ArgumentThis paper analyzes the public fasts of two Italian “hunger artists,” Giovanni Succi and Stefano Merlatti, in Paris in 1886, and their ability to forego eating for a long period (thirty and fifty days respectively). Some contemporary witnesses described them as clever frauds, but others considered them to be interesting physiological anomalies. Controversies about their fasts entered academic circles, but they also spread throughout the urban public at different levels. First, Succi and Merlatti steered medical debates among physicians on the (...) “scientific” explanations of the limits of human resistance to inanition, and acted as ideal mediators for doctors’ professional interests. Second, they became useful tools for science popularizers in their attempt to gain authority in drawing the boundaries between “orthodox” and “heterodox” knowledge. Finally, in the 1880s, Succi and Merlatti’s contest, the controversy around the liquids they ingested, and their scientific supervision by medical doctors, all reinforced their own professional status as itinerant fasters in a golden decade for that kind of endeavor. For all those reasons, Succi and Merlatti can be viewed as useful, epistemologically-active charlatans. (shrink)

ArgumentThis article highlights the epistemic concerns that have permeated the historical discourse around charlatanism. In it, I study the term “charlatan” as a multivalent actor’s category without a stable referent. Instead of defining or identifying “the charlatan,” I analyze how the concept of the charlatan was used to make epistemic interventions about what constituted credible knowledge in two interconnected controversies. Focusing on these controversies allows me to thematize how the concept of “the charlatan” expanded beyond medical (...) contexts and to bring a history of knowledge perspective to the history of medicine.The title of the article, “Charlatan Epistemology,” indicates a historical epistemological approach to charlatanism as well as the existence of a charlatan’s embodied epistemology. On the one hand, I historicize the epistemic characteristics of charlatanism, focusing on virtues as well as vices, knowledge as well as ignorance, by addressing the historical and contextual specificities of two case studies and the larger epistemic concerns at play. On the other hand, I show how references to charlatanism implied the existence of specific embodied knowledges, special skills and techniques to manipulate either natural secrets or the human psyche, and I explore the similarities and differences between charlatan epistemology and artisanal epistemology. (shrink)

We all know, in fact we are sure, that our medical practices are very different from those in the times of Molière or of Louis XVI. In one way or another medicine has today become ‘modern’ in the same way as the whole set of knowledges and practices that call themselves rational. This is obvious, but I would like to interrogate this obviousness. Not to debunk it so as to show that beyond these appearances nothing has changed, but in order (...) to focus in a slightly clearer way on ‘what’ has changed. To be even more precise, I would like to focus on ‘what’ has changed for the doctor, the one who practises medicine. (shrink)

Partie 1. Le contexte scientifique et le langage de Spinoza -- I. Bref apercu du corpus spinozien -- II. Le contexte scientifique du XVIIe siecle -- Partie 2. Spinoza, une arme contre la superstition et les charlatans de la foi -- I. Le refus de la superstition -- II. Contre les charlatans de la foi ou l'actualité de la préface du Traité théologico-politique -- III. L'Ethique ou la connaissance comme arme de libération -- Conclusion.

Resumo Em 1747, John Wesley, spiritus rector do movimento metodista, publicou a primeira edição do seu guia medicinal Primitive Physic[k] . Qual era o seu propósito num mundo onde a academia real, herbalistas, curandeiros/as, exorcistas e charlatães competiam pela atenção da população? O artigo apresenta os diferentes grupos que atuaram, ou pretendiam atuar, em prol da saúde na Inglaterra do século 18, e compara o conteúdo do guia Primitive Physic[k] com suas propostas e estratégias terapêuticas. Conclua-se que uma parte significativa (...) do guia é composta por orientações da academia real de medicina, mas que sempre se favorecem remédios caseiros, com ingredientes acessíveis para as classes mais humildes. Quanto à chamada Spiritual Physick , menciona-se a oração como medida complementar, mas ignora-se plenamente a prática do exorcismo. Palavras-chave: John Wesley; saúde; Guia medicinal popular; Primitive Physic[k]; academia real de medicina; herbalismo; curandeirismo.In 1747, John Wesley, spiritus rector of the Methodist movement, published the first edition of his medical guide Primitive Physic[k] . What was its purpose in a world where the Royal Academy, herbalists, healers, exorcists and quacks competed for the attention of the population? The article introduces the different groups who promoted or pretended to promote health in 18th century England and compares the contents of the guide Primitive Physic[k] with their proposals and therapeutic strategies. The conclusion is that a significant portion of the guide consists of guidelines of the Royal Academy of Medicine, but that it always favors homemade remedies with ingredients available to humbler classes. In relation to the so called Spiritual Physick, prayer is mentioned as a complementary measure, but the practice of exorcism is totally ignored. Keywords: John Wesley; health; Popular Medicinal Guide; Primitive Physic[k]; Royal Academy of Medicine; herbalism; healers. (shrink)

Charlatan, magician, heroic man of action, revolutionary... Gurdjieff's rich and vivid life conjures up conflicting images. But who was the real Gurdjieff? On the fiftieth anniversary of Gurdjieff's death, James Moore draws on a lifetime's contact with Gurdjieffian pupils to tell the compelling and extraordinary stow of this eclectic revolutionary: his studies with the Red Hat Tibetan Lamas at the turn of the century, his travels disguised as a dervish, and how he was shot and almost killed twice. This (...) inveterate and restless seeker of the truth coaxed from archaic sources relevant philosophy that drew tides of men and women to his cause. Through the humanity and dry humor of his writing, and through scholarship evidenced in an unprecedented note section, Moore offers the reader an entertaining and reliable introduction to one of the most remarkable men of this century. (shrink)

Part charlatan, part wunderkind, and part learned scholastic, Fernando of Cordova burst upon the European scene in 1444-1446 when he traveled to different parts of Europe. He astounded audiences by his command of the subject matter in all univ. subjects, his mastery of oriental languages, his skill in painting, music, and instrument making, and his expertise in knightly warfare. After disappearing in 1446, he reappeared in 1466 as a Roman curialist active in several controversies. He died in 1486. Fernando's (...) philosophical, theological, and scientific writings cover a wide range of topics important to his age, and his biography has a special value because of what he did and whom he impressed in his travels in the cities, courts, and universities of Europe. (shrink)

