In this article, the French philosopher Jérôme de Gramont evaluates the modes in which twentieth century philosophy and literature—from Heidegger and Derrida to Blanchot and Beckett—aim to think our being-in-the-world beyond the concept of “man” and without the genus of the human.

L'oeuvre d'Henri Maldiney (1912-2013) occupe aujourd'hui une place de premier ordre dans le paysage philosophique. Lors même qu'il n'a que tardivement publié son premier ouvrage, Regard Parole Espace, en 1973, le profond renouvellement qu'il a su introduire au sein de la phénoménologie a obligé philosophes, mais aussi psychiatres ou théoriciens de l'oeuvre d'art, à repenser leurs concepts comme leurs pratiques. C'est là ce que ces études, initialement issues d'un colloque interdisciplinaire, entendent méditer. Elles abordent aussi bien la place qui est (...) celle de Maldiney au sein de la tradition philosophique, qu'elles réfléchissent à l'impact de sa pensée sur le traitement des questions psychiatriques et esthétiques. (shrink)

Première partie : Trois chemins. Trois commencements -- Entre sans-nom et nom propre -- L'entre-deux -- Deuxieme partie : Dans ces jours qui sont incertains. Éloge de l'inquiétude : À propos de l'Éloge de la philosophie de Maurice Merleau-Ponty -- La pensée sans autorité : À partir de Blanchot et Wittgenstein -- L'autorité en défaut : sur l'oeuvre de Kierkegaard -- Troisième partie: Vers le nom propre. L'arc herméneutique d'Emmanuel Falque -- Acheminement vers nom : À partir de Jean-Luc Nancy (...) -- Regards sur Celui que est : En marge de Romano Guardini -- Fin: Apologie du Judgment dernier. (shrink)

This article explores the concept of divine revelation as presented by Blaise Pascal, examining the fundamental dichotomy between the hidden and revealed aspects of God. Beginning with the premise of human existence as inherently obscure and lost in the universe without apparent reason, the study delves into Pascal’s inquiry into the origins of human existence and the role of God as both a part of and apart from this primordial darkness. Pascal’s reflections on the incomprehensibility of man before that of (...) God highlight a foundational obscurity, setting the stage for a deeper investigation into the nature of divine revelation. The article contrasts Pascal’s perspective with traditional theological and philosophical views, particularly in relation to the manifest nature of God as commonly interpreted through natural phenomena. It further delves into Pascal’s interpretation of scriptural passages, notably Isaiah 45:15, emphasizing the notion of Deus Absconditus (Hidden God) and its critical role in understanding the paradoxical nature of divine revelation. The article examines how Pascal perceives God’s manifestation through various historical and mystical dimensions, including nature, the Incarnation, and the Eucharist, each revealing God while simultaneously concealing Him. (shrink)

English summary: Kant described phenomenology as that which comes from us, and that which comes to us, a duality that leads towards the theological horizon. Kant opened a field of inquiry that historical phenomenology, born with Husserl and Heidegger, repeated. As with any repetition, criticisms of this do exist, but the dominant theme of its call is there, as well as the question: which voice do we hear? There are many shapes for this call, but each time there is the (...) law and the summons to be, the summons to change your life. Just as there is perhaps God. French description: La phenomenologie n'a pas a inventer les phenomenes - sinon comme on dit inventer un tresor - mais a les faire voir, ou entendre. Kant s'y emploie a sa maniere lorsqu'il fait entendre le ton de voix lie a l'imperatif categorique, celui d'une voix d'airain. C'est la reconduire la pensee a l'eclat d'un fait premier ou puiser ensuite ses ressources: il y a la loi. Kant le decrit comme un appel, a defaut de tout a fait le nommer ainsi, l'interpretant ensuite tout a la fois comme ce qui vient de nous (comme si le sujet ethique se donnait a lui-meme la loi) et ce qui vient a nous (comme si ce meme sujet repondait a la loi venue de Dieu). Prendre au serieux cette dualite suppose que le chantier kantien de l'ethique ouvre alors sur un horizon theologique. Kant ouvre un chantier que la phenomenologie historique, celle qui nait avec Husserl et Heidegger, repete. Comme toute vraie repetition, celle-ci ne va pas sans critique ni deplacement (Merleau-Ponty, Scheler, Jonas), mais le motif de l'appel est bel et bien la. Nous avons ete appeles - la trace laissee en nous par cet appel est trop forte pour que le moindre doute puisse encore s'elever a son propos, mais la question vient aussitot: quelle voix s'est fait entendre? Quel appel nous surprend et nous souleve? Appel de l'etre (Martin Heidegger), appel de l'Autre (Emmanuel Levinas) ou appel de la vie (Michel Henry)? Nous avons ete appeles, affectes, blesses - ce qui brise la vie lui appartient encore, mais qu'est-ce donc qui la brise et la releve? Multiples sont les figures de l'appel, mais a chaque fois il y a la loi et cette injonction d'etre - cette injonction silencieuse a laquelle le poete aura donne son exacte formule: Tu dois changer ta vie (Rilke). Comme il y a peut-etre Dieu. (shrink)

