One fundamental point of agreement that emerged between Foucault and Habermas is that both rejected the Kantian paradigm of critique grounded in the notion of a transcendental subject. For Foucault, genealogy is a form of history that can account for the constitution of knowledge, discourses, etc. without reference to a constitutive subject; while central to Habermas's approach is his rejection of the "philosophy of the subject" in favor of the "intersubjectivist paradigm of communicative action". For Foucault, the end of "man;' (...) a foundational subject providing ultimate normative yardsticks, is not the creation of a deficiency but "the unfolding of a space in which it is once again possible to think". His critical work seeks "to know to what extent it is possible to think differently, rather than legitimating what is already known" ; to promote new forms of self, thought, and action, and to give impetus to the "undefined work of freedom". Yet without direction, doesn't this amount to an unrestricted notion of autonomy? Influenced perhaps by Nietzsche, Foucault calls on us to "create ourselves as a work of art", but without guidance for self-creation, aren't we left only with arbitrary choices, an "aesthetic decisionism," in which one has to take "irrationalist leaps" to affirm anything? (shrink)

Exemplifying a fruitful fusion of French and German approaches to social theory, The Power of Dialogue transforms Jurgen Habermas's version of critical theory into a new "critical hermeneutics" that builds on both Hans-Georg Gadamer's philosophical hermeneutics and Michel Foucault's studies of power and discourse. At the book's core is the question of how social power shapes and influences meaning and how the process of interpretation, while implicated in social forms of power, can nevertheless achieve reflective distance and a critique (...) of power. It offers an original perspective on such issues as the impact of prejudice and cultural background on scientific interpretation, the need to understand others without assimilating their otherness, and the "truth" of interpretation. (shrink)

translated by Paul Hendrickson Exemplifying a fruitful fusion of French and German approaches to social theory, The Power of Dialogue transforms Habermas's version of critical theory into a new "critical hermeneutics" that builds on both Gadamer's philosophical hermeneutics and Foucault's studies of power and discourse.Kögler argues for a middle way between Gadamer's concept of interpretation as dialogue and Foucault's conceptualization of the structure of discourse and the practices of power.At the book's core is the question of how social (...) power shapes and influences meaning and how the process of interpretation, while implicated in social forms of power, can nevertheless achieve reflective distance and a critique of power. It offers an original perspective on such issues as the impact of prejudice and cultural background on scientific interpretation, the need to understand others without assimilating their otherness, and the "truth" of interpretation. (shrink)

Exemplifying a fruitful fusion of French and German approaches to social theory, The Power of Dialogue transforms Jurgen Habermas's version of critical theory into a new "critical hermeneutics" that builds on both Hans-Georg Gadamer's philosophical hermeneutics and Michel Foucault's studies of power and discourse. At the book's core is the question of how social power shapes and influences meaning and how the process of interpretation, while implicated in social forms of power, can nevertheless achieve reflective distance and a critique (...) of power. It offers an original perspective on such issues as the impact of prejudice and cultural background on scientific interpretation, the need to understand others without assimilating their otherness, and the "truth" of interpretation. (shrink)

Foucault contra Habermas is an incisive examination of, and a comprehensive introduction to, the debate between Foucault and Habermas over the meaning of enlightenment and modernity. It reprises the key issues in the argument between critical theory and genealogy and is organised around three complementary themes: defining the context of the debate; examining the theoretical and conceptual tools used; and discussing the implications for politics and criticism. In a detailed reply to Habermas' Philosophical Discourse of Modernity, this volume explains the (...) difference between Habermas' philosophical practice and Foucault's between the analytics of truth and the politics of truth. Many of the most difficult arguments in the exchange are subject to a detailed critical analysis. This examination also includes discussion of the ethics of dialogue; the practice of criticism; the politics of recognition, and the function of civil society and democracy. (shrink)

Against the backdrop of various interpretations and criticisms of Michel Foucault’s engagement with Buddhism, the focus of this article falls on the specific type of Zen Buddhism which he studied during his 1978 trip to Japan, and the possible relationship between its dynamics and those of his own research trajectory following the publication of The Will to Knowledge. In this regard, Foucault’s eschewal of the Engaged Buddhism of Thich Nhat Hanh and the Zen Buddhism of Taisen Deshimaru—both of which had (...) risen to prominence in France by the late 1970s— and his concomitant interest instead in the teachings of Zen Master Omori Sōgen, in which Zen and the samurai code of bushidō were closely aligned, will be examined. Moreover, it will be argued that such preference on Foucault’s part was indicative of his eminently practical, rather than general philosophical, interest in Buddhism as a technology for the adversarial repositioning of subjectivity in relation to discourse. Finally, the implications of this for the abovementioned various interpretations and criticisms of Foucault’s engagement with Buddhism, will be considered. (shrink)

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of (...) these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers—each fundamentally concerned with his own originality—return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself. (shrink)

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of (...) these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers—each fundamentally concerned with his own originality—return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself. (shrink)