The world of charlatans is a world of constantly shifting borders and redefinitions, a world of crossed lines and pushed boundaries. Can one even speak of “the world” of charlatans in the singular, when the examples we are given to read in this volume reveal such great diversity that they seem to defeat any attempt to define common traits, as Roy Porter tried to do in his time? Certainly, commercial interests and the lure of a quick and easy profit seem (...) to have motivated some charlatans. Certainly, the universal effects of the nostrum or therapeutic procedures were often put forward as a commercial argument. Certainly, many had an itinerant career; but this was not always the case. In fact, these traits are not shared, and the main reason is probably that, aside from a very particular context in early modern Italy, the qualification of charlatan was not claimed by the actors themselves, but was attributed to them by others, be they contemporaries or later historians. These features are therefore only common if we understand them as stigmata1 attributed to charlatans by those who wish to distinguish themselves from them or to draw a line between orthodoxy and heterodoxy. (shrink)

An epistemic agent A is a false epistemic authority for others iff they falsely believe A to be in a position to help them accomplish their epistemic ends. A major divide exists between what I call "epistemic quacks", who falsely believe themselves to be relevantly competent, and "epistemic charlatans", i.e., false authorities who believe or even know that they are incompetent. Both types of false authority do not cover what Lackey (2021) calls "predatory experts": experts who systematically misuse their social-epistemic (...) status as a cover for predatory behavior. Qua experts, predatory experts are competent and thus could (and maybe sometimes do) help their clients. But should we count them as genuine epistemic authorities? No, I argue, they are false epistemic authorities because, in addition to their practical and moral misconduct, such experts systematically deceive their clients, thereby thwarting the clients’ epistemic ends. (shrink)

A great philosopher will change the way you think about your life. For most of human history, religion provided a clear explanation of life and death. But in the late 19th and early 20th centuries new ideas -- from psychiatry to evolution to Communist -- seemed to suggest that our fate was now in our own hands. We would ourselves become God. This is the theme of a remarkable new book by one of the world's greatest lving philosophers. It is (...) a brilliant and frightening look at the problems and opportunities of a world coming to grips with humankind's now solitary, unaided place in the universe. Gray takes two major examples: the belief that the science-backed Communism of the new USSR could reshape the planet, and the belief among a group of Edwardian intellectuals -- popularized through mediums and automatic writing -- that there was a non-religious form of life after death. Gray presents an extraordinary cast of philosophers, journalists, politicians, charlatans and mass murderers, all of whom felt driven by a specifically scientific and modern world view. He raises a host of fascinating questions about what it means to be human. The implications of Gray's book will haunt its readers for the rest of their lives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Socrates Plays the Buffoon:Cautionary Protreptic in EuthydemusAnn N. MicheliniPlato's Euthydemus is somewhat uninteresting to traditional philosophers, who tend to treat the dialogues from the aspect of their theoretical content.1 The arguments repeatedly presented by Socrates' opponents are below Platonic standards,2 while Socrates carries on only a single, somewhat truncated logos of his own. The dialogue's primary interest lies elsewhere, in the odd use it makes of protreptic or conversionary (...) philosophical rhetoric and in its highly ambivalent examination of Socratic tactics. Socrates' adversaries are a pair of ludicrous charlatans, caricatures of the other fifth-century "Sophists"3 whom Plato satirized; but the tactics of the two brothers, Euthydemus and Dionysodorus, are also awkwardly close to those of Socrates himself. No other Platonic dialogue features interlocutors who make a habit of practicing the Socratic question-and-answer mode, and in no other dialogue does Socrates allow anyone but himself to assume the dominant role of interrogator. 4 The "sandwich" format, in which two Socratic discussions [End Page 509] are flanked by three series of arguments by the brothers, both contrasts Socrates and his opponents and points up their similarity.The encounter is marked by its concern for protreptic, the exhortation, pervasive in later philosophical writing, as it is in the fourth-century texts of Isocrates and Xenophon, to leave conventional ways of life and care for wisdom and moral virtue.5 At the beginning of the discussion (274d7-e5), Socrates asks Dionysodorus whether his wisdom can be transmitted to even one person not yet persuaded of its efficacy. Socrates rather tendentiously concludes from Dionysodorus' positive response that the brothers would therefore be best at exhortation to virtue, and throughout the discussion he persists in pushing them to demonstrate their protreptic.6 This desire in turn motivates his self-abasing relation to Euthydemus and Dionysodorus, whom Socrates continually begs, on behalf of his young friend Clinias, to reveal their priceless wisdom and save the boy from bad influences. Not only does Socrates set up the brothers as masters of protreptic but he even offers his own version, showing that wisdom is the key to happiness and concluding that it is "necessary to philosophize" (282d1) in order to be happy. The fact that protreptic language is so little in evidence in Plato's other work implies an exceptional status for Euthydemus, the only dialogue that both employs the terminology of protreptic and focuses on the problems of philosophic exhortation and conversion.The phrase "exhort to philosophy and virtue" is conventional: it appears very frequently in both Xenophon and Isocrates.7 But, while Socrates in Apology describes his vocation in terms of an open protreptic of rebuke and exhortation, his use of the elenchus in the dialogues [End Page 510] is more subtle and tactful.8 More important, the trope of exhortation to virtue is notable for its absence from almost all Platonic texts9 except Euthydemus and the eccentric Clitophon.10 The thematic importance of the phrase in Euthydemus is emphasized by repetition and by overlap between the reported dialogue and its setting, in which Socrates exhorts Crito to join him as a student of the brothers' wisdom, and in which Crito expresses his concerns about the education of his son (, 307a2). In his important work on protreptic, Konrad Gaiser attempted to derive later protreptic from speeches by fifth-century "Sophistic" teachers that were designed to win pupils for training in rhetoric and politics. But, while admonitory or moralizing discourses were composed by figures such as Prodicus and Hippias, as they were by others from Hesiod onward, it does not seem likely that the specifically conversionary protreptic that appears in fourth-century writers derives from thinkers who were primarily concerned with demonstrations of skill. The real source for protreptic is likely to have been the Socratics themselves, writers who used the unconventional Socratic persona both to rebuke immorality and to show the inadequacy of traditional moral concepts. This Socratic protreptic demanded nothing less than a change of life.11Whether the dialogue Clitophon is by Plato or not, it affords a valuable proof that protreptic was associated with Socratic technique: Clitophon, an associate of Thrasymachus in Republic... (shrink)

Jacques Derrida is one of the most controversial philosophers of the twentieth century, who is hailed by his followers as a genius, derided by his detractors as a charlatan. His work continues to be a source of often inordinate praise and blame. How does Derrida provoke such violent reactions? What is ‘deconstruction’, his most famous technique? And is there something in his work that can be useful to even the most hostile of his critics?

