Notwithstanding fundamental methodological advancements, scientific information about disorders of consciousness (DOCs)—e.g. Vegetative State/Unresponsive Wakefulness Syndrome (VS/UWS) and Minimally Conscious State (MCS)—is incomplete. The possibility to discriminate between different levels of consciousness in DOC states entails treatment strategies and ethical concerns. Here we attempted to investigate Italian clinicians’ and basic scientists’ opinions regarding some issues emerging from the care and the research on patients with DOCs. From our survey emerged that Italian physicians working with patients with DOCs give a central role (...) to ethics. Current Italian regulation regarding basic research conducted in patients with DOCs apparently risks to be inadequate to support scientific advancement, and would deserve a different assessment compared to ordinary treatments. We think the results of our survey deserve attention from an international audience because they exemplify the difficulty to define a shared approach to the issues related to patients with DOCs and the necessity to better assess both the ordinary and experimental treatment of patients with DOCs at the ethical and legal level. (shrink)

Renouvelant la distinction du fait et du droit posée par Pascal, on s’efforce d’établir que les Cinq propositions n’étaient pas dans l’Augustinus en un sens hérétique.

L’idée d’une « transition » énergétique, processus pilotable dans un monde relativement stable et anticipable, semble arriver à son terme. Même le GIEC en appelle désormais à des « transformations » énergétiques rapides et radicales. Toutefois, malgré la prise de conscience de l’urgence climatique et de la perte dramatique de biodiversité, qui s’actualise notamment dans une série de manifestations et de luttes, la question du climat est trop rarement articulée à la question de l’énergie. Dans cette Majeure, nous explorons ce (...) que pourraient vouloir dire ces transformations énergétiques et partons à la recherche des bonnes échelles pour agir et des récits pertinents pour inspirer les collectifs. (shrink)

. “The Notebook Corner,” edited by Enrico Pattaro, makes its first appearance here as a new section of Ratio Juris. This new section can be described in a sense as an offshoot of the project for A Treatise of Legal Philosophy and General Jurisprudence, a work still in progress composed of five theoretical volumes and six historical ones. The theoretical volumes receive a brief presentation in the paper immediately below, with a specific focus on Volume 1, entitled The Law (...) and the Right: A Reappraisal of the Reality That Ought to Be. This volume is then discussed as well by Rosaria Conte and Cristiano Castelfronchi in the second paper of this “Notebook Corner”. (shrink)

Conceiving of fictional characters as types allows us to reconcile intuitions of sameness and difference about characters such as Batman that appear in different fictional worlds. Sameness occurs at the type level while difference occurs at the token level. Yet, the claim that fictional characters are types raises three main issues. Firstly, types seem to be eternal forms whereas fictional characters seem to be the outcome of a process of creation. Secondly, the tokens of a type are concrete particulars in (...) the actual world whereas the alleged tokens of a fictional character are concrete particulars in a fictional world. Thirdly, many fictional characters, unlike Batman, only appear in one work of fiction, and therefore one can wonder whether it does make sense to treat them as types. The main aim of this paper is to address these issues in order to defend a creationist account of fictional characters as types. (shrink)

Enrico Müller legt hier die erste philosophische Gesamtdarstellung zur Bedeutung der Griechen für Nietzsches Denken vor. Er zeigt, wie sich in Auseinandersetzung mit dem Griechentum Nietzsches eigene Philosophie entwickelte, und problematisiert deren Abgrenzungen von der Logosphilosophie der griechischen Klassik. Müller kommt dabei zu dem Schluss, dass auch Nietzsches Philosophie letztlich auf die Vorgaben der sokratisch-platonischen Dialektik angewiesen bleibt.

Regardless of whether one agrees or disagrees with Stacie Friend’s claim that fiction is a genre, her notion of genre can be fruitfully applied to a paradigmatic genre such as science fiction. This article deploys Friend’s notion of genre in order to improve the influential characterization of science fiction proposed by Darko Suvin and to defend it from a criticism recently raised by Simon Evnine. According to Suvin, a work of science fiction must concern “a fictional ‘novum’ validated by cognitive (...) logic.” While Suvin conceives of his characterization as a necessary and sufficient condition for membership in the genre, I propose to cast the notions of “fictional novum” and “cognitive validation” as standard features of the genre, which works of science fiction should have but might lack. I argue that this amended version of Suvin’s characterization can better account for two basic properties of science fiction as a genre, namely its historicity and its relevance to appreciation. Lastly, I show that the amended version can shed some light on the affinity between works of science fiction and philosophical thought experiments. (shrink)