Viewing Foucault in the light of work by Continental and American philosophers, most notably Nietzsche, Habermas, Deleuze, Richard Rorty, Bernard Williams, and Ian Hacking, Genealogy as Critique shows that philosophical genealogy involves not only the critique of modernity but also its transformation. Colin Koopman engages genealogy as a philosophical tradition and a method for understanding the complex histories of our present social and cultural conditions. He explains how our understanding of Foucault can benefit from productive dialogue with philosophical allies (...) to push Foucaultian genealogy a step further and elaborate a means of addressing our most intractable contemporary problems. (shrink)

The fact that the notion of ‘practice’ has achieved an ever-increasing relevance in the most various fields of knowledge must not overshadow that it can be interpreted in so many different ways as to orient fairly different historiographical paradigms and philosophical conceptions. Starting with the two main issues of Hadot’s criticism of Foucault (the lack of a distinction between joy and pleasure and the fact that his account does not underscore that the individual Self is ultimately transcended by universal Reason), (...) I have tried to show how the two scholars’ philosophical and historiographical approaches entail a different notion of ‘practice’. According to Hadot, the performativity of a practice (or spiritual exercise) is intimately tied to a universal which transcends the individual self, whereas Foucault maintains that it does not require the appeal to any universal, being exclusively grounded on the modes of exertion of the practices which constitute the individual Self. According to this address, pleasure is a fundamental notion in order to historicize the different ways in which the ethical subject structures itself. (shrink)

In this book Sergey Horujy undertakes a novel comparative analysis of Foucault s theory of practices of the self and the Eastern Orthodox ascetical tradition of Hesychasm, revealing great affinity between these two radical subject-less approaches to anthropology. As he facilitates the dialogue between the two, he offers both an original treatment of ascetical and mystical practices and an up-to-date interpretation of Foucault that goes against the grain of mainstream scholarship. In the second half of the book Horujy transitions (...) from the dialogue with Foucault to his own work of Christian philosophy, rooted in -- but not limited to -- the Eastern Christian philosophical and theological tradition. Horujy s thinking exemplifies the postsecular nature of our contemporary period and serves as a powerful invitation to think beyond religious-secular divides in philosophy and Eastern-Western divides in intellectual history. (shrink)

Foucault and Sellars are representatives of conflicting philosophical traditions: whereas Foucault famously insisted that “power is everywhere,” Sellars proposed the well-known scientia mensura dictum. The tension between the two perspectives seems to be so strong that each of them ends up reducing the other to an epiphenomenal illusion. In this article, I shall attempt to show that the works of Sellars and Foucault are not necessarily irreconcilable. The common ground for this dialogue is what I shall define as a (...) historico-practical conception of science. I will build this concept by tracing a connection between the Foucauldian notion of “conditions of possibility” of science and Sellars’s thesis about the “indispensability” of the manifest image. Finally, I will argue that this conception of science problematizes the clash between the scientific and manifest images of the world, paving the way for a different relationship between naturalism and critical theory. (shrink)

In the last years of his life, Michel Foucault sought to address ?ethical? questions, having to do with the self's relation to itself, by trying to locate in the Roman Stoics and other philosophers of antiquity what he called ?an aesthetics of existence.? By this Foucault meant ?the idea of a self which has to be created as a work of art.? This article aims at a critical dialogue with the texts that compose this last phase of Foucault's thought, (...) probing the moral and political adequacy of Foucault's Nietzschean vision of the self's aesthetic self?creation. (shrink)

This chapter contains sections titled: References.

The Philosophical Discourse of Modernity is a tour de force that has the immediacy and accessibility of the lecture form and the excitement of an encounter across, national cultural boundaries. Habermas takes up the challenge posed by the radical critique of reason in contemporary French poststructuralism.Tracing the odyssey of the philosophical discourse of modernity, Habermas's strategy is to return to those historical "crossroads" at which Hegel and the Young Hegelians, Nietzsche and Heidegger made the fateful decisions that led to this (...) outcome. His aim is to identify and clearly mark out a road indicated but not taken: the determinate negation of subject-centered reason through the concept of communicative rationality. As The Theory of Communicative Action served to place this concept within the history of social theory, these lectures locate it within the history of philosophy. Habermas examines the odyssey of the philosophical discourse of modernity from Hegel through the present and tests his own ideas about the appropriate form of a postmodern discourse through dialogs with a broad range of past and present critics and theorists.The lectures on Georges Bataille, Michel Foucault, Jacques Derrida, and Cornelius Castoriadis are of particular note since they are the first fruits of the recent cross-fertilization between French and German thought. Habermas's dialogue with Foucault - begun in person as the first of these lectures were delivered in Paris in 1983 culminates here in two appreciative yet intensely argumentative lectures. His discussion of the literary-theoretical reception of Derrida in America - launched at Cornell in 1984 - issues here in a long excursus on the genre distinction between philosophy and literature. The lectures were reworked for the final time in seminars at Boston College and first published in Germany in the fall of 1985.Jürgen Habermas is Professor of Philosophy at the University of Frankfurt. The Philosophical Discourse of Modernity is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy. (shrink)

Book Reviews Mehmet Karabela, Dialogue: Canadian Philosophical Review/Revue canadienne de philosophie, FirstView Article.

The Biopolitics of Punishment marks a new chapter in the long-standing debate between Jacques Derrida and Michel Foucault. The essays collected in this volume chart the undertheorized dialogue between the two philosophers on questions of life, death, punishment, power, and resistance.

