On the seventh page of the People's Daily for April 15, 1958, Ma T'e published an article entitled "Discussions of Problems of Logic." In his conclusion he critically evaluates many people and even classifies me as a revisionist who must be criticized. I have studied this article closely and feel that it is shot through with difficulties.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Concerning Creativity: A Comparison of Whitehead, Neville, and Chu HsiDavid L. HallJohn Berthrong. Concerning Creativity: A Comparison of Whitehead, Neville, and Chu Hsi. SUNY Series in Religious Studies. Albany: State University of New York Press, 1998. Pp. xvii + 254. Hardcover $65.50. Paper $24.50.Given the irenic and deferential tone of John Berthrong's prose in his Concerning Creativity: A Comparison of Whitehead, Neville, and Chu Hsi, his readers might (...) not readily suspect that an intellectual drama of real significance is being played out in its pages. In this brief review I will attempt to provide the outlines of that drama, and to assess Berthrong's directing skills.We begin with the rather startling fact that before the "Dictionary Supplement" to the 1971 edition of the Oxford English Dictionary was published, one would have searched that work in vain for the principal word in the title of Berthrong's book. The OED entry on "creativity" contains three illustrations of its use-one from a literary critic (1875) and the other two from A. N. Whitehead's Religion in the Making (1926).Berthrong is to be congratulated for recognizing, as most process thinkers have not, that Whitehead introduced not only a new word into our philosophical vocabulary but also a radically novel means of interpreting the world and our experience of it-one that answers to feelings and forms of understanding that have been seriously marginalized in the West. What this means, of course, is that Whitehead's understanding of "creativity" in terms of the spontaneous emergence of novelty requires a radical transvaluation and reconstruction of the nature and import of ontological speculations within the Western tradition. The situation is further complicated by the fact that Western philosophy simply lacks interpretative insights permitting a responsible elaboration of Whitehead's understanding of creativity. Berthrong must look beyond Western culture to find resources with which to defend [End Page 571] Whitehead's novel understanding of creativity properly against the criticisms of mainstream ontologists such as Robert Neville.It is Whitehead's placement of ontological issues within his speculative scheme against which Neville's criticisms are directed. And, as we shall see, it is this same issue that leads Berthrong to appeal to the Chinese Neo-Confucian Chu Hsi to defend Whitehead against Neville.It is important to recognize that by the time that Berthrong was awakened from the contented slumber of a Whiteheadian scholastic by Neville's Calvinesque critique, he was already expert in the mainstream thought of an alternative cultural milieu. While other champions of Whitehead's novel speculations have been forced to work within the Western philosophical tradition, Berthrong is able to access a tradition in which discussions of creativity as the spontaneous emergence of novelty employ terms such as ch'i ("matter-energy," "energizing field"), tzu-jan ("self-soing"), i ("change," "becoming"), and ch'eng ("self-actualization," "creativity") that did not come late to Chinese dictionaries. Neville is certainly familiar with Chinese philosophical thought, but he approached the Asian traditions in a serious manner only after his principal intuitions had been systematically articulated. Thus, while Berthrong looks to the Chinese Neo-Confucians for assistance in formulating Whitehead's defense, Neville expects these same thinkers to offer exemplifications of his own solidly wrought reflections. The consequence of this state of affairs is that, in his debate with Neville, Berthrong has the advantage of a somewhat greater flexibility.Berthrong's flexibility is demonstrated by his method of engaging his principal interlocutors. He employ's Wayne Booth's "coductive" method, which avoids dialectical sublation or analytic reduction in favor of the analogical correlations of concepts and doctrines. Coduction is essentially an ethos-based method expressed through conversations or debates that aim not at refutation or the establishment of a final view but at an enlargement of understanding leading to what Whitehead termed "wide intellectual tolerance."In his triangulation of Whitehead, Neville, and Chu Hsi, Berthrong provides accurate and balanced presentations of the pertinent ideas of each of the principals. He succinctly articulates Whitehead's understanding of the world as comprised by "actual entities," whose coming into being and passing away express the creative process that is the general... (shrink)