This paper considers two issues raised by the claim that fictional characters are abstract artifacts. First, given that artifacts normally have functions, what is the function of a fictional character? Second, given that, in experiencing works of fictions, we usually treat fictional characters as concrete individuals, how can such a phenomenology fit with an ontology according to which fictional characters are abstract artifacts? I will indirectly address the second issue by directly addressing the first one. For this purpose, I will (...) rely on the notion of a mental file. I will argue that the function of fictional characters is the generation of mental files of a special kind. I will show that our experience of fictional characters as concrete individuals depends on the kind of mental files that are generated by fictional characters as abstract artifacts. I will conclude that an appreciator of a work of fiction can open two files about a certain fictional character; one about the character as an individual in the fictional world, and the other about the character as an abstract artifact in the actual world. In this sense, our relation to a fictional character is characterized by a duality of files or ‘twofileness’. (shrink)

I term ‘institutional monism’ the ontological thesis according to which the distinction between institutions and practices is only a matter of degree and not of kind. This paper criticizes institutional monism and puts forward a dualist theory, which takes institutions and practices as two distinct ontological kinds. For that, I introduce a distinction between the attitude and the content of a mental state. I show there can be normativity at the level of the attitude as well as at the level (...) of the content. In the former case we have a norm, in the latter a rule. This allows me to draw an ontological distinction between practices, understood as systems of norms, and institutions, understood as systems of rules. (shrink)

L’analisi di un periodo storico attraverso la sua narrazione, sia esso il Medioevo o persino un’epoca più recente, considera una moltitudine di fonti, assai eterogenee e di forma non sempre immediata. In alcuni casi uno studioso può nutrire un interesse perfino secondario per un documento storico in sé, rivolgendo l’attenzione alle _motivazioni_ e al _contesto_ che hanno portato alla creazione e alla conservazione di una testimonianza, sia essa scritta, orale o iconografica. La lettura del passato apre diverse prospettive: è possibile (...) rintracciare un genere narrativo che più di ogni altro meglio descrive il Medioevo? In quale senso una fonte arricchisce la nostra conoscenza del passato? È sensato estendere lo studio a testimonianze non strettamente testuali o iconografiche, come le mappe geografiche? La riflessione che poggia su questi quesiti rivela un Medioevo in parte inventato, una fantasia che non è tuttavia l’ombra del passato storico, bensì il suo complemento. _Analysing an historical period, such as the Middle Ages, or a more recent era, through its narration, must take into consideration many heterogeneous sources, whose form is not always immediately identifiable. In some cases, scholars may even have a secondary interest in a specific historical document, preferring to study the _motivations_ and _context_ behind its creation and conservation of historical testimony, either written, spoken or iconographic._ _Interpreting the past opens up different perspectives: is it possible to determine a single narrative genre able to describe the Middle Ages better than others? In what sense does a historical source enrich our knowledge of the historical past? Does it make sense to include in the study of history, sources that are not strictly textual or iconographic, such as a geographical map?_ _Reflecting on these questions reveals an invented aspect of the Middle Ages, a fictional portrait that not only brings into view history__’s shadow but also complements it_. (shrink)

Collective entities and collective relations play an important role in natural language. In order to capture the full meaning of sentences like The Beatles sing Yesterday, a knowledge representation language should be able to express and reason about plural entities — like the Beatles — and their relationships — like sing — with any possible reading (cumulative, distributive or collective).In this paper a way of including collections and collective relations within a concept language, chosen as the formalism for representing the (...) semantics of sentences, is presented. A twofold extension of theA–C concept language is investigated: (1) special relations introduce collective entities either out of their components or out of other collective entities, (2) plural quantifiers on collective relations specify their possible reading. The formal syntax and semantics of the concept language is given, together with a sound and complete algorithm to compute satisfiability and subsumption of concepts, and to compute recognition of individuals. (shrink)

The paper deals with the connection of "mathesis", intuition and imagination in Descartes' "Regulae ad directionem ingenii" - young Descartes' first writing about methodology, intended to set the foundation of a "mathesis generalis" - and in some of his followers/critics, in particular Leibniz, on the background of the so-called psychology of faculties. Two are the main points at stake: the presence of mental images in thought processes, and the cognitive functions of the imagination. A thorough analysis of Descartes' examples of (...) intuitive, not-imaginative cognition shows the difficulties in his approach. Different solutions will be proposed by Descartes himself and by most cartesians, on one hand, and by Tschirnhaus on the other hand. Leibniz's peculiar solution is finally considered. (shrink)