This collection of essays on the philosophy of Foucault assesses his various work from a variety of perspectives: his place in the history of philosophy; his style and method of philosophical expression; his notions of political power; his ethical thought; and his attitude to psychoanalysis.

The theoretical dialogue that has been going on for many years between the philosophies of the modern period and the social sciences on the institutional structuring of the social body and the political body can shed light on the concept of ‘esprit de corps’. The purpose is to address the issue raised by social science researchers concerning this concept and to use it as an indication of a broader work spanning corpora and periods from early modernity onwards. Therefore, this (...) article proposes to examine Malebranche’s texts to explore the ‘esprit de corps’, understood as the awareness of being part of a whole, and the moral injunctions that this sense of belonging entails. Like other philosophers of his time, Malebranche reflected on the notion of ‘political bodies’ and on how people belong to the various bodies they form. In pursuing this archaeology of a concept that emerged late in the ‘Ancien Régime’, we also appropriate the theoretical tools proposed by Michel Foucault in some of his works on power over bodies. (shrink)

O presente trabalho pretende estabelecer algumas precisões históricas e conceituas em torno da formação da história arqueológica de Michel Foucault, tendo como foco um livro póstumo e recém lançado, intitulado La Question Anthropologique (2022). Esse livro trata de um curso sobre “antropologia” ministrado por Foucault entre 1952 (ou 1951) e 1955, em Lille e na ENS. As precisões históricas e conceituais tratadas aqui são em torno dos seguintes contextos: primeiramente, analisa-se a escassa literatura de comentário anterior ao lançamento do livro (...) em 2022; depois, parte-se ao horizonte de leituras de Foucault na época, especialmente ocorridos em torno da figura de Nietzsche. Essas leituras ocorrem em diversas frentes, tais como as figuras de Heidegger e Jaspers, a importância da história das ciências, a interlocução com Althusser e Jacques Martin em torno de Marx e a questão da loucura e da psicanálise. -/- The present work aims to establish some historical and conceptual clarifications surrounding the formation of Michel Foucault’s archaeological history, considering a recently published posthumous book entitled La Question Anthropologique (2022). This book thematizes a course on “anthropology” given by Foucault between 1952 (or 1951) and 1955, in Lille and at the École Normale Supérieure. The historical and conceptual analysis concerns the following subjects: firstly, the text analyzes the scarce secondary literature published before the book’s launch in 2022; secondly, the article focuses some readings made by Foucault in those years, especially surrounding the figure of Nietzsche. These readings occur on several fronts, such as: the influence of Heidegger and Jaspers, the role of the history of sciences, the dialogue with Althusser and Jacques Martin on Marx and the themes of madness and psychoanalysis. (shrink)

Characterizing it as a "mythic discourse," Jean Baudrillard proceeds, in this brilliant essay, to dismantle the powerful, seductive figure of Michel Foucault. In 1976, Jean Baudrillard sent this essay to the French magazine Critique, where Michel Foucault was an editor. Foucault was asked to reply, but remained silent. Forget Foucault made Baudrillard instantly infamous in France. It was a devastating revisitation of Foucault's recent History of Sexuality—and of his entire oeuvre—and also an attack on those philosophers, like Gilles Deleuze and (...) Félix Guattari, who believed that desire could be revolutionary. In Baudrillard's eyes, desire and power were interchangeable, so desire had no place in Foucault's work. There is no better introduction to Baudrillard's polemical approach to culture than these pages, in which Baudrillard dares Foucault to meet the challenge of his own thought. This Semiotext edition of Forget Foucault is accompanied by a dialogue with Sylvère Lotringer, "Forget Baudrillard," a reevaluation by Baudrillard of his lesser-known early works as a post-Marxian thinker. Lotringer presses Baudrillard to explain how he arrived at his infamous extrapolationist theories from his roots in the nineteenth and early twentieth century social and anthropological works of Karl Marx, Marcel Mauss, and Emil Durkheim. (shrink)

Despite being what is commonly regarded as major influence on Michel Foucault, Freud and psychoanalysis are rarely directly addressed in his works. A notable exception, often cited, is towards the very end of ‘Madness & Civilization’ . Where the early Foucault ends his thesis proposing the conception of madness as social structure with back handed praise by of Freud’s re-engagement with madness via dialogue. Madness, from the mid 1600’s onwards was ignored or 'silenced’ from its ‘zero-point’ of separation as (...) a distinct group from the social mainstream. Foucault’s hand swings quickly back however, as mere lines later Freud is criticized for; maintaining- in fact amplifying- the unbalanced power of the physician-patient relationship, reinforcing the ‘judging’ and ‘alienating’ figure of the doctor essential to psychoanalytic practice; and retaining much in its conception from religious and medical tradition. Foucault sees these traditions as means of exercising social control, and psychoanalysis is regarded as consistent with them in this disciplining respect. We will look at two aspects of psychoanalytic thought addressing this continuance of traditional authority, and conclude with a comparison of the two philosopher’s differing conceptions of the object of psychoanalysis- human mentality. (shrink)

