Can past agents deliberately influence our historical awareness by designing objects’ appearances and sending them to us down the stream of time? We know they have certainly tried to do so by raising monuments. But according to an influential narrative, the efforts of these "monumentalists" are destined to fail: no monument can keep a legacy alive in perpetuity. In this article, I argue that this narrative misrepresents the nature of the monumentalists’ mission, and I set out to show that monumentality (...) should be understood as a means of addressing what I term “art-historical awareness.” This mode of historical awareness attends to artifacts’ appearances in search of visual manifestations of relevance that can survive the loss of context. Those who raise monuments aim to produce such artifacts, or what amount to intentional art-historical documents, and they do so in order to overcome the tension between the monuments’ nature as public art and their commemorative function. By visually manifesting a transcendent relevance, monuments ideally appeal to both present and distant audiences, insofar as these audiences are able to appreciate the monuments’ potential to sustain at least a semblance of relevance beyond their immediate contexts. (shrink)

Although Nietzsche accepted a distant cousin of Brian Leiter’s “Doctrine of Types,” according to which, “Each person has a fixed psycho-physical constitution, which defines him as a particular type of person,” the details of his actual view are quite different from the flat-footed position Leiter attributes to him. Leiter argues that Nietzsche thought that type-facts partially explain the beliefs and actions, including moral beliefs and actions, of the person whom those type-facts characterize. With this much, I agree. However, the (...) Doctrine of Types as formulated by Leiter, is manifestly unsupported both by Nietzsche’s texts and as an empirical hypothesis. Although Leiter has teamed up with Joshua Knobe to shore up the empirical credentials of his version of the Doctrine of Types, and although Knobe is one of the best experimental philosophers currently working in moral psychology, their account of the Doctrine is wrong both textually and empirically. That is to say, Nietzsche did not hold the version of the Doctrine they attribute to him, and it’s a good thing he didn’t, because the version that he actually did hold is better empirically supported than the version that they attribute to him. For Nietzsche – and in reality – types are not immutable or fixed. Although not everyone is endowed with the same type, which type someone belongs to can (though needn’t) evolve over the course of her lifetime. In particular, whereas I agree with Leiter that the neo-Aristotelian account of character development is empirically inadequate, I do so not because I think no character development occurs but because I think that character development occurs in a different way. In addition, for Nietzsche – and in reality – types on their own are not normative. Character, which is normatively evaluable, only arises through the refinement, calibration, and development of temperament. It might seem like I’ve just set myself an ambitious-enough goal, but I want to do more in this paper. The main point I want to argue is that Nietzsche held a person-type-relative unity of virtue thesis, according to which what’s intrinsically good for a particular person is to develop and act from particular character traits that “fit” her type. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Three Ovidian Tails PAUL BAROLSKY Kneeling at the edge of a pond in push-up position, a beautiful nude boy crowned with flowers gazes down at the water in which he beholds his reflection. In love, he is enthralled. Thus, the image of Narcissus rendered by the Florentine painter Alessandro Allori in a work that has been largely overlooked until recently. Datable to the second half of the sixteenth century, (...) it now hangs in the Turkish Embassy in Washington, DC. In the distant background of the picture we behold Echo, who extends an arm upward seemingly in a gesture of despair, since she is rejected by Narcissus. She stands before a mass of rock, her left leg beginning to turn to stone, the very stone into which she vanishes as only her voice remains when she echoes her beloved. The painting abounds in Alessandro Allori, Narcissus. Photograph © Patricia Rubin. arion 26.3 winter 2019 closely observed passages such as the little fish in the pond, one of which has captured a worm. There are other notable details such as the crab on a rock in the foreground, or the clusters of pendulous, ripe grapes, fruit of Bacchus, to whom androgynous Narcissus is likened in Ovid’s Metamorphoses. Allori also employs poetic simile in his picture, since the fingers of the youth’s left hand rhyme with the finger-like roots that emerge from the water. These roots are magnified in turn by their reflected image on the water’s surface. 136 three ovidian tails Abraham Janssens, Nymph and Pan Among the Reeds. AKG / Museen Böttcherstra ße. The apex of the picture, we might say, is baby Cupid who, hovering above, aims his dart at Narcissus and thus arouses the boy’s desire. The shape of Cupid’s bow echoes that of Narcissus ’s prominent buttocks which are framed by the attractive, bright golden drapery fluttering prominently around the youth’s posterior. One might well say that Allori features the buttocks of Narcissus’s body most provocatively in a kind of butt which recalls that of Cupid in the famous Venus, Cupid, Folly, and Time painted by the artist’s teacher, Bronzino. What Allori pictures is not exactly what Ovid writes. It is, however, how Allori imagines the Narcissus of Ovid’s tale. Allori is not alone among Ovidian artists in focusing on the backside of the human body. The posterior is especially prominent in another mythological picture, this one from the early seventeenth century, executed by a disciple of Rubens, Abraham Janssens. This work has found its way to Bremen, where it is now housed in the Ludwig Roselius Museum. It illustrates Pan’s pursuit of Syrinx, who is metamorphosed into reeds in a story told by Mercury in order to put Argus asleep. Ovid is Janssens’s point of departure. The artist depicts the moment when a muscular Pan with a ruddy, almost leathery face embraces Syrinx in her new form as a bunch of reeds. Janssens departs from Ovid with a most novel invention. He depicts a woman, seen from behind, who dominates the composition. With sharp contrasts of lights and darks, vestiges of Caravaggio, the painter emphasizes the female’s imposingly broad backside, which is framed by a billowing, bright, attention-grabbing red drapery that she seems to hold across the front of her body. Could it be that Janssens here alludes to the backside of Syrinx as Pan would have seen it when he chased her? It would seem that we are given not only a view of Pan embracing reeds, we are simultaneously given a Pan’s-eye view of Syrinx’s prominent and provocative backside before her metamorphosis. I wish to consider one final example of the derrière in Ovidian art, this one prominent in a picture painted well Paul Barolsky 137 over a hundred years after Janssens worked: Louis-JeanFran çois Lagrenée’s Abduction of Deianira by the Centaur Nessus, a work which is now in the Louvre. In Ovid’s story, Hercules arrives with his bride Deianira at the shore of the river Evenus where she is abducted by Nessus, who flees only to have Hercules shoot him with... (shrink)