Few thinkers are more controversial in the history of philosophy than Hegel. He has been dismissed as a charlatan and obscurantist, but also praised as one of the greatest thinkers in modern philosophy. No one interested in philosophy can afford to ignore him. This volume considers all the major aspects of Hegel's work: epistemology, logic, ethics, political philosophy, aesthetics, philosophy of history, philosophy of religion. Special attention is devoted to problems in the interpretation of Hegel: the unity of the (...) Phenomenology of Spirit; the value of the dialectical method; the status of his logic; the nature of his politics. A final group of chapters treats Hegel's complex historical legacy: the development of Hegelianism and its growth into a left and right-wing school; the relation of Hegel and Marx; and the subtle connections between Hegel and contemporary analytic philosophy. (shrink)

Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} Carlos Castaneda’s books and his New Age shamanistic religion raise, beyond the controversy regarding the counterfeit character of his ethnographic narrative and charlatanism, several methodological problems. Educated within the emerging paradigm of emic studies and ethnomethodoly of the 1960s, Castaneda used it in order to set a very clever methodological (...) trap: Can an ethnologist and historian of religions discard a religious movement on account that its initiator is a charlatan or, at best, an enlightened or self-deluded individual? In order to tackle this dilemma, in this article I successively rally several methods and hermeneutics: reader-response theory, phenomenological anthropology, ethnomethodology and emic studies, psychoanalysis, fictional worlds theory, and “make believe / make belief” theatrical theory. (shrink)

Leonhard Thurneysser zum Thurn (1531–1596) was not only the personal physician of the elector of Brandenburg, but also a notorious alchemist, astrologist, pharmacist, and entrepreneur. As printer of his own works, he published a remarkable number of volumes on various subjects. Praised as a “miracle man” by some of his contemporaries, he was repeatedly accused of being a sorcerer, conjurer, and charlatan. This article focuses on his herbal book, printed in 1578. Taking into account the state of contemporary knowledge, (...) this paper examines Thurneysser’s explanations of plant names, his interpretation of plant signatures and his magical approach to pharmacology. Scientifically, Thurneysser’s innovations in these fields have not stood the test of time. However, examined within the context of intellectual history, they can be interpreted as strategies for laying claim to a field of expertise, by a man whose reputation was at risk. (shrink)

ArgumentIn the early twentieth century, counting and speaking horses, like the famous Clever Hans or the “Horses of Elberfeld,” became widely debated subjects in experimental psychology. The idea was to determine whether their learning success was only a fraud, or if it might open up a new chapter in “animal psychology” - or even belong to the realm of parapsychology and telepathy. When their tricks were discovered, the teachers of the animals were marked as charlatans. Both the attempts to detect (...) charlatans and the efforts to avoid this accusation during the talking horse experiments proceeded using the method of introducing new levels of communication into the human-animal interaction process in order to substantiate each respective standpoint. This paper argues that the scientific studies and debates on the talking horses are relevant not only from psychological, biological, and semiotic vantage points, but also from the perspective of communications theory, giving rise to the foundational issue of levels of communication. (shrink)

“Hijack” has etymological connotations of force. It is intended here as a purposeful turn away from expert authority and from singular authorship, towards a more expanded sphere of multiple experience in art aesthetics. If there is a hijacking force in art, it is the dynamic desire to reclaim the impossible and the unexpected. These qualities are evident in telepathy as a system of transmitted aesthetic information. Isabelle Stengers, who has investigated the role of the charlatan, might urge us to (...) follow such a turn away from regulated forms of sensory information and repurpose telepathy as a propagated extra-sensory activity. Like the charlatan or other maligned characters of ill repute, the art writer who responds to the essence of the artwork through participation rather than judgment becomes the outsider and, in this case, the telepath. This paper addresses the work of Australian artist Jacquelene Drinkall as an aggregate of telepathic transmissions, ripe for hijacking. I argue that a telepathic hijack, as an unexpected reclamation and as a method of aesthetic experimentation, can be enacted as a speculative form of art writing. Telepathy in art and of art allows a writing with the artwork. By this I mean that a super-sensory and speculative mode of writing can exist beside the artwork, rather than in judgment of it. This is a divergence from an overt critique of art through established constructs of history, origin or relations alone. In this paper I will explore the concept of telepathy as a quality of speculative aesthetics, which is distinguished by contingent change, variable outcomes and meandering. I will focus on: telepathic art transmissions as a hijack of conventional aesthetics; Jacquelene Drinkall’s telepathic artwork as an interrupted experience; and Isabelle Stengers’ figure of the charlatan. (shrink)

In this article I argue that Hegel has become analytic philosophy’s “pharmakon”—both its “poison” and its “cure.” Traditionally, Hegel’s philosophy has been attacked by Anglo-American analytical philosophers for its alleged charlatanism and irrelevance. Yet starting from the 1970s there has been a revival of interest in Hegel’s philosophical work, which, I suggest, may be explained by three developments: the revival of interest in Aristotelianism following Saul Kripke’s and Hilary Putnam’s work on natural kinds, and Elizabeth Anscombe’s, Philippa Foot’s, and Putnam’s (...) opposition to the fact-value distinction; the rehabilitation of Hegel’s theories by various philosophers, including Robert Pippin, Terry Pinkard, Fred Beiser, Robert Stern, and Stephen Houlgate; and the Sellars-inspired philosophy of mind of John McDowell and of Robert Brandom. The first and third of these reasons, I argue, have led several analytic theorists to cast Hegel in a more positive light as the “cure” for analyti... (shrink)

