141 found
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  1.  34
    Freedom and Reason.F. E. Sparshott - 1964 - Philosophical Quarterly 14 (57):358-367.
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  2.  37
    Beauty Restored.Francis Sparshott - 1986 - Philosophical Review 95 (3):461.
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  3. Socrates and Thrasymachus.F. E. Sparshott - 1966 - The Monist 50 (3):421-459.
    The encounter between Socrates and Thrasymachus in Republic I is notoriously baffling. Most of what is said seems straightforward, and the issues at stake are ones of common concern, but the argument remains elusive. The purpose of this paper is to investigate the nature and grounds of this elusiveness, and to show that some of it can be dispelled by a sufficiently free-ranging exegesis that bears in mind the general character of Plato’s writing.
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  4.  34
    Principium Sapientiae: The Origins of Greek Philosophical Thought.F. E. Sparshott & F. M. Cornford - 1954 - Philosophical Review 63 (4):606.
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  5.  69
    Imagination: The very idea.Francis Sparshott - 1990 - Journal of Aesthetics and Art Criticism 48 (1):1-8.
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  6. The Theory of the Arts.Francis Sparshott - 1984 - Philosophy 59 (230):549-552.
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  7.  78
    Why artworks have no right to have rights.Francis Sparshott - 1983 - Journal of Aesthetics and Art Criticism 42 (1):5-15.
  8.  33
    Danto and His Critics.Francis Sparshott - 1994 - Journal of Aesthetics and Art Criticism 52 (4):482-483.
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  9.  26
    The Sense of Order: A Study in the Psychology of Decorative Art.Francis Sparshott - 1981 - Journal of Aesthetic Education 15 (1):126.
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  10. A Measured Pace: Toward a Philosophical Understanding of the Arts of Dance.Francis Sparshott - 1998 - Philosophical Quarterly 48 (190):129-132.
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  11.  93
    An Argument for Thrasymachus.Francis Sparshott - 1988 - Apeiron 21 (1):55 - 67.
    The article suggests that the position ascribed to thrasymachus in book i of plato's "republic" may be confused but need not be self-contradictory. A formal argument is constructed that derives his conclusion from premisses based on things he says, though not always in the language he uses. It is not suggested that plato ascribes this argument to thrasymachus, but only that it is consistent and intelligible in itself and compatible with what thrasymachus does say.
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  12.  20
    (1 other version)The Future of Aesthetics.F. E. Sparshott - 1998 - University of Toronto Press.
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  13.  81
    The Structure of Aesthetics.Kingsley Price & F. E. Sparshott - 1963 - Journal of Aesthetics and Art Criticism 25 (1):105.
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  14.  33
    Figuring the Ground: Notes on Some Theoretical Problems of the Aesthetic Environment.F. E. Sparshott - 1972 - The Journal of Aesthetic Education 6 (3):11.
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  15.  95
    Five Virtues in Plato and Artistotle.F. E. Sparshott - 1970 - The Monist 54 (1):40-65.
    Of the platonic theory that four qualities make up the whole of virtue. I show that aristotle's repudiation of this scheme is more apparent than real.
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  16. Music and feeling.Francis Sparshott - 1994 - Journal of Aesthetics and Art Criticism 52 (1):23-35.
  17.  27
    National Philosophy.F. E. Sparshott - 1977 - Dialogue 16 (1):3-21.
  18.  27
    An enquiry into goodness.Francis Edward Sparshott - 1958 - [Chicago]: University of Chicago Press.
  19.  42
    Understanding the Arts.Francis Sparshott - 1983 - Journal of Aesthetics and Art Criticism 41 (3):335-337.
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  20.  69
    Aristotle On Women.F. Sparshott - 1985 - Philosophical Inquiry 7 (3-4):177-200.
  21.  47
    Disputed Evaluations.Francis E. Sparshott - 1970 - American Philosophical Quarterly 7 (2):131 - 142.
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  22.  18
    Generalization in Ethics: An Essay in the Logic of Ethics, with the Rudiments of a System of Moral Philosophy.F. E. Sparshott - 1963 - Philosophical Review 72 (1):97.
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  23.  96
    Goodman on Expression.F. E. Sparshott - 1974 - The Monist 58 (2):187-202.
    Nelson Goodman equates expression with metaphorical exemplification. That is, a character C in a symbol system expresses a property P if three conditions are fulfilled: C has P ; C exemplifies P ; and C has P metaphorically. Two points are emphasized. The first point is that a character actually is what it metaphorically is: sad music really is sad, really does express sadness, just as loud music really is loud. The decision to apply to works of art language that (...)
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  24. Introduction.F. E. Sparshott - 1996 - In F. E. Sparshott, Taking Life Seriously: A Study of the Argument of the Nicomachean Ethics. University of Toronto Press. pp. 1-10.
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  25.  93
    Some dimensions of dance meaning.Francis Sparshott - 1985 - British Journal of Aesthetics 25 (2):101-114.
  26.  8
    The Future of Aesthetics: The 1996 Ryle Lectures.Francis Sparshott - 2000 - Philosophical Quarterly 50 (199):250-252.
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  27.  71
    For an Audience: A Philosophy of the Performing Arts.Francis Sparshott - 1994 - Journal of Aesthetics and Art Criticism 52 (3):357-358.
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  28.  64
    Basic Film Aesthetics.F. E. Sparshott - 1971 - The Journal of Aesthetic Education 5 (2):11.
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  29.  50
    In Defence of Kemp Smith.F. E. Sparshott - 1975 - Hume Studies 1 (2):66-69.
    In lieu of an abstract, here is a brief excerpt of the content:66 IN DEFENCE OF KEMP SMITH D. C. Stove argues against Kemp Smith's contention that Hume's philosophy "was intended not to subvert but to endorse our natural beliefs" in general, and our belief in the Causal Principle in particular. His arguments are insufficient. Kemp Smith does not need to deny that the falsity of the Causal Principle is believed by Hume to be possible in the strongest of Stove's (...)
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  30. The future of dance aesthetics.Francis Sparshott - 1993 - Journal of Aesthetics and Art Criticism 51 (2):227-234.
  31.  20
    Art and Inquiry.F. E. Sparshott - 1975 - Journal of Aesthetics and Art Criticism 34 (2):202-204.
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  32. Essays on Philosophy and the Classics by John Stuart Mill.J. W. Robson & F. E. Sparshott - 1979 - Philosophy 54 (210):561-565.
     