The paper explores the contact between the literary notion of the end of the world as depicted in H.G. Wells’s science fiction novel _The Time Machine_ and the concept of extinction, in the sense developed by the French naturalist Georges Cuvier, who at the turn of the 19 th century formulated a thesis about the structure of the world with a built-in end. The time traveller in Wells’s novel is driven into the distant future by an obsessive desire to (...) know the fate of the world. He encounters it on the shores of an already dead sea, where he is greeted by the image of a dying world, unmoving in the dull red light of a never-setting sun. Cuvier, on the other hand, encounters the end of the world as a reader of traces of history as told by nature through its layering and piling up. Within these layers, Cuvier recognises moments of repetitive interruptions that have left behind not only whole species and genera, but also entire worlds in the great natural history. The key question, then, is the status of the end within the proposed mechanism of return and repetition. (shrink)

T. C. Boyle’s A Friend of the Earth (2001), tells the story of Tyrone Tierwater, a one time monkeywrencher and environmental avenger for “E. F.!” (Earth Forever!) who we first meet in 2025 in his mid-seventies. Tierwater is now working for a character based on Michael Jackson, who in his semi-retirement has employed the elder eco-warrior to help save some of the last remnants of a few dying species – warthogs, peccaries, hyenas, jackals, lions and what is likely the last (...) Patagoninan fox. The not too distant environmental future painted by Boyle is a disaster. Global warming has finally caught up to us with a vengeance and even the secure shores of the U.S. are wracked by unmitigated cycles of flooding and drought seriously degrading most semblances of life as we know it. To be sure, though, people, and some versions of progress, go on. While most affordable food and drink is limited to some combination of catfish and sake (very little else having survived decades of disastrous weather and a series of crop blights), and there are constant threats of new strains of life-threatening and highly contagious diseases, suburban development continues and new humans come into existence with the promise, at least in the developed world, of longer life spans. But Boyle does not give us anything like the overly optimistic views expressed by some conservative columnists who dismiss the need for global climate treaties; this is not an environmental future that is only felt with difficulty in the underdeveloped south requiring simpler economic readjustments for Americans without a substantial shift in lifestyle. The world.. (shrink)