In 1976, Jean Baudrillard sent this essay to the French magazine Critique, where Michel Foucault was an editor. Foucault was asked to reply, but remained silent. Forget Foucault made Baudrillard instantly infamous in France. It was a devastating revisitation of Foucault's recent History of Sexuality--and of his entire oeuvre--and also an attack on those philosophers, like Gilles Deleuze and Félix Guattari, who believed that desire could be revolutionary. In Baudrillard's eyes, desire and power were interchangeable, so desire had no place (...) in Foucault's work. There is no better introduction to Baudrillard's polemical approach to culture than these pages, in which Baudrillard dares Foucault to meet the challenge of his own thought. This Semiotext edition of Forget Foucault is accompanied by a dialogue with Sylvère Lotringer, "Forget Baudrillard," a reevaluation by Baudrillard of his lesser-known early works as a post-Marxian thinker. Lotringer presses Baudrillard to explain how he arrived at his infamous extrapolationist theories from his roots in the nineteenth and early twentieth century social and anthropological works of Karl Marx, Marcel Mauss, and Emil Durkheim. (shrink)

In this article, the relationship between philosophy and history of education is delved into. First, it is noted that both disciplines have diverged from each other over the last few decades to become relatively autonomous subsectors within the pedagogical sciences, each with its own discourses, its own expositional characteristics, its own channels of communication, and its own networks. From the perspective of the history of education, it seems as though more affiliation has been sought with the science of history. The (...) history of education, in any event, has in the past few years become more historicizing and less ‘educationalizing’. According to the author, (who is not a philosopher of education) there are signs that indicate that such an analogous line of reasoning, mutatis mutandis, also applies for the philosophy of education. Does this mean that there are no longer any bridges from the one area to the other or that none are possible? Probably not. In the second portion, it is shown that the modern or even postmodern ‘new cultural history of education’, with its often ironical and demythologizing traits uses or can use a considerable amount of ‘grand theory’ (à la Foucault). Indeed, the development of an adequate conceptual apparatus that also has to cope with the problem of ‘presentism’ assumes a constant dialogue with the past and for this a philosophical‐interpretative (casu quo, hermeneutic) approach is still the best situated. Inversely, the Foucauldian perspective shows that philosophy in general and philosophy of education in particular equally hardly do without history. Within the reflection on pedagogical praxis, the historical and the philosophical thus probably will continue to rely on each other—if only as allies against the dominance of short‐winded empirical‐quantitative research. Still, it would be naive to think that, from this possible alliance, the fragmentation of historically developed knowledge systems with their own sociological and institutional foundation of scientific activities can be rectified in a trice. (shrink)

'A fabulous journey through thirty years of political and intellectual ferment... will reorient our reading of Foucault's major works' Didier Eribon The Essential Works of Michel Foucault offers the definitive collection of his articles, interviews and seminars from across thirty years of his extraordinary career. This first volume, Ethics, contains the summaries of Foucault's renowned courses at the Collège de France, as well as key writings and candid interviews on ethical matters: from the role of the intellectual and philosopher (...) in society to friendship, sexuality and the care of the self and others. Edited by Paul Rabinow Translated by Robert Hurley and Others. (shrink)

This is a book in the series Re-Reading the Canon from the Pennsylvania State University Press. The general editor explains that the series offers "feminist interpretations of the writings of major figures in the Western philosophical tradition," with attention to the ways in which philosophers' assumptions about gender figure in their work. Volumes have already appeared on Plato, Hegel, Wollstonecraft, De Beauvoir, and Arendt. Feminist Interpretations of Michel Foucault collects twelve articles, four previously published. Reprinted authors include Nancy Fraser and (...) Nancy Hartsock, with new papers by Judith Butler, Jana Sawicki, Jon Simons, and others. (shrink)

This collection gives a complete picture of Foucault's importance as a thinker and social critic who transcended academic boundaries to challenge entrenched, institutionalized models of theoretical rationality and practical normalcy. (Philosophy).

Resumo: Neste artigo, a partir de um diálogo com Heidegger e Foucault, mediado pontualmente por um retorno aos Antigos em particular a Sócrates, procuro retomar o problema e questão da Vida filosófica, na sua relação com a busca pela verdade. O artigo tem dois momentos: no primeiro, explorei uma leitura de Filosofia enquanto caminho, e, num segundo momento, defendi que este caminho articula a dimensão ética e a dimensão política, através de uma experiência (necessária) específica de parresia pessoal. Defendo que (...) a verdade enquanto desvelamento exige sempre a transformação do indivíduo em sujeito, isto é, em pessoa moral, o que requer, nesse processo, o compromisso com a coerência de si, através de uma prática de dizer-a-verdade. Palavras-chave: Foucault; Heidegger; Parresia; Verdade Philosophical Life and the search for truth - a dialogue between Heidegger and Foucault Abstract: In this article, based on a dialogue with Heidegger and Foucault, punctually mediated by a return to the Ancients and in particular to Socrates, I try to resume the problem and question of philosophical Life, in its relationship with the search for truth. The article has two moments: in the first, I explored a reading of Philosophy as a path, and, in a second moment, I argued that this path articulates the ethical dimension and the political dimension, through a specific (necessary) experience of personal parrhesia. I argue that truth as unveiling always requires the transformation of the individual into a subject, that is, into a moral person, which requires, in this process, a commitment to self-coherence, through a practice of telling the truth. Key-words: Foucault; Heidegger; Parrhesia; Truth La vie philosophique et la recherche de la vérité - un dialogue entre Heidegger et Foucault Resumé: Dans cet article, à partir d'un dialogue avec Heidegger et Foucault, médiatisé ponctuellement par un retour aux Anciens et en particulier à Socrate, j'essaie de reprendre le problème et la question de la Vie philosophique, dans son rapport à la recherche de la vérité. L'article comporte deux moments : dans le premier, j'ai exploré une lecture de la Philosophie comme voie, et, dans un second temps, j'ai soutenu que cette voie articule la dimension éthique et la dimension politique, à travers une expérience spécifique (nécessaire) de parrhésie. Je soutiens que la vérité en tant que dévoilement nécessite toujours la transformation de l'individu en sujet, c'est-à-dire en personne morale, ce qui nécessite, dans ce processus, un engagement à la cohérence de soi, à travers une pratique de dire la vérité. Mots-clés: Foucault; Heidegger; Parrhesia; Verité Data de registro: 06/09/2022 Data de aceite: 18/10/2023. (shrink)