Martin Heidegger (1889-1976) is probably the most divisive philosopher of the twentieth century. He is considered by some to be greatest charlatan ever to claim the title of philosopher, an apologist for Nazism by others, and an acknowledged leader and central figure to many philosophers. Michael Inwood's lucid introduction steers a clear path through Heidegger's complex language and thought. This short, accessible guide to the existentialist thought of Heidegger focuses on his most important work, Being and Time, and its (...) major themes of existence in the world, inauthenticity, guilt, destiny, truth, and the nature of time. These themes are then reassessed in the light of Heideggers later work, together with the extent of his philosophical importance and influence. For anyone interested in philosophy, theology and literary theory, Heidegger is an invaluable guide to the complex and voluminous thought of a major twentieth-century existentialist philosopher. (shrink)

In so curious, lively, and passionate an epoch as that of Theophrastus Paracelsus, the life and work of few other persons generated as much admiration, as many repercussions and so much influence as did his. At the same time, few others caused as much animosity and hostility. And yet, there are few others about whose work and thought we are less informed. Who was this infamous vagabond? Was he a profound scientist, whose struggles against Aristotelian physics and classical medicine supposedly (...) laid the foundations of modern experimental medicine? Was he a precursor to nineteenth century rational science? Was he an erudite physician, or an ignorant charlatan? A peddler of superstition and quackery, an astrologist, a magician, a gold maker? Was he one of the greatest minds of the Renaissance, or simply a latecomer to Middle Age mysticism, a ‘gothic’? Was he a pantheistic cabalist, an adept of a vague Neo-Platonism and natural magic? Or was he ‘the physician’, ever watchful over suffering humanity; a man who found and formulated a new conception of life, the universe, of God and humanity? Was he, with a deeply Christian mind, one who attempted his own ‘reformation’ in the solitude of the Swiss mountains, who preached an evangelical, sophisticated form of mysticism, without clergy, dogma, and rites? Or was Paracelsus ultimately a Christian who, in spite of his frequently heterodox, even heretical opinions, remained faithful to his Church, preferring Catholicism to the new Protestant churches? (shrink)

Considering The Third Man as an “entertainment” with “serious religious and ethical engagement,” this essay suggests the novel’s ultimate discrediting of the despair indicated by the desolate setting, postwar Vienna, and by Jansenist determinism. Two thematically crucial scenes address this despair: the visit to the office of Dr. Winkler, the cynical relic collector; and the interview between the protagonist and the charlatan Harry Lime, who has faked his own death, as they ride on the Great Wheel. “Both Lime’s speech (...) atop the Wheel and Winkler’s dismissal of the relics point the reader to the same interpretive enigma: bodies are nothing more than charnel or they are significant spiritual ‘clues.’” A comparison to the story “A Visit to Morin” shows how The Third Man forces a confrontation with the possibility of grace. (shrink)

Pourquoi les sciences modernes n'avancent-elles que sur le mode guerrier - guerre du scientifique contre ses concurrents, guerre du savant contre le " charlatan ", guerre du " nouveau " contre l' " ancien "? Pourquoi ces sciences sont-elles présentes parmi nous sous le jour le plus faux : triomphe d'un savoir enfin objectif, neutre et désintéressé, produit par une démarche méthodique, humble et sereine? Et pourquoi, lorsque les scientifiques osent dire leurs rêves et leurs ambitions, est-ce si souvent (...) la spéculation arrogante, le mépris et la polémique qui trouvent à s'exprimer? Les savoirs modernes sont aujourd'hui habités par une obsession de la différenciation. Et cette obsession de la différence à rappeler, de l'opposition à maintenir, entre objectivité scientifique et savoirs subjectifs, les voue à exister sur le mode de la guerre généralisée, guerre défensive ou offensive de chacun contre les autres, guerre de tous contre ce qu'ils s'accordent à disqualifier en tant que simple opinion. Est-il possible de civiliser les savoirs modernes, d'inventer entre eux et avec nous un régime de coexistence pacifique? Est-ce possible, sans leur demander de renoncer aux rêves et aux passions qui les font exister, sans exiger qu'ils se soumettent, au nom de cette paix à établir, à un quelconque tribunal distribuant les droits et les devoirs de chacun? C'est pour construire une réponse à cette question qu'Isabelle Stengers tente ici une démarche tout à la fois de diagnostic et de pronostic. Car il s'agit tout aussi bien de comprendre les valeurs que font exister les sciences, que de risquer un pari sur un avenir possible où ces valeurs seraient activement dissociées du pouvoir de disqualifier. Le projet d'une mise en culture des sciences n'a rien à voir, alors, avec un quelconque supplément d'âme, ou une meilleure diffusion des connaissances scientifiques. Pour Isabelle Stengers, il passe par la construction de ce qu'exigerait une véritable écologie des pratiques, modernes et non modernes. (shrink)

Much recent work on the masculinities enacted by early Christians has focused upon Christian texts and claims about their heroes and practices among elite Christians. Lucian’s Passing of Peregrinus offers another avenue for thinking about early Christian masculinity. Lucian denies Peregrinus’ claim to masculinity on the basis of his over-concern for honour, especially from the masses, his inability to control his appetites regarding food and sex, his being a parricide, his enacting ‘strange’ ascetic practices and his lack of courage in (...) the face of death. By tying Peregrinus to a Christian community in Judea, Lucian both demonstrates the lack of manliness in the Christian movement, which he suggests is populated mostly by gullible women and children, and further ‘unmans’ Peregrinus by linking him to a community of easily duped people whose praise is not worthy of a philosopher. By presenting this Christian community as a group that not only accepts Peregrinus as a member but also quickly establishes him as their leader, almost at par with Jesus himself, according to Lucian’s account, these early Christians show their lack of self-control by being deceived by a charlatan. Early Christian writers who claimed that their heroes were manly, even more manly than the Greek or Roman heroes, were writing in part to rebut the types of claims made by writers like Lucian. (shrink)