Contemporary speculative fiction from the southern area of the Mediterranean is predominantly somber. It often describes worlds where political tyranny prevents the prospect of change, where the scars of the past keep cultures apart, and where technology is forced to harm nature and humanity because of the will of a minority in power. The emerging literary tradition of speculative fiction in this region has a rich history influenced by creative cultural and literary encounters, yet its ongoing contemporary development depicts a (...) protracted sense of crisis rife with dystopian anxieties even as it remains open to occasional utopian alternatives. This article reviews the literary expressions of crisis in selected novels from Egypt, Tunisia, and Morocco, where, in the last four decades, literary visions of a much-awaited cultural revival instead seek the reasons why change is still a distant prospect. While speculative literature often represents visions of the future, those from along the southern shores of the Mediterranean are laden with traumatic memories of the colonial past, the spleen of the postcolonial present, and the uncertainties of the future. (shrink)

English summary: The silent film of the Weimar Republic grappled with the norms and values of a society, whose elites dismissed it as a cultural product for the masses and the bulk of whose citizens were eager consumers of film. It scrutinized their civil facade and distanced itself with constructive irony and productive skepticism about their traditional (gender-) roles and modes of identity. Its silent message reaches us today like a message in a bottle from a temporary and distant, (...) but psychologically close, shore, and challenges us to translate it into the language of our own present. In the act of this metaphorically understood translation, one discovers the unexpected currency of Weimars silent film as a global form of art, which overcomes language barriers, moves people who possess various cultural horizons, and heals the trauma that lingers from the never finished Tower of Babel. The silent film of the Weimar Republic shines on us from a close remoteness with a beguiling power, which is its own genuine art. German description: Der Stummfilm der Weimarer Republik setzte sich kritisch mit den Normen und Werten einer Gesellschaft auseinander, deren Eliten ihn als Massenkulturprodukt ablehnten und deren Gros ihn gierig verschlang. Er hinterfragte ihre burgerliche Fassade und distanzierte sich mit konstruktiver Ironie und produktiver Skepsis von ihren tradierten (Geschlechter-)Rollen und Identitatsmustern. Seine stumme Botschaft erreicht uns heute wie eine Flaschenpost von einem zeitlich zwar fernen, psychologisch jedoch nahen Ufer, und fordert uns heraus, sie in die Sprache unserer eigenen Gegenwart zu ubersetzen. Im Akt dieser metaphorisch zu verstehenden Ubersetzung entdeckt man die unvermutete Aktualitat des Weimarer Stummfilms als einer globalen Kunstform, die Sprachbarrieren uberwunden, Menschen verschiedenster Kulturhorizonte bewegt und das Trauma des nie vollendeten Turms von Babel geheilt hat. Der Stummfilm der Weimarer Republik leuchtet uns aus naher Zeitferne mit einer betorenden Kraft entgegen, die nur echter Kunst eigen ist. (shrink)

"Clearly argued and captivatingly developed through subtle analyses of ethnographic materials...[this book] will revitalize cultural anthropology."--Fredrik Barth.

We show that there are Π5 formulas in the language of the Turing degrees, [Formula: see text], with ≤, ∨ and ∧, that define the relations x″ ≤ y″, x″ = y″ and so {x ∈ L2 = x ≥ y|x″ = y″} in any jump ideal containing 0. There are also Σ6&Π6 and Π8 formulas that define the relations w = x″ and w = x', respectively, in any such ideal [Formula: see text]. In the language with just ≤ (...) the quantifier complexity of each of these definitions increases by one. For a lower bound on definability, we show that no Π2 or Σ2 formula in the language with just ≤ defines L2 or L2. Our arguments and constructions are purely degree theoretic without any appeals to absoluteness considerations, set theoretic methods or coding of models of arithmetic. As a corollary, we see that every automorphism of [Formula: see text] is fixed on every degree above 0″ and every relation on [Formula: see text] which is invariant under the double jump or under join with 0″ is definable over [Formula: see text] if and only if it is definable in second order arithmetic with set quantification ranging over sets whose degrees are in [Formula: see text]. (shrink)

In response to a series of allegations of scientific misconduct in the 1980’s, a number of scientific societies, national agencies, and academic institutions, including Harvard Medical School, devised guidelines to increase awareness of optimal scientific practices and to attempt to prevent as many episodes of misconduct as possible. The chief argument for adopting guidelines is to promote good science. There is no evidence that well-crafted guidelines have had any detrimental effect on creativity since they focus on design of research studies, (...) documentation of research findings, assignment of credit through authorship, data management and supervision of trainees, not on the origin and evolution of ideas. This paper addresses a spectrum of causes of scientific misconduct or unacceptable scientific behavior and couples these with estimates of the potential for prevention if guidelines for scientific investigation are adopted. The conclusion is that clear and understandable guidelines should help to reduce the chance that flawed research will escape from our institutions. However, they cannot be relied upon alone to prevent all instances of scientific misconduct and should be regarded rather as one means of bolstering the integrity of the entire scientific enterprise. (shrink)