This article seeks to present the foundations in Foucault’s thought that led him to elaborate the concept of archeology and, in addition, try to recognize its limits. To achieve this, we present his main theoretical dialogues at the beginning of his investigations and the reasons that made necessary to reframe that concept later. Among the conclusions of this study, we suggest that the allegorical conception of language, that was sustained over the period, is formally similar to the structure of metaphysical (...) thought and, as such, is abandoned by Foucault as an attempt to create an original philosophical reflection. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Response to Elizabeth Gould, “Nomadic Turns:Epistemology, Experience, and Women University Band Directors” Epistemology, Experience, and Women University Band Directors”Julia Eklund KozaClimate and its impact on women in instrumental music education is a tremendously important subject, and I thank Liz Gould for her thoughtful analysis. Rather than offering a critique of her work, I will respond as one might answer in a call and response. Gould has sung a (...) call that articulates a definition of feminism and invites us to explore climate in the professions, specifically in instrumental music education; I will answer in affirmation, confirmation, and extension. The nomadic metaphor, which is central to her paper, has been appropriated by a number of postmodern [End Page 187] theoreticians, including, among others, Baudrillard, Grisoni, Deleuze and Guattari, and of course, Braidotti.1 I have decided not to talk about this metaphor, however, principally because the complexities of any analysis of Western constructions of nomadism—constructions that are rife with exoticism, fascination, revulsion, and fear—are multiplied at this moment, as my country wages war against Iraq, a land of nomadic and semi-nomadic peoples, after having recently engaged in military action in Afghanistan, which is similarly home to nomads. An incisive discussion of postmodern use of nomadic metaphors appears in Caren Kaplan's book Questions of Travel, which I recommend to anyone interested in the subject.2My response has two goals: first, to forward another, not necessarily competing, postmodern understanding of feminism and power; and second, keeping this understanding in mind, to expand Gould's project of examining professional climate. According to my working postmodern definition, feminism is a constellation of dynamic political positions, which address and attempt to change the unequal power relations and material conditions that are produced and supported by a normative regulatory ideal called sex. In speaking of a constellation of political positions, I acknowledge the existence of a multiplicity of modern and post-modern feminisms, and by calling these positions dynamic I acknowledge their fluidity. In asserting that sex is a regulatory ideal, I rely on the work of feminist theorist Judith Butler, who posits that sex and sexual difference are discursively constructed; distinguishing herself from feminists who draw a distinction between gender, which is assumed to be socially constructed, and sex, which is theorized as a pre-social given or surface, Butler not only questions such a distinction by arguing that both sex and gender are culturally produced, but also theorizes about how materializations of bodies are accomplished. Drawing on the work of philosopher Michel Foucault, she maintains that sex is a regulatory norm, "part of a regulatory practice that produces the bodies it governs,"3 and she claims that this materialization is accomplished through a reiterative process called performativity. A performative, according to Butler, is a "discursive practice that enacts or produces that which it names."4 Butler claims that "the regulatory norms of 'sex' work in a performative fashion to constitute the materiality of bodies and, more specifically, to materialize the body's sex, to materialize sexual difference in the service of the consolidation of the heterosexual imperative."5 She provides an example of how this reiterative process works: when a particular child is born, the child is cited as a girl at birth and many times afterward; each citation helps to constitute that child as a girl and also to reinforce the discursive formation "girl."6 To summarize, Butler asserts that sex is "a cultural norm which governs the materialization of bodies,"7 and she posits that materiality is a productive effect of power.8She also theorizes that subject formation necessitates both an "identification with the normative phantasm of 'sex,'" and the creation of a zone of abjection.9 Bodies relegated to this abject zone, according to Butler, can be a valuable and "critical resource in the struggle to rearticulate the very terms of symbolic legitimacy and intelligibility."10 She maintains that disidentification can be a fruitful way to mobilize feminist and queer politics.11 Collective disidentifications, Butler states, can facilitate a "reconceptualization of which bodies matter," which bodies count.12 [End Page 188]Finally, my definition of feminism relies on several Foucauldian assumptions about... (shrink)