This book explains the general intellectual climate of the early Ch'ing period, and the political and cultural characteristics of the Ch'ing regime at the time. Professor Huang brings to life the book's central characters, Li Fu and the three great emperors - K'ang-hsi, Yung-cheng, and Chien-lung - whom he served. Although the author's main concern is to explain the contributions of Li Fu to the Lu-Wang school of Confucianism, he also gives a clearly written account of the Lu-Wang and (...) class='Hi'>Ch'eng-Chu schools from the twelfth century to the eighteenth. In a clear, succinct style, Huang explains the historical differences between the Ch'eng-Chu and Lu-Wang schools without sacrificing the subtleties of either. The book culminates in a discussion of the hero-emperor K'ang-hsi's appropriation of the 'Tradition of the Way' from his intellectual officials, which denied them their traditional role as moral censors and critics of the emperor's exercise of authority. (shrink)

본 논문은 중국 송대에 정좌법을 발전시킨 대표적인 유학자들의 이론을 살펴보고 오늘날 그것의 활용 가능성도 찾아보려는 데 그 목적이 있다. 정좌는 유학자들이 불교의 좌선과 유교적인 예법을 종합하여 만들어낸 독특한 명상법이라고 할 수 있다. 먼저 정이는 정좌에 경(敬)이라는 유교적인 개념을 도입함으로써 불교의 좌선과는 다른 유교의 수행법을 만들고자 노력하였다. 정이는 경을 주일무적(主一無適)과 정제엄숙(整齊嚴肅)이라는 말로 정의하였다. 주일무적은 내적인 정신집중을 말하고, 정제엄숙은 외적으로 단정하고 엄숙한 태도와 자세를 말한다. 그런데 그의 후계자들은 주일무적이라는 내면적인 공부를 강조하는 방향으로 나아갔다. 예컨대 이통은 희로애락미발의 기상을 체인하라고 가르쳤으며 호굉은 이발찰식이라는 방법을 (...) 강조하였다. 이러한 방법에 만족하지 않고 주희는 정좌에서 외면적인 요소를 보다 강조하는 방법을 제시하였다. 이 방법은 보이지 않는 마음을 통제하는 데 의식의 흐름을 관찰하기보다는 자세나 태도를 반듯하게 함으로써 내면도 반듯하게 만들려고 하였다. 이러한 주희의 정좌법은 결국 내적인 마음보다는 외적인 형식을 강조하는 외식주의(外飾主義)로 변질될 위험성이 있다. 현대인들에게 다가갈 수 있는 명상법이 되려면 주희의 방법에 너무 의존하지 말고 그의 선배들이 제시한 방법으로 다시 돌아가는 것도 하나의 해결책이 되리라 생각이 된다. (shrink)

Buddhism became established as a state religion in Korea during the sixth century, and was able to maintain that status with relatively little opposition throughout the Unified Silla and Koryô periods. However, at the end of the Koryô, the Buddhist establishment ended up in a serious confrontation with a rising Korean Neo Confucian polemical movement, a confrontation in which it would end up being the clear loser. The nature of the developing Neo Confucian polemic was twofold. The first aspect was (...) an outcry against the economic privileges and excessive government influence of the Buddhist church. The second was a philosophical/religious opposition to Buddhist doctrine and practice, which had developed out of the writings of the Sung Neo Confucian architects, most important of whom were the two Ch'eng brothers and Chu Hsi. (shrink)