A claim frequently made about European Citizenship is that by decoupling ‘rights’ from ‘identity’ it challenges us to rethink the classical Westphalian model of citizenship. According to some EU scholars and constitutional experts, this beckons a new form of ‘supranational’ citizenship practice based not on emotional attachments to territory and cultural affinities (‘Eros’), but to the rights and values of a civil society – or what Habermas calls ‘constitutional patriotism’. This article uses anthropological insights to critique these arguments and to (...) analyse the EU’s own citizenship-building policies and practices. It concludes that rights cannot be meaningfully divorced from identity and that citizenship devoid of emotion is neither feasible nor desirable. Finally, it considers the idea of ‘post-national democracy’ and what this might entail in a modern European context. (shrink)

To compare Merleau-Ponty’s and Deleuze’s phenomenal bodies, I first examine how for Merleau-Ponty phenomena appear on the basis of three levels of integration: 1) between the parts of the world, 2) between the parts of the body, and 3) between the body and its world. I contest that Deleuze’s attacks on phenomenology can be seen as constructive critiques rather than as being expressions of an anti-phenomenological position. By building from Deleuze’s definition of the phenomenon and from his more phenomenologically relevant (...) writings, we find that phenomena for him are given to the body under exactly the opposite conditions as for Merleau-Ponty, namely that 1) the world’s differences 2) appear to a disordered body that 3) comes into shocking affective contact with its surroundings. I argue that a Deleuzian theory of bodily-given phenomena is better suited than Merleau-Ponty’s model in the task of accounting for the intensity of phenomenal appearings. (shrink)

Jean-Pierre Dupuy argues that our failure to prevent the looming climate catastrophe results from a faulty metaphysics of time: because we believe the present can proceed down one of the many branches that extend into the future, some of which bypass the catastrophe, we do not think it is absolutely urgent to take drastic action now. His solution to this problem of demotivation is “enlightened doomsaying” in “projected time”, which means that we affirm the coming catastrophe as something real in (...) the future rather than being a mere possibility; thus, we regard it seriously enough that we are motivated to take the needed actions to prevent it. One potential obstacle to this proposal is that it requires the forming of consensus and coordination with the powerful players who benefit from our current path and whose apparently near-total grip on this catastrophic future may itself discourage action. We then consider an alternative model based on Gilles Deleuze’s philosophy of the present–future relation. Although it has the branching structure that Dupuy is wary of, it may not suffer from the same problem of demotivation on account of the way it conceives the complex structure of the present event. For this reason, the Deleuzian model may be more suited to motivating action in a world where the future must be fought for rather than unanimously agreed upon. (shrink)

The occasion of a retiring presidential address seems like a time to look back, take stock and perhaps look ahead.Institutionally, it was an honor to serve as President of the Association and I want to thank my teachers and predecessors for guidance and advice and my fellow officers and our publisher for their work and support. To all of the members who answered my calls to chair or serve on this or that committee, I offer my thanks as well. Your (...) work was both needed and appreciated.A major component of the efforts of the Association is devoted to our publications. My first important task as President was to deal with the need to reorganize the reviews section of the JSL and eventually to move it to the BSL. Appropriately enough, my first administrative job for the Association, some thirty years ago, was to serve on a committee to plan a reorganization of the reviews. I thank all those who helped with this transition and who took over the task of running the new reviews section. I hope that it will be another thirty years before further major changes are needed in this area and that someone else will be making them. (shrink)

The continental philosophy of non-classical logics is a relatively new field that seeks to determine whether any aspects of certain continental philosophers’ thinking can be characterized in terms of non-classical logics. Some of the main figures that have been examined so far are Martin Heidegger, Jacques Derrida, Gilles Deleuze, and François Laruelle. Although many of these studies are grounded in the writings of Graham Priest, who wrote some of the seminal texts in the field, Jc Beall’s work also features prominently (...) in a number of cases. After surveying this field and highlighting Beall’s influence within it, I claim that it can be substantially expanded by making further uses of Beall’s writings, especially ones that introduce non-classical logics in ways that are especially suitable for this particular field of study and also that discuss such topics as negation, subclassical logics, logical pluralism, and glutty futures. (shrink)