Every reader of Ricoeur knows that hermeneutics endeavors to answer the aporiae of historical phenomenology. Hence arises the need to return to those aporiae and those answers. On the one hand, phenomenology, born with the maxim of going “directly to things themselves,” is confronted with the incessant evasion of the thing itself and with its dreams of presence being thereby shattered. This reversal should not be blamed on the failings of this or that thinker, but attributed to the very destiny (...) of phenomenology itself. On the other hand, Ricoeurian hermeneutics takes note of a gap, and of a necessary return. Thus, there is nothing for thought itself to grieve over with respect to this enterprise. However, while the phenomenology of Merleau-Ponty, faced with the same difficulties, orients itself towards political philosophy, the hermeneutics of Ricoeur rather seeks to lead us to a philosophy of religion. This article hypothesizes that, in spite of the formula of a “philosophy without an absolute,” the thought of Ricoeur heads in fair measure towards the Absolute, and that ontology is not the only name of the Promised Land. (shrink)

Au commencement de la vie religieuse, il pourrait y avoir un verbe humain fait de plus de doute que de savoir, de plus d’inévidence que d’évidence. Deux vers du poète Jules Supervielle portent jusqu’à une expression claire cette expérience encore obscure : Voilà que je me surprends à t’adresser la parole, Mon Dieu, moi qui ne sais encore si tu existes. Ces deux vers constituent l’incipit d’un poème intitulé « Prière à l’inconnu » publié dans le recueil La Fable du (...) monde, et sont cités surtout... (shrink)

C’est en philosophe que Jan Patočka entreprend de répondre à la crise de l’Europe et aux désastres de l’histoire auxquels il est confronté, en revenant à la naissance de la philosophie, non pas dans un simple souci d’histoire, mais en vue d’un nouveau commencement. Il s’appuiera pour cela sur Platon (« Le platonisme négatif », Platon et l’Europe) puis sur les présocratiques (notamment sur Héraclite, dans ses Essais hérétiques sur la philosophie de l’histoire). C’est alors qu’il peut montrer comment la (...) crise s’inscrit dans la physis et pas seulement dans l’histoire, mais aussi comment, dans l’histoire, des hommes peuvent se dresser pour atteindre un « plus-haut ». (shrink)

En 1972, Emmanuel Levinas ouvre l’article qu’il consacre à Paul Celan par une citation justement célèbre : « Je ne vois pas de différence entre une poignée de mains et un poème ». Ce que voit Paul Celan dans une poignée de mains mériterait assurément de longs commentaires, ce qu’entend Emmanuel Levinas dans ce poème élémentaire est et n’est pas plus simple. D’une certaine manière, la poignée de mains ne dit rien mais elle dit : simple signe lancé à l’autre, (...) elle se résume dans un dire sans di... (shrink)

Gperhard Heinzmann, Rédacteur en chef La philosophie est la mère des sciences. Il faut avoir une bonne mémoire pour se le rappeler. Quel bonheur lorsque ce rappel vient d’une collègue qui ne l’a pas appris, mais qui éprouve la nécessité de questionner sa pratique scientifique et actualise ainsi l’ancienne métaphore! C’était le cas de Catherine Dufour. On se connaissait vaguement depuis l’école maternelle des Trois Maisons que fréquentaient nos enfants. Je fus donc très heureux de découvrir,...

