a critical edition of the Latin text of the third thousand _Adages_.

The ninth and last volume of the Adagia of the Amsterdam edition of the Latin texts of Erasmus gives an introduction in German and a critical edition of the Latin text of the Collectanea , an early version of the Adagia that completely differs from the latter collection.

The ninth and last volume of the _Adagia_ (Proverbs) of the Amsterdam edition of the Latin texts of Erasmus gives an introduction in German and a critical edition of the Latin text of the _Collectanea_, an early version of the _Adagia_ that completely differs from the latter collection.

McGarvey (Econometrica, 21(4), 608–610, 1953) has shown that any irreflexive and anti-symmetric relation can be obtained as a relation induced by majority rule. We address the analogous issue for dominance relations of finite cooperative games with non-transferable utility (coalitional NTU games). We find any irreflexive relation over a finite set can be obtained as the dominance relation of some finite coalitional NTU game. We also show that any such dominance relation is induced by a non-cooperative game through β-effectivity. Dominance relations (...) obtainable through α-effectivity, however, have to comply with a more restrictive condition, which we refer to as the edge-mapping property. (shrink)

What is salvific community for Ignatius of Loyola? It is communion with Christ, a dynamic for which Ignatius used the expression ‹societies Jesu›. This wording has a revealing intertextuality. ‹Societas› is the Vulgate’s rendering of Pauline and Johannine koinōnia: «sharing in (Christ)». The NT overtones of the Ignatian experience of communion can be explored regarding a theology of relationship (person), of action (history) and of the Church (representation). Being a person is understood as being friend and servant, history as the (...) salvific kairos of Christ’s activity, and the Church as the communion representing him—each time a typically Christian conception deciding always for that option that cannot be generalised through abstraction. (shrink)

The article analyses the problems and possibilities in saying that Judaism, Christianity and Islam ‹have the same God›.

La Historia de la Filosofía se ubica en una tensión entre el tiempo y el logos, cuya adecuada comprensión decide en última instancia el papel que ésta cumple en la Filosofía. Esta tesis es desarrollada por el autor mediante el estudio del lugar que tal disciplina ocupa en la constitución del Sistema hegeliano. Según esto, la dependencia mutua del tiempo y del logos debe mostrarse por dos vías contrapuestas: de un lado, la necesidad de considerar la existencia (Dasein) del concepto (...) en el tiempo, y de otro lado, el esfuerzo que representa la Filosofía como esclarecimiento del tiempo histórico en el concepto. Por esta razón, si bien Hegel sabe de la importancia de la Historia de la Filosofía en la consolidación del Sistema (según el lema de que el saber acerca del devenir histórico de la Filosofía es ya Filosofía), su presentación de la misma revela un mayor énfasis en el lagos. A diferencia de Hegel, el autor opina que no debe hablarse de los textos filosóficos como "meros hijos de su tiempo" (y por tanto, como observables desde una perspectiva "superior" a ellos), sino que es preciso reconocer en ellos una opacidad inherente, reflejo de la cual los textos filosóficos pueden abordarse siempre de modos diversos. (shrink)

En este artículo me propongo abordar la cuestión del estatuto de la filosofía en lo que se ha denominado poshistoria desde una perspectiva que pretende articular el diagnóstico foucaultiano del presente con la filosofía política de Rancière. Lo que pretendo señalar es el sentido que adquiere una pos..

How does one arrive at a life in politics and policy? What happens to one's ideals when confronted with the reality that the only way to get things done in Washington is compromise? Who are the men and women who help shape our national agenda, and what drives their work? Dispatches From the Eastern Front provides fascinating, intensely personal, yet universal answers to these central questions. Recounting four decades inside Washington politics, Gerald Felix Warburg brings remarkable candor to a most (...) unusual memoir. An idealistic California baby boomer transported to the intimidating world of Capitol Hill policymaking at a young age, Warburg finds himself working to reform nuclear energy, strategic arms control, and foreign policy. As his access and power grow, greater challenges loom: how to maintain principles while cutting deals, and how to balance public purpose with private interests. An eclectic career reveals the slow and often painful development of emotional intelligence for work at the highest reaches of the public arena. (shrink)