Things are not to be found in the Critique. The things as appearances are only Vorstellungen. Confusion arrives because Kant calls these objects with the same names employed in the language of common sense for designating the things. Due to the absence of these things, nothing is said concerning the relation between things and empirical objects. Things in themselves, considered in the abstraction of sensible receptivity, are for this very abstraction, unknowable. Consequently, they cannot be considered as the origin of (...) appearances. I propose an explanation of the relation mentioned in. What is the use of the Critique of so strange a conception as the thing in itself instead of simply mentioning real things and their representations in the subject? Mind is not an adequate translation of the German gemüt. I think subject is better. (shrink)

A social partner’s emotions communicate important information about their motives and intentions. However, people may discount emotional information that they believe their partner has regulated with the strategic intention of exerting social influence. Across two studies, we investigated interpersonal effects of communicated guilt and perceived strategic regulation in trust games. Results showed that communicated guilt (but not interest) mitigated negative effects of trust violations on interpersonal judgements and behaviour. Further, perceived strategic regulation reduced guilt’s positive effects. These findings suggest that (...) people take emotion-regulation motives into account when responding to emotion communication. (shrink)

Deleuze never explicitly formulates his philosophy of logical truth‐values. It thus remains an open question as to the number and types he held there to be. Despite his explicit comments on these matters, additional textual evidence suggests that in his thinking on the event, he favored a third truth‐value, holding either the analetheic view that some truth‐bearers can be truth‐valueless or the dialetheic view that some truth‐bearers can be both true and false. I first argue that taking a logical approach (...) to Deleuze's thinking is feasible, despite his and others' claims that might suggest otherwise. Next, I examine his explicit statements to show that they cannot be taken at face value and that, rather, we need to transpose his claims into contemporary terminology in order to accurately assess them. I lastly turn to his Leibniz‐inspired philosophy of time to argue that the affirmations involved in this conception strongly suggest a dialetheic tendency in his thinking. (shrink)

A process philosophical interpretation of Deleuze's theories of time encounters problems when formulating an account of Deleuze's portrayal of temporality in The Time-Image, where time is understood as having the structure of instantaneity and simultaneity. I remedy this shortcoming of process philosophical readings by formulating a phenomenological interpretation of Deleuze's second synthesis of time. By employing Deleuze's logic of affirmative synthetic disjunction in combination with his differential calculus interpretation of Spinoza's and Bergson's duration, this phenomenological interpretation portrays time as given (...) to our awareness in immediacy rather than through a continuous process of unfolding. The viability of this alternate approach calls into question the claims that Deleuze is strictly a process philosopher and anti-phenomenologist. (shrink)

Theorems of hyperarithmetic analysis (THAs) occupy an unusual neighborhood in the realms of reverse mathematics and recursion theoretic complexity. They lie above all the fixed (recursive) iterations of the Turing Jump but below ATR $_{0}$ (and so $\Pi _{1}^{1}$ -CA $_{0}$ or the hyperjump). There is a long history of proof theoretic principles which are THAs. Until Barnes, Goh, and Shore [ta] revealed an array of theorems in graph theory living in this neighborhood, there was only one mathematical denizen. (...) In this paper we introduce a new neighborhood of theorems which are almost theorems of hyperarithmetic analysis (ATHAs). When combined with ACA $_{0}$ they are THAs but on their own they are very weak. We generalize several conservativity classes ( $\Pi _{1}^{1}$, r- $\Pi _{2}^{1}$, and Tanaka) and show that all our examples (and many others) are conservative over RCA $_{0}$ in all these senses and weak in other recursion theoretic ways as well. We provide denizens, both mathematical and logical. These results answer a question raised by Hirschfeldt and reported in Montalbán [2011] by providing a long list of pairs of principles one of which is very weak over RCA $_{0}$ but over ACA $_{0}$ is equivalent to the other which may be strong (THA) or very strong going up a standard hierarchy and at the end being stronger than full second order arithmetic. (shrink)

