George Grant’s bleak assessment of the prospects of technological civilization owed a lot to his reading of Martin Heidegger and Jacques Ellul. However, Grant understood technological development within the context of liberal theory and capitalist practice. Grant explained why liberalism is the doctrine most appropriate to the development of productive forces, or the most complete exploitation of natural and human resources. Unlike most North American conservatives, Grant was not a friend of capitalism but of civil servants who restrain capitalist accumulation (...) in the name of the common good or national community. Grant was what Gad Horowitz called a Red Tory and offered a unique perspective of how American technique has closed us off from love and contemplation, leaving us with the one-dimensional problem-solving mentality of the social engineer. (shrink)

Gottfried Wilhelm Leibniz Widely hailed as a universal genius, Gottfried Wilhelm Leibniz was one of the most important thinkers of the late 17th and early 18th centuries. A polymath and one of the founders of calculus, Leibniz is best known philosophically for his metaphysical idealism; his theory that reality is composed of spiritual, non-interacting … Continue reading Leibniz, Gottfried Wilhelm →.

This book surveys the major thinking about Christian ethics as found in books published or distributed in the United States from the mid-sixties to the end of the seventies. In the first half of the book, Professor Long updates the analysis he first expounded in 1967 in his widely praised study, A Survey of Christian Ethics. Part one examines the literature dealing with moral reasoning, thinking about laws and codes, and ethics done in terms of situations and relationships. Part two (...) examines published work that stress the importance of institutions, politics in operational terms, and efforts to think of Christian fidelity as expressed in special communities outside or opposed to the civic mainstream. In part three Professor Long examines works concerned with the nature and function of the moral agent, covering such topics as attention to virtue and character, the nature and role of conscience, and thinking about the implications of moral development theory. Part four describes three new frameworks for doing ethics that have been developed during the last fifteen years: vocational ethics and policy studies; liberation theology; and comparative religious ethics. (shrink)

The literary relations between the Harlem Renaissance and the Negritude Movement have, we believe, been sufficiently documented. It has been demonstrated that Senghor, Damas and Césaire avidly perused the pages of Crisis, Opportunity and Garvey's Negro World—Journals in which Langston Hughes, Claude Mckay, Countee Cullen and Jean Tommer—the poets of the Harlem Renaissance, first had their poems published. It is equally literary history now, that some of the poems of the Afro-American writers were reprinted in such Parisian Black-oriented journals and (...) little magazines as Les Continents, La Dépêche Africaine, Le Cri des Nègres, La Revue du Monde Noir and Légitime Défense. In this dissemination of ideas across the Atlantic, Paulette Nardal, Edward A. Jones, Louis T. Achille and Mercer Cook played the important role of literary intermediaries through their translations. (shrink)

The essays in this volume constitute a series of investigations into the limitations on thought and power as conceived by thinkers in the medieval West and they draw on material ranging from law to literature. The author deals with limits on the human desire for knowledge, the passion with which knowledge could legitimately be pursued, and the propriety of the knowledge sought, as well as the limits that might be tolerable and tolerated in the case of royal incapacity or misbehaviour. (...) One particular focus is the work of Dante Alighieri, and these ideas are traced across a wide range of his thought. Chronologically the essays run from Augustine and the Gnostics through to Shakespeare. (shrink)

A brief analysis of the processes of measurement common to any science reveal a paradox. This paradox is encountered when one tries to make clear how formal statements are related to experience in such a way that factual statements, such as statements about measurements, result. I believe that this paradox bears an analogy to the “fallacy of the third man” which disturbed Plato. Be that as it may, this paradox has not been satisfactorily solved in modern times, although a full (...) comprehension of the processes of measurement would require its solution. In this paper I wish to do nothing more than present a statement of the difficulty. (shrink)

EDITORS NOTE: Typographical corrections of page proofs were accidentally left out of Dr. Beach's article, which appeared in the January issue of this volume. The omission diminishes the value of the article; and the Editor apologizes for the oversight to Dr. Beach and the readers of Metaphilosophy. A typographically correct version is given below.

He also tells a very interesting personal story of his battles to get these trajectories used, and how he was able to save the Hiten spacecraft and get it to the moon. This is a great story, and he tells it very well.

In this note, I plan to describe some of the procedures I followed in creating the World Wide Web site for the Metaphysics Research Lab at CSLI. Its URL (Uniform Resource Locator) is.

The issue is not whether we should or should not reduce the facts of literature to those of some other order or to make it causally dependent on such things as history, religion, or philosophy. These are the phantoms of forty years. Nor is the issue whether a contextualist can be flexible enough to do other kinds of criticism. Empson was a poor contextualist and an atrocious Freudian; and if the man was the same, the activites were not. One can (...) do both in turns and doing both tells us nothing about the flexibility of contextualism. Empson was indefatiable in multiplying ambiguities and notoriously indifferent to contexts, a fact that is drawing some attention and admiration today from some structuralists. Nor is the issue whether or not contextualism has been vindicated by other schools of criticism because it held that poetic language was ambivalent. The evidence that is brought forth from psychoanalysis to support this point undermines it. If Freudianism holds that poetic language is ambivalent - and it does - then it does not vindicate the contribution of contextualism, since it antedates contextualism by many years. And as a matter of fact, poetic ambivalence has been held by many critics and aestheticians - Croce is an example - long before New Criticism and contextualism. Nor is the issue, finally, wheher or not literature defamiliarizes usual or habituated language. I suppose it does, but this does not tell us very much. The term was used by the Russian Formalists to describe the process by which new literary forms come into being as they separate themselves from "conventionalized" or "canonized" forms. The Russian ostranenie could be translated as "deconventionalizing," just as well as the more usual "making strange," and the less usual "defamiliarization" that Mr. Hyman has taken from Lemon and Reis. The Formalists quickly abandoned the term because it was too vague and general to account for the increasingly complex process that was involved in the interchange of literary forms. The term was not used to describe the relationship of literary language to nonliterary language, as Mr. Hyman uses it. This is a New Critical reflex, which tends always to see the literary context as something opposed to something outside itself. But Mr. Hyman's misuse is also the right use because his misunderstanding and misapplication of the term takes us to the real issue, one that he has been unwilling or unable to face despite all the grace and complaisance of his argument. (shrink)

The belief in supernatural beings.--The character of the gods of uncivilized peoples.--The character of the gods of civilized peoples.--The improvement of the gods.

This article and checklist present the contents of the Spencer Album of Marcantonio Raimondi prints, long considered to be lost. By examining its composition and tracing its provenance from the Spencer collection at Althorp House to the John Rylands Library, Manchester, we offer new insight into how attitudes toward Marcantonio Raimondi‘s work evolved during the eighteenth and nineteenth centuries, particularly in Great Britain. Our article also explores Victorian collecting practices and the importance of the graphic arts for Mrs Rylands‘s vision (...) for the Library to be dedicated to her late husband‘s memory. (shrink)