Toute une génération de penseurs catholiques allemands du xxe siècle a cru pouvoir se rattacher à la pensée de la finitude développée par M. Heidegger pour la faire dialoguer avec, d’une part l’idéalisme allemand, et d’autre part surtout, la métaphysique de Thomas d’Aquin et l’ouverture à Dieu Ipsum esse per se subsistens qu’elle semblait ménager via la différence ontologique. À cet égard, ils effectuaient bon gré mal gré une tentative de conciliation toute kantienne en ses origines, entre le thomisme transcendantal (...) du jésuite belge J. Maréchal et la pensée de Heidegger. Przywara, en dépit d’un apparent souci commun de concilier métaphysiques de la « finitude » et de l’« infinitude », n’épargne pas ce qu’il appelle « école heideggerienne catholique ». Nous tâcherons de comprendre ici précisément pourquoi, en donnant un aperçu de la lecture effectuée par le jésuite allemand, tant des entreprises maréchalienne et heideggerienne pour elles-mêmes que de quelques tentatives de leurs confrontations. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Unpacking the Chalcedonian Formula:From Studied Ambiguity to Saving MysteryBrian E. Daley, S.J.One of the central questions Christian theologians continue to ask themselves, as they confront the mystery of the person of Christ, is, what is the significance for us today of the Council of Chalcedon? For generations of modern scholars, especially those in the West, the dense and rather technical phrases forged at that fifth-century gathering of Christian bishops (...) and appended to a restatement of what we know as the “Nicene creed” represented a major milestone in the Churches’ ongoing clarification of how disciples are to understand the person of Jesus the Savior.In J. N. D. Kelly’s widely used survey, Early Christian Doctrines,1 for instance, Chalcedon’s “settlement” of the twenty-four-year dispute between Nestorius and his Antiochene supporters and Cyril of Alexandria and the Church of Alexandria was the culmination of “the decisive period for Christology”2 in the early Church, an attempt to define an understanding of Christ that could be accepted by all Christians throughout the Empire, but which nevertheless—surprisingly, perhaps—“failed to bring permanent peace.”3 Aloys Grillmeier, in his foundational study of the growth of early Christian understandings of Jesus, speaks of the years up to Chalcedon as [End Page 165] temporally defining “the development of belief in Christ from its beginning to its first climax in a council of the Church.”4 In an influential study of the theology of the seventh-century monk and theologian Maximus the Confessor, Hans Urs von Balthasar emphasizes the centrality of Chalcedon’s formulaic, classically dialectical picture of the person of Christ as central to Maximus’s whole approach to God, the world, and the human spirit. The reason, Balthasar argues, lies in Chalcedon’s ability to affirm both unity and abiding difference in Christ as the dominant pattern of God’s relationship to creation:From the moment that Chalcedon, in its sober and holy wisdom, elevated the adverbs ‘indivisibly’ (ἀδαιρέτως) and ‘unconfusedly’ (ἀσυγχύτως) to a dogmatic formula, the image of a reciprocal indwelling of two distinct poles of being replaced the image of mixture. This mutual ontological presence (περιχώρησις) not only preserves the being particular to each element, to the divine and the human natures, but also brings each of them to its perfection in their very difference, even enhancing that difference. Love, which is the highest level of union, only takes root in the growing independence of the lovers; the union between God and the world reveals, in the very nearness it creates between these two poles of being, the ever-greater difference between created being and the essentially incomparable God.5With a little help from German Romantic philosophy, and perhaps from his Jesuit confrère Erich Przywara, Balthasar here sees in the Chalcedonian picture of Christ not only Maximus’s central inspiration, but the early Church’s final paradigm for conceiving how the transcendent God can be present and crucially active in the world.One might multiply examples. But does this understanding of Chalcedon’s portrait of Christ really represent its intent or its lasting meaning? What led to its articulation? What was, one may ask, the real achievement of this gathering of over 500 Eastern bishops, mainly from the Greek-speaking East, called by the new emperor Marcian and his long-influential spouse, the [End Page 166] Empress Pulcheria, in a port suburb across the Bosporus from Constantinople, in October of 451? On the level of Church politics, at least, it was a step towards restoring a balance, however briefly, between major centers of influence in the Church of the mid-fifth century, and the theological traditions