It is commonly assumed that teasing is restricted to encounters among intimates or close acquaintances. As a result of examining initial interactions among speakers of English, however, this article shows that teasing also occurs between persons who are becoming acquainted. Analysis reveals that tease sequences unfold across three actions that constitute the tease as an invitation to intimacy: a teasable action on the part of the target, the tease proper and a moment of interactionally generated affiliation. Given teasing is one (...) way of criticising another, it constitutes a potential breach of tact or interactional propriety. In initial interactions, however, participants can construe this potential impropriety as an invitation to intimacy, as it involves the proposal of a shared ironic stance that may be either accepted or declined by the target of the tease. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Sacred and the Myth: Havel's Greengrocer and the Transformation of Ideology in Communist Czechoslovakia Marci Shore University ofToronto There is nothing a free man is so anxious to do as to find something to worship. But it must be something unquestionable, that all men can agree to worship communally. For the great concern ofthese miserable creatures is not that every individual should find something to worship that (...) he personally considers worthy ofworship, but that they should find someming in which they can all believe and which they can all worship in common; it is essential that it should be in common. And it is precisely that requirement ofshared worship that has been the principal source of suffering for individual man and the human race since the beginning of history. In their efforts to impose universal worship, men have unsheathed their swords and killed one another.Fyodor Dostoevsky (306) Thus the conflict between the aims of life and the aims of the system is not a conflict between two socially defined and separate communities; and only a very generalized view (and even that only approximative) permits us to divide society into the rulers and the ruled. Here, by the way, is one of the most important differences between the post-totalitarian system and classical dictatorships, in which this line of conflict can still be drawn according to social class. In the post-totalitarian system, 1 64Marci Shore this line runs defacto through each person, for everyone in his or her own way is both a victim and a supporter ofthe system. Vaclav Havel (37) The Velvet Revolution in Czechoslovakia arrived as a symbolically gentle conclusion to a half-century long era ofharrowing violence and totalitarianism in Eastern Europe. It was an era that saw the emergence ofNazism, Stalinism, and various indigenous fascisms, effecting a startling demonstration of the potency of ideology to co-opt minds and to wreak violence. The existence of communist ideology as a myth cohering communist totalitarian societies has been widely enough asserted. Yet this analysis can be taken to a further level through the aid oftwo paradigms. The first is a theory of human relationships developed by René Girard, which blends the disciplines ofliterary criticism, anthropology, philosophy, and political science. The second is a model arising from Vaclav Havel's parable of the greengrocer, told in "The Power ofthe Powerless" (1979). Girard's model posits the existence ofthe sacred, that locus of power that was once the pole of primitive religions. The core of the sacred is transfigured human violence. Girardian scholar Robert Hamerton-Kelly explains the process by which the sacred comes into being: Girard tells us that [the sacred] is a mendacious representation of human violence; "it is the sum ofhuman assumptions resulting from collective transferences focused on a reconciliatory victim at the conclusion of a mimetic crisis." The element of "the overwhelming" defines the Sacred...but its primary content is violence understood as being...outside ofnormal human control. (142) The sacred is established as the result of a crisis, one which finds resolution in the purging ofa relatively arbitrary scapegoat. Following this catharsis, three expressions sustain the sacred: myth, ritual, and prohibition. An examination ofthe evolution ofthese expressions in Czechoslovakia from the Stalinist period through normalization (the so-termed "posttotalitarian " period described by Havel in his essay) reveals much about the paradoxical dynamics ofideologically-based totalitarianism—which Havel defines most poignantly by suggesting that at the essence of ideological totalitarianism is the collapsing of the traditional dichotomy between victim and oppressor. The Sacred and the Myth: Havel's Greengrocer165 A Girardian deconstruction of Stalinism A political space for Stalinism developed in Czechoslovakia through the tumultuous period of Nazi occupation and the communist nature of anti-Nazi resistance. By the eve ofthe 1948 communist coup, the communists had claimed thirty-eight percent ofthe popular vote in free elections. Milan Kundera describes the coup as a usurpation of power "not in bloodshed and violence, but to the cheers of about half the population" (1986, 8). Defining this initial fanaticism was its honesty, especially among the younger generation. A young Stalinist later to become a reformist, and still later a dissident, Zdenek Mlynár, explains... (shrink)

Jacques Derrida’s and Gilles Deleuze’s philosophies of justice share many similar features. For both, justice involves an overturning of law by extralegal means, made possible by an “undecidability” in the judgment-making process. To distinguish their conceptions of justice, we examine their implicit modes of non-classical reasoning with regard to “otherness,” building from Routley and Routley and Daniel Smith, to conclude that Derrida’s thinking on justice is at least paracomplete (or analetheic) while Deleuze’s is just paraconsistent (or dialetheic).

