This anthology contains selected papers from the 'Science as Culture' conference held at Lake Como, and Pavia University Italy, 15-19 September 1999. The conference, attended by about 220 individuals from thirty countries, was a joint venture of the International History, Philosophy and Science Teaching Group (its fifth conference) and the History of Physics and Physics Teaching Division of the European Physical Society (its eighth conference). The magnificient Villa Olmo, on the lakeshore, provided a memorable location for the presentors of the (...) 160 papers and the audience that discussed them. The conference was part of local celebrations of the bicentenary of Alessandro Volta's creation of the battery in 1799. Volta was born in Como in 1745, and for forty years from 1778 he was professor of experimental physics at Pavia University. The conference was fortunate to have had the generous financial support of the Italian government's Volta Bicentenary Fund, Lombardy region, Pavia University, Italian Research Council, and Kluwer Academic Publishers. The papers included here, have or will be, published in the journal Science & Education, the inaugural volume (1992) of which was a landmark in the history of science education publication, because it was the first journal in the field devoted to contributions from historical, philosophical and sociological scholarship. Clearly these 'foundational' disciplines inform numerous theoretical, curricular and pedagogical debates in science education. Contemporary Concerns The reseach promoted by the International and European Groups, and by the journal, is central to science education programmes in most areas of the world. (shrink)

In recent years, increasing attention has been devoted to the underrepresentation, exclusion or outright discrimination experienced by women and members of other visible minority groups in academic philosophy. Much of this debate has focused on the state of contemporary Anglophone philosophy, which is dominated by the tradition of analytic philosophy. Moreover, there is growing interest in academia and society more generally for issues revolving around linguistic justice and linguistic discrimination (sometimes called ‘linguicism’ or ‘languagism’) (see e.g. Van Parijs 2011). Globalization (...) and the increasing adoption of English as global linguistic vehicle or lingua franca push these issues at the forefront of much of the world’s attention. The convergence of these two trends suggests the appropriateness of an analysis of the condition of non-native speakers of English in analytic philosophy. (shrink)

The presence of Persian sources in Nietzsche’s Thus Spoke Zarathustra has been a topic of debate for decades. This paper summarizes the main results of a comparative study of Nietzsche and the ancient Persian scripture Avestā. In addition to several secondary sources Nietzsche repeatedly encountered, there is strong evidence that he read Johann Friedrich Kleuker’s German translation of the Avestā texts reconstructed by Abraham Hyacinthe Anquetil-Duperron. Analyzing Nietzsche’s diverse sources of Zoroastrianism as well as his knowledge of this religion, this (...) paper shows that many metaphors, references and claims in both Thus Spoke Zarathustra and in Nietzsche’s notebooks can be traced back to Zoroastrianism. Taking these sources into consideration contributes significantly to our understanding of one of Nietzsche’s major works. (shrink)

What aesthetic interest do we have in watching films? In a much debated paper, Roger Scruton argued that this interest typically comes down to the interest in the dramatic representations recorded by such films. Berys Gaut and Catharine Abell criticized Scruton’s argument by claiming that films can elicit an aesthetic interest also by virtue of their pictorial representation. In this article, we develop a different criticism of Scruton’s argument. In our view, a film can elicit an aesthetic interest that does (...) not come down to an interest in the dramatic representation or in the pictorial representation. We will argue that this is a distinctively cinematic interest. In section I we outline Scruton’s argument. In section II we point out an interest in how the cinematic medium presents the portrayed subject as detached from the spectator’s environment. In section III, by referring to Wittgenstein’s account of the contemplation from outside, we contend that the interest in films introduced in section II can count as an aesthetic interest. In section IV we argue that both documentaries and fiction films can elicit this kind of interest. In section V we compare the three different kinds of aesthetic interest that, in our view, a film can elicit. In section VI we describe the corresponding kinds of cinematic achievements. (shrink)