with which they had become associated: a balance precariously achieved in 433, after the bitter controversy over Nestorius’s views on how to conceive the person of Christ, by what is often called the “Formula of Reunion,” which sketched the outlines of traditional faith in the Savior—a formula apparently drafted at that time by Theodoret of Cyrus and proposed by the Church of Antioch, but which was also warmly embraced by Theodoret’s principal rival, Cyril of Alexandria. After heated debates between the bishop of Constantinople, the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:PRZYWARA AND VON BALTHASAR ON ANALOGY ERICK PRZYWARA'S major work is entitled Analogia Entis: Metaphysil:,, Ur-Struktur und All-Rhythmus.1 As we will explain, it is especially the subtitle, " Basicstructure and Overall-rhythm", which is important in understanding the type of metaphysics he proposes. An explicit treatment of analogy by Hans Urs von Balthasar may be found in a se:des of two articles, " Analogie und Dialektik " and (...) " Analogie und Natur ", both of which carry the subtitle, " A clarification of the theological principles of Karl Barth " (1944-1945).2 They later become the basis of two important sections of Karl Barth: Darstellung und Deutung Seiner Theologie.3 The first becomes part of Balthasar's demonstration on Barth's "turn to analogy ".4 The second becomes part of presentation of Catholic" thought-form": "The concept of nature in Catholic theology". This context, the dialogue with Barth and Catholic theology in relationship to Barth, is essential for understanding Balthas,ar's views on analogy-as well as his relationship to Erich Przywara, anotheT dialogue partner of Barth. The "one concrete order of salvation", as 1 Anafogia En-tis. (AE) Einsiedeln: Johannes-Verlag, 1962. Second edition. The first edition (Munich: Koesel & Pustet, 1932), however, lacks this subtitle. It is called: Analogia Entis. JJfetaphysik. I. Prinzip. The new subtitle is a response to a "misunderstanding" (e.g., Barth's accusation) that analogia entis was only a metaphysical principle. Przywara also clarifies the sense in which analogy can be called a "principle" in the new forward to the second edition (p. 5), as well as in a new ending on p. 210. 2Both in Divus Thomas: the first in #22 (1944), 171-216; the second in # 23 (1945)' 3-56. 3 Cologne: Jakob Hegner Verlag, 1951. 4Cf. "Die Wendung zur.Analogie", 93-123; as well as "Die Vollgestalt der Analogie", 124-180. Balthasar acknowledges his indebtedness to Przywara in the enlarged treatment of analogy in Barth: cf. p. 10 ancl p. 404 n.3 (for the section on the" concept of nature in Catholic theology.") 473 474 JAMES V. ZEITZ, S.J. the place where analogy thinking must begin and end, is typical of both Przywarn and Balthasar-and reflects undoubtedly the influence of Barth on bot1h of these Catholic and (at the time) Jesuit theologians. To start at an earlier stage, however, the real issue of analogy, in both Przywa;ra and Balthasar's writings is the God question. How can we maintain God's transcendence as a true ' other ' in relation to immanence-the one concrete order where Jesus Christ is already present? This is first of all a prroblem for any theological method. The starting point and language which proceeds from this starting point must allow for transcendence within immanence. Thus Balthasar's aibove-mentioned work on analogy discusses the problem using the rubric of the time, a " concept of nacbure " in relationship to Ubernatur. His question is: what concept of nature is able bo relate to Ubernatur, while remaining truly a creaturely concept of nature? His thesis is that nature cannot be abstract or "pure " in an 18th century, secularized philosophical sense (e.g. Baius), but-in conformity with the whole tradition of the Ohurch Fathers, where nature means the whole human condition-the concept of nature is always already analogous, since ' rnan ' as creature can never stand aside from his already given, concrete nature within the order of salvation.5 Przywara had already prepared the way for this by insisting on a creaturely metaphysics leading to a theological metaphysics, where analogy is the adequate method. Besides the theological method, however, there is the problem of transcendence within one's understanding of Christ and the biblical revelation of the New Testament. Is there really a place for what can only be revealed and received? Or, to state the question in Balthasar's terms: how is the "one, concrete order", where Jesus Christ is already pa,rt of our history, 5 Cf. "Der Begriff der Natur in der Theologie ". Eine Diskussion zwischen Hans Urs von Balthasar und Engelbert Gutwenger. ZKTh vol. 75, 1953. 452461. In this debate, Balthasar further clarifies what he had said in Durstellung, in response to Gutwenger... (shrink)