Starting from the importance of the figure of the parrhesiastes—the political and therapeutic truth-teller—for Foucault’s understanding of the care of the self, this paper traces the political figuration of the analogy between philosophers and physicians on the one hand, and rhetors and disease on the other in Plato’s Gorgias. I show how rhetoric, in the form of ventriloquism, infects the text itself, and then ask how we account for the effect of the “contaminated” philosophical dialogue on our readerly health. (...) Is the text placebo, vaccine, or virus? All of these options, I argue, complicate Foucault’s prescription for parrhesia, requiring us to think anew the continuing political ramifications of the metaphor of care. (shrink)

Starting from a conception of dialogue as “fusion of horizons” inspired by Gadamerian hermeneutics this article aims to give a philosophical foundation to the argument for a dialogue of civilisations within a broad set of theoretical debates that have taken place in the fields of philosophy, political theory, and international relations. Such a discussion contributes to the international political theory of dialogue of civilisations as an argument for the construction of a multicultural peaceful international society against the (...) background of our troubled contemporary global politics. (shrink)

In this encounter between one of the twentieth century greatest philosophical minds and an artist fundamental to our understanding of the development of modern art, Michel Foucault explores Manet.s importance in the overthrow of traditional values in painting.

In lieu of an abstract, here is a brief excerpt of the content:Talking Cures, the Clinic, and the Value of the IneffableDaniel Berthold (bio)KeywordsMadness, disease, the normal, the abnormal, the ineffable, Hegel, Kierkegaard, LacanI am most grateful to my readers, James Phillips and Louis Sass, who have led me to several new insights by suggesting ways of complicating my reading of a Lacanian approach to Hegel's and Kierkegaard's conceptions of madness. I am a Kierkegaard and Hegel scholar, with very little (...) pretense to expertise about Lacan and regrettably even less about the theory and practice of psychiatry. In submitting my essay to Philosophy, Psychiatry, & Philosophy, I was hoping to entice a community of practitioners and theoreticians I have great respect for to consider the musings of a philosopher on topics which engage them as thinkers and actors in their professions. I could not possibly have hoped for more intelligent and provocative replies than I have been given by my two respondents.Phillips' framing of his response in terms of the distinction between the "madness of the philosophers" and the "madness of the clinic" is very helpful. It is a distinction that is indeed central to the question of the possibility of dialogue between philosophers and clinicians—so central, in fact, that it is generous of Phillips not to reproach me for failing to mention it. On the one hand, the challenge for philosophers is to show that their descriptions are not merely metaphoric and that their preoccupation with the dark side of human experience connects in some way with the reality of disease, so that there is some way for clinicians to translate their language into the language of psychiatry. Otherwise, philosophers will have only poetic or literary interest for the psychiatrist or psychologist.On the other hand, the challenge for clinicians is the extent to which they are open to moving beyond a reduction of "mental illness" to a purely biological conception of disease. One needn't go so far—nor should we—as Thomas Szasz or Michel Foucault in seeing "mental disease" as itself merely a metaphor. But granting the evidence of underlying organic disorder, symptoms nevertheless display themselves as mental and behavioral states (what Hegel calls "shapes of consciousness") that, as Hegel argued, are paralleled in "normal" experience, so that the distinction between disease and normality (and hence illness and metaphor) is often elusive. Madness "has the healthy consciousness for its presupposition," Hegel writes, because the healthy mind is still grappling with the same sorts of contradictions and feelings of alienation, the same "infinite pain" which characterizes insanity. Madness is not the absolute "other" of rationality, but an echo of it (1978, 3:382, 408).Hegel himself accepted the medicalization of madness that began to occur in the late eighteenth [End Page 325] century, and rejected the metaphysical and theological categories of what was called "romantic medicine." But he also cautioned against the narrowness of the "somatic" school which he felt lacked sufficient explanatory value if not connected to a "speculative" (i.e., philosophic) framework (see Berthold-Bond 1995, ch. 2).It might even be argued that every person seeking therapy is first of all suffering from "philosophic" madness, at least in the sense that initially she does not understand her own suffering as "disease," but experiences her torment in the vocabulary of the philosopher. Thus the philosopher's descriptions are the closest to the subject's own self-understanding, and while the therapist must seek to rephrase these descriptions into the vocabulary of the clinic (just as Hegel, for example, translated his own philosophic description of the madness of his friend Hölderlin in the Phenomenology as the "lost soul" whose "light dies away within it" into the medical category of Wahnsinn—mania or frenzy, which today we would call schizophrenia—in the classificatory scheme of mental disorder he gives in the Encyclopaedia; 1977, 400; 1978, 408)—there is a real question about which vocabulary is a metaphor for the other.The second main point Phillips addresses, which is taken up in different ways by Sass as well, has to do with the relation between speech and silence in madness. Phillips finds that Kierkegaard offers a more complex and subtle view than... (shrink)

Ibrāhīm Dīnānī, Ghulām Ḥusayn - Interviews ; Islamic philosophy.