The I Ching, or Book of Changes, has been one of the two or three most influential books in the Chinese canon. It has been used by people on all levels of society, both as a method of divination and as a source of essential ideas about the nature of heaven, earth, and humankind. During the eleventh and twelfth centuries, Sung dynasty literati turned to it for guidance in their fundamental reworking of the classical traditions. This book explores how four (...) leading thinkers--Su Shih, Shao Yung, Ch'eng I, and Chu Hsi--applied the I Ching to these projects. These four men used the Book of Changes in strikingly different ways. Yet each claimed to find in it a sure foundation for human values. Their work established not only new meanings for the text but also new models for governance and moral philosophy that would be debated throughout the next thousand years of Chinese intellectual history. By focusing on their uses of the I Ching, this study casts a unique light on the complex continuity-within-change and rich diversity of Sung culture. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

Some of the authors of the essays on Chinese philosophers prefer the pin yin system of romanization for Chinese names and words, while others prefer the Wade‐Giles system. Given that both systems are in wide use today, important names and words are given in both their pin yin and Wade‐Giles formulations. The author's preference is printed first, followed by the alternative romanization within brackets.

One of the interpretive devices that Ch'eng-kuan (澄 觀) is famous for having employed to distill the essence of the vast Mahāvaipulya Buddhāvataṃsaka Sūtra (Tafang-kuang fo-hua-yen ching 《大方廣佛華嚴經》 was a series of variations on the contemplative theme (kuan-men 觀門) of the complete interfusion (yüan-jung 圓融) of the scripture's three chief protagonists (san-sheng 三聖) ── the Buddha Vairocana (Pi-lu-che-na 毘盧遮那) and the bodhisattvas Mañjuśrī (Wen-shu-shih-li 文殊師利) and Samantabhadra (P'u-hsien 普賢). By aligning these three powerful sacred persons with a number of (...) philosophical categories that he believed to be central to the sūtra ── categories like "cause" (yin 因 ), "fruition" (kuo 果 ), "faith" (hsin 信 ), "understanding" (chieh 解), "insight" (chih 智), "practice" (hsing 行), "principle" (li 理), etc. ── he provided a focal point at which the rich and vivid meditative and liturgical lives of Hua-yen devotees could be made to converge with their philosophical reflections. -/- Although Ch'eng-kuan invoked this device in several of his writings, his most concerted development of it is a short essay entitled San-sheng yüan-jung kuan-men, which appears to have been written relatively late in his long career. Like many important Hua-yen texts, this essay seems to have been lost in China not long after its author's death. However, it was preserved in Korea and Japan and from the latter country was reintroduced to China in the last years of nineteenth century. Neither in China nor in the West has it yet been adequately studied. -/- The core of the present article is a critical edition of the Chinese text of the essay based on a careful comparison of all available versions and presented together with a copiously annotated English translation. The edition translation are preceded by a brief interpretive introduction and followed by an appendix in which are given: a detailed discussion of the work's textual history, detailed accounts of its various editions, and descriptions of its several surviving paraphrases and commentaries. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Meeting of Minds: Intellectual and Religious Interaction in East Asian Traditions of ThoughtDeborah SommerMeeting of Minds: Intellectual and Religious Interaction in East Asian Traditions of Thought. Edited by Irene Bloom and Joshua A. Fogel. New York: Columbia University Press, 1997. Pp. 391.Meeting of Minds: Intellectual and Religious Interaction in East Asian Traditions of Thought, a volume of eleven essays written in honor of Wing-tsit Chan and William Theodore (...) de Bary, proposes to explore how Confucian and Neo-Confucian traditions have responded to and have influenced other traditions (Buddhist, Taoist, folk, Japanese nativist, and so on) in China and Japan. The essays are arranged first geographically (seven articles on China precede four on Japan) and then roughly chronologically. All essays, save one, describe Sung or post-Sung developments. A few sentences per essay must suffice in this review.Irene Bloom's "Three Visions of Jen" is the only essay on the