El presente trabajo busca mostrar la influencia del pensamiento de Agustín de Hipona en la obra de Erich Przywara, concretamente, en la propuesta de la metafísica creatural. En la primera parte se pone de manifiesto lo concerniente al método y contenido de la metafísica creatural a partir de nociones fundamentales del pensamiento agustiniano. En la segunda parte se busca exponer la relación de reciprocidad mutua entre metafísica y experiencia religiosa propia de la originalidad del pensamiento de Przywara.

Selon le témoignage de von Balthasar lui-même, Henri de Lubac - de même que Goethe, E. Przywara, A. von Speyr et K. Barth - fut une des «étoiles» qui ont guidé sa vie. Son influence fut déterminante pour introduire le jeune jésuite suisse dans l'univers de la théologie, à commencer par les Pères de l'Eglise. L'article montre le profond rapport humain, théologique et spirituel qui existe entre ces deux grands esprits de la théologie du dix-neuvième siècle. Il met en (...) évidence le rapport ininterrompu qui va des années 33-37 à Lyon jusqu'au lien de toute une vie qui unit von Balthasar à son très cher «maître et ami», Henri de Lubac. L'essai met aussi en lumière les points saillants sur lesquels l'influence théologique de de Lubac apparaît plus évidente dans la configuration de la symphonie théologique de von Balthasar. (shrink)

Kulturphilosophie bis heute, von A. Dempf.--Die Künste im technischen Zeitalter, von E. Preetorius.--Der höchste Gedanke des Gewissens, von R. Berlinger.--Einige Reflexionen (Aphorismen) über Symbolik, von A. Metzger.--Ein neues Heraklit-Bruchstück, von F. Altheim und R. Stiehl.--Heidentum und Hybris, von A. Schmaus.--Eckharts Mystik, von F. J. von Rintelen.--La Filosofia Scientifica de Galileo Galilei, von G. Semerari.--Über das Verhaltnis zwischen der Geschichte der Mathematik und der Gescichte der Nauurwissenschaft, von B. Sticker.--Das Wertproblem in der Wissenschaft, von R. W. Meyer.--Zum Problem des giestigen Seins, (...) von G. Müller.--Der Mensch in unserer Zeit, von H. Richtscheid,--Carl Friedrich von Beyme, von H. J. Schoeps.--Deutsch-Widerspruch, von E. Przywara.--Musica exercitium metaphysices occultum? Von W. Beierwaltes.--"Elise von Valberg", zur Asthetik des Ruhrstückes, von E. Howald.--Rilkes Spattgedicht "Gong", von W. Günther.--Gedichte, von F. G. Junger.--Veröffentlichungen von Manfred Schröter (p. 269-"74). (shrink)

Článek připomíná 110. výročí narození švýcarského katolického teologa a filosofa (metafyzika) Hanse Urse von Balthasara (1905 Luzern–1988 Basilej). Po studiích germanistiky ve Vídni, Berlíně a Curychu pokračoval ve studiu filosofie a teologie u jezuitů (E. Przywara, H. de Lubac). Před nadějnou akademickou dráhou dal přednost pastorační službě u studentů. V Basileji navázal úzké kontakty s K. Rahnerem a K. Barthem. S lékařkou a mystičkou Adriennou von Speyr založil sekulární institut Johannesgemeinschaft (1944) a nakladatelství, ve kterém vydával její díla. Roku (...) 1950 jezuitský řád opouští. Před druhým vatikánským koncilem vystupoval jako katolický progresivista, po něm jako kritik katolického modernismu, v němž viděl ohrožení biblických tradic. S Henri de Lubacem a Josephem Ratzingerem roku 1972 spoluzakládal mezinárodní katolickou revui Communio. Svou rozsáhlou a rozmanitou publikační činnost završil trilogií Herrlichkeit–Theodramatik–Theologik (1961–1987), v níž uvažuje o Bohu v estetických souvislostech, v kategoriích transcendentálií pravdy, dobra a jejich ztělesnění – krásy.The article recalls the 110th anniversary of the birth of the Swiss Catholic theologian and philosopher (metaphysician) Hans Urs von Balthasar (1905 Luzern–1988 Basel). He studied German in Vienna, Berlin and Zurich and after that he continued his studies in philosophy and theology at the Jesuits (E. Przywara, H. de Lubac). He preferred pastoral ministry among students to a promising academic career. In Basel he established close contacts with K. Rahner and K. Barth. Together with the doctor and mystic Adrienne von Speyr he founded the secular institute Johannesgemeinschaft (1944) and a publishing house, in which he published her work. In 1950 he left the Jesuit order. Before the Second Vatican Council he acted as a progressive Catholic, afterwards as a critic of Catholic modernism, in which he saw the threat of biblical traditions. With Henri de Lubac and Joseph Ratzinger in 1972 he co-founded the International Catholic review Communio. His extensive and diverse publications he completed with trilogy The Glory of the Lord–Theo-Drama–Theo-Logic (1961–1987), in which he contemplates God within aesthetic contexts, within categories of transcendentals truth, goodness and their embodiment – beauty. (shrink)