L'oeuvre du philosophe Paul Gilbert, jésuite belge professeur de métaphysique depuis vingt-cinq ans à l'Université Grégorienne, est considérable et mérite d'être mieux connue. Après avoir étudié les écrits de saint Anselme (Dire l'ineffable, 1984), Paul Gilbert a questionné la métaphysique classique, sous l'influence de la philosophie réflexive (La Simplicité du principe, 1994). Il a ensuite souligné les chances offertes à la réflexion fondamentale par l'analogie, thème classique mais oublié (La Patience d'être, 1996, et Sapere e sperare, 2003). Plus récemment, il (...) a abordé la question de la violence, ce mal- être si commun (Violence et compassion, 2009). En 1997 déjà, son travail a été récompensé du prix Cardinal Mercier de l'U.C.Louvain-la-Neuve. Durant de nombreuses années, Paul Gilbert a été professeur invité à l'Institut catholique de Paris. A l'occasion de son éméritat dans cette institution, un colloque y a été organisé. Dans leurs communications, S. Bonanni, Ph. Capelle-Dumont, S. D'Agostino, E. Gabellieri, J. de Gramont, 1. Malaguti, R. Repole et E. Tourpe reprennent et développent l'élaboration de la pensée de Paul Gilbert. Ce dernier fait écho à chacune d'elles et, dans un exposé final, retrace son propre itinéraire intellectuel. (shrink)

This article is about the art of portrait in Fénelon's spiritual correspondence. It distinguishes two categories of portraits: some are generic, others are from the inside, individual and detailed. The article also analyses some exemplary personalities such as the Contesses de Gramont, de Montberon or Madame Guyon. Divergences between "high society portraits" and "spiritual portraits" are outlined. The spiritual portrait is being analysed based on main character studies (Madame de Maintenon and the Duc de Bourgogne), as well as deep (...) speech exploration (lexicon, rhetorical systems). The overall study also takes into account the cultural and scientific context of the time. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Medieval Troubadour Mobilized in the French Resistance *Roy RosensteinIntroduction: The Place of Poetry under VichyRien ne semblait plus anachronique que d’interroger, inter arma, le silence des Muses médiévales....Frank 1In Chantons sous l’occupation André Halimi details how raucously the band played on in wartime Paris. 2 If Vercors in 1941 advocated the practice of silence and Sartre in 1945 maintained that Paris had been dead for the four years (...) of the Nazi occupation, Halimi and others have shown that Parisians [End Page 499] sang, danced, and laughed during the Occupation as never before. 3 Rarely had so many plays been staged, so many movies been produced. 4 While in other Nazi-occupied countries the theaters and restaurants remained closed, thus preserving a modicum of national dignity in defeat, in France the arts thrived and la vie mondaine accelerated its pace. Journalist Henri Amouroux rightly explains how cinema and theater provided more than entertainment and why they were periodically the target of curfews. In these wartime performances a seemingly insignificant phrase could take on a rich contemporary context. Thus a line like “toute la fleur du royaume se trouve en prison” in Montherlant’s La reine morte invariably provoked applause. Whether the text was classical or contemporary in origin, the audience “seized upon all the passages that could be linked to the current situation.” 5 In this broad sense, Resistance literature came to include any “poetry written and/or distributed in France during the Occupation, and which the reader sees as implicitly or explicitly conveying hostility to Nazism and Collaboration.” 6Between 1940 and 1944 French audiences escaped their national misfortunes more through literature than through film and drama combined. “Never, perhaps, had literature played such a momentous part in the daily life of French readers,” wrote the late Henri Peyre in 1945. 7 As is often noted, the intellectual Resistance “fut surtout poétique.” 8 Every page of poetry, past or present, seemed to remind wartime readers of their current circumstances. One young poète résistant is categorical: “Never before had poetry played such a decisive role in history.” 9 Pierre Brunel of the Sorbonne is just as emphatic in confirming [End Page 500] the judgment of contemporary scholars and Resistance fighters alike: “During the war years, French poetry found a singleness of purpose and an audience that it had never enjoyed before.” 10In anticipation of more comprehensive treatments of French Resistance poetry sens large, the present study proposes a necessarily modest and certainly partial approach to the role of poetry in the French Resistance. Following the general groundwork of Seghers, Gaucheron, Higgins, and others, it undertakes to track, if only schematically, the reaction to France’s fall as polarized across three territories—in American exile, in Vichy France, and in German camps—through a focus on one exemplary twelfth-century troubadour. Concurrently with the “nouvelle floraison poétique” hailed by André Rousseaux in 1941, 11 Jaufre Rudel was one earlier poet who enjoyed a resurgence of interest during the war. With respect to this troubadour, to date only Dietmar Rieger has mentioned in passing an oblique reference to Rudel’s trademark distant love in Aragon’s “Pour un chant (national)”: “Jaufre’s love from afar is set against a love for France.” 12 This particular troubadour’s legend and lyrics assumed new dimensions through their immediate relevance not only for Aragon but for all French nationals, both imprisoned at home and exiled abroad. Literary historian René Dumesnil observed as early as 1941 with respect to pre-war French classics: “Present circumstances give them new depth and extend their range.” 13 Regarding France’s medieval literature, a modern critic has noted how “the troubadours, just as much as Tristan, Roland, Lancelot, Perceval, or even Yseult..., emerge as agents of unity, even of unanimity, around whom it is still possible to muster the French people in 1940.” 14 [End Page 501]As has been observed for centuries, “Frenchmen abroad seldom wholly give up the idea of going back to France some time or other.” 15 All French patriots and expatriates, wherever they found themselves after the Armistice in June 1940, whether... (shrink)