Enrico Berti has had a profound influence on the birth and development of Italian studies in ancient philosophy. His sizable work has shaped a great part of Italian studies on Aristotle and other ancient philosophers. To celebrate him and express their gratitude for his work, some of his disciples, under the impulse of the late Franco Volpi, have brought together a volume in his honour, requesting the participation of some foreign scholars particularly close to him. The volume comprises essays (...) by Pierre Aubenque, Jonathan Barnes, Terence H. Irwin, Tomás Calvo-Martínez, Jaap Mansfeld, Pierre Pellegrin, Gerhard Seel and Alejandro G. Vigo. The main themes are Aristotle's metaphysics and practical philosophy. A Selected Bibliography by E. Berti himself completes the volume."--Publisher's website. (shrink)

Our usual method" is an expression that Aristotle uses in a passage of the Politics (I.1, 1252a17-20) to describe the technique of subdividing a composite object of study into the elements that make it up, in order to study the possible combinations. What theory is the basis for this method? Is it really a usual method for Aristotle? Enrico Rini responds to these questions, starting with the analysis of some passages of the Aristotelian corpus that refer to concepts of (...) the part and the whole. From these passages, Rini attempts to extrapolate a theory that Aristotle states explicitly only on occasion. The mereology that emerges from this study is not a formal theory, unlike the logical mereology present today, and therefore takes into account different types of the whole and the part, with a scope that has applications for the field of biology. (shrink)

In questo volume Enrico Fubini si propone di mettere in luce i temi fondamentali, le correnti piú importanti, i problemi chiave dell'estetica musicale contemporanea, iniziando il loro studio dall'illuminismo, in cui tali problemi affondano le loro radici. Il concetto di estetica è inteso nel senso piú largo, comprendendo le meditazioni sulla musica non solo degli studiosi di estetica e dei musicisti stessi, ma anche dei filosofi, degli psicologi, dei fisici e dei matematici.

The intention of Atomic Order is to encourage and contribute to the dialogue between philosophers and scientists by discussing a concrete example of scientific discovery according to a method acceptable and understandable to both sides. This discussion takes simultaneously into account the scientific and philosophical methodologies and mentalities. By regarding "pure" science or "pure" philosophy as limiting cases, it becomes evident that basic questions are best posed and answered by emphasiz ing the deeply embedded complementary relationship between the two. The (...) example chosen is atomic physics, and a systematic method is developed to illuminate the philosophical structure of this science--and science generally--from within.The book consists of two parts. The first part is devoted to the problem of atomic order as discovered and verified by physics, from the speculations of Dalton to the consequences of modern quantum mechanics. These chapters will afford a telescopic, historical review to the scientific reader and a reliable, understandable account of the physical discoveries and theories to the nonscientist. The second part analyzes the presuppositions, guiding principles, and implications that made possible the development of atomic physics and that impart a humanistic meaning to it. In separate chapters are discussed the epistemological structure of atomic physics, the new conception of matter implicit in the quantum theory, and the ontological implications of atomic order. It is seen that, in this area, science and philosophy are inextricably interpenetrated. A philosophic problematic is immanent in creative atomic science, as is evidenced by the numerous reflections and speculations of scientists that are quoted in the book. Conversely, an interest in scientific research is indispensable for a modern philosopher, and the philosopher may well be surprised and encouraged on recognizing the role already being played by philosophy in the supposedly pragmatic world of science.Dr. Cantore brings an ecumenical cast Lof mind to the healing of the bjcultural split between the humanists and the scientists. The recipient of a doctorate in physics and another in philosophy, he has drawn from both fields in a book dedicated to "making the educated public more aware of the need and method for a new synthesis between the two cultures.". (shrink)

1. Epistemologia, logica e dialettica -- 2. Fisica, antropologia e metafisica -- 3. Filosofia pratica -- 4, pt. 1. L'influenza di Aristotele: antichità, Medioevo e Rinascimento -- v. 4, pt. 2. L'influenza di Aristotele: età moderna e contemporanea.

This profound philosophical argument analyzes the mental processes and opinions of such physicists as Maxwell, Kelvin, Tait, etc... who, between 1750 and 1900, considered the relationship between mathematics and experience, causing a revolution which questioned the universal applicability of Newtonian "mechanism.".