We describe the important role that the conjectures and questions posed at the end of the two editions of Gerald Sacks's Degrees of Unsolvability have had in the development of recursion theory over the past thirty years.

For Deleuze, the creation and conveyance of meaning requires not a strict fidelity to an original idea, message or image but rather its deformation. The forces causing such disfigurations operate in gesture, vocalisation and text, with one level sometimes disrupting the others. Among them, gesture plays an especially important role, given Deleuze’s attention to bodily experience. He locates it in theatre, painting and cinema, particularly in the works of Carmelo Bene, Francis Bacon and Jerry Lewis. In these cases, instead of (...) conveying a recognisable message, a deformative gesture sends a shock wave that scrambles normal meaning assignments and codings. Yet, although gesture is a main channel for these communication disruptive forces, their origin may lie elsewhere, namely, in a ‘pick-up’ of influences resulting from an inter-affective encounter between heterogeneous bodies. (shrink)

McTaggart se apoya en el hecho de que no percibimos el tiempo en si mismo, un tiempo vacio de sucesos: lo que en verdad percibimos es el transcurrir de los acontecimientos, tanto de los extemos como los de nuestro propio estado intemo en la conciencia. Todo el desarrollo de McTaggart y tambien su originalidad, consiste en el desentraiiamiento del mecanismo por el cual aprehendemos el caracter temporal del acaecer, a traves del cual tenemos la ilusión de que percibimos el tiempo. (...) De ese analisis se desprende su tesis: La manera de captar lo temporal es contradictoria en si misma, par lo que, si el significante es contradictorio, lo significado, en este caso el tiempo, es nada: el nihil privativum kantiano" Pregunto: no tendra razón McTaggart, en cuyo caso podria decirse que los sucesos "son" el tiempo? (shrink)

Jesuit colleges and universities located in the United States in recent years have undergone profound changes. They have expanded their mission to embrace many nonCatholic students and faculty and in doing so they find themselves competing for these students with hundreds of other institutions. In seeking to appeal to this wider group of students these Jesuit schools in many cases have abandoned not merely the formal specifics of the curriculum outlined in the Ratio Studiorum but have also decreased the emphasis (...) on spiritual formation that is the reason for the existence of the Ratio. This essay does not argue for a literal return to the Ratio but for an open dialogue centering on questions of inculturation to the larger secularized academic community. It also raises the question of how faculty who have little knowledge of the Ratio can be brought into a conversation about its values. /// Os colégios e universidades dos jesuitas nos Estados Unidos sofreram em anos recentes profundas transformações. Expandiram a sua missão até abrangerem muitos estudantes e professores não Católicos e, ao procederem assim. encontraram-se a competir por estes estudantes com centenas de outras instituições. Em muitos casos. ao procurarem atrair um mais vasto numero de estudantes, estas escolas jesuiticas não apenas abandonaram os aspectos formais do curriculo contido na Ratio Studiorum. como também reduziram a importância da formação espiritual. a qual constitui a razão de ser da própria Ratio. O presente estudo não preconiza um regresso literal á Ratio, mas sim um diálogo aberto centrado em questões relacionadas com a inculturação numa mais alargada comunidade academica secularizada. Levanta-se igualmente a questão de como os docentes que mal conhecem a Ratio poderão vir a ser convertidos aos seus valores. (shrink)

We respond to a phenomenological challenge set forth in Thomas Nagel’s “What Is It Like To Be a Bat?,” namely, to seek a method for obtaining a phenomenological description of non-human animal experience faithful to an animal’s first-person subjective perspective. First, we examine “translational” strategies employing empathy and communication with animals. Then we turn to a “transpositional” strategy from Uexkull’s Umwelt theory in which we objectively determine the components of a non-human animal’s subjective world of experience and then map those (...) coordinates onto our own subjective world. While this method gives us partial access to the animal’s “perception-world” aspect of its Umwelt, it does not inform us about what it is like to live in the interactive, “effect-world” aspect. To better overcome this limitation, we add a “transformational” approach derived from Deleuze’s & Guattari’s notion of “becoming-animal,” in which we take on an animal’s manners and capacities for interacting with the other objects and creatures in its world. (shrink)