The most accessible and exhaustive introduction to Foucault's thought to date, including every extant interview made by Foucault from the mid-60s until his death in 1984. Currently in its fourth printing, Foucault Live is the most accessible and exhaustive introduction to Foucault's thought to date. Composed of every extant interview made by Foucault from the mid-60s until his death in 1984, Foucault Live sheds new light on the philosopher's ideas about friendship, the intent behind his classical studies, while clarifying (...) many of the professional and popular misinterpretations of his ideas over the course of his career. As Gilles Deleuze noted, "the interviews in this book go much further than anything Foucault ever wrote, and they are indispensable in understanding his life work." Most notably, Foucault Live includes interviews he made with the gay underground press during his stays in America during the 1970s. In them, Foucault suggests that homosexuality presents a new paradigm for ways of living beyond the predictable, binary couple. All of the philosopher's interests, from madness and delinquency to film and sexuality, and their resultant writings, are probed by knowledgeable critics and journalists. After reading this book, the reader can explore key notions such as episteme, savoir and connaissance, archeology, and archive, without the knitted brow that plagued Foucault's public when he was alive. This is the guide to Foucault's life as an agent provocateur in the world of philosophy and scholarship. (shrink)

The Care of the Self is the third and possibly final volume of Michel Foucault’s widely acclaimed examination of "the experience of sexuality in Western society." Foucault takes us into the first two centuries of our own era, into the Golden Age of Rome, to reveal a subtle but decisive break from the classical Greek vision of sexual pleasure. He skillfully explores the whole corpus of moral reflection among philosophers and physicians of the era, and uncovers an increasing mistrust of (...) pleasure and growing anxiety over sexual activity and its consequences. (shrink)

Foucault and Social Dialogue; Beyond Fragmentation is a compelling yet extremely clear investigation of these options and offers a new way forward. Christopher Falzon argues that the proper alternative to foundationalism is not fragmentation but dialogue and that such a dialogical picture can be found in the work of Michel Foucault. Such a reading of Foucault allows us to see, for the first time, the ethical and political position implicit in Foucault's work and how his work contributes to (...) the larger debate concerning the death of man. (shrink)

Richard Rorty’s idealization of public dialogue pits literature and narrative against objectivity and ethics, thus leaving non-intellectual practitioners in the lurch. The evolutionary arc of Rorty’s oeuvre merits an assessment of the historiography he uses to prevent figures like Michel Foucault and Cornel West from being full participants in public dialogue. Miranda Fricker’s account of the collective explains confidence and transparency in an ironized ethical tradition that mediates irony and objectivity. Fricker’s mediation positions West’s use of Foucault’s to (...) re-narrate pragmatism as a way to embrace the process of rendering ethical experience universalizable. Ironized post-philosophical cultures can be explained responsibly by ironists within critically reflective ethical traditions. Confidence in pragmatism occurs when publics admit critical self-reflective inquiry from non-intellectuals. (shrink)

Michel Foucault is generally considered one of the most brilliant and influential philosophers of the twentieth century, yet much of his writing has remained unpublished and/or unavailable in English. It is only recently that the French publisher Gallimard issued Dis et Ecrits, the first complete collection of everything Foucault published outside of his monographs. Ethics, the first of three volumes in the collection, provides a lucid and accessible overview of Foucault's work. Included in the first section of this volume are (...) his groundbreaking analyses of penal institutions, psychiatry, "biopolitics," and the modern subject. A second section contains interviews, along with Foucault's key writings on ethics. Winner of the Choice Outstanding Academic Book Award. (shrink)

The paper focuses on the complex relations between aesthetics and phenomenology as they show themselves within the core locus of their interplay—the realm of the visible and the invisible. To do so, the paper examines a specific case study, a Rembrandt painting—A Woman Bathing in a Stream (1654)—through which the discussion illuminates the interconnected and inseparable relationship between aesthetics and phenomenology in relation to Merleau-Ponty’s ontology of the visible and the invisible. The reading addresses both dimensions of the visible: the (...) essential intersubjective aspect of life and its complex visual representation in art. To achieve this, the paper first explores Merleau-Ponty’s late aesthetic ontology—a phenomenology that perceives the aesthetic realm, particularly the visible domain, as originating from human corporeal existence, thereby redefining the act of seeing and the concepts of the visible and the invisible; I show the manner in which invisible elements permeate our visual experience in the Rembrandt painting and in seeing as such. The paper also reveals the unique ontological role of painting and the painter in unveiling the aesthetic world, and in guiding the philosopher toward a vision that true philosophy—phenomenology—must embrace. The paper concludes by rethinking the significance of aesthetics, and especially, the arts, to phenomenological thought, and the necessity of phenomenology to aesthetic thought. (shrink)

Given his heralding of the "death of Man" or the "death of the subject", Michel Foucault's work is thought by many to be too fragmentary and anti-foundationalist to be much use for building any sort of ethical or political theory. Chris Falzon challenges this position, arguing that the proper alternative to foundationalism is not fragmentation but dialogue and that concept can be found in Foucault's work. Such a reading of Foucault allows us to see the ethical and political position (...) implicit his work, and how his work contributes to the larger debate concerning the death of Man. This book also presents a rethinking of the debates between Habermas and Foucault and shows how Foucault's work can be used to effectively challenge Habermas' position. Foucault and Social Dialogue provides a compelling reinterpretation of Foucault's legacy. (shrink)