Consecutive waves of paleolithic migrants crossing the Bering land bridge from Siberia to North America between 80,000 and 7,000 b.c. brought with them the shamanic way of harnessing supernatural powers. This way prevailed until the White intrusion 400 years ago, into the living space of the aboriginal peoples of North America. Wherever European political, religious, and economic dominance was established, shamanic institutions became the focus of negative attention. The shamanic practitioner was variously depicted by governmental and ecclesiastic authorities as a (...) charlatan and imposter or a purveyor of evil influence. Some well-known ethnological and medico-psychological experts have until very recently portrayed the shaman as a mentally deranged person whose “primitive” culture permits the acting-out of psychopathology in a prestigious role, a eurocentric and positivistic fallacy rooted in Western misinterpretations of learned behavior manifested during shamanic rituals involving altered states of consciousness. Legal measures to suppress shamanic ceremonials were taken in the United States, especially in the aftermath of the Ghost Dance. This shaman-inspired movement, originating in the Prophet Dance of the Pacific Northwest (Spier 1935), sent waves of hectic sacro-nativistic ceremonial activity through many Amerindian tribes, and finally culminated in the Sioux uprising of 1890 which ended in the tragedy of Wounded Knee (cf. Mooney 1896). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Let’s Start AgainSarah Wood (bio)Nicholas Royle. After Derrida. Manchester: Manchester UP, 1995.Robert Smith. Derrida and Autobiography. Cambridge: Cambridge UP, 1995.start... v. i. to shoot, dart, move suddenly forth, or out: to spring up or forward: to strain forward: to break away: to make a sudden or involuntary movement as of surprise or becoming aware: to spring open, out of place, or loose: to begin to move: of a car, (...) engine, etc. to begin to work, to fire, combust: to set forth on a journey, race, career.—v. t. to begin: to set going: to set on foot: to set up: to drive from lair or hiding place: to cause or undergo displacement or loosening of: to startle (obs.): to pour out or shoot.—n. a sudden movement: a sudden involuntary motion of the body: a startled feeling: a spurt: an outburst or fit: a beginning of movement, esp. of a journey, race, or career: a beginning: a setting in motion: a help in or opportunity of beginning: an advantage in being early or ahead: the extent of such advantage in time or distance: a beginning of building work on a new house-site....—Chambers DictionaryAh, did you once see Shelley plain, And did he stop and speak to you And did you speak to him again? How strange it seems and new!But you were living before that, And also you are living after; And the memory I started at— My starting moves your laughter.—Robert Browning, “Memorabilia”The Shelley whose appearance regularly shocks Browning is, of course, a ghost. The bare fact of talking with a ghost is bound to be curious and impressive—enough to make one start. But at the same time it’s not unusual to converse with ghosts, and this generalization can be taken beyond the sphere of literature, beyond the notion of writers struggling with the mighty dead for imaginative priority, as it is conceived in Harold Bloom’s readings of Browning, for instance. Derrida insists that relationship in general requires the spectral: “[w]hat happens between two, and between all the ‘two’s’ one likes, such as between life and death, can only maintain itself with some ghost, can only talk with or about some ghost [s’entretenir de quelque fantôme]” [Derrida, Specters of Marx xviii]. Perhaps, then, what happens in and between the two books reviewed here needs to be approached in terms of ghosts and the psychoanalysis of ghosts, so powerfully thematized by Nicholas Royle. [End Page 4] Both his After Derrida and Robert Smith’s Derrida and Autobiography seek to make contact with something in writing that gets things going and produces breaks, that displaces and startles. Although each volume could still be called a monograph on Derrida, it responds to something other than a corpus.The sense of shock, wonder, and discontinuity that makes the imagined interlocutor in “Memorabilia” laugh illuminates also something playing itself out across the reception of Derrida’s work. Part of that reception could be conceived in familiar terms—the development of a canon of what could be called Derrida commentaries, the establishment of a set of themes readily associated with Derrida studies (charlatanism, the deconstruction of a metaphysics of presence, and so on). Yet to speak with or about ghosts entails having to start reading, listening, and thinking again, in order to broach familiarity anew without innocent recourse to sheer intuition. These books also, despite their scholarly knowledge of the field, share a sense of responsibility to discuss an aspect of writing—hard to ignore in Derrida—that has begun without commentary, that gets commentary started and that subjects the movement of thought to something like fits. Whether these fits are of phobia, laughter, melancholy, delirium, or anger, their irruption marks interesting gaps in thought’s continuity. More than moods, these strange outbursts might be understood better in terms of the theory of metapsychological “phantoms.” The phantom, according to Nicolas Abraham, is “sustained by secreted words, invisible gnomes whose aim is to wreak havoc, from within the unconscious, in the coherence of logical progression” [“Notes on the Phantom” 175]. The phantom is also “alien to the subject... (shrink)

A recent issue of Time magazine (March 29, 1999) was devoted to the twenty greatest "thinkers" of the twentieth century -- scientists, inventors, and engineers. There is one interesting omission: there are no cognitive psychologists or cognitive scientists. (Cognitive science is an amalgam of cognitive, neuro, and developmental psychology, artificial intelligence, philosophy, linguistics, biology, and anthropology.) Freud is there, to be sure. But, while he was very influential, it is not even clear that he was a scientist, let alone a (...) cognitive scientist. There are those who regard Freud as somewhere between incompetent and a charlatan (see Glymour, 1988). In any case, though Freud's positive proposal for the mind's architecture -- namely, that it contains the unconscious -- seems correct as far as it goes, it does appear that all the details are wrong. For example: (1) there is a lot more to the mind than the mere unconscious; (2) it is doubtful that there is an id, ego, and superego; (3) most dreams may very likely be meaningless; and (4) human motivation, even unconscious motivation, is about a lot more than sex. In the end, because he was most interested in certain kinds of human mental malfunctioning, Freud is probably best thought of as a physician, a proponent and early explorer of human mental health; he was not an experimental cognitive psychologist. (shrink)