This paper considers two issues raised by the claim that fictional characters are abstract artifacts. First, given that artifacts normally have functions, what is the function of a fictional character? Second, given that, in experiencing works of fictions, we usually treat fictional characters as concrete individuals, how can such a phenomenology fit with an ontology according to which fictional characters are abstract artifacts? I will indirectly address the second issue by directly addressing the first one. For this purpose, I will (...) rely on the notion of a mental file. I will argue that the function of fictional characters is the generation of mental files of a special kind. I will show that our experience of fictional characters as concrete individuals depends on the kind of mental files that are generated by fictional characters as abstract artifacts. I will conclude that an appreciator of a work of fiction can open two files about a certain fictional character; one about the character as an individual in the fictional world, and the other about the character as an abstract artifact in the actual world. In this sense, our relation to a fictional character is characterized by a duality of files or ‘twofileness’. (shrink)

Both perception and imagination seem to play a crucial role in our engagement with fiction films but whether they really do so, and which role they possibly play, is controversial. On the one hand, a fiction film, as film, is a depiction that invites us to perceive the events portrayed. On the other hand, as fiction, it invites us to imagine the story told. Thus, after watching the film Alien, one might say that one saw Ripley fighting the monster but (...) one might also say that one imagined Ripley fighting the monster. Are these two reports compatible? If they are, how can we combine them so to make sense of them? If, instead, they are not, which of them should we give up? (shrink)

The idea of an ?inversion principle?, and the name itself, originated in the work of Paul Lorenzen in the 1950s, as a method to generate new admissible rules within a certain syntactic context. Some fifteen years later, the idea was taken up by Dag Prawitz to devise a strategy of normalization for natural deduction calculi (this being an analogue of Gentzen's cut-elimination theorem for sequent calculi). Later, Prawitz used the inversion principle again, attributing it with a semantic role. Still working (...) in natural deduction calculi, he formulated a general type of schematic introduction rules to be matched ? thanks to the idea supporting the inversion principle ? by a corresponding general schematic Elimination rule. This was an attempt to provide a solution to the problem suggested by the often quoted note of Gentzen. According to Gentzen ?it should be possible to display the elimination rules as unique functions of the corresponding introduction rules on the basis of certain requirements?. Many people have since worked on this topic, which can be appropriately seen as the birthplace of what are now referred to as ?general elimination rules?, recently studied thoroughly by Sara Negri and Jan von Plato. In this study, we retrace the main threads of this chapter of proof-theoretical investigation, using Lorenzen's original framework as a general guide. (shrink)

The myth in Plotinus is a constitutive element of his metaphysics, as it is present in several treatises of the Enneads as an element aimed at justifying certain metaphysical theses through recourse to an analogy with the ancient tradition. In the case of the divine triad Ouranos‑Kronos‑Zeus, the relationship is extremely problematic since, from a Platonic perspective, these figures relate to two dialogues in particular : the Cratylus and the Timaeus. Regarding the Cratylus, the greatest difficulty for Plotinus lies in (...) matching the Socratic etymological method with the actual nature of the hypostases. From this point of view, the role of Ouranos appears particularly problematic since the very nature of the first principle is incompatible with Platonic etymology. As far as the Timaeus is concerned, a fundamental role is that of Zeus as demiurge, which respects all the problematic nature of the Plotinian perspective, which is unable to precisely delineate the role of the demiurge, for which Zeus is twofold : Intellect and Soul. It thus emerges how the role of the Cratylus and Timaeus are merely strategic for Plotinus, called upon only to justify his metaphysical theses. The myth thus has the role of justifying an analogy between the metaphysics of hypostasis and the archaic tradition, but it presents problems of interpretative oscillation that Plotinus himself does not seem able to resolve. (shrink)

v. 1. Demoniaco e problema del male. Umanesimo e pensiero simbolico. Tempo e temporalità -- v. 2. Ermeneutica e demitizzazione. Storia della filosofia. Filosofia della religione.