:Es preciso fijar nuestra atención en los principales supuestos que implica la declaración de Derechos Humanos, especialmente respecto de aquellos que actualmente se encuentran bajo una discusión controvertida dentro del campo de la filosofía. En este trabajo, el autor, de acuerdo con las ideas de las diferentes declaraciones de Derechos Humanos, sostiene que estos no son sólo un instrumento jurídico positivo, sino también, y principalmente, un elevada conquista humana basada en el descubrimiento y reconocimiento de la dignidad y del valor (...) inherentes en toda persona humana. Los derechos humanos son el resultado de una larga tradición de gente que lucho en favor del ser humano, en todas las sociedades y en todo momento de la historia de la humanidad. Los Derechos Humanos son universales, y todo gobierno ha de protegerlos y defender su total observancia. La persona humana es el sujeto central de los Derechos Humanos, por lo que se considera que es pura confusión hablar de los derechos de animales. El derecho de la gente a autodeterminarse, como una parte de los Derechos Humanos, se aplica solamente en las situaciones particulares de poblaciones en situaciones coloniales u otras formas de dominación extranjera. Los Derechos Humanos también implican un alto nivel de virtudes, y el reconocimiento de los seres humanos como miembros de una comunidad que hace posible que exista la persona humana. Aunque se suelen centrar en las dimensiones políticas y sociales de la vida humana, también pueden ser perseguidos en pro de la felicidad, de la paz, la democracia, la justicia, la igualdad, el pluralismo, en definitiva, como mejor nivel de vida y de solidaridad. Ahora bien, existe un problema práctico que reclama nuestra unión: crear las condiciones sociales, políticas, económicas y culturales que hagan posibles los objetivos de la declaración de Derechos Humanos. (shrink)

Different languages present a variety of ways of talking about emotional experience. Very commonly, feelings are described through the use of ¿body image constructions¿ in which they are associated with processes in, or states of, specific body parts. The emotions and the body parts that are thought to be their locus and the kind of activity associated with these body parts vary cross-culturally. This study focuses on the meaning of three ¿body image constructions¿ used to describe feelings similar to, but (...) also different from, English ¿jealousy¿, ¿envy¿, and ¿covetousness¿ in the West African language Ewe. It is demonstrated that a ¿moving body¿, a pychologised eye, and red eyes are scripted for these feelings. It is argued that the expressions are not figurative and that their semantics provide good clues to understanding the cultural construction of emotions both emotions and the body. (shrink)

Within the broader horizon of asking about the relevance of the Reformation, or more particularly, Martin Luther’s thought, this paper first draws on the old debate whether there can be a Christian conception of tragic guilt by reconstructing an argument Giorgio Agamben develops against von Fritz’s denial of this possibility. The paper shows that Agamben makes a similar move as Protestantism by claiming that natura, which is always already spoiled by hamartia, is objective, naturaliter not personaliter. But in doing so, (...) he does not draw the proper consequences. He tries to re-inscribe this realization into a post-Thomist anthropology, thus not drawing the most radical conclusions necessary from the objectification of hamartia as natura, namely that natura is always already lacking and is itself in a sense an object as lack. This paper shows how this consequences is, on the contrary, developed in Martin Luther’s notion that the “whole of nature” is corrupted and in the ensuing totus-homo principle. To draw the delineation of the production of this lack, it is useful to draw on the notion of kerygma and its usage in both tragedy and the Pauline New Testament. With it, one can think of a repetition of the constitution of the subject through a “message” or “kerygma” that is heteronomous. What is left in and through this repetition can be viewed as “nothingness”, as is shown in the example of Martin Luther’s translation of the humilitas of Mary as “nothingness”. This product of kerygma is at the same time potentially the cause for another type of subjectivity, a comic subjectivity, yet one which carries the heritage of its tragic constitution with it. As a methodological consequence, this paper suggests that it is not possible to develop proper notions of the subject within contemporary debates without repeating or representing the event of the site of this potentially comic subjectivity within the early thought of Martin Luther. (shrink)

On a remarqué très tôt qu’il existait une parenté quant aux moyens rhétoriques entre la phénoménologie de Husserl et l’Archéologie de Foucault. Si on comprend la rhétorique non pas (comme les premiers dialogues de Platon voulaient le montrer) comme contraire de la philosophie, ni comme son vis-à-vis, mais comme dimension incontournable de l’argumentation philosophique, à travers la mise en place de moyens rhétoriques, performatifs et de mise en scène, alors cette parenté gagne une nouvelle signification. Husserl lui-même utilise le concept (...) d’« archéologie phénoménologique », dans un texte de 1932 (ici présenté, pour la première fois en français) et ce, dans un sens programmatique. À partir de cet arrière-plan, une convergence se dessine entre les tentatives de Husserl et de Foucault, d’une part de comprendre leur propre entreprise comme archéologie et de pourvoir celle-ci du prestige d’une science héroïque et en même temps d’une sobriété toute positiviste ; d’autre part d’éviter l’implication d’une ontologie platonicienne-dualiste de l’apparence et de l’Être, de la surface et de la profondeur à travers des interprétations spécifiques, visant à mettre en place une disposition horizontale des objets. (shrink)