"Divination and Human Nature" casts a new perspective on the rich tradition of ancient divination--the reading of divine signs in oracles, omens, and dreams. Popular attitudes during classical antiquity saw these readings as signs from the gods while modern scholars have treated such beliefs as primitive superstitions. In this book, Peter Struck reveals instead that such phenomena provoked an entirely different accounting from the ancient philosophers. These philosophers produced subtle studies into what was an odd but observable fact--that humans could (...) sometimes have uncanny insights--and their work signifies an early chapter in the cognitive history of intuition. Examining the writings of Plato, Aristotle, the Stoics, and the Neoplatonists, Struck demonstrates that they all observed how, setting aside the charlatans and swindlers, some people had premonitions defying the typical bounds of rationality. Given the wide differences among these ancient thinkers, Struck notes that they converged on seeing this surplus insight as an artifact of human nature, projections produced under specific conditions by our physiology. For the philosophers, such unexplained insights invited a speculative search for an alternative and more naturalistic system of cognition. Recovering a lost piece of an ancient tradition, "Divination and Human Nature" illustrates how philosophers of the classical era interpreted the phenomena of divination as a practice closer to intuition and instinct than magic. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Peter Lamarque TRUTH AND ART IN IRIS MURDOCH'S THE BLACK PRINCE "Art," writes Bradley Pearson, protagonist and narrator in The Black Prince, "is concerned not just primarily but absolutely with truth." Bradley Pearson is also concerned with truth. And understandably so, as he has just taken the rap, and been imprisoned, for a murder he claims he never committed. There are two rather different concerns here with truth: there (...) is the high-minded concern of the artist and there is the more pragmatic concern of the despised and falsely convicted man writing his "apologia." The careful juxtaposition of these two appeals to truth is a central theme in The Black Prince. The bulk of the novel purports to be a first-person narration of events in the later life of Bradley Pearson. Bradley is a writer who has been waiting patiently and silently for the inspiration, "the dark blaze," to produce a great work of art. This "dark blaze" eventually shows itself as the "black Eros," in a passionate but short-lived love affair with the youngJulian Baffin. Bradley is reflecting on these events from his prison cell, guided by his mentor and fellow prisoner, the "editor" P. Loxias (a witty reference to Apollo, god of truth). He sees his art and his love as stemming "from the same source" (p. 172) and, although sensitive to his shortcomings as an artist, he believes that through a divine inspiration he has attained a kind of Platonic tranquillity in the presence of truth and self-knowledge. However, through the device of "postscripts," purportedly written by other characters, we are presented with another picture of him rather different from his own. His former friends, more down to earth, though variously self-interested, depict him as a pitiful, even contemptible, charlatan lost in fantasy and delusion and a suitable case for psychoanalysis. What, then, is the real Bradley Pearson? Is he the pathetic, fantasy-ridden creature of the "postscripts"? Or is he, as he thinks, the great artist inspired by the gods and by Eros who has seen the revelation of truth? 209 2 1 0 Philosophy and Literature By forcing us to raise these questions about the novel, Iris Murdoch, I suggest, is inviting us to reflect on, and relate, two concerns we might have with truth in works of fiction. The first is with truth internal to the novel, truth-within-fiction, which informs us about the fictional characters and events. In The Black Prince, our attention is focused on unravelling and assessing the "truth" of Bradley's account. The second is with truth proper, as it might be revealed through fiction. This is truth not about the fictional world but about the non-fictional real world. It is often maintained that novels can instruct us in acquiring knowledge of the world. This, I suggest, is the type of truth that Bradley, so grandly and solemnly, and frequently, identifies with art. The nature of such truth is the main topic of this article. II What sense can we make of Bradley's repeated claims to the effect that "good art speaks truth" (p. xi)? One answer, reflecting an obvious feature of literary works, is that propositions about the world are often expressed, explicitly, within a fictional context; they might be uttered by one of the characters or directly by the author. The Black Prince offers many such propositions, some of which, on the nature of art, I shall be considering in detail. Examples are plentiful. Thus, Bradley remarks on marriage: "People who boast of happy marriages are, I submit, usually self-deceivers, if not actually liars. The human soul is not framed for continued proximity..." (p. 64). He meditates on love: "The foreverness of real love is one of the reasons why even unrequited love is a source of joy" (pp. 173-74) and discusses jealousy (p. 207). He also reflects on human consciousness and responsibility (p. 155) and on selfishness and goodness: "The burden of genuine goodness is instinctively appreciated as intolerable, and a desire for it would put out of focus the other and ordinary wishes by which one lives" (p. 149). Such explicit propositions carry us beyond the... (shrink)

Martin Heidegger is probably the most divisive philosopher of the twentieth century: viewed by some as a charlatan; as a leader and central figure to many philosophers. Michael Inwood's lucid introduction to Heidegger's thought focuses on his most important work, 'Being and Time', and its major themes of existence in the world, inauthenticity, guilt, destiny, truth, and the nature of time. This is an invaluable guide to the complex and voluminous thought of a major twentieth-century existentialist philosopher.

Behaviorism died very slowly in American psychology. Willing to admit only stimuli and responses, narrowly defined, as the contents of its science, it was too limited to be useful in understanding higher organisms. But it seemed for decades to be the only way to eliminate subjectivism and to make psychology scientific. Cracks in behaviorist orthodoxy began to appear 40 years ago, though physiological psychologists never felt themselves bound by its restrictions. By the 1960s psychologists were openly espousing a new 'cognitive' (...) psychology, admitting to internal states and a mental life beyond overt behavior. It was a step forward, but the block diagrams of the cognitive psychologists still had a stimulus on one end and a response on the other, just like those of the old-fashioned behaviorists. Consciousness, the great problem that got psychology started, was still viewed with alarm as the purview of charlatans and worse. (shrink)

From Socrates and Plato onwards, the Sophists were often targeted by the authoritative philosophical tradition as being mere charlatans and poor teachers. This book, translated and significantly updated from its most recent Italian version, challenges these criticisms by offering an overall interpretation of their thought, and by assessing the specific contributions of thinkers like Protagoras, Gorgias and Antiphon. A new vision of the Sophists emerges: they are protagonists and agents of fundamental change in the history of ancient philosophy, who questioned (...) the grounds of morality and politics, as well as the nature of knowledge and language. By shifting the focus from the cosmos to man, the Sophists inaugurate an alternative form of philosophy, whose importance is only now becoming clear. (shrink)