El último, quizás, de los Antiguos y uno de los primeros entre los Modernos, Leibniz (1646-1716) concibió arriesgadamente el universo, y la ciencia que lo describe, como una explanada infinita, aquella ciudad simbólica, llena de calles y de plazas, desde las que se puede salir y a las que se puede acceder desde cualquier rincón, una ciudad bulliciosa, poliédrica, poblada de vibraciones, resonancias y ecos producidos por sujetos únicos, irrepetibles e inviolables. Para ello, formuló técnicamente la imposible noción de lo (...) infinito en términos finitos manejables, elaboró una potente ontología de las correspondencias entre sistemas, su ley de la continuidad, que hace operativamente idénticos los contrarios, y describió el inagotable e indiferenciado caudal de energía que conforma la secreta esencia de este mundo estallando o expresándose de las formas concretas más variadas, que a nuestra inteligencia es dado medir en los fenómenos que observamos. Analogías de analogías# in infinitum. (shrink)

La obra de Francisco Romero (1891-1962) ha revolucionado el pensamiento argentino no sólo en el sentido de crear un nuevo sistema filosófico, sino en el de sentar una genuina filosofía americana. Su trabajo se extendió no sólo al campo filosófico, sino también al editorial y universitario. En este contexto y a través del epistolario entramos en la práctica y los contenidos de sociabilidad, para delinear las contribuciones de la categoría en el campo de la historia de las ideas. Desde esta (...) perspectiva partimos en el estudio del epistolario de Romero con filósofos de EEUU. Es acerca de un epistolario, esto es, un corpus de cartas que sostuvo con filósofos norteamericanos y europeos con residencia en EEUU entre 1942-1962. Entendemos que tal reservorio nos abre un camino para estudiar la escritura epistolar bajo códigos de sociabilidad. The work of Francisco Romero (1891-1962) has revolutionized the argentinian thought not in the sense of creating a new philosophy system, but in the one of setting out a genuine american philosophy. His work extended not only to the philosophical field but also to the publishing and universitary ones. In this context and through epistolary paths we enter the practice and contents of sociability, to outline the contributions of the category to the field of the history of ideas. As from this perspective we dwell on the study of the epistolary of Romero with philosophers in the United States. It is about an epistolary, that is to say, a corpus of letters that he held with american and european philosophers living in the US between 1942-1962. We understood that such reservoir opens us a way to place epistolary writing in a sociability code. (shrink)