classical period. Informed especially by Wing-tsit Chan's work on jen and shaped by Sung and later notions of the transmission of the way, the essay examines the notion of jen in the Analects, the Mencius, and Chu Hsi's "Jen shuo" (Discussion of jen), succinctly [End Page 318] emphasizing the significant differences of perspective therein. Nodding to the book's larger intent of examining intellectual interactions with other traditions, some attention is given in the conclusion to comparisons with the Mohist, Yangist, and Ch'an traditions. Rodney Taylor's "Chu Hsi on Meditation" is also deeply indebted to Wing-tsit Chan and starts by resurveying much terrain already explored in Chan's 1989 "Chu Hsi and Quiet-Sitting" (in Chu Hsi: New Studies, published by University of Hawai'i Press). Taylor enlarges upon Chan's work especially in his discussion of Chu Hsi's practices of breath-control techniques to improve health. In keeping with the larger direction of the book, Taylor contrasts Chu's emphasis on quiet sitting as a support for study with the different spiritual goals of Ch'an Buddhism.Patricia Ebrey's "Sung Neo-Confucian Views on Geomancy" examines a topic that is seldom encountered in American scholarship: the attitudes of such figures as Ssu-ma Kuang, Ch'eng I, Chu Hsi, and Ts'ai Yan-ting toward popular practices governing the placement of graves. Ebrey outlines the views of those who, as it were, are "for" or "against" geomancy (Chu and Ts'ai took geomancy seriously, although Ssu-ma and Ch'eng viewed it with apprehension) but also provides textual evidence that allows one to see the grayer areas between support for, and condemnation of, feng shui and other arts. Julia Ching's "Chu Hsi and Taoism" considers Chu's interpretations of such classical texts as the I ching, Lao Tzu, Chuang Tzu, and Ch'u tzu and also assays his commentaries on such later texts as the Ts'an-t'ung-ch'i (an alchemical text Chu commented on with the assistance of Ts'ai Yan-ting) and the Yin-fu-ching (a commentary that Ching concludes is most likely not Chu's work). She also explores in some detail the specifics of Chu's regimen of breathing practices.Moving from specific thinkers of the Sung to general developments in the Ming and Ch'ing dynasties, Chn-fang Y's "The Cult of Kuan-yin in Ming-Ch'ing China: A Case of Confucianization of Buddhism?" describes how the cult of Kuan-yin served the aims of Confucian family values and facilitated the realization of women's domestic expectations of filiality and fertility. Y explores the little-studied practice of ke-ku, or the cutting off of one's flesh to feed another, and relates Kuan-yin's role as a protector of those who engage in such filial excisions.Koichi Shinohara's "Ta-hui's Instructions to Tseng K'ai: Buddhist 'Freedom' in the Neo-Confucian Context" returns to the Sung but continues the focus on Buddhism, finding an example of Buddhist-Confucian interaction in the religious instruction given by the monk Ta-hui to a vice minister of rites. But what is particularly Confucian about minister Tseng K'ai's interest in Buddhism? The... (shrink)

Compiled in the twelfth century A.D. by Chu Hsi, leading exponent of Neo-Confucianism, with the assistance of Lü Tsu-Ch'ien, Chin-ssu Lu serves as a summary of, and introduction to, the vast literature of Neo-Confucian philosophy. Adding a more rational theoretical foundation and new methods of moral cultivation and study to traditional thought and practice, Neo-Confucianism has exercised great influence upon thought and social life in East Asia in the past six hundred years. As the classical statement of this philosophy, this (...) anthology brings together passages from Chou Tun-i, Ch'eng Hao and Ch'eng I, and Chang Tsai on the Way, Learning, and Self-improvement, as well as assessments of the character of Sages and Worthies; also included is a chapter on the doctrines of Buddhism and Taoism, pointing out ways in which they deviated from the Confucian Way. It is a very stimulating work; indeed almost every sentence has spark and substance. Although it has been widely studied by East Asian scholars, so far in the West there has been only the translation into German by Father Olaf Graf, now virtually unobtainable. With his mastery of Chinese philosophical literature, his industriousness in research and his augmentation of the text by generous quotations from the Chinese, Japanese, and Korean commentaries, the translator has achieved extraordinary success in making the English version even more comprehensible than the original Chinese.--T. S. C. (shrink)