Socrates (469-399 BC) is one of history's most enigmatic figures. Our knowledge of him comes to us second-hand, primarily from the philosopher Plato, who was Socrates' most gifted student, and from the historian and sometime-philosopher Xenophon, who counted himself as a member of Socrates' inner circle of friends. We also hear of Socrates in one comic play produced during his lifetime (Aristophanes' Clouds) and in passing from the philosopher Aristotle, a student of Plato. Socrates is a figure of enduring interest. (...) He is often considered the father of Western Philosophy, yet the four most famous accounts we have of him present a contradictory, confusing picture. Just who was Socrates? A brilliant philosopher, at times confounding and infuriating, morally serious and yet ironic; the ever-worldly man, sometime mystic, and uncommon martyr depicted by Plato? Or did Plato conflate Socrates' views with his own startling genius, as Aristotle suggests? Was So rates instead the less impressive, more mundane man whose commonsense impressed the laconic Xenophon? Or was Socrates the charlatan, the long-winded phony of Aristophanes' play? The Socratic works of Diogenes Laertius (3rd century AD), Libanius (AD 314 -- c. 393), Maximus of 'Tyre (2nd century AD), and Apuleius (born c. AD 125) add important dimensions to the portrait of Socrates: Diogenes Laertius' Life of Socrates emphasizes Socrates' deep ethical nature and his extraordinary personality; Libanius' Apology of Socrates is based on sources now lost to us; Maximus of Tyre's Whether Socrates Did the Right Thing When He Did Not Defend Himself makes the star ling claim (against testimony of Plato and Xenophon) that Socrates never spoke athis own trial; from Apuleius' On the God of Socrates we hear at length of Socrates' infamous daimonion: the "divine sign" only mentioned elsewhere, the sign that warned Socrates against certain courses of action. In short, from these four texts we are reintroduced to Socrates, and new wrinkles are added to an already intriguing historical figure. (shrink)

Following a recent trend in the field of the history of philosophy and medicine, this paper stresses the necessity of recognizing empiricism’s patent indebtedness to the sciences of the body. While the tribute paid to the Hippocratic method of observation in the work of Thomas Sydenham is well known, it seems necessary to take into account a trend more critical of ancient medicine developed by followers of chemical medicine who considered the doctrine of elements and humours to be a typical (...) example of the idols that hinder the improvement of medical knowledge and defend the necessity of experimentation. In light of the fact that modern discoveries resulted in a “new frame of human nature,” they developed a critical reading of ancient empiricism. As a consequence, we can distinguish between two distinct anti-speculative traditions in the genesis of philosophical empiricism. The first recommends an active investigation into nature and refers to the figure of Democritus, the ancient philosopher who devoted himself to the dissection of beasts. Defenders of this first tradition refuse point-blank to be called ‘empiricists’, a label which had a very negative meaning during the seventeenth century, when it was used to dismiss charlatans and quacks. The other tradition, stressing as it does the role of description and observation, is more sceptical of the ability of dissection or anatomy to give us access to causes of diseases. This later tradition comes closer to the definition of ancient empiricism and to the figure of Hippocrates. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Martin Heidegger. Between Good and Evil by Rüdiger SafranskiManfred KuehnRüdiger Safranski. Martin Heidegger. Between Good and Evil. Translation by Ewald Osers. Cambridge: Harvard University Press, 1998. Pp. xxii + 474. Cloth, $35.00.Martin Heidegger is without doubt the most controversial philosophical figure of the first half of the twentieth century; and there can be little doubt that he will remain controversial for a long time to come. Many regard (...) him as one of the greatest philosophers of all times, but many others view him as little more than a charlatan. His work is widely popular in some circles while completely neglected in others. Another part of the reason for this is Heidegger’s life. A German nationalist from early in his life, his jingoism turned quickly and almost naturally into Nazism at what seemed to be an opportune moment. Accordingly, it has seemed to a number of critical scholars that his philosophy was ready-made for this ideology. His work and life therefore seem more closely connected than they usually are among philosophers. And what his life reveals, or seems to reveal, is neither insignificant nor pretty.Accordingly, there have been quite a few biographical and semi-biographical studies of Heidegger recently. Safranski’s biography is not the worst of these. The original German title was Ein Meister aus Deutschland. Heidegger und seine Zeit, which literally translated would have read: “A Master from Germany. Heidegger and His Time.” Safranski is explicit about the reason for the title: Heidegger “really was a ‘master’ from the school of the mystic Meister Eckhart. More than anyone else, he kept open the horizon for religious experience in a nonreligious age. He found away of thinking that remains close to things and avoids a crash into banality.” But, secondly, “he really was very ‘German’ … What emerges is the lovable, the fascinating, and the abysmally profound element of a specific German road in philosophy, one that was to become a European event.” And then, “through his political activity he also had about him something of that master from Germany that Paul Celan’s poem refers to” (x). The poem is of course the “Deathfugue.” It compellingly speaks of life and death—especially death—in German concentration camps, repeating several times the line “this death is a master from Germany.”One might doubt whether Heidegger always avoids “a crash into banality.” One might also be skeptical whether the “specific German road to philosophy” is “lovable” and “abysmally profound.” But Heidegger is certainly a fascinating figure, and his political and philosophical actions cannot and must not be seen in isolation from the death that so many died in German concentration camps. It was not just that [End Page 376] Heidegger had “about him something of that master from Germany,” but he played a part in creating the mythology that made this master possible. Perhaps his was not the most important part, but it was not insignificant either. And the short account of how Celan and Heidegger met and tried to come to terms with each other (422–425) is one of the most interesting parts of the book. Indeed, I wish that Safranski had chosen to concentrate more on this aspect of Heidegger’s mastership. But what is utterly incomprehensible to me is why the editors chose to publish the book with the subtitle “between good and evil.” It belittles the very problem Safranski’s connection raises. To be sure, Safranski himself concentrates more on Heidegger’s mysticism and his German road in philosophy, and he does not ultimately face up to the connections between Heidegger’s religiosity and mysticism, his fascination with death and dying, and the death Celan laments in his poem.Yet, there is much that is interesting and important in the book. It tells the story of Heidegger’s life better than any previous biography, and it shows how closely Heidegger’s early thinking was connected with the currents that shaped intellectual life in Germany during the twenties and thirties of the twentieth century. More specifically, he calls attention to Heidegger’s affinities with Dadaism (99–100), and he emphasizes the importance of Heidegger’s “secret principal work... (shrink)