This research article aims to deliver an analytical representation of the intellectual environment of the culture journal Die Kreatur (1926–1930), a religious-dialogical quarterly edited by Martin Buber, Joseph Wittig, and Viktor von Weizsäcker and enlivened by some of the most prominent figures of German-Jewish interwar culture (among others W. Benjamin, H. S. Bergman, E. Rosenstock-Huessy, F. Rosenzweig, E. Simon, and L. Strauss). Building on a recognition of the problematic relationship between the dialogical model claimed in the programmatic foreword of the (...) journal and the group narratives enacted by its key contributors, the study attempts to outline the formation process of the intellectual plexus of the journal and to provide a differentiated analysis of its singular constituents via a sociologically informed framework. The representation of the intellectual network of Die Kreatur in accordance with the model of a “circle of circles” provides insight into the elusive dialectic of interaction and divergence that determines the relations between the main actors of the journal and thus contributes to unfold the interplay of biographical intersections and conceptual synergies, as well as incongruities, frictions, and contradictory instances that determines its editorial and philosophical profile. (shrink)

This paper develops Richard Wollheim’s claim that the proper appreciation of a picture involves not only enjoying a seeing-in experience but also abiding by a standard of correctness. While scholars have so far focused on what fixes the standard, thereby discussing the alternative between intentions and causal mechanisms, the paper focuses on what the standard does, that is, establishing which kinds, individuals, features and standpoints are relevant to the understanding of pictures. It is argued that, while standards concerning kinds, individuals (...) and features can be relevant also to ordinary perception, standards concerning standpoints are specific to pictorial experience. Drawing on all this, the paper proposes an ontology of depiction according to which a picture is constituted by both its visual appearance and its standard of correctness. (shrink)

The myth in Plotinus is a constitutive element of his metaphysics, as it is present in several treatises of the Enneads as an element aimed at justifying certain metaphysical theses through recourse to an analogy with the ancient tradition. In the case of the divine triad Ouranos‑Kronos‑Zeus, the relationship is extremely problematic since, from a Platonic perspective, these figures relate to two dialogues in particular : the Cratylus and the Timaeus. Regarding the Cratylus, the greatest difficulty for Plotinus lies in (...) matching the Socratic etymological method with the actual nature of the hypostases. From this point of view, the role of Ouranos appears particularly problematic since the very nature of the first principle is incompatible with Platonic etymology. As far as the Timaeus is concerned, a fundamental role is that of Zeus as demiurge, which respects all the problematic nature of the Plotinian perspective, which is unable to precisely delineate the role of the demiurge, for which Zeus is twofold : Intellect and Soul. It thus emerges how the role of the Cratylus and Timaeus are merely strategic for Plotinus, called upon only to justify his metaphysical theses. The myth thus has the role of justifying an analogy between the metaphysics of hypostasis and the archaic tradition, but it presents problems of interpretative oscillation that Plotinus himself does not seem able to resolve. (shrink)

Chez les prédécesseurs de Thomas, l’aumône corporelle de la sépulture semblait devoir se résoudre dans l’aumône spirituelle de la prière en faveur du défunt, par l’avertissement que procure ce signe qu’est le tombeau. Thomas lui-même recueille cette tradition dans le Scriptum super Sententiis, mais l’infléchit notablement dans la Somme : elle est un acte de piété à l’adresse du corps lui-même, prenant le relai de l’affection, proprement humaine, que le défunt avait de sa propre chair.

After slipping away from Athens about evening , Theseus on his journey to Marathon runs into a violent rainstorm, which breaks out suddenly after a warm and brilliant afternoon, so that he has to take refuge in Hecale's poor cottage. We owe to P. Oxy. 2216 fr. 1 as well as to some Testimonia the following text of the tempest, fr. 238.15–32 Pfeiffer = 18 Hollis.

Both perception and imagination seem to play a crucial role in our engagement with fiction films but whether they really do so, and which role they possibly play, is controversial. On the one hand, a fiction film, as film, is a depiction that invites us to perceive the events portrayed. On the other hand, as fiction, it invites us to imagine the story told. Thus, after watching the film Alien, one might say that one saw Ripley fighting the monster but (...) one might also say that one imagined Ripley fighting the monster. Are these two reports compatible? If they are, how can we combine them so to make sense of them? If, instead, they are not, which of them should we give up? (shrink)

Enrico Berti has had a profound influence on the birth and development of Italian studies in ancient philosophy. His sizable work has shaped a great part of Italian studies on Aristotle and other ancient philosophers. To celebrate him and express their gratitude for his work, some of his disciples, under the impulse of the late Franco Volpi, have brought together a volume in his honour, requesting the participation of some foreign scholars particularly close to him. The volume comprises essays (...) by Pierre Aubenque, Jonathan Barnes, Terence H. Irwin, Tomás Calvo-Martínez, Jaap Mansfeld, Pierre Pellegrin, Gerhard Seel and Alejandro G. Vigo. The main themes are Aristotle's metaphysics and practical philosophy. A Selected Bibliography by E. Berti himself completes the volume."--Publisher's website. (shrink)