Erich Przywara admits to have developed his idea of a “metaphysics of creature” in confrontation with M. Heidegger’s thinking. We will show how the Jesuit reading of the latter is based on the roots of Heideggerian thought in the discussions of the 1920s around the nature of Kantism. Przywara tries to account for these debates from the tensions existing in the very approach of the philosopher of Königsberg. These will give rise to two ways of interpretation, that (...) class='Hi'>Przywara schematises under the traits of a “metaphysics of finitude,” as represented by M. Heidegger, and a “metaphysics of infinity,” in particular with E. Herrigel. According to Przywara, it is from the dialectic between these two paths that the perspective of the analogia entis as metaphysics of creature must arise. (shrink)

E. J. Lowe; Coinciding objects: in defence of the ‘standard account’, Analysis, Volume 55, Issue 3, 1 July 1995, Pages 171–178, https://doi.org/10.1093/analys/5.

In response to rapidly rising health care costs in the United States, federal and state governments and private industry are instituting numerous and diverse cost-containment plans. As devices for coping with a scarcity of resources, such plans present serious challenges to physicians' traditional single-minded devotion to patient welfare. Those which contain costs by directly limiting medical options or by controlling physicians' daily clinical decisions can threaten the quality of medical care by allowing economic authorities to make essentially medical judgments. In (...) contrast, other plans coax compliance by arranging incentives, e.g., offering financial rewards for successful cost containment. While they allow for clinical freedom, these plans create conflicts between physicians' fiduciary obligations to their patients and the competing interests of the payers. Such conflicts arise as physicians try to work within governmental or corporate cost containment policies, and also as they attempt to streamline clinical efficiency. Throughout, issues of justice emerge as physicians seek to reconcile their own patients' claims upon limited common resources with others' equally legitimate claims. (shrink)

Linguistic study of Mongolian traditional classical translation.

It has frequently been observed that the Prometheus Vinctus shows certain Sophoclean characteristics of rhythm. In order to vary the rhythm of his iambics and to avoid monotony, Sophocles often knits consecutive trimeters closely together by placing at the end of one line some word which looks forward to the next line, and so precludes the reader from stopping for the natural pause after the sixth foot. Sometimes he uses in this way subordinating words which introduce a dependent clause in (...) the next line ; sometimes proclitics or quasi-proclitics. (shrink)

L'art, loin des habitudes qui figent tout réel élan créateur, est la jeunesse du monde. Il a tout à créer. Tout à construire, tout à proposer. Les temps de l'art mimétique comme ceux de l'art visionnaire sont révolus, pour laisser place à ceux de l'intuition. Cet ouvrage revendique ainsi la liberté de s'imposer des règles, de nouvelles règles et préconise un art de l'intuition, un art de la sensibilité, qui puisse s'exprimer avec spontanéité, une spontanéité qu'il n'est possible d'obtenir qu'après (...) un long travail. L'art ne doit plus être pensé comme une intention. Suivant ce principe, le scénario dans le récit doit être abandonné. Du point de vue de la forme, la poésie doit pouvoir mélanger dans le même poème vers libres. vers en prose, versets et alexandrins, selon le souhait du poète. De même, il faut oser une autre forme de peinture, qui ne soit ni figurative, ni abstraite, mais intuitive, née du flou ou de l'éblouissement, de la fulgurance intuitive! Franchir les frontières, à commencer par celles de l'intolérance, en faisant dialoguer et se croiser différentes disciplines artistiques, pour aller vers un espace pluriartistique, ouvre ainsi de nouvelles perspectives de création."--Page 4 of cover. (shrink)

Scholarly papers by Gėlėgzhamt︠s︡yn Luvsant︠s︡ėrėn on Mādhyamika, Buddhist philosophy, Mongolian philosophy and Buddhist studies in Mongolia.