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  33.  22
    A Theory of Art: Inexhaustibility by Contrast.Francis Sparshott - 1984 - Journal of Aesthetics and Art Criticism 42 (3):328-330.
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  34. (1 other version)Afterword.F. E. Sparshott - 1996 - In F. E. Sparshott, Taking Life Seriously: A Study of the Argument of the Nicomachean Ethics. University of Toronto Press. pp. 359-362.
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  35.  62
    Art and anthropology.Francis Sparshott - 1997 - Journal of Aesthetics and Art Criticism 55 (3):239-243.
  36. Art and Culture Today.Francis Sparshott - 1994 - Literature & Aesthetics 4:44-63.
     
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  37. Appendix: Aristotle's World.F. E. Sparshott - 1996 - In F. E. Sparshott, Taking Life Seriously: A Study of the Argument of the Nicomachean Ethics. University of Toronto Press. pp. 363-368.
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  38.  98
    Aristotle's Ethics and Plato's Republic: A Structural Comparison.Francis Sparshott - 1982 - Dialogue 21 (3):483-500.
    The paper demonstrates a fifteen-point structural correspondence between plato's "republic" and aristotle's "nicomachean ethics". The more interesting points of correspondence are discussed, as are the three passages in each work that have no analogue in the other, and that are not explained by aristotle's dealing with politics in a different work. Possible explanations of this detailed correspondence are considered.
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  39. Aesthetic Viewpoints in Art and Philosophy: Mutual Connections and Inspirations.F. Sparshott - 1988 - Dialectics and Humanism 15 (1-2):15-30.
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  40.  63
    Birthday Poem: Santayana.Francis Sparshott - 1984 - Overheard in Seville 2 (2):29-29.
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  41.  19
    Book Reviews: John Hospers, Understanding The Arts.Francis Sparshott - 1983 - Journal of Aesthetics and Art Criticism 41 (3):332-334.
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  42. Contents.F. E. Sparshott - 2000 - In Richard Kuhns, The Future of Aesthetics. Wiley-Blackwell.
     
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  43. Contents.F. E. Sparshott - 1996 - In F. E. Sparshott, Taking Life Seriously: A Study of the Argument of the Nicomachean Ethics. University of Toronto Press.
     
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  44.  46
    Cold and remote art.Francis Sparshott - 1982 - Journal of Aesthetics and Art Criticism 41 (2):127-136.
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  45.  27
    Contexts of Dance.Francis Sparshott - 1990 - The Journal of Aesthetic Education 24 (1):73.
  46. Charles Taylor, Sources of the Self: The Making of the Modern Identity Reviewed by.Francis Sparshott - 1991 - Philosophy in Review 11 (1):74-77.
     
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  47. Every horse has a mouth.F. E. Sparshott - 1981 - In Denis Dutton & Michael Krausz, The Concept of creativity in science and art. Hingham, MA: Distributors for the U.S. and Canada, Kluwer Boston.
     
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  48.  30
    Excellence in the Arts.Francis Sparshott - 1986 - The Journal of Aesthetic Education 20 (4):137.
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  49. Frontmatter.F. E. Sparshott - 2000 - In Richard Kuhns, The Future of Aesthetics. Wiley-Blackwell.
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  50. Foreword.F. E. Sparshott - 1996 - In F. E. Sparshott, Taking Life Seriously: A Study of the Argument of the Nicomachean Ethics. University of Toronto Press.
     
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1 — 50 / 141