O relato de experiência a que este texto se refere provém do módulo intitulado Violência no Espaço Escolar, do Curso de Extensão em Gênero, Raça e Diversidade Sexual/ODEERE. A partir de temas que envolvem raça/etnia, gênero, e sexualidades, foram promovidos debates relacionados a preconceitos e discriminações que se manifestam no espaço escolar voltados para o racismo, sexismo e à homo-lesbo-bi-transfobia. O desenvolvimento da proposta didática pautou-se na abordagem qualitativa à luz da dialética, com o intuito de problematizar incômodos prescritos pelo (...) poder hegemônico e de pensar alternativas de mudanças para a promoção de uma convivência respeitosa primando pela valorização das diferenças. Palavras-chave: Violência. Escola. Diferenças. (shrink)

Este artículo revisa el diálogo que Husserl establece con Humemientras reconstruye la génesis de la filosofía. Lo discutiréen dos partes: la primera se refiere a la “verdadera filosofía”y, la segunda, desarrolla una lectura fenomenológica delmétodo experimental de Hume. Intento explicar la evaluaciónambivalente que hace Husserl del proyecto de Hume, yproponer una manera en la que Hume pueda responder a suscríticas. Concluyo, más allá de Husserl, que Hume abrió uncamino promisorio para la fenomenología, que yo llamo una“fenomenología detrascendentalizada”.

Subject of this article is the Belgian citizen's oppositional behaviour taken in the largest sense and considered as an opportunity to express his preferences. Starting from the supposition that a policy decision is not perceived as being conform to the citizens' interests or beliefs, attention is focused on their propensity to engage in oppositional action and their preferences for different means of expression.Such propensity appears to be rather limited and therefore one has also examined their belief in the success of (...) an oppositional action and their insight in contemporary societal problems.Those data are compared with the actual oppositional behaviour during the last five years, which was found to be even smaller than the propensity. Further, three scales are constructed, indicating similarities and dissimilarities, as far as means of expression are concerned, between the preferences of the whole population and the behaviour of the small number of opponents.In a second approach, the degree of politica! participation, dissatisfaction and information is successively examined in relation to the oppositional behaviour. This research reveals that each of these three elements induces a more intensive oppositional activity as well as a different behaviour concerning the use of oppositional means. Political participation however is the most infiuencing factor. Oppositional behaviour is a complex phenomenon. Information on the content of the oppositional action, not included in this inquiry, would complete this approach. (shrink)

In the present article it is proposed to think about the possibility of an ethics in times of precariousness; on the one hand, through the figure of the Other that appears as a Face in E. Lévinas’ ethics of responsibility, as it is received by Butler in Precarious Life. And, on the other hand, through a proposal to re-read, which we believe it is necessary, the passage known as the “Parable of the Good Samaritan”, key-text in our pre-understanding-hermeneutical background about (...) the link between ethics and openness to the Other. That re-reading would help us to think about the possibility of an ethics that articulates care as assistance to the Other and delegation to an “Other” of the Other, that is usually forgotten. (shrink)

Présente le parcours philosophique de Merleau-Ponty tant dans sa formation que dans ses objectifs. Ses références : Descartes, Leibniz, Gabriel Marcel. Ses concepts opératoires : le concret, l'incarnation, l'intentionnalité, les chiasmes.

A guerra civil iniciada no final de 2013 no Sudão do Sul causou, pela primeira vez na história das Nações Unidas, um afluxo gigantesco de deslocados internos para o interior de bases da Missão das Nações Unidas no Sudão do Sul, em busca de proteção. Assim, foram criados os Protection of Civilian Sites. Com a chegada de dezenas de milhares de pessoas em poucas semanas, houve um enorme crescimento nas demandas humanitárias e de segurança. Para prover a necessária proteção, foi (...) necessário o trabalho conjunto de militares, policiais e civis da UNMISS, que será apresentado nesse trabalho. (shrink)