Tomorrow has never looked better. Breakthroughs in fields like genetic engineering and nanotechnology promise to give us unprecedented power to redesign our bodies and our world. Futurists and activists tell us that we are drawing ever closer to a day when we will be as smart as computers, will be able to link our minds telepathically, and will live for centuries--or maybe forever. The perfection of a "posthuman" future awaits us. Or so the story goes. In reality, the rush toward (...) a posthuman destiny amounts to an ideology of human extinction, an ideology that sees little of value in humanity except the raw material for producing whatever might come next. In Eclipse of Man, Charles T. Rubin traces the intellectual origins of the movement to perfect and replace the human race. He shows how today's advocates of radical enhancement are--like their forebears--deeply dissatisfied with given human nature and fixated on grand visions of a future shaped by technological progress. Moreover, Rubin argues that this myopic vision of the future is not confined to charlatans and cheerleaders promoting this or that technology: it also runs through much of modern science and contemporary progressivism. By exploring and criticizing the dreams of post humanity, Rubin defends a more modest vision of the future, one that takes seriously both the limitations and the inherent dignity of our given nature. (shrink)

Raymond Chandler, the creator of legendary detective Philip Marlowe and the recipient of increasing literary admiration over the past 40 years, used numerous physicians as minor characters in his novels and short stories. The presence of physicians as minor characters in Chandler's work, though unnoticed by previous critics, is illustrative both of the writer's personal antipathy towards medical doctors and larger societal forces which left medical charlatans free to open clinics. Chandler's own chronic health problems and those of his wife (...) Cissy may have contributed to the writer's negative attitude toward medicine and heath care, though little is known of Chandler's personal interactions with physicians prior to his death in 1959. (shrink)

" Les réflexions de Frédéric Schiffter, qu'on les tienne pour philosophiques ou anti-philosophiques, sont inséparables d'une humeur portée sur le scepticisme et le pessimisme, un peu à la manière de Cioran. Frédéric Schiffter fait de l'ennui une composante essentielle de la vie humaine (tel Schopenhauer) ; mais en même temps il défend sans cesse la réalité contre les utopies qui en interdisent une vision lucide et qu'il range dans deux catégories philosophiques qui lui sont personnelles : l'ordre du blobla et (...) l'ordre du chichi. L'homme du blabla vante l'irréel : c'est un charlatan. L'homme du chichi décrie le réel : c'est un précieux dégoûté. Mélangeant comme Montaigne anecdotes et considérations philosophiques, écrit dans une langue simple et élégante, ce livre se lit d'une traite et très agréablement. " Clément Rosset. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Reciprocating Engine--Like ProustRoger ShattuckWould you buy a book called “How to Read a Book”? Only out of annoyance, I imagine. In the company of literary scholars, critics, and writers, we all think we know already how to read. Otherwise, we’d be professional charlatans. Still, in 1940 tens of thousands of people bought a book called How to Read a Book by Mortimer J. Adler. It stayed on the (...) best seller lists for several weeks. Adler wrote in an easy conversational style and promoted good books—even old ones. But he had the essentials wrong. He believed we should read the way a tyro tours an art museum: the tyro looks at the label before looking at the painting. Of course our whole educational system—K plus 12 plus 4 plus even more—inevitably follows this label-first method. I shall come back to the basic question of order of events in reading literature.On the basis of my own experience and of my investigations in recent years, I distinguish three kinds or levels of reading. We read for basic comprehension of words and sentences. We read for literary response to the parts and the whole of a work. And we read for the relations of the work to other works and to life itself. These tentative categories of reading do not represent sequential stages. Our response to language may resort to one or all of these three activities at any stage of learning.Formal reading begins with the basic association of written word with sounded word—with a notion in the mind—with some phenomenon in the world. Since most of us have forgotten how we learned those initial associations, we understand them probably from having helped a child to read. And in that gradual process we do not usually encounter the excitement that can occur when an illiterate older child or an illiterate [End Page 104] adult suddenly grasps the miracle of language. The exemplary case of Helen Keller concentrates into one incident at the water pump the revelation that comes to the rest of us over a period of weeks or months at a much earlier age. We should never forget one fundamental: the comprehension stage of reading is not an empty skill that can be acquired apart from meaningful content. In order to make sense of written language, we cannot just learn a mental trick of association but must also acquire much information about the world we live in.This first category of reading for comprehension is endlessly debated by all parties, including literary scholars and critics. Almost no one speaks of the third category: how to keep track of and make use of what we read over the years, both as professionals in the field of literature and as individuals seeking to shape a life out of our experience. I lifted the title of this panel from a remarkable essay on how to keep notes on one’s reading and how to set up and constantly revise a system of files both in order to give direction to one’s professional career and in order to constitute one’s character as a person. The essay “On Intellectual Craftsmanship” was written by C. Wright Mills as an appendix for The Sociological Imagination (1959). We all pick up procedures for keeping notes and files as we go along. But despite the number of methodology courses in graduate programs in literature, such basics are rarely discussed. Mills deserves much credit for raising a neglected subject essential for all writers. Intellectual craftsmanship will become even more challenging in the era of electronics and computers.Another great scholar a century earlier saw fit to speak of these basics near the end of his autobiography.I may mention that I keep from thirty to forty large portfolios, in cabinets with labelled shelves, into which I can at once put a detached reference or memorandum. I have bought many books and at their ends I make an index of all the facts that concern my work; or, if the book is not my own, write out a separate abstract, and of such abstracts I have a huge drawer... (shrink)