Silence and madness can be likened to irritating cousins. Both introduce questionable or negative elements to the ideals of dialogue and rational communication. Silence can disturb and disrupt the rational pursuit of truth, while madness can noisily provoke a mockery of any meaningful or reciprocal exchange of ideas and thoughts. In the work and life of philosopher Friedrich Nietzsche, silence and madness highlight more positive features.To study and articulate these features, this paper relies on the central themes of (...) two prominent thinkers, the archaeological and genealogical studies from the late Michel Foucault and the revived forces of phenomenology from American philosopher Alphonso Lingis, to present the case that Nietzsche embraced a late 19th century disorder called the fugue. This disorder, what Ian Hacking calls a transient mental illness, involves nomadic life. Nietzsche exemplified such a life. His writings and experiences comprise a mixture of travels, arts of the self, willful forgetfulness, and a philosophical play with madness. From conventional perspectives, this play is viewed as irrelevant or detrimental to Nietzsche's philosophical importance. From Nietzsche's own perspective, however, this play might be appreciated as a gift from the insights of madness and the enriching contacts with silence. (shrink)

Peter Abelard (1079–1142 ce) was the most wide‐ranging philosopher of the twelfth century. He quickly established himself as a leading teacher of logic in and near Paris shortly after 1100. After his affair with Heloise, and his subsequent castration, Abelard became a monk, but he returned to teaching in the Paris schools until 1140, when his work was condemned by a Church Council at Sens. His logical writings were based around discussion of the “Old Logic”: Porphyry's Isagoge, aristotle'S Categories (...) and On Interpretation and boethius'S textbook on topical inference. They comprise a freestanding Dialectica (“Logic”; probably c.1116), a set of commentaries (known as the Logica [Ingredientibus], c. 1119) and a later (c. 1125) commentary on the Isagoge (Logica Nostrorum Petititoni Sociorum or Glossulae). In a work Abelard called his Theologia, issued in three main versions (between 1120 and c.1134), he attempted a logical analysis of trinitarian relations and explored the philosophical problems surrounding God's claims to omnipotence and omniscience. The Collationes (“Debates,” also known as “Dialogue between a Christian, a Philosopher and a Jew”; probably c.1130) present a rational investigation into the nature of the highest good, in which the Christian and the Philosopher (who seems to be modeled on a philosopher of pagan antiquity) are remarkably in agreement. The unfinished Scito teipsum (“Know thyself,” also known as the “Ethics”; c.1138) analyses moral action. (shrink)

The second volume in an unprecedented publishing event: the complete College de France lectures of one of the most influential thinkers of the last century Michel Foucault remains among the towering intellectual figures of postmodern philosophy. His works on sexuality, madness, the prison, and medicine are classics his example continues to challenge and inspire. From 1971 until his death in 1984, Foucault gave public lectures at the world-famous College de France. These lectures were seminal events. Attended by thousands, they created (...) benchmarks for contemporary critical inquiry. The lectures comprising Abnormal begin by examining the role of psychiatry in modern criminal justice, and its method of categorizing individuals who "resemble their crime before they commit it." Building on the themes of societal self-defense in the first volume of this series, Foucault shows how and why defining "abnormality" and "normality" were prerogatives of power in the nineteenth century, shaping the institutions--from the prison system to the family--meant to deal in particular with “monstrosity,” whether sexual, phsyical, or spiritual. The College de France lectures add immeasurably to our appreciation of Foucault's thought, and offer a unique window on his singular worldview. (shrink)

The article discusses Foucaults reading of Kants "Anthropology" (in French).

In this article, I argue for bringing the work of Michel Foucault and Hannah Arendt into dialogue with respect to the links between power, subjectivity, and agency. Although one might assume that Foucault and Arendt come from such radically different philosophical starting points that such a dialogue would be impossible, I argue that there is actually a good deal of common ground to be found between these two thinkers. Moreover, I suggest that Foucault's and Arendt's divergent views about (...) the role that power plays in the constitution of subjectivity and agency should be seen as complementary rather than opposed. (shrink)

When it was first published in France in 1961 as Folie et Déraison: Histoire de la Folie à l'âge Classique , few had heard of a thirty-four year old philosopher by the name of Michel Foucault. By the time an abridged English edition was published in 1967 as Madness and Civilization , Michel Foucault had shaken the intellectual world. This translation is the first English edition of the complete French texts of the first and second edition, including all prefaces (...) and appendices, some of them unavailable in the existing French edition. History of Madness begins in the Middle Ages with vivid descriptions of the exclusion and confinement of lepers. Why, Foucault asks, when the leper houses were emptied at the end of the Middle Ages, were they turned into places of confinement for the mad? Why, within the space of several months in 1656, was one out of every hundred people in Paris confined? Shifting brilliantly from Descartes and early Enlightenment thought to the founding of the Hôpital Général in Paris and the work of early psychiatrists Philippe Pinel and Samuel Tuke, Foucault focuses throughout, not only on scientific and medical analyses of madness, but also on the philosophical and cultural values attached to the mad. He also urges us to recognize the creative and liberating forces that madness represents, brilliantly drawing on examples from Goya, Nietzsche, Van Gogh and Artaud. The History of Madness is an inspiring and classic work that challenges us to understand madness, reason and power and the forces that shape them. (shrink)

This chapter contains section titled: “About the Beginnings of the Hermeneutics of the Self: Two Lectures at Dartmouth”.