El debate republicano ha mostrado poco interés por las instituciones económicas. En este texto se repasan brevemente los debates republicanos clásicos sobre el temprano capitalismo comercial. En su segunda parte, se exploran los problemas de compatibilidad entre el ideal republicano y el capitalismo. En la parte final se exponen diversas propuestas republicanas recientes que ponen el acento en diversos principios y que se muestran desigualmente críticas con el capitalismo. Los problemas más importantes no afectan tanto al mercado en sentido estricto (...) como a las estructuras de propiedad que se traducen en estructuras de poder no sometido al control democrático. (shrink)

Este artículo trata de algunas piezas de cobre acuñadas entre del siglo I H y las primeras décadas del II H. y halladas recientemente en Mallorca, Ibiza y Menorca. Esta evidencia numismática, junto con la proporcionada por un conjunto de piezas depositado en el Museu de Menorca, permite plantear cuestiones sobre la datación y el contenido de los pactos establecidos entre los andalusíes y los habitantes de las islas antes del año 902 d. C, fecha de la expedición de conquista (...) de ‛Iṣām al-Jawlānī. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:FÉLIX MaRTÍNEZ-?????? TOWARDS A FORMAL ONTOLOGY OF FICTIONAL WORLDS In this discussion ' I propose a few concepts for the description and classification of fictional "worlds." The variety of fictional systems of"reality" can be understood, I diink, as an aspect ofthe phenomenon of style in literary imagination.2 But styles of imagination or of vision, and die style of literary works, are more than simply kinds of fictional worlds. (...) To put in some perspective my attempt at classification of literary works according to their systems of reality, I will make first a few remarks on the notion of style. It is a well-known preliminary problem when speaking of style diat this word seems to have more than one meaning in ordinary usage. I think that some ofits current meanings are rich and important, and that literary knowledge would profit if we could reconstruct them in abstract and defined concepts, so that the notions involved were somewhat clarified. I doubt diat diis is possible with current conceptual tools. We can see what is meant, say, when we hear diat a certain person we know "has style"; and we certainly distinguish diis attribute from others such as elegance, good manners, character, taste, originality, mannerisms, or idiosyncracies. Thus, we occasionally perceive in personal behavior a phenomenon called style. A conceptual description or a satisfactory definition of such a given, however, seems very difficult. Speaking of matters of art and literature, "style" has been used, among other things, to designate both the conventional forms of traditional expression (as in "manuals of style") and the anomalous, convention-breaking forms of highly individuated creation (as in die classic conception of Vosslerian-Spitzerian Stylistics, or in Buffon's "Le style c'est l'homme même," as usually understood). Style, dien, as conformity and style as singularity and deviance; style as impersonal decorum and as presence of a unique personal essence in the work. This perplexing ambiguity may be reducible though. Whether conventional and common or personal and innovative, style appears to be a form that characterizes and holds together a creation or a phenomenal entity. Indeed, the fact that 182 Félix Martínez-Bonati183 singular innovations of style often become the common trait of a school or current and sometimes a part of general tradition seems to indicate that neither singularity nor general acceptance are the most basic elements of die notion of style. On first reflection, we may conceive of style as a formal principle that consistently determines the constitution of die pertinent objects. Nonetíieless, constitutive form is too weak a definition for style, since it would also apply to what is called "technique" and even to genre. We must look for a more specific determination. There is anodier ambiguity in everyday uses of die word "style" diat deserves attention. We speak often of "good style" and "bad style." But sometimes we speak as if no style is bad and the thing that matters is to have style at all and as much of it as possible. Thus, we condemn a work because of its having no style or only a weak one. This contradiction probably derives from the confusion of a particular normative, a general normative, and a merely descriptive notion of style. We should keep, if possible, to a merely descriptive notion. Still another uncertainty of usage, in literary matters, relates to the (not universally accepted) restriction of the notion of style to a linguistic one; style, in this restricted usage, is seen as primarily an attribute of diction. The most numerous of literary studies of die style of singular works have been, so far as I can see, descriptions of idiolects. In many cases, the linguistic peculiarity is taken as an index of the world-view or die style of imagination diat is supposed to have produced the work. Alternative to this approach, indeed complementary, is the study of literary style as an attribute of die fictional entities to which literary discourse refers. We find the latter kind of approach mostly in characterizations of genres or of periods ("the naturalist novel," "romance," "classicism," etc.). One may suppose that an exhaustive analysis of the idiolect of a work... (shrink)